When animals and their symbolic representations—in the Royal Menagerie, in art, in medicine, in philosophy—helped transform the French state and culture. Peter Sahlins's brilliant new book reveals the remarkable and understudied “animal moment” in and around 1668 in which authors (including La Fontaine, whose Fables appeared in that year), anatomists, painters, sculptors, and especially the young Louis XIV turned their attention to nonhuman beings. At the center of the Year of the Animal was the Royal Menagerie in the gardens of Versailles, dominated by exotic and graceful birds. In the unfolding of his original and sophisticated argument, Sahlins shows how the animal bodies of the menagerie and others were critical to a dramatic rethinking of governance, nature, and the human. The animals of 1668 helped to shift an entire worldview in France—what Sahlins calls Renaissance humanimalism toward more modern expressions of classical naturalism and mechanism. In the wake of 1668 came the debasement of animals and the strengthening of human animality, including in Descartes's animal-machine, highly contested during the Year of the Animal. At the same time, Louis XIV and his intellectual servants used the animals of Versailles to develop and then to transform the symbolic language of French absolutism. Louis XIV came to adopt a model of sovereignty after 1668 in which his absolute authority is represented in manifold ways with the bodies of animals and justified by the bestial nature of his human subjects. 1668 explores and reproduces the king's animal collections—in printed text, weaving, poetry, and engraving, all seen from a unique interdisciplinary perspective. Sahlins brings the animals of 1668 together and to life as he observes them critically in their native habitats—within the animal palace itself by Louis Le Vau, the paintings and tapestries of Charles Le Brun, the garden installations of André Le Nôtre, the literary work of Charles Perrault and the natural history of his brother Claude, the poetry of Madeleine de Scudéry, the philosophy of René Descartes, the engravings of Sébastien Leclerc, the transfusion experiments of Jean Denis, and others. The author joins the nonhuman and human agents of 1668—panthers and painters, swans and scientists, weasels and weavers—in a learned and sophisticated treatment that will engage scholars and students of early modern France and Europe and readers broadly interested in the subject of animals in human history.

Text: English, German (translation)

Unsanctifying Human Life offers a collection of Singer's best and most challenging articles from 1971 to the present. The book includes early critiques of various approaches to philosophy and the role of philosophers, followed by controversial works on the moral status of animals, infanticide, euthanasia, the allocation of scarce health care resources, embryo experimentation, environmental responsibility, and reflections on how we should live.

Two bored brothers keep busy one afternoon by building an airplane and actually fly it until Mom and Dad notice.

Five new kittens explore their surroundings. On board pages.

Retells the Biblical story of the man who spent three days and three nights in the belly of a great fish. Includes historical material on Jonah's world.

This book examines the security needs for sports teams and events of all sizes. It provides a fundamental model for sports team security that can be applied almost universally, from youth sports to the Super Bowl and World Cup. It develops, compares, and contrasts current methodologies in sports security, for both amateur and professional athletes, examining which paradigms work best and under which circumstances.

"Traces the brutal career of a young soldier in Hitler's army, a man superbly trained for death -- but not for life." -- Back cover.

THE STORY: In the conference room of a four-power zone in Germany, four Colo-nels, representing their respective countries, The United States, England, France, and Russia, are apparently getting nowhere with their negotiations except deeper into a

The author shares his impressions of Russia's people, landscapes, and historic sites, and recounts his experiences traveling across the Soviet Union

Portrays a vast sweep of the history of the Russian Communist Party. The vantage point is that of Trotsky in retirement and isolation just before his death in 1940.

Works from museums and essays reveal the artist's career, intentions, influences, achieve-ments. This survey focuses on Guston's series of small panels that marked his rejection of abstraction and informed his paintings from the time of his 'new' alphabet show at the Marlborough Gallery (1970) until his death in 1980. (Yale University Art Gallery)

Critical essays are the basic mode of expression that students of literature at universities and colleges are expected to master, yet they are given no special instruction in this discipline. To make good the deficiency, Philip Hobsbaum demonstrates that there are techniques in writing criticism which can be both taught and learned. He himself learned his craft from such major figures as F.R. Leavis and William Empson, and has had many years' experience as a professional critic and a teacher of literature. After defining the uses of criticism, he provides invaluable guidance on such topics as what to say about a poem, English prose style and structuring an essay, in each case taking examples from the works of well-known authors. Here at last is the means of bridging the gap between the student as reader and the student as writer.

Conflict in the City is a fast-paced, lively, "can't wait to keep reading" novel in the tradition of Donald Westlake's Parker novels by wayof Roddy Doyle's The Commitments.Mixing and blending the genres of detective noir and music, Conflict in the City takes place in greater Los Angeles, home to both classic and modern fictional L.A. detectives like Raymond Chandler's Phillip Marlowe and Michael Connolly's Harry Bosch. Los Angeles is also the center of the music universe, where the Doors, Van Halen, and N.W.A., among so many others, got their starts.It's in this world that we find Johnny "Whoops" Watson and Billy Bates, young guitarists/singers and their band, Conflict, playing clubs in modern LA, where the days of rock's zenith and ascendance in the 1960s and 1970s has faded but the hopes and dreams of aspiring musicians haven't. Conflict is struggling and chaos ensues when someone linked closely to the band is killed. Billy and Johnny become swept up in the mystery, ill-prepared as they are to confront it. The novel is the first in a series.

"Philip Rieff has become out most learned and provocative critic of psychoanalytic thinking and of the compelling mind and character of its first proponent. Rieff's Freud: The Mind of the Moralist remains the sharpest exegesis yet to be done on the moral and intellectual implications of Freud's work. It was a critical masterpiece, worthy of the man who inspired it; and it is now followed by a work that suffers not at all in comparison. No review can do justice to the richness of The Triumph of the Therapeutic."-Robert Coles, New York Times Book Review "A triumphantly successful exploration of certain key themes in cultural life. Rieff's incidental remarks are not only illuminating in themselves; they suggest whole new areas of inquiry."-Alasdair MacIntyre, Guardian

In Philip Roth's intimate intellectual encounters with an international and diverse cast of writers, they explore the importance of region, politics and history in their work and trace the imaginative path by which a writer's highly individualized art is informed by the wider conditions of life. With Primo Levi, Roth discusses the stubborn core of rationality that helped the Italian chemist-writer survive the demented laboratory of Auschwitz. With Milan Kundera, he analyzes the mix of politics and sexuality that made him the most subversive writer in communist Czechoslovakia. With Edna O'Brien, he explores the circumstances that have forced generations of Irish writers into exile. Elsewhere Roth offers appreciative portraits of two friends--the writer Bernard Malamud and the painter Philip Guston--at the end of their careers, and gives us a masterful assessment of the work of Saul Bellow. Intimate, charming, and crackling with ideas about the interplay between imagination and the writer's historical situation, Shop Talk is a literary symposium of the highest level, presided over by America's foremost novelist.