For many years the term fin de siècle has been used to imply a state of decadence which was thought to have pervaded 'civilised' European society in the years around 1900. This volume of essays, which draw on a very wide range of disciplines, argues that the period was in fact one of dramatic change, essentially positive and forward-looking in character. This was the period of the rise of the giant corporation, of mass production and mass consumption, and of the development of the generation and distribution of electrical energy. Novel social features such as mass politics, mass media, and mass sport involved the body of ordinary people and in the arts, complex reactions to contemporary social reality were aroused and expressed. This was also the period which gave birth to the study of quantum mechanics, relativity physics, mental processes and genetics. This volume forms part of a sequence of collections of essays which began with The Enlightenment in National Context (1981) and has continued with Romanticism in National Context (1988). They bring together comparative, national and interdisciplinary approaches to the history of great movements in the development of human thought and actions.

Gellhorn's definitive war novel and her best novel.

At the heart of this brilliant and colourful Mexican novel lies the search for a family history. Using ancestral recollections, flashbacks through history, and personal memory, the author traces her family roots from pre-Revolutionary Russia to contemporary Mexico. Margo Glantz's Mexico is a mysterious world - a cultural carnival where Flash Gordon crosses paths with Columbus: a Mexico of Diego Rivera, Leon Trotsky and Frida Kahlo, hijacked by Dracula and King Kong, filled with the aromas of a kosher bakery and the echoes of jokes, some corny, some not.

Kathi Kamen Goldmark's first novel, And My Shoes Keep Walking Back to You, earned praise from an assortment of well-known authors including Amy Tan, Maya Angelou, Scott Turow, Judy Collins, Rita Mae Brown, Carl Hiaasen, and Roddy Doyle; and received positive reviews in O, the Oprah Magazine, the Miami Herald, the San Francisco Chronicle, and other publications. Completed shortly before her untimely death from breast cancer, Goldmark's Her Wild Oats is a honky-tonk road story about two unlikely pals: A smart young woman, Arizona Rosenblatt, leaves home and her role as assistant to a high-powered Hollywood executive when she discovers her husband is having an affair with a woman from Jews for Jesus; and thirteen-year-old Otis Ray "Wild Oats" Pixlie, boy genius harmonica player. In the end, Otis Ray learns what it means to be an adult, Arizona discovers the life she wants, and they both figure out the true meaning of love and family.

The hero, Christopher Barrington, looks back to his boyhood and recalls the intrigues that happened in the huge house at Belting. This crime novel is from the same author as "The Colour of Murder" and "The End of Solomon Grundy" and he is the Crime Fiction reviewer for "The Independent".

The Land that Touches Mine is the sixth novel by John Sanford, author of The Old Man's Place and Make My Bed in Hell. It is a gritty, hard-boiled tale about an army deserter, who hooks up with a carhop during World War Two, amid the brutal 100-degree heat of the California desert summer. Not only is the man on the run from the army; he's on the run from his own past. The novel, crackling with tough dialog, speeds toward a climactic choice: will he let the woman help him across the border to freedom in Mexico before his luck runs out? First published in 1953 by Doubleday (U.S.) and Jonathan Cape (U.K.), The Land that Touches Mine is arguably the finest of Sanford's eight published novels. The New York Times lauded the book's "muscular and economic prose," stating that "John Sanford makes a powerful bid for top billing in current fiction [with this] poetic, tragically intense tale," and concluded, "It is an absorbing narrative by a writer of great distinction and ability, guaranteed to hold the interest of every reader interested in the individual isolations and distortions of our modern world." In England, the New Statesman compared Sanford's use of language to William Faulkner's Soldier's Pay and Malcolm Lowry's Under the Volcano, highlighting "the italicized flashbacks that Mr. Sanford uses with such skill." And the Manchester Guardian wrote that "the combination of the tough and the tender in the texture of the book is curiously real and satisfying."

"Thirty years after From Rockaway ("A great first novel" --Harper's Bazaar), Jill Eisenstadt returns with a darkly funny new work of fiction that exposes a city and a family at their most vulnerable. When Sue Glassman's family needs a new home, Sue relents, after years of resisting, and agrees to convert to Judaism. In return, Sue's father-in-law, Sy, buys the family--Sue, Dan, and their two daughters--a capacious but ramshackle beachfront house in Rockaway, Queens, a world away from the Glassmans' cramped Tribeca apartment. The catch? Sy is moving in, too. And the house is haunted. On the weekend of Sue's conversion party, ninety-year-old Rose, who (literally) got away with murder on the premises years earlier, shows up uninvited. Towing a suitcase-sized pocketbook, having escaped an assisted living facility in Forest Hills, Rose seems intent on moving back in. Enter neighbor Tim--formerly Timmy (see From Rockaway), a former lifeguard, former firefighter, and reformed alcoholic--who feels, for reasons even he can't explain, inordinately protective of the Glassmans. The collective nervous breakdown occasioned by Rose's return swells to operatic heights in a novel that charms and surprises on every page as it unflinchingly addresses the perils of living in a world rife with uncertainty"--

This comic romance is set at a small bohemian liberal arts college in Vermont. Embarking on his first teaching job in a longed-for idyllic New England country setting, Richie Schuster’s marriage to snarky and glamorous wife, Sally, soon goes up in flames, along with his academic career as he declares war on his fellow faculty members. Contains many excellent farcial blackouts and sharp, Pinter-like dialogue.This was James Howard Kunstler’s second novel, published in 1981, some time before he became better known as a social critic and author of the acclaimed non-fiction books The Geography of Nowhere, The Long Emergency, and Too Much Magic. Reviewers pilloried Kunstler as “just another unhappy divorced college professor writing about his sorry life,” but Kunstler had never taught school at any level and had never been married when he wrote the book.

A major new novel about sex and the citizen by the award-winning author of Being Dead The timid life of actor Felix Dern is uncorrupted by Hollywood, where his success has not yet been shackled with any intrusive fame. But in the theaters and the restaurants of his own city, "Lix" is celebrated and admired for his looks, for his voice, and for his unblemished private life. He has succeeded in courting popularity everywhere, this handsome hero of the left, this charming darling of the right, this ever-twisting weather vane. A perfect life? No, he is blighted. He has been blighted since his teens, for every woman he sleeps with bears his child. So now it is Mouetta's turn. Their baby's due in May. Lix wants to say he feels besieged. Another child? To be so fertile is a curse... In" Genesis, Jim Crace, winner of the National Book Critics' Circle Award and the Whitbread Novel of the Year, charts the sexual history of a loving, baffled man, the sexual emancipation of a city, and the sexual ambiguities of humankind.

From the critically acclaimed author ofThe Memory Cathedralcomes perhaps the most powerful, haunting, and unforgettable novel of the Civil War--or any war--ever written. Provocative, poetic, and disturbing, it introduces us to a young narrator, Mundy McDowell, whose voice rivals any in literature, bringing poignantly to life the surreal horrors of battle and its spiritual cost to human survival. I was scarce twelve the day the damn Yankees invaded the valley. I seen a lot that day I ain't never gonna forget. Men blown apart, screamin' and dyin' all around me. I was wandering in the woods like I wasn't supposed to and wound up right in the middle of the battle. And that's what I suppose saved me. When I got back home the main house was burning to the ground. I saw two men wearin' bits and pieces of 'Federate and Yank uniforms. They killed Poppa right off, and Mother they dragged into the front yard before they killed her too. I reckon that was the day I first got the knack of being invisible. The spirit dog seen me right off, though. He was big and black and smelled like burning. His eyes were like red coals and everywhere he went, it seemed death followed. Him and me, we mostly traveled together after that. I passed through midnight fields of dead and dying soldiers, reeking makeshift field hospitals worse than hell itself; climbed into the mountains where the runaway slaves hid; and walked through towns shattered by the passage of the war. I met a lot of people, some of them living and some of them just memories. There was Jimmadasin, the slave who died on my account, and Mammy Jack, who taught me to see visions; the gallant Colonel Ashby, who let me ride by his side, and, of course, the mulatto whore Lucy, who saved my life twice. Last but not least, there was mad but brilliant General Jackson, who was probably responsible for putting more men in their graves than any other during the Shenandoah campaign. Whether he was a hero or a demon I never did determine, but I wish I had never met him at all. And through it all I remained silent. The power of speech left me the day my parents were killed and I first saw the spirit dog. You see, the whole time I was wandering through that valley of death I was deciding on whether to go back to being human or to become a spirit myself, and that's what this book is all about. From the Hardcover edition.

'The Credit Draper', an original debut novel by J. David Simons, is more than just an immigrant's story about the search for identity in an alien land - it is also a book about whisky, football and waterproof clothing.

The narrator of Ivan Klima's novel has temporarily abandoned his work-in-progress -an essay on Kafka -and exchanged his writer's pen for the orange vest of a Prague road-sweeper. As he works, he meditates on Czechoslovakia, on Kafka, on life, on art and, obsessively, on his passionate and adulterous love affair with the sculptress Daria. Gradually he admits the impossibility of being at once an honest writer and an honest lover, and with that agonizing discovery comes a moment of choice.

This outstanding family novel, set in a Jewish neighborhood of Chicago, is "the fullest articulation of the generational conflict between Jewish fathers and [sins]," writes Alexander Bloom in his 1986 book Prodigal Sons. The central character, a 15-year-old boy in rebellion against the petit bourgeois values of his family, engineers an affair between his flamboyant aunt and his easy-going Gentile cousin by marriage. He then leaves his father and moves into the house of this new couple, where he experiences the excitement and problems of an open relationship.

In this philosophical exploration of creativity, Irving Singer describes the many different types of creativity and their varied manifestations within and across all the arts and sciences. Singer's approach is pluralistic rather than abstract or dogmatic. His reflections amplify recent discoveries in cognitive science and neurobiology by aligning them with the aesthetic, affective, and phenomenological framework of experience and behavior that characterizes the human quest for meaning. Creativity has long fascinated Singer, and in Modes of Creativity he carries forward investigations begun in earlier works. Marshaling a wealth of examples and anecdotes ranging from antiquity to the present, about persons as diverse as Albert Einstein and Sherlock Holmes, Singer describes the interactions of the creative and the imaginative, the inventive, the novel, and the original. He maintains that our preoccupation with creativity devolves from biological, psychological, and social bases of our material being; that creativity is not limited to any single aspect of human existence but rather inheres not only in art and the aesthetic but also in science, technology, moral practice, as well as ordinary daily experience.

The Big Brokers is an explosive novel of America's jungle. Here is the story of three New York boys, Mitch, Larry and Bull, who took Las Vegas by storm-and then turned their guns against their bosses' bosses. Authentic and shocking, The Big Brokers exposes the inner workings of the syndicate. It is a masterful chronicle of men and women who choose crime as a way of life.

Philippines is Hélène Cixous's reverie or 'true dreaming' which intertwines Freud's uneasy views on telepathy, autobiographical memories conflating Algeria and Paris, childhood and adult life, shared with her brother 'Pete', and literary evocations from Proust and George du Maurier's forgotten novel Peter Ibbetson. Amid telepathic conversations, real or imagined, and life events uncannily answering one another from a distance, Cixous's dense evocative journey ceaselessly 'returns to its starting point' and, like the twin almonds in one shell evoked by the title, reveals intimate, secret bonds between scenes and beings, real and fictional. Its interpretive sharpness delivered with stylistic elegance and candour will make this study typical of Cixous's art, which plies between literature and criticism, appealing not only to scholars and critics interested in psychoanalysis, autobiography and the act of reading, but also to a broader readership captivated by the hallucinatory coincidences between life, dream and fiction, when 'Reality is the dream. The dream is the true reality'.

"...a coming-of-age story with a mind-blowing opening paragraph, the novel explores middle-class teenager Tommo's moves among the fading elite of society and the sinister undertow of their world, holding the reader in a vice-like grip all the way to the final page." - Sunday Post Tommo has just moved to a prestigious boarding school. A product of the middle class, and with new-found independence thrust upon him, he finds himself invited into fading crumbling country houses. It's the early nineties and the elite he is now surrounded by is struggling for relevance. Alienated from the mainstream, and running low on inherited wealth, his peers have retreated into snobbery and fatalism. Initially awed by their poise and seduced by their hedonism, Tommo gradually becomes aware of sinister undercurrents and a suppressed rage that threatens to explode into violence. In this world, half-remembered traditions mix with decadence and an awful lot of small dead animals. And sometimes, not just animals. When Tommo's friend Johnnie's brother is found dead, a shotgun at his feet, he realises there are secrets that everyone knows, but no one speaks about, or even acknowledges. And those secrets can no longer be hidden. 'Keeps the outrageous laughs and twists coming in equal measure' - Alexander Larman, The Observer

Giles Steel Ahsad Adelman finds himself adrift in a tiny lifeboat with a group of human slaves and two alien crewmen. Only the aliens know how to pilot the vessel - and they have lost the will to live. This novel of disaster and survival comes from the author of Planet of the Damned.

“The creative act par excellence.”—Denis Donoghue “ Extravaganza is the eeriest comic novel of our generation.”—Cynthia Ozick

"Gillian Freeman is among the finest contemporary novelists." - Brigid Brophy, New Statesman "It is altogether an astonishing novel for a young woman to have written. The story describes, convincingly and touchingly, the brief, sensual affair ... between a sailor on leave and a young schoolteacher ... their frank sexual attraction for each other is given a warm and compelling context ... a novel that has the ring of truth." - Times Literary Supplement "This novel is successful in an honest and unpretentious way." - The Guardian When Freda Mackenzie, an eminently respectable young schoolteacher with a stockbroker father and a background of tennis, riding and university, meets Derek Smith, a big blond sailor from the East End of London, she tells herself that she sees him only as a challenge, that she simply enjoys watching his reactions as she introduces him to good food, good films, good music. But their friendship develops into something more: Derek awakens in Freda a latent sensuality, a passionate joy in the act of love she has never before experienced or even imagined. As their affair becomes more intense, Freda and Derek find themselves torn between their feelings for each other and their very different social backgrounds-and they have only three short weeks in which to make their choice . . . Critically acclaimed on its initial publication and later recognized by critic Mary Cadogan as "considerably in advance of its time", Gillian Freeman's first novel, The Liberty Man (1955), returns to print for the first time in almost 40 years. This edition features a new introduction by Edward Thorpe and a reproduction of the original jacket art.