Maybe you know Amanda. Maybe you are Amanda. Whoever you are, you will love Amanda. An important, shrewd, and laugh-out-loud funny debut novel that answers the question: What happens when Bridget Jones or the Sex and the City girls get married and have babies? Nothing ever prepared Amanda for this: not her elite college degree, not her brainy friends, not her mother the feminist heroine. At age 35, she finds herself at home with two children, mopping spills and singing The Itsy-Bitsy Spider. It doesn?t help that her husband?s face is all over national television or that her best friend is dating a billionaire or that every woman she knows seems to have a plastic surgeon and an interior decorator. While everyone else is racing up the fast track, it?s getting hard for Amanda to remember why she left work in the first place. Set amidst the glamor and power of boom-time Washington, D.C., Amanda Bright is a novel about status and ambition marriage and jealousy and a woman?s struggle to discover the things that matter most. Amanda Bright@Home will become an anthem for a generation of women that is learning that success is not always found at the office."

Calvin Trillin uses his wit and humour to enlighten readers with his intimacies as a father and husband in his poignantly funny nonfiction novel Family man. Trillin touches every subject under his family's sky, beginning with some child-rearing advice: "Try to get one that doesn't spit up. Otherwise, you're on your own." On children he simple states: "Your children are either the center of your life or they're not." His charming ruminations on fatherhood clearly prove that he has reveled in the role of father - writing songs for family movie musicals.

In her delightful reimagining of A Midsummer’s Night Dream , Amanda Craig slyly serves up a witty cross-cultural farce, a modern-day tale of love and lies set against the magical landscape of Tuscany. When Theo, a workaholic lawyer, his English wife Polly, and their two children rent an idyllic Italian villa, they expect a relaxing summer holiday together. Polly, with her loved ones’ romantic interests at heart, has invited an eccentric mix of friends and family along--including three eligible bachelors, a former model, an Indian-British divorcee with a young son, and her own appalling mother-in-law. They soon discover the Casa Luna is a strange, enchanted place where people find their heart's desire—but at a price. Everyone falls in love, though not with the people they expect, and the results are surprising and hilarious.

"An extended family gathers in late August to celebrate the seventy-fifth birthday of its formidable matriarch, Leonora. She is the daugther of the famous Edwardian painter Ethan Walsh, whose paintings are kept at Willow Court, the stately family home in England. At Leonora's house party will be her daughters, Gwen and Rilla; Rilla's stepdaughter Beth; and Gwen's husband and three children with their assorted spouses and lovers. One outsider joins the group: Sean Everard, a television director who's making a documentary about the life and work of Ethan Walsh." "All families have their dark side, and Leonora's is no exception. By the time the party's over, two shocking events from the past have come to light that will change the lives of Leonora and her daughters forever."--BOOK JACKET.

"Chris and his twin, Meg, have a problem. It started the night before Halloween when the twins found a gang of bullies hassling someone in costume. The twins rescued the kid-only to find that it was a bald, pink alien who promptly swore allegiance to them. "Weirdo" is smelly and gross with a lot of disgusting habits, and the twins can't shake him. Little do they realize that their troubles are only beginning"--Publisher.

"How do you get people to appreciate what is right in front of them? In The Tale of the Mandarin Duck, it takes a mysterious, beautiful duck and a clear-eyed kid to point out the obvious! Bette Midler's distinctive voice joins striking photos of the real duck by Michiko Kakutani and charming black-and-white drawings by Joana Avillez. This book will have readers of all ages coming back to visit the fantastical interpretation of New York City and its odd ducks--both feathered and human."--Amazon.

It's 1944 in New York City. Alan Silverman doesn't want to give up his stickball game for anyone-especially not for crazy-acting Naomi Kirshenbaum. But when he hears about her horrifying experience during the war in France, Alan changes his mind. Slowly, he struggles to befriend her, and one day-miraculously-she begins to trust him. Alan finds she is not only intelligent, but also fun to be with. But the scars of war are still very much with Naomi. ALA-Best of the Best for Children New York Times -Best Books for Children YALSA-Best of the Best List

When Marek Halter's award-winning international bestseller The Book of Abraham was published here in 1986, it was greeted with unanimous praise and compared with Roots, War and Peace, and the works of James Michener. That epic portrayal of a Jewish family through history -- based in large part on the records of the Halters themselves -- ended in the midst of World War II, with the destruction of the Warsaw ghetto. Here the author picks up the thread of the family saga in the postwar period. Like most of European Jewry, the Halter family is decimated and dispersed: Sidney and his family in New York; the Lerners in Moscow; Don Israel and Dona Regina in Buenos Aires; Mordecai and his family in Israel. At the heart of the new epic is Hugo Halter, an elusive and haunting figure who, as a young man in the late 1930s, had warned of the coming Holocaust. Most had not listened and perished in the conflagration. As this book opens, Hugo and his German wife, Sigrid, are driving from Tel Aviv to Jerusalem in March 1961. Hugo parks to gaze in wonder at the magic city spread before him. Suddenly a military truck approaches, and as it passes submachine-gun fire erupts from it, killing both Hugo and Sigrid. Why were they assassinated in cold blood, presumably by Arab terrorists? Who exactly was Hugo: an agent? A double agent? Working for whom and to what ends? In Paris, Marek Halter, the self-appointed family scribe, sets out to find the answer. At the same time, another cousin, an officer in the Israeli secret service, begins his own official investigation. Their paths, and lines of inquiry, sometimes cross, often diverge, as different versions of the same episode appear in oddly varying lights. The result is a suspense novel of high intrigue, but also a panorama of contemporary Judaism, with its conflicts and contradictions, its struggles and achievements, its heady victories and discouraging defeats. - Jacket flap.

God's Grace is an apocalyptic tale set in an imaginary time and place. It is an audacious story and probably the author's most controversial work.

NAMED ONE OF THE BEST BOOKS OF THE YEAR BY PUBLISHERS WEEKLY Compared by critics to Kafka, Joyce, and Musil, H. G. Adler is becoming recognized as one of the towering figures of twentieth-century fiction. Nobel Prize winner Elias Canetti wrote that “Adler has restored hope to modern literature,” and the first two novels rediscovered after his death, Panorama and The Journey, were acclaimed as “modernist masterpieces” by The New Yorker . Now his magnum opus, The Wall, the final installment of Adler’s Shoah trilogy and his crowning achievement as a novelist, is available for the first time in English. Drawing upon Adler’s own experiences in the Holocaust and his postwar life, The Wall , like the other works in the trilogy, nonetheless avoids detailed historical specifics. The novel tells the story of Arthur Landau, survivor of a wartime atrocity, a man struggling with his nightmares and his memories of the past as he strives to forge a new life for himself. Haunted by the death of his wife, Franziska, he returns to the city of his youth and receives confirmation of his parents’ fates, then crosses the border and leaves his homeland for good. Embarking on a life of exile, he continues searching for his place within the world. He attempts to publish his study of the victims of the war, yet he is treated with curiosity, competitiveness, and contempt by fellow intellectuals who escaped the conflict unscathed. Afflicted with survivor’s guilt, Arthur tries to leave behind the horrors of the past and find a foothold in the present. Ultimately, it is the love of his second wife, Johanna, and his two children that allows him to reaffirm his humanity while remembering all he’s left behind. The Wall is a magnificent epic of survival and redemption, powerfully told through stream of consciousness and suffused with daydream, fantasy, memory, nightmare, and pure imagination. More than a portrait of a Holocaust survivor’s journey, it is a universal novel about recovering from the traumas of the past and finding a way to live again. Praise for The Wall “[A] majestic novel . . . Adler’s prose is tidal, surge after narrative surge rushing forward and then enigmatically receding, the moment displaced by memory, and memory by introspective soliloquy.” —Cynthia Ozick, The New York Times Book Review “A towering meditation on the self and spirit . . . The writing is sonorous and so entirely devastating that the reader is compelled to pore over every word.” — Publishers Weekly (starred review) “Masterful and utterly unique.” —The Jerusalem Post “Haunting and utterly heart-wrenching . . . a literary masterpiece.” —Historical Novels Review “An epic novel . . . an unforgettable portrait.” —The Jewish Week “[A] pensive portrait of a man struggling to find a place in the world after enduring transformative calamity . . . an eloquent record of suffering—and perhaps of redemption as well.” — Kirkus Reviews Praise for H. G. Adler’s novels The Journey and Panorama, translated by Peter Filkins “Modernist masterpieces worthy of comparison to those of Kafka or Musil.” — The New Yorker “Haunting . . . as remarkable for its literary experimentation as for its historical testimony.” —San Francisco Chronicle , on Panorama

The Big Chill meets The Group in Deborah Copaken Kogan’s wry, lively, and irresistible new novel about a once-close circle of friends at their twentieth college reunion. Clover, Addison, Mia, and Jane were roommates at Harvard until their graduation in 1989. Clover, homeschooled on a commune by mixed-race parents, felt woefully out of place. Addison yearned to shed the burden of her Mayflower heritage. Mia mined the depths of her suburban ennui to enact brilliant performances on the Harvard stage. Jane, an adopted Vietnamese war orphan, made sense of her fractured world through words. Twenty years later, their lives are in free fall. Clover, once a securities broker with Lehman, is out of a job and struggling to reproduce before her fertility window slams shut. Addison’s marriage to a writer’s-blocked novelist is as stale as her so-called career as a painter. Hollywood shut its gold-plated gates to Mia, who now stays home with her four children, renovating and acquiring faster than her director husband can pay the bills. Jane, the Paris bureau chief for a newspaper whose foreign bureaus are now shuttered, is caught in a vortex of loss. Like all Harvard grads, they’ve kept abreast of one another via the red book, a class report published every five years, containing brief autobiographical essays by fellow alumni. But there’s the story we tell the world, and then there’s the real story, as these former classmates will learn during their twentieth reunion weekend, when they arrive with their families, their histories, their dashed dreams, and their secret yearnings to a relationship-changing, score-settling, unforgettable weekend.

The sound of children's speech has become lethal. In the park, adults wither beneath the powerful screams of their offspring. For young parents Sam and Claire, it seems their only means of survival is to flee from their young daughter, Esther.

Ruth Rothwax had no trouble composing letters for others, but is at a loss for words when she attempts to confront her parents horrific past--and her own possible future. Print features.

A little girl makes a huge mess playing in the kitchen. Includes brief notes about how children explore their environment.

Duncan Chalk is a monstrous media mogul with a vast appetite for other people's pain. He feeds off it, and carefully nurtures it in order to feed it to the public. It is inevitable that Chalk should home in on Minner Burris, a space traveller whose body was taken apart by alien surgeons and then put back together again - differently. Burris' pain is constant. And so is that of Lona Kelvin, used by scientists to supply eggs for 100 children and then ruthlessly discarded. Only an emotional vampire like Chalk can see the huge audience eager to watch a relationship develop between these two damaged people. And only Chalk can make it happen. First published in 1967

Presents a collection of imagninative fantasy tales including a battle between an author and a dragon, a story featuring the children of a Shark God, and a bereaved women who sacrifices herself to change one terrible moment.

Police Commissioner Isaac Sidel is out to rid the New York City school system of the insidious influences of two flamboyant and sinister bureaucrats who starve the children for books and drain lunch money into their own pockets. Ties into the Fox TV series The Good Policeman, based on the Isaac Sidel novels.

Feeling ignored by his children and abandoned by his friends, Samuel Horowitz, at the urging of Mrs. Washington, agrees to volunteer at a local hospital. (General Fiction).