This book is the first devoted to modern biology s innovators and iconoclasts: men and women who challenged prevailing notions in their fields. Some of these scientists were Nobel Prize winners, some were considered cranks or gadflies, some were in fact wrong. The stories of these stubborn dissenters are individually fascinating. Taken together, they provide unparalleled insights into the role of dissent and controversy in science and especially the growth of biological thought over the past century. Each of the book s nineteen specially commissioned chapters offers a detailed portrait of the intellectual rebellion of a particular scientist working in a major area of biology--genetics, evolution, embryology, ecology, biochemistry, neurobiology, and virology as well as others. An introduction by the volume s editors and an epilogue by R. C. Lewontin draw connections among the case studies and illuminate the nonconforming scientist s crucial function of disturbing the comfort of those in the majority. By focusing on the dynamics and impact of dissent rather than on winners who are credited with scientific advances, the book presents a refreshingly original perspective on the history of the life sciences. Scientists featured in this volume: Alfred Russel Wallace Hans Driesch Wilhelm Johannsen Raymond Arthur Dart C. D. Darlington Richard Goldschmidt Barbara McClintock Oswald T. Avery Roger Sperry Leon Croizat Vero Copner Wynne-Edwards Peter Mitchell Howard Temin Motoo Kimura William D. Hamilton Carl Woese Stephen Jay Gould Thelma Rowell Daniel S. Simberloff "

Songs from the United States Revolution, as collected from old manuscripts, old newspapers, and accounts of the Revolution.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This book examines the troubled era that transformed the United States after 1920, emphasizing the conditions of life of ordinary men and women and the structures of their society, not the theories of either liberty or equality elaborated by thoughtful scholars.

Reprint Edition. First published in 1934, the majority of this book was developed just prior to the Nazi seizure of power, with additional material which reflects on its aftermath. It assessed the decline of European power and the crisis of Western civilization in the face of conflict between the ruling class and the lower classes, arguing that only by adherence to their inherited 'Prussianism' would Germany have the solidity to be able to combat these dangers. Despite the influence of his previous writings on key Nazi figures, his criticisms of National Socialism led to the book being banned, although not before it had been widely distributed throughout Germany. Contents: Introduction; The Political Horizon World Wars and World Powers The White World-Revolution The Colored World-Revolution; Indexution; Index

"With the same candor that has characterized his life, Otto Preminger--actor, director, producer, and now writer--exposes himself (in writing) as well as an impressive line-up of show business folk in this engrossing memoir. As one of Hol1ywood's pre-eminent directors with 36 films and 32 stage productions to his credit, Preminger reveals the funny, outrageous, and often exasperating moments of his career, and his association with the eccentric, the gracious, the wealthy, the egomaniacal--'the stars.' Beginning his career as an apprentice of Max Reinhardt, Preminger became an instant success as an actor and then as a director. Hollywood called and he went there in 1935. His outspoken manner clashed with the autocratic studio moguls. He was forced to return to New York and find work directing plays on Broadway. He rebounded in 1944 to begin his stormy and remarkably creative period in Hollywood with Laura, his first all-out hit, starring Gene Tierney, Clifton Webb, and Dana Andrews. Preminger gives an inside glimpse at shooting such films as Daisy Kenyon with Joan Crawford (whom he considers a remarkable, independent, and generous woman); River of No Return, starring Marilyn Monroe; the all-black productions of Carmen Jones and Porgy and Bess, both accused of being racist; The Man With the Golden Arm, with Frank Sinatra and Kim Novak; plus such legendary films as Anatomy of a Murder (James Stewart, Lee Remick, and George C. Scott), Exodus (Paul Newman, Eva Marie Saint), Advise and Consent (Henry Fonda and Charles Laughton), The Cardinal (Tom Tryon, Romy Schneider), Hurry Sundown (Jane Fonda, Michael Caine, Diahann Carroll and Faye Dunaway), and In Harm's Way (John Wayne). Making no bones about naming enemies or exalting his friends, Preminger elaborates on the blacklisting during the fifties and includes his own critique of the critics. Preminger gives us a little more insight into his friend Tallulah Bankhead and her affinity for shocking behavior (with a few choice examples), as well as his opinion of Howard Hughes (a fascinating man, but not all that eccentric). He sets the record straight on a number of his love affairs and marriages, and divulges the story of his relationship with Gypsy Rose Lee and their child, who after Gypsy's death emerged as Erik Preminger. Leaving few stones unturned, this unique "Otto-biography" zooms in on Hollywood through the eyes of one of its most active and highly creative personalities--Preminger!"--Jacket.

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P.F. Sloan was one of the most prolific and influential geniuses to emerge from the golden age of the 60s. From his little studio at Dunhill Records, Sloan was a veritable hit-machine, writing and playing guitar for The Mamas & The Papas (that's Sloan's infectious guitar lick on 'California Dreamin'), Barry McGuire (the brilliant and controversial 'Eve Of Destruction'), Johnny Rivers (the iconic 'Secret Agent Man'), The Turtles, The Grass Roots, Herman's Hermits, The Fifth Dimension, The Searchers, and more. P.F. Sloan was everywhere. And then he disappeared. With a foreword by British singer-songwriter Rumer and an afterword by Creed Bratton, the Grass Roots guitarist turned star of The Office, What's Exactly The Matter With Me? is a revelatory memoir of an extraordinary life through the most fascinating years of American and British musical and pop culture. Beginning with a chance meeting with Elvis Presley, this is the story of a boy whose only love was music--of dreams, success, destruction, and miraculous resurrection. Along the way we encounter The Beatles, The Rolling Stones, The Byrds, Bob Dylan, Buffalo Springfield, The Beach Boys, and more, as well as UFOs and psychiatric hospitals. This is the dangerous ride and inspiring story of one of the greatest songwriters in popular music--and also one of the most elusive and mysterious.

"It's 1970's Chicago. Eleven-year-old Matasha Wax is in the sixth grade and just starting to feel the pressures of growing up. Her best friend Jean has been blowing her off, while her parents are in a standoff over her mother's desire to adopt a refugee from Vietnam. And while the bullies in school have started to grow breasts and inches, Matasha remains a puny four-foot-four--which means she will need growth hormone shots, and she is terrified of needles. Apart from her daily reading of the advice columns in the newspaper, keeping up with the Patty Hearst and Watergate scandals, and tracking her parents' deteriorating marriage, Matasha is fixated by the story of Martin Kimmel, a nine-year-old boy who disappeared a few months ago, and whose body has yet to be found. But none of these ongoing problems could have prepared Matasha for her mother's sudden disappearance. When the letters start coming from Switzerland, she knows something is very, very wrong--but no one will tell her what's going on, so Matasha has to figure it all out for herself."--Page 4 of cover

"Jews experienced antisemitism the moment they landed on what would become the United States. When they first arrived in New Amsterdam in 1654, Peter Stuyvesant tried but failed to deport them. As historian Pamela S. Nadell tells in Antisemitism, an American Tradition, this was only antisemitism's beginning on our shores, as negative European stereotypes about Jews rooted into American soil. Compared with the Old World, with its expulsions, Inquisitions, ghettos, and Holocaust, America's Jews have a different history -- but one where antisemitism, even if it has had fewer dramatic eruptions, is deeply embedded. Jews in America faced restrictions on holding office and getting financial credit. Universities set quotas to limit the number of Jews attending and businesses refused to hire them. Jews endured verbal and physical attacks, and their synagogues and cemeteries, continuing to this day, were vandalized and desecrated. Antisemitism, an American Tradition investigates the depths of this fraught history and its recent manifestations: white nationalists chanting "Jews will not replace us" in Charlottesville, Virginia, and a gunman murdering eleven worshipers of Pittsburgh's Tree of Life synagogue building. Nadell also shows Jews responding to prejudice and hate. America's Jews created advocacy organizations. They turned to the courts to safeguard their constitutional rights. They made common cause with allies to confront all types of hate. They even used their fists when needed. At a time when prejudice, discrimination, and hate against Jews is flaring across the country, Antisemitism, an American Tradition argues that we must understand the past. This momentous work reveals how antisemitism -- and resistance to that hatred -- endures, representing not a rupture from America's history, but a centuries-old legacy." -- Book jacket.

" "I believe Freud got it wrong when he said that the two basic drives that motivate our thoughts and behavior are 1) sex and 2) death, which he sometimes called aggression, go figure. So what runs the show, then? Fear of embarrassment prevails until the age of thirty, followed by the desire to lose weight, and finally, the need to sit down." In LETS BE LESS STUPID, longtime New Yorker staffer and former SNL writer, Patty Marx, employs the weapon she wields best--razor-sharp humor--to tackle what is perhaps the most difficult facet of aging-the decline of the mind. From losing her keys to forgetting her sister-in-law's name, Marx has done it all, and somehow prevailed with friendships in tact. Unrelentingly funny and unexpectedly candid, LET'S BE LESS STUPID speaks to women and men of a certain age, but it will make you laugh at any age. Filled with anecdotes about trying to learn Cherokee, zapping her brain with electricity, taking pills that make her pay attention, and listening to hours of Mozart--all in the service of keeping her mental faculties intact--this is an utterly fresh and original take from one of the smartest comedic writers today. The first woman to be elected to the Harvard Lampoon, Marx is her generation's Nora Ephron. "--

A classic French story from Nobel Prize-winner Patrick Modiano and celebrated illustrator Jean-Jacques Sempé. Beautifully illustrated, this is a love letter to Paris, ballet and childhood for fans of The Little Prince, Le Petit Nicholas and Madeline.Catherine lives with her gentle father, Georges Certitude, who runs a shipping business in Paris with a failed poet named Casterade. Father and daughter share the simple pleasures of daily life: sitting in the church square, walking to school, going to her ballet class every Thursday afternoon. But just why did Georges change his name to Certitude? What kind of trouble with the law did Casterade rescue him from? And why did Catherine's ballerina mother leave to return to New York?

Modiano's debut novel is a sardonic, often grotesque satire of France during the Nazi occupation. We are immediately plunged into the hallucinatory imagination of Raphael Schlemilovitch, a young Jewish man, torn between self-aggrandisement and self-loathing, who may be the heir to a Venezuelan fortune, may have lived during the Nazi Occupation, may have rubbed shoulders with the most notorious collaborators and anti-Semites of the time, may even have been the lover of Eva Braun...or he may have been none of these things. But at the centre of this vortex is 'La Place de l'Etoile' - the Place of the Star - which is both the geographical and moral centre of Paris, and that place next the heart where French Jews were compelled to wear the yellow star, the symbol of their persecution.

I’d tell him everything, about my mother, about Jean Borand, about the apartment near the Bois de Boulogne, and about the girl they used to call Little Jewel...The same terrifying panic that came over me in the street and woke me with a start at five in the morning. One day in the corridors of the metro, nineteen-year-old Thérèse sees a woman in a yellow coat. Could this be her mother? Who called her Little Jewel? But didn’t her mother die in Morocco years earlier? She follows the woman, hoping to find answers to questions that have haunted her since childhood. As Thérèse describes her elusive memories, travelling around Paris, she reveals how every corner of the city recalls the past. Little Jewel is a profound story about memory, childhood, betrayal, and the search for identity and connection. Called the ‘Marcel Proust of our time’, Modiano writes prose that is limpid, spare and elegant. The 2014 Nobel Prize committee awarded him the prize ‘for the art of memory with which he has evoked the most ungraspable human destinies and uncovered the life-world of the Occupation’.

A haunting novel that probes the enigmas of time and memory, by Nobel Prize-winning author Patrick Modiano "Polizzotti's crisp and evocative translation keeps the reader hooked."-- Publishers Weekly In his acclaimed semi-autobiographical novella Suspended Sentences , Patrick Modiano recounted a dramatic season in his childhood, of the home he shared with sinister surrogate parents, the mysterious events that took place there, and an infamous heist that was never solved. In Scene of the Crime , Modiano conjures the aftermath of those years. A decade has passed, and Jean Bosmans, now in his early twenties, becomes aware of a set of disturbing coincidences involving an elusive woman, his childhood home, and a host of disquieting characters who seem inordinately interested in his past, for reasons he can't fathom. As he journeys into the echoes of memory, past and present become increasingly intertwined, forming a web spanning half a century. With the taut suspense of a detective novel, this book slowly peels away layers of time and forgetfulness to reveal the haunting, threatening, ultimately tragic legacies of what we think we know about our lives.

"A writer's notebook becomes the key that unlocks memories of a love formed and lost in 1960s Paris. In the aftermath of Algeria's war of independence, Paris was a city rife with suspicion and barely suppressed violence. Amid this tension, Jean, a young writer adrift, met and fell for Dannie, an enigmatic woman fleeing a troubled past. A half century later, with his old black notebook as a guide, he retraces this fateful period in his life, recounting how, through Dannie, he became mixed up with a group of unsavory characters connected by a shadowy crime. Soon Jean, too, was a person of interest to the detective pursuing their case--a detective who would prove instrumental in revealing Dannie's darkest secret. The Black Notebook bears all the hallmarks of this Nobel Prize-winning literary master's unsettling and intensely atmospheric style, rendered in English by acclaimed translator Mark Polizzotti. Once again, Modiano invites us into his unique world, a Paris infused with melancholy, uncertain danger, and the fading echoes of lost love"--