Edited with an introduction by Serge Gavronsky. Joyce Mansour (1928-1986) is widely considered to be one of the most important of the woman Surrealists. Her work has gained more recognition every year since her death. Following the release in France of a 700 page critically acclaimed anthology (in French), this is the first major anthology of her writings to be availble in English. The extensive poetry section is bilingual.

A collection of essays and transcripts of interviews and speeches by Earth First!er Judi Bari who survived first a 1990 car-bombing that left her paralyzed, then subsequent implication in her own attack, in spite of clear motives and death-threats from others. These articles and essays provide a history of Earth First!'s work and internal struggles, the involvement of the timber corporations, Richard Held (of COINTELPRO fame) and the FBI in discrediting Earth First!, as well as Bari's own complex relationship with the organization and some of its tactics. Annotation copyright Book News, Inc. Portland, Or.

Traces the life and music of the major composer and key figure of Romanticism, who has been the subject of major controversy since his early death in a mental asylum.

Drawing on her experience as an adult literacy tutor, Judith Frank's first novel traces the difficult and sometimes hilarious connection between two butches of different generations - a middle-class, thirty-something adult literacy teacher and her older, working-class student. With a disparate group of adult learners as the backdrop, Frank examines, with warmth and wit, the relationship between education and gender, class, and racial identity. With Crybaby Butch, Judith Frank creates a deeply human, bravely unsentimental story while at the same time investigating the meaning of butch identity as it reinvents itself from one generation to the next. ~ Carol Anshaw

Fully acknowledging that Judaism, as described in both the Bible and the Talmud, was patriarchal, Judith Hauptman demonstrates that the rabbis of the Talmud made significant changes in key areas of Jewish law in order to benefit women. Reading the texts with feminist sensibilities—recognizing that they were written by men and for men and that they endorse a set of social relations in which men control women—the author shows that patriarchy was not always and everywhere the same. Although the rabbis whose rulings are recorded in the Talmud did not achieve equality for women—or even seek it—they should be credited with giving women higher status and more rights. For example, during the course of several hundred years, they converted marriage from the purchase by a man of a woman from her father into a negotiated relationship between prospective husband and wife. They designated a bride's dowry to be one-tenth of her father's net worth, thereby ending her Torah-mandated disenfranchisement with respect to inheritance. They left the ability to grant a divorce in male hands but gave women the possibility of petitioning the courts to force a divorce. Although some of these developments may have originated in the surrounding Greco-Roman culture, the rabbis freely chose to incorporate them into Jewish law. 'Rereading the Rabbis: A Woman's Voice' also breaks new ground methodologically. Rather than plucking passages from a variety of different rabbinical works and then sewing them together to produce a single, unified rabbinical point of view, Hauptman reads sources in their own literary and legal context and then considers them in relationship to a rich array of associated synchronic and diachronic materials.

"Katz lives up to her first novel's potential in this moving, funny, wholly original picaresque about a nice Jewish girl. . . . The pasts and common destiny of two remarkable women--related with perfect timing in Sofia's convincing Yiddish-tinged English--come together beautifully in this nicely crafted, emotionally satisfying, and well-researched historical fiction."-- Publishers Weekly " The Escape Artist , a brilliant work of historical fiction . . . fast-paced and gorgeously written novel" -- Liberty Press Set in the brothels and gangster dens of Jewish Buenos Aires at the beginning of the twentieth century, The Escape Artist catapults us into the lives of Sofia Teitelbaum and Hankus Lubarsky. Sofia, a nice Jewish girl from Poland, is lured away from home by Tutsik Goldenberg, a wealthy traveling businessman who claims to be a lonely Argentine diamond merchant in search of a wife. Upon arriving in Buenos Aires, Tutsik dumps Sofia at his sister's brothel. Hankus, also a nice Jewish girl from Poland, is passing as a man. Having escaped the pogroms of Poland that killed her family, she lives her life as a handsome and mysterious magician and escape artist. When Tutsik spots the talented juggler and acrobat Hankus he envisions success as his manager, seeing Hankus as the means to get out from under his sister's thumb. Sofia and Hankus fall in love and their attempts to walk the tightrope of love, freedom, and independence are quickly put to the test. Sex, deception, magic, and love are the main ingredients of this tour de force novel by Lambda Literary Award winner Judith Katz. In The Escape Artist , Katz reveals that all human interactions consist of love and hate, deception and candor, altruism and self-interest. This is as true in our lives today as it was in an immigrant community at the turn of the last century. Judith Katz is the author of two published novels, The Escape Artist and Running Fiercely Toward a High Thin Sound , which won a Lambda Literary Award for Best Lesbian Fiction. She has received Bush Foundation, McKnight Foundation, and National Endowment fellowships for fiction.

This stimulating collection of lectures by the late Judith Shklar on political obligation is paired with a scholarly introduction that offers an overview of her life, illuminates the connections among her teaching, research, and publications, and explains why her lectures still resonate with us and contribute to current debates in political theory and intellectual history.

While most gender-based analyses of rabbinic Judaism concentrate on the status of women in the halakhah (the rabbinic legal tradition), Judith R. Baskin turns her attention to the construction of women in the aggadic midrash, a collection of expansions of the biblical text, rabbinic ruminations, and homiletical discourses that constitutes the non-legal component of rabbinic literature. Examining rabbinic convictions of female alterity, competing narratives of creation, and justifications of female disadvantages, as well as aggadic understandings of the ideal wife, the dilemma of infertility, and women among women and as individuals, she shows that rabbinic Judaism, a tradition formed by men for a male community, deeply valued the essential contributions of wives and mothers while also consciously constructing women as other and lesser than men. Recent feminist scholarship has illuminated many aspects of the significance of gender in biblical and halakhic texts but there has been little previous study of how aggadic literature portrays females and the feminine. Such representations, Baskin argues, often offer a more nuanced and complex view of women and their actual lives than the rigorous proscriptions of legal discourse.

Jewish women writers of the late nineteenth and early twentieth centuries lived with a sense of painful connection to a culture that rejected their aspirations. Raised in a Jewish environment wary of female aspirations and in a wider world that was only marginally more sympathetic to their ambitions, this diverse group often found that a life devoted to literary expression required sacrifices and painful choices. Writing, however, enabled them to reclaim and explore their Jewish heritage. Responding to a variety of Jewish women's voices in Hebrew, Yiddish, English, and Spanish, this collection of seventeen essays surveys the achievements of Jewish women writers from the Middle Ages to the present. Scholars of Jewish literature chronicle the Jewish encounter with modernity and document female strategies for constructing intellectual and emotional identities amidst the competing demands of traditional norms, familial obligations, and economic survival. The themes of repression and equivocal liberation resonate throughout, as the authors reflect on the silencing of the female voice in a traditional Jewish culture that most often denied women the education and the empowerment requisite for recording their thoughts and feelings. While individual essays reveal literary discoveries of self and forgings of identity by women rising to the opportunities and challenges of drastically altered Jewish social realities, a significant number also show the sad decline of women writers upon whom silence was reimposed. Several chapters consider how Jewish women were depicted by male writers from the Middle Ages through the mid-nineteenth century. A final essay documents the ways in which memory, testimony, and survival affect the writing of women who survived the Holocaust, a perspective frequently marginalized in studies of Holocaust literature. Women of the Word is part of an emerging effort to listen to the voices of Jewish women both past and present. Written in a period when Jewish women writers internationally are creating a wealth of diverse literary works, these essays take note of the short time during which Jewish women's writing has flourished and inspire readers with the richness of the literature that such writers have already produced.

"A STRONG, CAPTIVATING NOVEL." --San Francisco Chronicle For Caroline the kitchen has always been her home, and Italian food her specialty. In fact, the minute she sets foot in Italy--and meets the appreciative Angelo, who loves her cooking like nobody's business--Caroline decides to stay. But even the magic spices of Italy can't make her marriage taste right. Angelo takes over the raising of their beautiful daughter Olivia, who, by the age of ten, hardly speaks to her mother. Caroline leaves the country and her daughter for four years, until Olivia seeks out her mother in New York. Caroline is overjoyed and hopeful--until she reacquaints herself with the difficult, demanding daughter she could never stop loving but discovers she doesn't exactly like.... "Between the risotto and the romance, Rossner treats family life with a wise and witty touch." --Us Magazine "Everything you expect from a Judith Rossner novel: story, character, language, and uniqueness--and more--a new ripeness, a maturity. It's altogether a deep and satisfying journey." --Betty Rollin

For more advanced Pagan worshippers who are ready to deeply interact with their religion, Devoted to You offers an insightful and complete exploration of four significant deities. Many witches and Pagans worship specific Goddesses and Gods, gaining insight and guidance from their presence. Wiccans can look to Aphrodite to connect them with love, beauty, and sex. Gala, Mother Earth, teaches about the living planet, helping Pagans to appreciate and care for her. Brigit, the Celtic Goddess of creativity and healing, inspires readers to develop their own talents and skills. Anubis guides the way into the deep mysteries of death and transformation. Like all the ancient Gods, these four can enlighten and inspire today just as they affected the lives of those in ancient civilizations. Devoted to You features information on these four deities from a variety of cultures: Egyptian, Celtic, Greek, each written by an expert in his or her field. Readers will gain an understanding of the archetypes that devoted Wiccans are drawn to; the names the deities have been called in various cultures, times, and places; and the various myths associated with the Gods and Goddesses. Each deity is also connected with one of the four Earth Sabbats and they are explained with regard to suggested ritual and meditative exercises. In Devoted to You, Judy Harrow offers advice on how to apply these insights and power to daily life.

The path towards enlightenment is best traveled with a guide. Spiritual mentoring is the process of assisting others in their quests to deepen and sustain contact with the holy, a complex practice in any religion. This guide focuses on spiritual teaching issues within the Pagan community and addresses topics such as good seeker-to-mentor matching, clear communication, religious maturity, and the role of community. Exercises for clarifying and enriching spiritual relationships are described and are accompanied by open-ended questions intended to help readers find their own spiritual answers.

"Why can’t a man be more like a woman?" seems to be the catchphrase of modern management gurus. They claim to be revaluing feminine "soft" skills as qualities necessary for corporate success. This book looks behind the rhetoric and investigates the gender relations of senior management in a post–equal opportunities world. The proportion of women managers has risen dramatically in the last twenty years, yet there are still very few women getting to the top. Based on a major study of five multinational corporations with model equality policies, this book takes a critical look at women's and men's experience in a changing corporate climate. Wajcman brings to bear feminist theories on equality and difference in employment, together with organizational analysis, in her assessment of whether women really do bring a distinct feminine style of management to tomorrow’s organizations. The main focus is on the processes of masculine organizational culture that sexualize women and exclude them from senior management. But how comfortable are men with the masculinity of management? This book presents fascinating material on the private lives of managers and looks at the interconnections between home and work for men as well as women. The author reveals how relations between the sexes are negotiated in the corridors of power and at the kitchen sink.

Elliot is a bachelor in his late thirties whose new girlfriend, Joanna, is everything he ever wanted in a woman--intelligent, beautiful, warm, independent--and yet terrifies him for precisely that reason. A twice-divorced real estate broker who likes order in her life, she is equally scared of the precariousness of having someone matter to her. Their uncertainties come to a head when Elliot takes her to a party to meet 'the guys'--Bobby, who works for Playboy; Phil, a recovering alcoholic; and Larry, who 'is not comfortable with a woman outside the confines of a divorce court.' The encounter becomes an initiation ceremony crackling with witty, barbed, and devastating dialogue that strips the two lovers of all pretensions, forcing them to confront each other anew in a painful awareness of their vulnerability. The result is a bitterly funny play about the ambiguities of being in love, with Jules Feiffer at his most incisive, wise, and wickedly honest.

Knock, Knock is about two cantankerous old ducks who have shared a log cabin for twenty years. In all of those years Abe and Cohn have never stepped out of the enclosure. They have never had visitors either, with the exception of a Jehovah's Witness who knocked on their door years ago. Abe informs us he invited him into the cabin where they had coffee and a religious discussion. These grumpy retired old men have no fondness for each other and their whole relationship is based on mutual aggravation.

A two act play about presidential politics. Also included is a one act play "Dick and Jane".

Small-time actor, Sheridan Haynes, had a rather unhealthy preoccupation with Sherlock Holmes. So when the chance came for him to play the famous detective in a TV series, it seemed his dreams had come true. And when London was plagued by a series of unsolved murders, well, it seemed only natural for him to take his role into real life. Was this a case of a laughable and misguided actor, or was Sheridan actually on to something?

Wealth can have its drawbacks. Case in point: The Collard and Vandervent families, who for decades have shared a large estate in the elegant London suburb of Blackheath. It's now the 1890s, and over the years, the families' near-incestuous entanglement has grown into a toxic web of lies and bitterness. While mama keeps an iron grasp on the purse strings, an unmarried daughter sucks greedily on her own disappointment, a son raises corruption to an art form, and an ethereal daughter-in-law casts come-hither glances at anything in pants. She casts them frequently at young Paul Vandervent, who responds by filling his journal with fevered love poems. And when one member after another of the extended clan falls victim to gastric misadventure--and his beloved falls under suspicion--Paul embarks on an equally feverish quest to clear her name, resolving to solve the extraordinary series of crimes popularly called The Blackheath Poisonings.

Hugh Bennett, young reporter on a local paper, witnessed a terrible crime - a group of boys stabbed a man to death on Guy Fawkes' night, right in front of the fire on the village green. But as Bennett attempts to write the story for his paper, doubts begin to creep in about what he had actually seen, and he finds himself facing an immense moral dilemma. On first publication, The Progress of a Crime was seen as setting new standards in crime fiction.