This book wonderfully combines the generational family stories of Amy Tan with the magical realism and folklore of Isabel Allende. Rosa's start in life is far from auspicious; born only a few days after her father's brutal murder, her first childhood experiences take place against a sound-track of shells and guns. She remembers finding her new home in West Jerusalem so recently vacated by its former Arab owners that there is still a meal on the table. Rosa grows up to be a voluptuous beauty with a voracious appetite for all sensual pleasures. Though a childhood prophecy leads her to believe that she will have four husbands, nothing prepares her for the extroadinary and remarkable diverse life she is to lead.

This hard cover book of 460 pp, authored by George Korson, was published in 1943 by the University of Pennsylvania Press. This copy is used -in very good condition. The black hardcovers are shiny black, writing of the title, author and publisher on spine is shiny red and edges and corners of covers show minimal wear. Only writing in book is price on FFEP of 7.50. Spine is strong. Plain beige dust jacket with bright red lettering is in 'good' condition with chips on edges, sun darkened spine and stains on front and back cover is protected with new mylar covering. Please see photos. According to front end paper "this book follows the author's previous book which uncovered an entirely new field of American folklore- the songs and stories of the anthracite miners which have never been collected and printed before. THIS book adds an even richer record to national literature in this volume devoted to the bituminous miners. These soft coal mines are located in many different parts of the country and the background is more diversified and the miners of a wider racial variety. The book is based on three years of research which had the author recording songs directly from the miners, checking old legends and verifying historical facts. The book is divided into 3 life in a coal camp; in the mines; and the story of the miner's long fight for improved working conditions. Within each section are included the songs and stories pertinent to it."

Softcover

The first fifteen pages of this learned study are the ones of chief interest to students of the classics. In the Memoirs of the Four Worthies or Lords of the Liang Dynasty , written by Chang Yüe (667-730 A.D.), a story is told about an island in the Western Sea (Mediterranean) where there is an inaccessible ravine in which precious stones lie. The inhabitants throw flesh into this ravine. Birds pick up the flesh in their beaks and as they fly, they drop the precious stones. The men of the country are clever workers of gems, which are called Fu-lin after the name of the country. Fu-lin is the Chinese name for some part of the Roman Empire, probably Syria. A legend similar in all its essential features is found in Epiphanius, bishop of Constantia in Cyprus in the fourth century. Dr. Laufer points out the close likeness of this legend to the story of the Arabians and their curious method of obtaining cinnamon told by Herodotus iii. 111, and to a somewhat similar tale in Pliny N.H. xxxviii. 33, but prudently refrains from attempting to link them closely. The source of the legend he finds in the Hellenistic Orient. To one already impressed with the fact that Hellenistic artistic motives influenced early Chinese and even Japanese art in a marked degree, the thesis is in itself reasonable, and Dr. Laufer's proofs are convincing. There are two further points of interest in this study for the classicist and archaeologist. The author is convinced (pp. 42-46) that the adamas of the ancients was actually the diamond, but concludes that ancient gem-workers did not understand the process of cutting and polishing diamonds to add to their luster (pp. 46-50). The study contains other information which will be attractive chiefly to Sinologists and to those interested in the history of the diamond. In this pamphlet Dr. Laufer has presented another useful link of the broken chain of evidence which connects Hellenistic-Roman civilization with the Far East. Curiously enough the classical archaeologist and the classicist seem to regard the evidence upon this new sphere of Greek influence either with suspicion or with apathy. - Classical Philology [1918]

This biographical lexicon contains detailed information on medical professionals in Kurland (now part of Latvia) over a period of 75 years. It includes medical men of all kinds, physicians, surgeons, and pharmacists. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

A beautifully written, sensual and evocative book, in the tradition of Amy Tan and Isabelle Allende, rich in magic realism and folklore. 'To understand the end you have to look for the beginning'. As a little girl in Jaffa, Israel, Tamara has an insatiable desire for stories, constantly asking questions of those around her, and demanding explanations. However, no-one ever seems to give Tamara the whole story, so instead she must piece together the various narratives herself in what will become a lifelong attempt to unravel the hidden secrets of her tangled family history, and so bring some meaning to her own life. Raised by her fiercely independent maternal grandmother, Simcha, who jealously guards her from others, in particular her paternal grandmother, Rashella, Tamara's love of stories develops into a voracious appetite for life itself. An impulsive, passionate seeker of knowledge in all its forms, nothing prepares her for the thrilling intensity and the danger of falling deeply, madly in love for the first time

In this major survey of theoretical aspects and contemporary authors of science fiction, one of its foremost investigators argues for a radically new approach. For Darko Suvin, science fiction writings are neither prophecy nor the folklore of technology, but at their best parables for our times. Suvin lays the foundations for understanding their narrative logic and ideological horizons, and then examines a crucial group of modern authors. These comprise the diverging stances of Asimov, Le Guin, and Dick in the USA, Yefremov and the Strugatskys in the USSR, and Lem and the Brauns in Central Europe. The book culminates in a discussion of science fiction as metaphor, applied to a text by Cordwainer Smith as the bad conscience of Reaganism.

This exciting collection of children's stories are humerous tales of the Caribbean folklore character 'Anancy'. From beginning to end, these stories are full of humour, suspense and fantasy. The opening story 'How Anancy Came About' sets the stage for exciting reading which continues throughout all 18 stories. Each story captures the fun and essence of growing up in Jamaica. 'Anancy Mek It' is a thoughtful and exciting book, to be enjoyed by children and grownups alike, who revel in the fantasy and mythical characters of the Caribbean's colourful heritage. This book is a wonderful addition to any library.

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

hardcover book

The most complete guide to the ancient world-wide system of celestial metaphor, sometimes called Astro-theology, which forms the foundation for virtually all of the scriptures, myths, and sacred stories of humanity -- including the texts we call the Old Testament and New Testament of the Bible. Explore the scriptures and myths of humanity in a new light as you learn to hear the language in which they are all actually speaking: the language of the stars. Star Myths of the World and How to Interpret Them is a series of volumes exploring the amazing evidence of an ancient, world-wide system of metaphor which underlies all of the world's myths, and points to the conclusion that they are all closely related. Learn how to understand the clues and symbols in the stories which point to specific constellations, and how the constellations fit into the larger heavenly cycles, all of which are used by the ancient wisdom given to our ancestors as a precious inheritance, with information for our benefit and blessing. Volume One explored evidence that this system is worldwide, sampling a few representative myths and stories from ancient Egypt, ancient Mesopotamia, ancient India, ancient China and Japan, and myths from various cultures in Australia, Africa, the Americas, and the Pacific. Volume Two explored the massive evidence that the Greek myths are built on the same worldwide system, examining specific myths, gods, and goddesses -- as well as both the Iliad and Odyssey in depth, for their celestial patterns. Volume Three provides a broad survey of the celestial foundations of some of the most well-known stories and characters in the Old and New Testaments of the Bible, complete with hundreds of full-color illustrations and star charts.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Brancusi's Romanian heritage is an important subject for those who study the sculptor. He was 28 years old in 1904 when he arrived in Paris, where he spent the rest of his life. He considered himself Romanian, he dressed like a Romanian peasant, and lived like one. (He was in fact a sophisticated intellectual.) When he arrived in Paris, the avant-garde was searching for original sources of inspiration. For many, African art filled that role. Brancusi found African art a trigger which released the reminiscences of his Romanian folk tradition. Brancusi used his heritage for formal and iconographical inspiration; however, his working method was inspired by the French avant-garde. Edith Balas shows that the pedestals and homemade furniture were for the artist as important an artistic product as his sculptures; he exchanged them occasionally. There are several new iconographical interpretations of sculptures previously not linked with the Romanian folklore.

Nga Iwi o Tainui is a classic work of New Zealand and Maori history, first published in 1995. A bilingual collection, in 67 chapters, of the histories, genealogies, songs and chants of the Tainui people, it represents the culmination of a life's work by the scholar and historian Dr Pei Te Hurinui Jones. His beautiful Maori text is matched on facing pages by Dr Bruce Biggs's English translations, a layout which facilitates a close study of the Maori language, valuable for scholars and students alike. Genealogical tables and map references place each separate incident in its social and geographical context. Extensive footnotes provide further information and there is a complete index to all place names and personal names in the text. Nga Iwi o Tainui received an Honour Award at the 1996 Montana New Zealand Book Awards.

Legender Och Visor: Dikter (1891) is a collection of poems by Swedish author Oscar Levertin. The book features a mix of lyrical ballads and legends, drawing inspiration from Nordic mythology and folklore. The poems are written in a traditional style, with a focus on meter and rhyme. Levertin's writing is known for its romanticism and love of nature, and this collection is no exception. The book is a celebration of Swedish culture and tradition, and has been praised for its vivid imagery and powerful emotions. Overall, Legender Och Visor: Dikter is a beautiful and timeless work of poetry that captures the spirit of a bygone era.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.