A delightfully clever contemporary novel inspired by the Louisa May Alcott classic In Katharine Weber's third novel, The Little Women , three adolescent sisters--Meg, Jo and Amy--are shocked when they discover their mother's affair, but are truly devastated by their father's apparently easy forgiveness of her. Shattered by their parents' failure to live up to the moral standards and values of the family, the two younger sisters leave New York (and their private school) and move to Meg's apartment in New Haven, where Meg is a junior at Yale. They enroll in the local inner-city public high school, and, divorced from their parents, they try to make a life with Meg as their surrogate mother. Written in the form of an autobiographical novel by Joanna, the middle sister, the pages of The Little Women are punctuated by comments from the "real" Meg and Amy. Their notes and Jo's replies form a second narrative, as they argue about the "truth" of the novel. Why do readers insist on searching for the autobiographical elements of fiction? When does a novelist go too far in mulching actual experience for a novel? What rights, if any, does a writer have to grant the people in her life and story? An ingenious combination of classic storytelling in a contemporary mode, The Little Women confirms Katharine Weber's reputation as a writer who "astutely explores the gap between perception and reality." ( The New York Times Book Review )

"Perfect for your summer trip to the beach" (O, The Oprah Magazine), Kathi Kamen Goldmark's hilarious novel of musicians, love, family, sex, and success is now in paperback. Follow Sarah Jean Pixlie as she catapults from struggling back-up singer to blazing star on the country music scene. Along the way, she pours out her savvy soul in the humorous lyrics from more than two dozen original songs, including "Put Me on the Guest List (To Your Heart)," "Hell on Heels," and "My Baby Used to Hold Me (Now He's Putting Me on Hold)." "Funny, authentic, and moving," raves Dave Barry about this first novel, which Scott Turow says is "the best thing to happen to country music since the broken heart."

"Spanning 130 years, The Flower in the Skull opens in the 1870s with Concha, a 12-year-old Opata Indian girl whose village has been attacked by soldiers. Her beloved family scattered, Cocha works as a housekeeper in Tucson and clings to memories of her old way of life. Her daughter, Rosa, feels the trauma of Concha's loss and marries young to start her own family. The story jumps forward to 1990s Los Angeles, where Shelly, a young Chicana woman, deals with the stress of a sexually predatory employer. On a research assignment to Tucson, Shelly digs through historical archives in search of information about the Ópata people. Unearthing a photograph of Concha, Shelly feels an immediate connection-and notices Concha's resemblance to a single faded photo from Shely's own family. Inspired by the author's research into her own family history, The Flower in the Skull illuminates the importance of a connection to ancestors-a connection disrupted by colonial violence and generational trauma"--

"After Kathy Acker met McKenzie Wark on a trip to Australia in 1995, they had a brief fling and immediately began a heated two-week email correspondence. Their emails shimmer with insight, gossip, sex, and cultural commentary. They write in a frenzy, several times a day; their emails cross somewhere over the International Date Line, and themselves become a site of analysis. What results is an index of how two brilliant and idiosyncratic writers might go about a courtship across 7,500 miles of airspace--by pulling in Alfred Hitchcock, stuffed animals, Georges Bataille, Elvis Presley, phenomenology, Marxism, The X-Files, psychoanalysis, and the I Ching. Their correspondence is Plato's Symposium for the twenty-first century, but written for queers, transsexuals, nerds, and book geeks. I'm Very Into You is a text of incipience, a text of beginnings, and a set of notes on the short, shared passage of two iconic individuals of our time."--Page 4 of cover.

"Twelve exquisitely written stories depicting the search for human connection and the attempt to fit in far from home. All the Shining People explores migration, diaspora, and belonging within Toronto's Jewish South African community, as individuals come to terms with the oppressive hierarchies that separate, and the connections that bind. Seeking a place to belong, the book's characters -- including a life-drawing model searching the streets for her lover; a woman confronting secrets from her past in the new South Africa; and a man grappling with the legacy of his father, a former political prisoner -- crave authentic relationships that replicate the lost feeling of home. With its focus on family, culture, and identity, All the Shining People captures the experiences of immigrants and outsiders with honesty, subtlety, and deep sympathy."--

The haunting story of the struggle between a father and daughter over the power and meaning of their Hungarian past.

George W. Bush, a self-proclaimed straight-talking Texan, has been roundly lampooned for his weak grasp of the English language: "subliminable," "resignate," and transformationed" being only a few of his malapropisms. As ridiculous as Bush sometimes sounds, we shouldn't underestimate him or the right-wingers who put him in power, because they never say what they mean or mean what they say. Over the past few decades, the radical right has engaged in a well-funded, self-conscious program of Orwellian doublespeak, transforming American political discourse to suit their political ends. "Private accounts" became "personal accounts." "Massachusetts liberal" was used to slur John Kerry's record. And their "compassionate conservative" tax cuts were neither conservative nor compassionate, unless you happen to be a Republican fat cat. Sick and tired of their sinister deceptions, celebrated Nation editor Katrina vanden Heuvel set out to explode their verbal gymnastics by asking her readers to suggest satirical definitions of Republican jargon. The result was a grassroots groundswell of hilarious submissions from Americans who are mad as hell and aren't going to take it any more. She has collected the best in this very funny and very necessary book.

For anyone stuck in a bad relationship, for anyone trapped in a job that's unfulfilling, for anyone who drinks too much or uses food as a drug, for anyone whose lifelong dreams have fallen by the wayside-here's help. Renowned psychiatrist Dr. Keith Ablow offers surprising and effective new strategies for turning the pain of the past into the power of the future. Drawing on more than 15 years of clinical experience, he presents case studies that reveal how ignoring painful memories can negatively affect every aspect of our lives. Acknowledging that examining the past can be daunting, he presents ideas and exercises that are as comforting and rewarding as they are redemptive. Through Ablow's storytelling skills, empathetic voice, and straight-up advice, the experience of reading this book becomes the first step to a brilliant life.

Explores the history of the Occupy Wall Street movement, offering first-hand accounts of its early days and examining protesters' goals and demands

When Keith Green died in a 1978 plane crash, many people wondered if his death would mark the end of his vital ministry.Nearly 20 years later, we know the answer. Keith's music continues to minister to old and new fans alike. His messages are also finding a new audience -- first, through If You Love the Lord, a collection of devotional messages based on Keith's teachings, and now in Make My Life a Prayer. This new collection from the writings, spoken messages, and journals of Keith Green contains some never-before-published material that will motivate readers to: -- Live a life of no compromise -- Seek personal holiness -- Hunger for God's presence -- Be zealous for the lost -- Deny themselves and pick up the cross of Christ -- Spend more time in prayerFor readers everywhere who want a deeper Christian life, Make My Life a Prayer is a must-have.

In recalling the process of helping patients ferret out the past from the deep recesses of their minds, To Wrestle with Demons offers a rare glimpse of a psychiatrist's innermost thoughts about how his work affects patients, deeply moves him, and reflects the society in which we live.

"For fans of Black Mirror and True Detective, a visceral high-concept thriller about a psychologist who must protect the life of an eleven-year-old girl whose ability to remember past lives makes them both targets of a merciless killer. Dr. Matilda Deacon is a psychologist researching how memories are made and stored when she meets a strange eleven-year-old girl named Ashanique. Ashanique claims to harbor the memories of the last soldier killed in World War I and Matilda is at first very interested but skeptical. However, when Ashanique starts talking about being chased by the Night Doctors--a term also used by an unstable patient who was later found dead--Matilda can't deny that the girl might be telling the truth. Matilda learns that Ashanique and her mother have been on the run their whole lives from a monstrous assassin named Rade. Rade is after a secret contained solely in memories and has left a bloody trail throughout the world in search of it. Matilda soon realizes Ashanique is in unimaginable danger and that her unique ability comes with a deadly price. Fast-paced, suspenseful, and a chilling blend of science and danger, The Clarity is a compelling take on the possibilities of reincarnation and life after death"--

A daughter of the poets Hettie Jones and Amiri Baraka, Kellie Jones grew up immersed in a world of artists, musicians, and writers in Manhattan's East Village and absorbed in black nationalist ideas about art, politics, and social justice across the river in Newark. The activist vision of art and culture that she learned in those two communities, and especially from her family, has shaped her life and work as an art critic and curator. Featuring selections of her writings from the past twenty years, EyeMinded reveals Jones's role in bringing attention to the work of African American, African, Latin American, and women artists who have challenged established art practices. Interviews that she conducted with the painter Howardena Pindell, the installation and performance artist David Hammons, and the Cuban sculptor Kcho appear along with pieces on the photographers Dawoud Bey, Lorna Simpson, and Pat Ward Williams; the sculptor Martin Puryear; the assemblage artist Betye Saar; and the painters Jean-Michel Basquiat, Norman Lewis, and Al Loving. Reflecting Jones's curatorial sensibility, this collection is structured as a dialogue between her writings and works by her parents, her sister Lisa Jones, and her husband Guthrie P. Ramsey Jr. EyeMinded offers a glimpse into the family conversation that has shaped and sustained Jones, insight into the development of her critical and curatorial vision, and a survey of some of the most important figures in contemporary art.

Emerge: Putting Southern California on the art world map -- Claim: assemblage and self-possession -- Organize: Building an exhibitionary complex -- In motion: the performative impulse -- Conclusion. Noshun: Black Los Angeles and the global imagination

The Robot in the Garden initiates a critical theory of telerobotics and introduces telepistemology, the study of knowledge acquired at a distance. Many of our most influential technologies, the telescope, telephone, and television, were developed to provide knowledge at a distance. Telerobots, remotely controlled robots, facilitate action at a distance. Specialists use telerobots to explore actively environments such as Mars, the Titanic, and Chernobyl. Military personnel increasingly employ reconnaissance drones and telerobotic missiles. At home, we have remote controls for the garage door, car alarm, and television (the latter a remote for the remote).The Internet dramatically extends our scope and reach. Thousands of cameras and robots are now accessible online. Although the role of technical mediation has been of interest to philosophers since the seventeenth century, the Internet forces a reconsideration. As the public gains access to telerobotic instruments previously restricted to scientists and soldiers, questions of mediation, knowledge, and trust take on new significance for everyday life.Telerobotics is a mode of representation. But representations can misrepresent. If Orson Welles's "War of the Worlds" was the defining moment for radio, what will be the defining moment for the Internet? As artists have always been concerned with how representations provide us with knowledge, the book also looks at telerobotics' potential as an artistic medium.The seventeen essays, by leading figures in philosophy, art, history, and engineering, are organized into three sections: Philosophy; Art, History, and Critical Theory; and Engineering, Interface, and System Design.

"In 1996, during the relatively early days of the web, Kenneth Goldsmith created UbuWeb to post hard-to-find works of concrete poetry. What started out as a site to share works from a relatively obscure literary movement grew into an essential archive of twentieth- and twenty-first-century avant-garde and experimental literature, film, and music. Visitors around the world now have access to both obscure and canonical works, from artists such as Kara Walker, Yoko Ono, Pauline Oliveros, Samuel Beckett, Marcel Duchamp, Cecil Taylor, Glenn Ligon, William Burroughs, and Jean-Luc Godard. In Duchamp Is My Lawyer, Goldsmith tells the history of UbuWeb, explaining the motivations behind its creation and how artistic works are archived, consumed, and distributed online. Based on his own experiences and interviews with a variety of experts, Goldsmith describes how the site navigates issues of copyright and the ways that UbuWeb challenges familiar configurations and histories of the avant-garde. The book also portrays the growth of other "shadow libraries" and includes a section on the artists whose works reflect the aims, aesthetics, and ethos of UbuWeb. Goldsmith concludes by contrasting UbuWeb's commitment to the free-culture movement and giving access to a wide range of artistic works with today's gatekeepers of algorithmic culture, such as Netflix, Amazon, and Spotify"--