A Memoir"It was easy to invent a fable.When the letters did come from school, I'd scratch out a note in my father's hand, talk of fatigue, visits to the brain surgeon, etc.The East Bronx was like the Sahara, where a child and all his records could get lost in some infinite sand dune."What does an 11 year-old boy do when his classmates call him "Dumbo" and his parents don't seem to know that he exists?His mother, the beautiful Faigele spends her days pushing her 2 year-old son Marvin around in a stroller and barely hears Jerome's clarinet playing. The answer for Jerome Charyn is to go to the local movie house and hide out for a few hours every day.At the movies, he can escape, not be himself for a little while. One day, while watching Samson and Delilah for the seventh time that week, he is suddenly grabbed from his seat, dragged down a flight of stairs and winds up being introduced to a whole new way of life by three "cellar rats," as Jerome likes to call them.They make him a part of their group and he soon finds himself dressed in a Feuerman & Marx suit collecting money for Farouk, the local gangster. Many of the men remember his mother, The Dark Lady, from her days as dealer of their local poker game.With his distinctive style, a deep and accurate feeling for time and place, and an uncanny ability to communicate the world as seen through the imagination of an unusual boy, Charyn has created another gem of a memoir, a worthy sequel to The Dark Lady from Belorusse.

A Soviet theater troupe dares to put on Shakespeare's King Lear, but shortly before the performance, the actor playing the title role falls ill. The prop manager, a lumbering, largely silent bear of a man — completely inappropriate for the part, according to common perception — finds himself literally thrust into the spotlight. His performance becomes the talk of Moscow, and he falls under the direct scrutiny of Joseph Stalin, who controls whether the show will proceed and the actors will live to give another performance. An audacious winter's tale, The Green Lantern is an exploration of Shakespeare, the Soviet Union, and what it is to "perform," by one of the great American writers.

Acclaimed poet and translator, editor of such ground-breaking journals and anthologies as Alcheringa and Technicians of the Sacred, pioneer in the fields of performance poetry and ethnopoetics, Jerome Rothenberg is a literary radical and a major force in American poetry. Gathered here in his New Selected Poems 1970-1985 are pivotal poems from four previous New Directions collections, Poland/1931 (1974), A Seneca Journal (1978), Vienna Blood (1980), and That Dada Strain (1983). Rothenberg describes his new selection as "an attempt to isolate in the work of the last fifteen years (and a little more) the thread of a single long poem or sequence [in which] figures and voice's without context in the earlier books...find a location and a shape." Open-ended, explorative, and exuberantly and irreverently epic, the sequence ends with two new and previously uncollected poems, "15 Flower World Variations" and "Visions of Jesus."

A world where "the family" stood above all else...where murder was a cure for treachery...where respectability could be purchased for vast sums of money...where love struggled to survive in a climate of corruption and violence...where memories of a penniless immigrant past still fired his consuming ambition...and vengeance could still come suddenly, totally, from friends, from family, from the most unexpected places.

563 Pages

A total departure from previous writing about television, this book is the first ever to advocate that the medium is not reformable. Its problems are inherent in the technology itself and are so dangerous -- to personal health and sanity, to the environment, and to democratic processes -- that TV ought to be eliminated forever. Weaving personal experiences through meticulous research, the author ranges widely over aspects of television that have rarely been examined and never before joined together, allowing an entirely new, frightening image to emerge. The idea that all technologies are "neutral," benign instruments that can be used well or badly, is thrown open to profound doubt. Speaking of TV reform is, in the words of the author, "as absurd as speaking of the reform of a technology such as guns."

Literary Nonfiction. Art. In SEEING OUT LOUD, Saltz critically engages with notable works of art by over 100 notable artists ranging from Picasso, Matisse, and Warhol to Matthew Barney, Gerhard Richter, and Chris Ofili. These reviews appeared in the Village Voice between November 1998 and winter 2003. "Jerry Saltz is the best informed and hair-trigger liveliest of contemporary art critics, tracking pleasure and jump-starting intelligence on the fly. Jerry's fast takes usually stand up better in retrospect than other people's long views"---Peter Schjedahl. "Jerry Saltz looks at art from the perspective of the viewer, the ignorant, the lover, and the enemy. His writing is overwhelmingly passionate, yet without sentimentality. His words pierce the content and beauty of each work of art to test its endurance in time and memory"---Francesco Bonami, Curator, 2003 Venice Biennale.

five string banjo music book

Pal Joey Vocal Selections arranged for piano, vocal, and guitar (P/V/G) This special edition features 14 piano/vocal selections from the Rodgers & Hart favorite: Bewitched Do It the Hard Way A Great Big Town (Chicago) I Could Write a Book What Is a Man? and more, plus a history of this beloved musical.

Musicologist and folklorist Jerry Silverman has compiled this unique collection of 41 of the best baseball-inspired songs from 1867 to 1922---the golden era of the game. The songs in The Baseball Songbook represent the periods in which they were composed, with marches, ragtime, waltzes, two-steps, polkas, jazz, and more. They are descriptive, humorous, and inspirational, and their lyrics mirror the imagery of the time, from the flowery and high-falutin' language of the mid-19th century to the raucous and jazzy lingo of the early 20th century. The book is decorated with the charming sheet music covers of all the songs and with many other vintage baseball illustrations. There is also fascinating historical information about the songs, the composers, and the performers, and, above all, the players and teams mentioned in the songs. It includes music, lyrics, and chords for each song and a CD with every song performed by the author. It's a sweet, simple book that hearkens to a sweeter, simpler time." -Sports Illustrated"

This book contains more than 110 marvelous songs in transliterated Yiddish, and in English. The musical arrangements have been kept simple & the chords are well within the grasp of amateur guitarists. In addition to the music, there are 36 photos including some never before published scenes of pre-war Warsaw & the Vilna Ghetto under Nazi occupation

Featuring interviews with Chris Hardwick on The Nerdist Podcast and Marc Maron on WTF with Marc Maron Bad Sex On Speed is a savage, careening, hyper-real nightmare of a novel, taking us to the depths of Amphetamine America. Told with no concession to traditional narrative, in the voices of those in the grips and on the fringes, the stories that emerge are at once devastating, hysterical, and--perhaps most terrifying of all--going on all around you, all the time. Stahl digs deep into the psyche of the most demented and dispossessed among us, returning with a vision so unsparing that those not prepared to experience the screaming depths of speed psychosis up close and on the page should back slowly away and return to their lives unscathed.

From legendary cult writer Jerry Stahl comes Plainclothes Naked, a breakout novel that jacks up crime fiction to new heights of twisted, sexy, mind-blowing brilliance. With searing wit and devastating detail, Stahl -- whose work, Jim Carroll has written, "fills the gap in American literature left void since the death of the late, great Terry Southern " -- takes us deep into the minds of addicts and detectives, fetishists and killers. It's a vision of American misfits in a world of violent crime, official corruption, drug-addled scheming, and -- perhaps strangest of all -- genuine, up-from-the-toes true love. In a wildly careening plot that can only be described as crack noir, two pipe-heads accidentally steal a photo of George W. Bush's presidential package with a happy face tattooed on it and decide to blackmail the Republican Party. Before the crack-crazed thieves can follow through, however, a gorgeous, whip-smart young nurse absconds with the goods. But Nurse Tina's got her own problems -- she's just offed her online "money swami" husband with a bowl of Drano-laced Lucky Charms. When Manny Rubert, a scarred ex-junkie turned codeine-popping detective, is called in to investigate the "foamer" hubby's untimely demise, love hits him like a wrench to the head. Soon Manny and Tina are making plans of their own for the presidential pic -- and for their future together. But the meddling police chiefs and motel room sex-change surgeons of the world just won't leave them alone. And then there are those killer crackheads, still out there and closing in... At once a scathing tale of contemporary insanity and a no-holds-barred, tour de force thriller, Plainclothes Naked forges violence and comedy into a criminal love story as shocking as it is transcendent.

Here is a comprehensive, practical resource that makes building a successful baseball program considerably easier for both the new and the experienced coach. Included are proven techniques and ready-to-use materials for virtually every aspect of the coach s job, from recruiting to training talent for each position.

The interviews in this collection will convince the reader that Jerzy Kosinski's public persona was one of the greatest creations. Few authors were ever more adept at press interviews. For Kosinski, the author of nine novels, including The Painted Bird, Steps, Being There , and The Hermit of 69th Street , the interview was part performance, part public relations, part blind date. Kosinski in person was different from the existential adventurer in his novels. He was not so much engaged as engaging. though his fiction was brutal, he was charming. The contrast between Kosinski and the intensity of his fiction created the backdrop for his interviews. Like his readers, Kosinski's interviews were obsessed with the facts of his life. As a young boy he survived the Holocaust. He escaped Communist Poland. His life became the stuff of novels. He came to the United States with little money and no command of the English, but within a year he was a Ford Fellow at Columbia University and not long afterward was married to an American heiress and was living on Park Avenue. Yet Kosinski felt that his unique experiences, when transmuted to fiction, became a didactic lesson for others. A human being is loaded with the greatest power, he says in one interview, his imagination and the power to transcend his own conditions. The interviews here are published chronologically without abridgement. The same questions recur and Kosinski's answers are filled with discrepancies and contradictions. A good interview, he once wrote, is like truth itself, the temporary resolution of various contradictions. These compelling conversations recapture part of Jerzy Kposinski, who took his own life on May 3, 1991.

Hardcover: 413 pages Publisher: Putnam Pub Group (January 1971) Language: English ISBN-10: 069810370X ISBN-13: 978-0698103702 Product Dimensions: 8.4 x 5.4 x 1.8 inches Shipping Weight: 1.6 pounds

Rare book.

Ism, Ism, Ism / Ismo, Ismo, Ismo is the first comprehensive, United States-based film program and catalogue to treat the full breadth of Latin America's vibrant experimental film production. The exhibition features key historical and contemporary films from Argentina, Brazil, Bolivia, Chile, Colombia, Cuba, Ecuador, Mexico, Paraguay, Peru, Uruguay, Venezuela, Puerto Rico and the United States. From innovative works by Brazilian artist Helio Oiticica and Mexican photographer Manuel Alvarez Bravo to the breathtaking yet practically unknown ouevre of queer Ecuadorian filmmaker Eduardo Sola Franco, the exhibition takes both the aficionado and the open-minded viewer on a journey into a wealth of materials culled from the forgotten corners of Latin American film archives. Equally unprecedented in its approach and scope, the accompanying fully bilingual catalogue features major scholars and artists working across nationalities, mediums, and time periods. Lerner and Piazza assemble a mix of original content authored by key curators, scholars, and archivists from Latin America: eighteen essays and articles translated for the first time pertaining to the history of Latin American experimental film, historical image-documents that are fundamental to the history of experimental film in Latin America, and program notes from the exhibition's programs. Published in association with the Los Angeles Filmforum, and as part of the Getty's Pacific Standard Time: LA/LA.