The great art critic and writer John Berger joined forces again with Turkish writer and illustrator Selçuk Demirel in this unexpected pictorial essay. What happens when an art critic loses some of his sight to cataracts? What wonders are glimpsed once vision is restored? In this impressionistic essay written in the spirit of Montaigne, John Berger, whose treatises on seeing have shaped cultural and media studies for four decades, records the effects of cataract removal operations on each of his eyes. The result is an illuminated take on perception. Berger ponders how we can become accustomed to a loss of sense until a dulled world becomes the norm, and describes the sudden richness of reawakened sight with acute attention to sensory detail. This wise little book beckons us to pay close attention to our own senses and wonder at their significance as we follow Berger's journey into a more vivid, differentiated way of seeing. Demirel's witty illustrations complement the text, creating a mini-world where eyes take on whimsical lives of their own. The result is a collaborative collectors' piece perfect for every reader’s bedside table. This title completes a trilogy of books by Berger and Demirel. Smoke was published in 2018, and What Time Is It? was published in 2019.

A book of correspondence between two highly talented friends -- writer/critic/artist John Berger and filmmaker/artist John Christie -- I Send You This Cadmium Red began in concept in February 1997, when Christie mused to Berger: "What could our next project be?" Berger replied "Just send a color..". Soon after, a painted square of cadmium red crossed the English Channel, from Christie in London to Berger in France, and an amazing conversation began. The accompanying book reveals, in the form of letters, notes, small books, and drawings, their subsequent exchange of ideas on color -- a visual odyssey that ranges from Matisse's blue to the blue of Yves Klein, from industrial brown anti-rust paint to Joseph Beuys' Braunkreuz, from mysterious cave paintings to Byzantine gold leaf. Unprecedented and engaging, aesthetically stunning and intellectually enlightening, I Send You This Cadmium Red both explores new 'ways of seeing' and provides a key to understanding the work of these two artists.

Writer and critic John Berger and his daughter Katya conduct an intimate dialogue as they observe the clouds painted by Andrea Mantegna in the bridal chamber of Mantova's palazzo ducale. They ponder the infinite complexity of the reality the painting represents and the human and artistic events that lie below its surface.

A pictoral essay by the great art critic, novelist and long-time smoker, John Berger, and Turkish writer and illustrator Selçuk Demirel. "Once upon a time, men, women and (secretly) children smoked." This charming illustrated work reflects on the cultural implications of smoking, and suggests, through a series of brilliantly inventive illustrations, that society's attitude to smoke is both paradoxical and intolerant. It portrays a world in which smokers, banished from public places, must encounter one another as outlaws. Meanwhile, car exhausts and factory chimneys continue to pollute the atmosphere. Smoke is a beautifully illustrated prose poem that lingers in the mind. "A cigarette is a breathing space. It makes a parenthesis. The time of a cigarette is a parenthesis, and if it is shared you are both in that parenthesis. It's like a proscenium arch for a dialogue." - John Berger (in interview)

A master class on how to develop productive thinking and decision-making skills draws on the expertise of leading psychologists and thinkers, including Daniel Dennett, Nassim Nicholas Taleb, and Simon Baron-Cohen.

Eleven-year-old Andi Carillo quickly becomes the star of her school's new co-ed tennis team, and when her talent attracts sports agents who want her to play professionally, Andi's best friend Jeff Michaels helps her thwart the agents by uncovering their underhanded schemes.

"I trust no one more than Gerassi to make me understand America," Jean-Paul Sartre Unrepentant Critical Pedagogy encompasses the life, times, and activism of John 'Tito' Gerassi. A lifelong political animal and radical educator, Tito has lived his critical pedagogy on the barricades and front lines of the Movement; as a newsman for Time, Newsweek, and The New York Times; as a blacklisted professor exiled in Europe; as a Korean War Green Beret; as best selling author of The Great Fear in Latin America and nine other books. Major historical figures in Tito's life include Herbert Marcuse and Michel Foucault, Che Guevara and the Black Panthers, Simone deBeauvoir and Jean-Paul Sartre, and his own father, the artist and Spanish Civil War Republican General Fernando Gerassi. Unrepentant Critical Pedagogy gathers together a collection of previously unpublished and out of print essays and articles by Tito. There are also three new interviews with John Gerassi by Tony Monchinski examining Tito's life, his time in the Movement, and his critical pedagogy.

The title poem is interwoven with a varied collection of lyrics, narratives, puzzles, and translations

Shylock is one of the great figures of world literature, and of world mythology. Is he villain or victim?; tragic or comic? John Gross traces the elements that made up Shakespeare's portrait, and follows Shylock's fortunes in the theatres and at the hands or writers and critics. He ranges from the Bible to the Venetian ghetto, from Elizabethan money-lenders to Nazi Germany, and from Karl Marx to C.S. Lewis.

No other city has had so many lives, survived so many disasters and has reinvented itself so many times. No other city is like Berlin. Ever since John Kampfner was a young journalist in Communist East Berlin, he hasn't been able to get the city out of his mind. It is a place tortured by its past, obsessed with memories, a place where traumas are unleashed and the traumatised have gathered. Over the past four years Kampfner has walked the length and breadth of Berlin, delving into the archives, and talking to historians and writers, architects and archaeologists. He clambers onto a fallen statue of Lenin; he rummages in boxes of early Medieval bones; he learns about the cabaret star so outrageous she was thrown out of the city. Berlin has been a military barracks, industrial powerhouse, centre of learning, hotbed of decadence - and the laboratory for the worst experiment in horror known to man. Now a city of refuge, it is home to 180 nationalities, and more than a quarter of the population has a migrant background. Berlin never stands still. It is never satisfied. It never believes it has the answer. But it is now the irresistible capital to which the world is gravitating. In Search of Berlin is an 800-year story, a dialogue between past and present; it is a new way of looking at this turbulent and beguiling city on its never-ending journey of reinvention.

(Artist Transcriptions). Selections from Bolling's Cross Over U.S.A album which features popular American songs interpreted into his own inimitable style.

In five dexterously argued chapters, John Lahr investigates all the major plays and many of Noël Coward's lesser-known pieces. Hay Fever, Private Lives, and Design for Living, for instance, make a fascinating group of "Comedies of Bad Manners." Blithe Spirit and Relative Values raise the "Ghost in the Fun Machine." And Lahr explores the "politics of charm" oozing through The Vortex, Easy Virtue, and Present Laughter. Further chapters consider the patriotic plays like Cavalcade and This Happy Breed and examples of Coward's later work, such as Waiting in the Wings and A Song at Twilight. In all Coward's stage work, Lahr detects a coherent philosophy in which charm is both the subject of Coward's comedies and the trap that makes his very public life a perpetual performance.

"Lukacs's book is a lyrical, sometimes dazzling, never merely nostalgic evocation of a glorious period in the city's history. . . . {His} true sympathy lies . . . not with the famous expatriates, but with the writers and intellectuals who lived and died at home: the poets Endre Ady and Mihaly Babits; the novelists Ferenc Herczeg, Sandor Hunyady, Frigyes Karinthy, Dezso Kosztolanyi, Gyula Krudy, Kalman Mikszath, and Zsigmond Moricz; the political essayist DezsoSzabo; the playwright Erno Szep; the literary historian Antal Szerb; and others. . . . {John Lukacs} sets out to explain Hungarian literature to English-speaking readers. Though I have no idea whether or not he will succeed, few interpreters of Hungarian literature have made a more touching and eloquent attempt." -- The New York Review of Books

A profoundly moving biographical study of George Kennan by the fine historian John Lukacs A man of impressive mental powers, of extraordinary intellectual range, and--last but not least--of exceptional integrity, George Frost Kennan (1904-2005) was an adviser to presidents and secretaries of state, with a decisive role in the history of this country (and of the entire world) for a few crucial years in the 1940s, after which he was made to retire; but then he became a scholar who wrote seventeen books, scores of essays and articles, and a Pulitzer Prize-winning memoir. He also wrote remarkable public lectures and many thousands of incisive letters, laying down his pen only in the hundredth year of his life. Having risen within the American Foreign Service and been posted to various European capitals, and twice to Moscow, Kennan was called back to Washington in 1946, where he helped to inspire the Truman Doctrine and draft the Marshall Plan. Among other things, he wrote the "X" or "Containment" article for which he became, and still is, world famous (an article which he regarded as not very important and liable to misreading). John Lukacs describes the development and the essence of Kennan's thinking; the--perhaps unavoidable--misinterpretations of his advocacies; his self-imposed task as a leading realist critic during the Cold War; and the importance of his work as a historian during the second half of his long life.

The purpose of this book is to give a coherent account of the different perspectives on science and technology that are normally studied under various disciplinary heads such as philosophy of science, sociology of science and science policy. It is intended for students embarking on courses in these subjects and assumes no special knowledge of any science. It is written in a direct and simple style, and technical language is introduced very sparingly. As various perspectives are sketched out in this book, the reader moves towards a consistent conception of contemporary science as a rapidly changing social institution that has already grown out of its traditional forms and plays a central role in society at large. It will appeal to students in a wide range of scientific disciplines and complement well Professor Ziman's earlier books.