If the new generation is not told accurate information, then not only will the new generation and the generations that follow be misguided but, more importantly, the policy makers of the future will be making decisions based on mis-assessments. There are three areas in which the truth of the past has been tragically misrepresented: The actions of the President, the role of the media, and the buried legacy of the South Vietnamese, the Laotians, the Cambodians and, of course, the Americans who gave their lives for the liberty of others. There is no higher morality than dying for the well-being of a stranger, and that is what they did. Their enemies were not only on the battlefield: many of their enemies are still revising the history of those days, either to justify their past actions, or to cloak their consciences, or they simply don't know the truth because they have been bombarded by those who rejected it. Their recorded words and fictionalized images are, at best, what they think is true, and at worst, are meant to deceive you.

Rosalyn Tureck was the first twentieth-century artist to make the Goldberg Variations and all-Bach recitals popular, earning recognition and praise for bringing Bach to the world. Now we have an autobiography by Ms. Tureck (1913-2003), the renowned keyboard artist and scholar who dedicated her life to the works of Johann Sebastian Bach.

In this volume, Jules Chametzky has gathered his very personable stories and reminiscences of some of the many writers he has met or known as he writes, some fleetingly, a few more intensely over the course of his more than half a century in the business of reading, writing, and talking about literature, of teaching and editing. Not only do those writers emerge as the complicated and fascinating human beings they are, but we also come to know Jules himself, a warm and gracious storyteller. Praise for Out of Brownsville: NO STUDENT of American Jewish writing needs to be reminded that Jules Chametzky is one of its pioneers. A founding editor of the influential Massachusetts Review, he is perhaps especially noted for his study of the fiction of Abraham Cahan. He now caps a distinguished career as critic, editor, and teacher with this delightful volume of memoirs. It is astonishing to know how many of the shapers of literature in America Chametzky knew not merely as subjects met in passing but understood as artists. Readers and scholars will, of course, find their own favorites among the individual memoirs, but beyond the perceptiveness of the recollections and the shrewd assessments in them, there emerges Jules himself, warm, gracious, accepting, modest about his own achievements, which he scarcely mentions. One closes the book with a sense of regret that it has ended and with a feeling how good it was for those who met Jules and enjoyed, however briefly, his friendship. Joseph C. Landis, Editor, Yiddish-Modern Jewish Studies, Professor Emeritus of English, Queens College, CUNY WOVEN INTO these lively portraits and reminiscences of others are not only sudden illuminations of the characters portrayed and of the fleeting moments captured here, but also insights into the fragility of life, the power to create, and the strange magic of human encounters that make Jules Chametzky s memoir so touchingly social and pleasurable to read. Werner Sollors, Henry B. and Anne M. Cabot Professor of English Literature and Professor of African and African American Studies, Harvard University LEGENDARY EDITOR Jules Chametzky s book is autobiography at its cleanest: one s life through the eyes of others. His astute, personable dispatches are a map of Jewish intellectual trends in the United States in the second half of the twentieth century. Ilan Stavans, Lewis-Sebring Professor in Latin American and Latino Culture (Spanish), Amherst College ACCORDING TO the Jewish Midrash, the Book and the Sword came wrapped together, with a message: Regard what is written in the book, or be delivered to the sword. Jules Chametzky s love of books and their very human creators is expressed in this cultural memoir with affection and marvelous charm, yet there is also a tone of urgency, from a man who has dedicated his life to keeping the book open and the sword sheathed. Lawrence Bush, Editor, Jewish Currents About the Author: Jules Chametzky is Professor of English, emeritus, at the University of Massachusetts Amherst, where he taught from 1958 until 2004. He was a founder of The Massachusetts Review, of which he is Editor, emeritus, after 27 years as senior co-Editor. Chametzky has published numerous articles and reviews on Jewish American and American literature in popular and academic journals. His major publications include From the Ghetto: The Fiction of Abraham Cahan; Our Decentralized Literature: Cultural Mediations in Selected Jewish and Southern Writers; the Penguin edition of Abraham Cahan s The Rise of David Levinsky. He co-edited Black and White in American Culture: Ten Years of The Massachusetts Review; and Jewish American Literature: A Norton Anthology. Chametzky is the father of three sons and was married for 52 years to the late poet Anne Halley.

Irena Koprowska's autobiography illuminates the struggles of a young immigrant woman to combine family responsibilities and a demanding medical career. Irena Koprowska's autobiography chronicles the life and struggles of an immigrant woman who successfully pursued a career while raising a family. In the process, she became an award-winning physician, professor, and research pioneer at a time in history when it was believed a woman's place was in the home. Born in Warsaw in 1917, Irena Koprowska was married, pregnant, and a physician by the age of twenty-two. Forced to flee the Nazis, first in Poland and then in France, she fled to Brazil in 1940. Four years later she immigrated to the United States. Unable to speak English, she started her academic career as a volunteer at the Department of Pathology at Cornell University Medical College. During the years of her subsequent Research Fellowships at Cornell University Medical College, she worked with George N. Papanicolaou, inventor of the Pap smear. The two co-authored a case report of the earliest diagnosis of lung cancer by a sputum smear. Eight years later, she was appointed Assistant Professor of Pathology at State University of New York Downstate Medical College and went on to become the first woman physician to become a full professor at Hahnemann Medical College and Hospital (now known as Hahnemann University) in Philadelphia. Later she joined the faculty of Temple University Medical School where, upon her retirement in 1987, she became Professor Emerita. She was recognized as "Woman Physician of the Year" by a Gold Medicus award of the Polish American Society in 1977 and received the Papanicolaou Award of the AmericanSociety of Cytology in 1985.

Erica Jong, the author of Fear of Flying, was a correspondent and friend of Henry Miller for the last decade of his life. In this blend of biography, autobiography, scholarship and polemic, she sets out to re-evaluate Miller's work and to rescue him from charges of misogyny and titillation. The book contains Jong's own correspondence with Miller, and also examines the background to the diaries of Anais Nin.

“I have read all of Daniel Aaron’s books, and admired them, but in The Americanist I believe he has composed an intellectual and social memoir for which he will be remembered. His self-portrait is marked by personal tact and admirable restraint: he is and is not its subject. The Americanist is a vision of otherness: literary and academic friends and acquaintances, here and abroad. Eloquently phrased and free of nostalgia, it catches a lost world that yet engendered much of our own.” —Harold Bloom “ The Americanist is the absorbing intellectual autobiography of Daniel Aaron, who is the leading proponent and practitioner of American Studies. Written with grace and wit, it skillfully blends Daniel Aaron’s personal story with the history of the field he has done so much to create. This is a first-rate book by a first-rate scholar.” —David Herbert Donald, Professor Emeritus, Harvard University The Americanist is author and critic Daniel Aaron’s anthem to nearly a century of public and private life in America and abroad. Aaron, who is widely regarded as one of the founders of American Studies, graduated from the University of Michigan, received his Ph.D. from Harvard, and taught for over three decades each at Smith College and Harvard. Aaron writes with unsentimental nostalgia about his childhood in Los Angeles and Chicago and his later academic career, which took him around the globe, often in the role of America’s accidental yet impartial critic. When Walt Whitman, whom Aaron frequently cites as a touchstone, wrote, “I am large, I contain multitudes,” he could have been describing Daniel Aaron—the consummate erudite and Renaissance individual whose allegiance to the truth always outweighs mere partisan loyalty. Not only should Aaron’s book stand as a resplendent and summative work from one of the finest thinkers of the last hundred years, it also succeeds on its own as a first-rate piece of literature, on a par with the writings of any of its subjects. The Americanist is a veritable Who’s Who of twentieth-century writers Aaron interviewed, interacted with, or otherwise encountered throughout his life: Ralph Ellison, Robert Frost, Lillian Hellman, Richard Hofstadter, Alfred Kazin, Sinclair Lewis, Malcolm Muggeridge, John Crowe Ransom, Upton Sinclair, Edmund Wilson, Leonard Woolf, and W. B. Yeats, to name only a few. Aaron’s frank and personal observations of these literary lights make for lively reading. As well, scattered throughout The Americanist are illuminating portraits of American presidents living and passed—miniature masterworks of astute political observation that offer dazzlingly fresh approaches to well-trod subjects.

The daughter of Oliver Golden, an African American expatriate and agrarian activist of the early 1900's, and Bertha Bialek, youngest daughter of Polish American emigres of Jewish descent, Lily Golden has a special place in history. In this account of her experience, Golden provides a connection between the contemporary and historical relationships of America to Russia. Golden offers a distinctly different and refreshing point of view of the lives and experiences of Russia in her often alluring and romantic, sometimes bitterly painful, yet always vivid and intimate details of her life as a dark-skinned Russian surviving in and struggling against turbulent changes. She brings her tale of a sometimes charmed sometimes challenged existence full circle in her descriptions of her ultimate contact with distant relatives in the United States. Lily Golden allows the reader access into her lifelong revelation that family and community ties are boundless by time and geography.--page 4 of cover.

A wise, witty, and humane autobiography filled with a passionate curiosity about the people--and meaning--of America. "One Man's America is at once a stirring account of a young immigrant becoming an American, a personal history of the major milestones of the late twentieth century, a fascinating insider's view of the most widely read news magazine in the world, and a warm and loving family saga. Here also is the remarkable success story of a boy driven from his native Vienna by the Nazis and returning years later as an ambassador; of a copy boy who rose to become editor of "Time magazine. During his long and distinguished career in journalism, Grunwald knew, befriended, and feuded with some of the greatest figures on the world stage, from Whitaker Chambers and Marilyn Monroe to John F. Kennedy and Henry Kissinger to Ronald Reagan and Fidel Castro. But the immense power his position allowed him was tempered by a fierce desire to know everything he could about the mores and folkways of the whole United States, Main Street bankers and student radicals alike, through whom he sought to understand the heart of his adopted country. "One Man's America is, above all, a hymn to the ever-turbulent, ever-changing land of America.

Young women in the 21st century have choices. They can marry or not; the doors of educational institutions and industry are wide open to them. They can do and be whatever they choose. But to keep moving forward, it is important to understand from where we have come. And Norma Yaeger's story helps put it is perspective. Like most young women in the 1950's, Norma Yaeger married young, had children, and depended on her husband to support their families. Unlike most women of the times, when things went awry and her husband failed to provide, Norma took it upon herself to make a better life for her and her kids. The stock market enthralled her. Never mind that she knew of no other women in the industry. Norma set out to get her NY Stock Exchange license. When she acquired it in 1962, it was not to break a barrier, it was to support her family. Norma had already conquered her deepest fears, broke and alone with three children in an isolated house in the Catskills. And she knew what thrilled her- staring at stock prices through a big window of brokerages. Wall Street was not ready for her. Women were not allowed to step foot on the floor of the New York Stock Exchange. The phrase "glass ceiling" wasn't even invented yet. And equal pay for equal work was a term yet to be uttered. But Norma was unstoppable. She acquired the license, walked the floor of the Exchange, and fought for and got equal pay. As one of the pioneering women on Wall Street, Norma had a fascinating career, accomplished much, and paved the way for other women. But the glass ceiling is still only cracked, not yet broken, and she hopes that her story can be an inspiration to the women still pushing against it in all walks of life.

*Winner of the National Jewish Book Award for Biography and Autobiography This is the story of the making of a world-famous sociologist. It is even more the story of a boy hustling to survive. Here in an astonishing and candidly written memoir by one of America's premier social scientists recounting the intensely personal story of his tormented youth in a ghetto within a ghetto. It etches the painful details of a boy's overcoming alienation and isolation in a hostile place in an unloving family. In the 1930s a small remnant community of Eastern European Jewish immigrants still resided in predominantly black Harlem. As shopkeepers trying to make out a marginal existence, Harlem's Jews were a minority within a minority. Into this restricted world the author of this book was born. Irving Louis Horowitz's parents had fled Russia, his father the victim of persecution in the Tsarist army during World War I. The boy's schoolmates were the children of black sharecroppers who had immigrated to the North. Poverty, language, and culture all cut off the Horowitz family from traditional community life, and the stress of a survival existence led to the trauma of a deteriorating family unit. Harlem and its environs, the Apollo and the Alhambra theaters, the Polo Grounds, and Central Park were the stage on which a youngster from this ghetto built a kind of self-reliance at the cost of social graces. The recipient of the National Jewish Book Award for Biography and Autobiography, this new, augmented edition contains the author's reflection of the impact of the Great Depression on Harlem family life.

Characters: 4 male, 2 female 2 Interiors Maestro Vito De Angelis, an egomaniacal but charming conductor, is under contract to a major publisher to deliver his autobiography. The publisher has paid a huge advance and Vito has just fired his fifth ghost writer. The publisher sends pretty Iris Peabody, knowing that Vito is a sucker for the ladies, to gain his cooperation as she ghost writes the book. The stratagem works, a fact that distresses Mrs. Vito, former opera star Rachel Garla

Alfred Bader's achievements—as the founder of one of the most important companies in its field in the world, as a collector and dealer in Old Master paintings, and as a legendary philanthropist—make for fascinating reading. This book begins where Alfred Bader's first autobiography, Adventures of a Chemist Collector, ended: with the boardroom coup in which he was dismissed from the chemical company he had built up from the ground. Bader now turns his enormous energy to Old Master paintings, in which he had become interested at a young age and in which he by now has the means to invest. The chapters that follow are roughly chronological, with some devoted to particularly meaningful paintings or groups of paintings, memorable auctions, mysteries, or discoveries relating to the artworks in the Bader Collection, while others are dedicated to friends, family, love, religion, charity, and, occasionally, chemistry.

Leaving Russia: A Jewish Story is a memoir of coming-of-age and struggling to leave the USSR. Shrayer chronicles the triumphs and humiliations of a Soviet childhood and expresses the dreams and fears of a Jewish family that never gave up its hopes for a better life. Narrated in the tradition of Tolstoy’s confessional trilogy and Nabokov’s autobiography, this is a searing account of the KGB’s persecution of refuseniks, a poet’s rebellion against totalitarian culture, and Soviet fantasies of the West during the Cold War. Shrayer’s remembrances are set against a rich backdrop of politics, travel, and ethnic conflict on the brink of the Soviet empire’s collapse. His story offers generous doses of humor and tenderness, counterbalanced with longing and violence. Leaving Russia is a love story in which a young Jew’s love is unrequited and his heart is forever broken by his homeland.

The Public Is Never Wrong: The Autobiography of Adolph Zukor is a memoir written by Adolph Zukor, one of the most influential figures in the early days of Hollywood. In this book, Zukor recounts his life story, from his humble beginnings as an immigrant in New York City to his rise to fame as the founder of Paramount Pictures.Zukor's narrative takes readers on a journey through the early days of the film industry, as he describes his experiences working as a nickelodeon operator and film distributor before ultimately founding his own studio. He also discusses his relationships with some of the biggest names in Hollywood, including Charlie Chaplin, Mary Pickford, and Douglas Fairbanks.Throughout the book, Zukor emphasizes the importance of listening to the audience and giving them what they want. He argues that the public is never wrong and that the key to success in the film industry is to understand and cater to their tastes. He also provides insights into the business side of the industry, discussing topics such as financing, marketing, and distribution.Overall, The Public Is Never Wrong offers a fascinating glimpse into the life and career of one of the most important figures in the history of Hollywood. It is a must-read for anyone interested in the early days of the film industry and the art of storytelling on the big screen.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

The autobiography of the former governor and senator from Alaska. 564 pages. Hardcover with dust jacket. Liveright Publishing Corporation (ISBN 0871405652).

WHY CRIME DOES NOT PAY BY SOPHIE LYONS WITH BEAUTIFUL CLASSIC COVER. PERFECTLY FOR EVERYONE WHO LOVES CLASSIC AUTOBIOGRAPHY BOOKS OR AS A GIFT FOR YOU LOVED ONE. GET YOURS TODAY! Specifications: Cover Finish: GLOSSY Dimensions: 5,25" x 8" (13,34 x 20,32 cm) Interior: White Paper Pages: 155

"A heartfelt account of how Rabbi Weinblatt confronts cancer after receiving this devastating diagnosis, this memoir traces his journey from beginning to end. It deals with his emotions, fears, and treatment and offers comfort, encouragement, and inspiration from a Jewish perspective. Using humor and coupling it with the wisdom of Jewish and Biblical sources as reflected in his sermons and other communications and writings, his words are a vehicle for sharing his experience and insights as he battles this disease. As a comforter to others, as well as a recipient of comfort, support, and love from family, friends, and members of his congregation, this book is also a valuable tool for clergy and health care professionals who interact with and counsel individuals in similar situations"--

"In 1966, at the ripe age of 22, Richard Goldstein approached The Village Voice with a novel idea. "I want to be a rock critic," he said. "What's that?" the editor replied. It was a logical question, since rock criticism didn't yet exist. In the weekly column he would produce for the Voice, Goldstein became the first person to write regularly in a major publication about the music that changed our lives. He believed deeply in the power of rock, and, long before it was acceptable, he championed the idea that this music was a serious art form. From his unique position in journalism, he saw the full arc of events that shaped culture and politics in the 1960s--and participated in them, too. He toured with Janis Joplin, spent a day at the Grateful Dead house in San Francisco, and dropped acid with Brian Wilson and the Beach Boys. He was present for Martin Luther King's "I Have a Dream" speech, the student uprising at Columbia, and the riots at the 1968 Democratic Convention. He was challenged to a boxing match by Norman Mailer, and took Susan Sontag to her first disco. Goldstein developed close relationships with several rock legends--Janis Joplin and Jim Morrison, to name two--and their early deaths came as a wrenching shock, fueling his disillusionment as he watched the music he loved rapidly evolve from a communal rite to a vast industry--and the sense of hope for radical social upheaval fade away. Another Little Piece of My Heart is the intimate memoir of the writer as a young man with profound ambition. It is also a sweeping personal account of a decade that no one else could provide--a deeply moving, unparalleled document of rock and revolution in America"--

This first full-length study of Susan Howe illuminates the historical, autobiographical, and theoretical influences that underlie the work of this enigmatic and important contemporary American poet. In Led by Language , poet and scholar Rachel Tzvia Back offers a close and detailed reading of Susan Howe's provocative and powerful poetry. Howe's work is dense, often difficult, but always distinctive, and Back's volume explains a number of features crucial to understanding her poems. In this complete survey of Howe's major work, from 1978's Secret History of the Dividing Line to 1999's Pierce-Arrow , Back highlights the key strategies underlying Howe's work: linguistic experimentation, historical motifs, autobiographical references, and visual experimentation with types, fonts, and images. One of the book's most compelling arguments is Back's case for reading Howe's work autobiographically. An obsession with history characterizes Howe's poetry--historical figures from Mary Magdalene to Melville haunt her work--and Back deftly demonstrates the intensely personal nature of much of the historical terrain Howe traverses. This study debunks the myth of Howe's impenetrability, making her work accessible to a wide range of readers. Back has created a thorough guide to reading and understanding this important poet, and her book will be welcomed by students and scholars of contemporary poetry, American literature, literary theory, and cultural studies.

"This is a beautiful book, full of ideas that could help restore America’s genius for freedom and promise.” — Thomas Moore, New York Times bestselling author of Care of the Soul A lifelong Emerson lover, teacher, and spiritual seeker reveals how American philosopher Ralph Waldo Emerson’s twelve essential teachings hold the answer to living an authentic and fulfilling life, one that is in har[Bokinfo]