A hero in each of Israel's wars, perhaps the most daring and successful commander in Israel's extraordinary military history, Ariel Sharon has always been a warrior, whether the enemies were hostile Arab nations, terrorists, Time magazine, or rival politicians. The public man is well known—aggressive in battle, hard-line in politics—but the private man has always been obscured by Sharon's dazzling career and powerful personality. In this compelling and dramatic autobiography, the real Sharon appears for the first time: a man of complex depths and passions, a loving father, a man of courage and compassion.

Traces the story of the mixed-race swordsman and father of novelist Alexandre Dumas, discussing his rise to the French aristocracy, his military triumphs ,and the adventures that inspired such classics as "The Three Musketeers" and "The Count of Monte Cristo."

"Why Mahler? Why does his music affect us in the way it does? Norman Lebrecht, one of the world's most widely read cultural commentators, has been wrestling obsessively with Mahler for half his life. Pacing out his every footstep from birthplace to grave, scrutinizing his manuscripts, talking to those who knew him, Lebrecht constructs a compelling new portrait of Mahler as a man who lived determinedly outside his own times. Mahler was - along with Picasso, Einstein, Freud, Kafka, and Joyce - a maker of our modern world."--Book jacket.

Sure to make major headlines, this is a hard-hitting inside look at the internal power plays surrounding military policy-making in the '80s, by President Reagan's Secretary of Defense. 16-page photo insert.

"Astute and provocative....Blends the sophistication of recent feminist theory with highly textured details fro the lives of independent and ambitious women." THE NEW YORK TIMES BOOK REVIEW Drawing on the experience of celebrated women, from George Sand and Virginia Woolf to Dorothy Sayers and Adrienne Rich, Heilbrun examines the struggle these writers undertook when their drives made it impossible for them to follow the traditional "male" script for a woman's life. Refreshing and insightful, this is an homage to brave women past and present, and an invitation to all women to write their own scripts, whatever they may be.

Two years ago, Stephen J. Dubner wrote a cover story for the New York Times Magazine called "Choosing My Religion." It became one of the most widely discussed articles in the magazine's history. Turbulent Souls, the book that grew out of that article, is an intimate memoir of a man in search of a Jewish heritage he never knew he had. It is also a loving portrait of his parents. Stephen Dubner's family was as Catholic as they come. His devout parents attended mass at every opportunity and named their eight children after saints. Stephen, the youngest child, became an altar boy, studied the catechism, and learned the traditional rituals of the Church -- never suspecting that the religion he embraced was not his by blood. Turbulent Souls is Dubner's personal account of his family; tumultuous journey from Judaism to Catholicism -- and in his own case, back to Judaism -- and the effects, some tragic, some comic, of those spiritual transformations. His parents were Jews, born in Brooklyn to immigrant parents, but -- independent of each other and, indeed, before they met -- each converted to Christianity, only to be shunned by their families. After their marriage, they closed the door on Judaism so firmly that their children had no inkling that their background was far different from what it seemed: They didn't know, for instance, that their mother had a first cousin named Ethel Rosenberg, who was executed for treason in one of the most controversial cases of the cold war era. Stephen Dubner's is a story about discovery: of relatives he never knew existed, of family history he'd never learned, and of a faith he'd never thought of as his own and, in fact, knew nothing about. It's a fascinating, thoughtful, and thought-provoking exploration of a subject of intense interest to spiritually minded men and women everywhere.

A magician himself, the author offers a history of magicians and other performers, including animals trained to do arithmetic and limbless people able to play musical instruments.

Dean Reed was an American and the biggest rock star in the history of the Soviet Union. He was so famous his icons were sold alongside those of Josef Stalin. Reggie Nadelson first saw him in 1986 on a TV chat show. Few people in the West had ever heard of him. Six weeks later Reed was found dead in a lake in East Berlin.

In Two Lucky People , Rose and Milton Friedman provide a memorable and lively account of their lives, the people they knew, and the work they shared. Their involvement with world leaders and many of this century's most important public policy issues moves their memoir beyond the merely personal and makes fascinating reading for anyone interested in the history of twentieth-century ideas. "The Friedmans come across as the last Enlightenment thinkers in a post-modern world. . . . This is a book that restores your faith in reasoned discourse. . . . There really are people who believe in scholarly exchange as a way to discover truth."—David Brooks, New York Times Book Review "The Friedmans are a feisty couple, who clearly delight in their lives and each other. And shining through their reticence, and their conservatism, is a decency that even liberals will recognize."—Milton and Judith Viorst, Washington Post Book World "This engaging book recounts the life and contributions of one of America's most influential writers and economists in the second half of the twentieth century. And her husband's no slouch either. . . . An indispensable guide through the evolution of economic thought."—Stephen Moore, National Review "A thought-provoking book and one rich in history, the personal history of the Friedmans . . . and the cultural and political history of our country."—Steve Huntley, Chicago Sun-Times Books "[ Two Lucky People ] is almost like a letter from a couple of old friends—a couple of old friends who had a long, compelling intellectual journey, came to know some of the great world leaders of this century, and had 60 years of happy, supportive marriage."—N. Gregory Mankiw, Fortune "A rich autobiographical and historical panorama."—William P. Kucewicz, Wall Street Journal

A noted authority on Russian history, Schapiro undertakes an intellectual biography of Turgenev, bringing together the writer's personal, political, and artistic concerns to capture the full dimension of this enigmatic figure.

The autobiography, in dialogue, of the composer and lyricist of Chicago and Cabaret as well as a wise and witty memoir of forty years of American musicals. Composer John Kander and lyricist Fred Ebb are the longest-running composer-lyricist team in Broadway history, having first joined forces in 1962. The creators of such groundbreaking musicals as Chicago , Cabaret , and Kiss of the Spider Woman , Kander and Ebb have helped to push American musical theater in a more daring direction, both musically and dramatically. Their impact on individual performers has been great as well, starting with the handpicked star of their first musical: an untested nineteen-year-old named Liza Minnelli (who writes of this experience in her introduction). Colored Lights covers the major shows of Kander and Ebb's partnership, from Flora, The Red Menace (starring a then-unknown Liza) to The Visit , due to open on Broadway in 2004. The pages and musicals in between reveal what has made theirs such a long-lived musical partnership--and one so valued by the artists they have worked with. In recounting the genesis and controversies of Cabaret , reflecting on the superstar mentality of such artist as Frank Sinatra and Barbra Streisand, and recalling their work with Bob Fosse on Chicago (as well as their views on the blockbuster 2002 film), John Kander and Fred Ebb provide a history not only of their own lives but also of the American musical theater of the late twentieth century. The autobiography, in dialogue, of the composer and lyricist of Chicago and Cabaret as well as a wise and witty memoir of forty years of American musicals. Composer John Kander and lyricist Fred Ebb are the longest-running composer-lyricist team in Broadway history, having first joined forces in 1962. The creators of such groundbreaking musicals as Chicago , Cabaret , and Kiss of the Spider Woman , Kander and Ebb have helped to push American musical theater in a more daring direction, both musically and dramatically. Their impact on individual performers has been great as well, starting with the handpicked star of their first musical: an untested nineteen-year-old named Liza Minnelli (who writes of this experience in her introduction). Colored Lights covers the major shows of Kander and Ebb's partnership, from Flora, The Red Menace (starring a then-unknown Liza) to The Visit , due to open on Broadway in 2004. The pages and musicals in between reveal what has made theirs such a long-lived musical partnership--and one so valued by the artists they have worked with. In recounting the genesis and controversies of Cabaret , reflecting on the superstar mentality of such artist as Frank Sinatra and Barbra Streisand, and recalling their work with Bob Fosse on Chicago (as well as their views on the blockbuster 2002 film), John Kander and Fred Ebb provide a history not only of their own lives but also of the American musical theater of the late twentieth century.

When Bercow retired as Speaker of the House of Commons on 31st October, he had become one of the most recognisable and iconoclastic figures in British politics, and had created a vacancy of huge importance. As Speaker since 2009 he had a ringside seat during one of the most febrile periods in modern British history, presiding over the Commons while it had to contend with key issues such as austerity in the light of the financial crisis; the coalition government between the Conservatives and Liberal Democrats; and of course the most intractable problem of all, how to deliver on the 2016 referendum decision that Britain should leave the EU.

When Bercow retired as Speaker of the House of Commons on 31st October, he had become one of the most recognisable and iconoclastic figures in British politics, and had created a vacancy of huge importance. As Speaker since 2009 he had a ringside seat during one of the most febrile periods in modern British history, presiding over the Commons while it had to contend with key issues such as austerity in the light of the financial crisis; the coalition government between the Conservatives and Liberal Democrats; and of course the most intractable problem of all, how to deliver on the 2016 referendum decision that Britain should leave the EU.

More than two decades have passed since prime minister Yitzhak Rabin's assassination in 1995, yet he remains an unusually intriguing and admired modern leader. A native-born Israeli, Rabin became an inextricable part of his nation's pre-state history and subsequent evolution. This revealing account of his life, character, and contributions draws not only on original research but also on the author's recollections as one of Rabin's closest aides.

"A perfect match of writer and subject: one of our most brilliant biographers takes on one of our greatest living playwrights--with his cooperation and access to a trove of hitherto unseen material. Tom Stoppard is a towering and beloved literary figure. Known for his dizzying narrative inventiveness and intense attention to language, he deftly deploys art, science, history, politics, and philosophy in works that span a remarkable spectrum of literary genres: theater, radio, film, TV, journalism, and fiction. His most acclaimed creations--Rosencrantz and Guildenstern are Dead, The Real Thing, Arcadia, The Coast of Utopia, Shakespeare in Love--remain as fresh and moving as when they dazzled their first audiences. Stoppard's life, too, is fascinating: born in Czechoslovakia, he escaped the Nazis with his mother and spent his early years in Singapore and India before arriving in England at age eight. Skipping university, he embarked on a brilliant career, becoming close friends over the years with an astonishing array of writers, actors, directors, musicians, and political figures, from Peter O'Toole, Harold Pinter, and Stephen Spielberg to Mick Jagger and Vaclav Havel. Having long described himself as a "bounced Czech," Stoppard was surprised to learn late in life of his Jewish family and the relatives he lost to the Holocaust, secrets his mother had kept from him. Lee's in-depth analysis seamlessly weaves Stoppard's life and work together into a vivid, insightful, and always riveting portrait of a remarkable man"--

"Rahel Varnhagen: The Life of a Jewish Woman was Hannah Arendt's first book, largely completed when she went into exile from Germany in 1933, though it would not be published until the 1950s. It is the biography of a remarkable, complicated, troubled, passionate woman, an important figure in German romanticism, the person who in a sense founded the Goethe cult that would become central to German cutural life in the nineteenth century, as well as someone who confronted and bore the burden of being both a woman in a man's world and an assimilated Jew in Germany with unusual determination. Rahel Levin Varnhagen, was, Hannah Arendt writes, "neither beautiful nor attractive... and possessed no talents with which to employ her extraordinary intelligence and passionate originality." Arendt sets out to tell the story of Rahel's life as Rahel might have told it and, in doing so, to reveal the way in which intellectual and social assimilation works out in one person's destiny. On her deathbed Rahel is reported to have said, "The thing which all my life seemed to me the greatest shame, which was the misery and misfortune of my life--having been born a Jewess--this I should on no account now wish to have missed." Only because she had remained both a Jew and a pariah, Hannah Arendt observes, "did she find a place in the history of European humanity.""--

It was a lucky twist of fate when in the early1980s David Levy, a writer and amateur astronomer, joined up with the famous scientist Eugene Shoemaker and his wife, Carolyn, to search for comets from an observation post on Palomar Mountain in Southern California. Their collaboration would lead to the 1993 discovery of the most remarkable comet ever recorded, Shoemaker-Levy 9, with its several nuclei, five tails, and two sheets of debris spread out in its orbit plane. A year later, Levy would be by the Shoemakers' side again when their comet ended its four-billion-year-long journey through the solar system and collided with Jupiter in the most stunning astronomical display of the century. Not only did this collision revolutionize our understanding of the history of the solar system, but it also offered a spectacular confirmation of one scientist's life work. As a close friend and colleague of Shoemaker (who died in 1997 at the age of 69), Levy offers a uniquely insightful account of his life and the way it has shaped our thinking about the universe. Early in his training as a geologist, Shoemaker suspected that it wasn't volcanic activity but rather collisions with comets and asteroids that created most of the craters on the moon and most other bodies in the solar system. Convincing the scientific community of the plausibility of impact theory, and revealing its power for penetrating mysteries such as the extinction of the dinosaurs and the timing of the Earth's eventual demise, became Shoemaker's mission. Through conversations with Shoemaker and his family, Levy reconstructs the journey that began with a young geologist's serious desire to go to the moon in the late1940s. Sent by the government to find a way to harvest plutonium, Shoemaker instead found evidence in desert craters for what became his impact theory. While he never became an astronaut, he did become the first geologist hired by NASA and subsequently set the research agenda for the first manned lunar landing. After a series of victories and setbacks for Shoemaker, the collision of Shoemaker-Levy 9 with Jupiter provided the most convincing proof to date of the role of impacts in our solar system. Levy's explanation of the scientific reasoning that guided Shoemaker in his career up to this dramatic point--as well as his personal portrait of a man who found white-water rafting to be an easy way to relax--sets these fascinating events in a human scale. This biography shows what Shoemaker's legacy will be for our understanding of the story of the Earth well into the twenty-first century. -- "Scientific American"

This portrait of Nixon provides an understanding of what led to the Watergate scandal, and a perspective on the past 20 years of America's history. Nixon has recently emerged as an elder statesman in the USA, and the author had access to previously unavailable papers.

How a little-known industrial neighborhood in New York unintentionally became a nexus of creative activity for a brief burst of time. During the 1960s and 1970s in New York City, young artists exploited an industrial wasteland to create spacious studios where they lived and worked, redefining the Manhattan area just south of Houston Street. Its use fueled not by city planning schemes but by word-of-mouth recommendations, the area soon grew to become a world-class center for artistic creation indeed, the largest urban artists' colony ever in America--let alone the world. Richard Kostelanetz's Artists' SoHo not only examines why the artists came and how they accomplished what they did but also delves into the lives and works of some of the most creative personalities who lived there during that period, including Nam June Paik, Robert Wilson, Meredith Monk, Richard Foreman, Hannah Wilke, George Macuinas, and Alan Suicide. Gallerists followed the artists in fashioning themselves, their homes, their buildings, and even their streets into transiently prominent exhibition and performance spaces. SoHo pioneer Richard Kostelanetz's extensively researched intimate history is framed within a personal memoir that unearths myriad perspectives: social and cultural history, the changing rules for residency and ownership, the ethos of the community, the physical layouts of the lofts, the types of art produced, venues that opened and closed, the daily rhythm, and the gradual invasion of "new people." Artists' SoHo also explores how and why this fertile bohemia couldn't last forever. As wealthier people paid higher prices, galleries left, younger artists settled elsewhere, and the neighborhood became a "SoHo Mall" of trendy stores and restaurants. Compelling and often humorous, Artists' SoHo provides an analysis of a remarkable neighborhood that transformed the art and culture of New York City over the past five decades.