This book provides the first dedicated study of the Evian Conference of July 1938, an international initiative called by U.S. President Franklin D. Roosevelt. While on the surface the conference appeared as an attempt to alleviate the distress faced by Jews being forced out of Germany and Austria, in reality it only served to demonstrate that the nations of the world were not willing to accept Jews as refugees. Since the Holocaust, a generally-held assumption has been that the Evian Conference represented a lost opportunity to save Germany’s Jews, and that the conference failed to rescue the Jews of Europe. In this study, Paul Bartrop argues that in fact it did not fail when measured against the original reasons for which it was called. Exposing many of the myths surrounding the meeting, this work addresses a glaring lacuna in the literature of the Holocaust, and places the so-called 'failure' of the Evian Conference into its proper context.

The men held captive in the Marion control unit lived in an 8 x 10 foot cell for about 23 hours a day, seven days a week. There was no contact with other human beings. There was no way to know when it would end. Days, months, years would go by... Out of Control: A Fifteen-Year Battle Against Control Unit Prisons tells the inspiring story of the Committee to End the Marion Lockdown (CEML). Founded in 1985 to organize against control unit prisons and related inhumane practices at the notorious federal prison in Marion, Illinois, the committee's work and influence spread nationwide, even as the practices at Marion became widespread in many other prisons in the U.S. and internationally. Written in a very accessible and eloquent style by Nancy Kurshan, a CEML co-founder and leading activist throughout its history, the book recounts how the committee led and organized hundreds of educational programs and demonstrations in many parts of the country and sought to build a national movement to expose and abolish "end-of-the-line" prisons. Along the way the Committee wrote thousands of pages of educational and agitational literature, and developed new ways of analyzing and fighting against the "prison industrial complex."

Reprint of the 1959 edition. Mr. Lipton's book is the first complete and unbiased survey of the beat generation and its role in our society. Here are the intimate facts about these people and their attitudes-toward sex, dope, jazz, art, religion, parents, landlords, employers, politicians, draft boards, the law and, most important, toward the "square". The author presents a picture of their way of life, their individual backgrounds, the language they have appropriated, in terms made clear for the first time to those of us who have been confused and puzzled about them. He also provides a balanced discussion of their literature, art and music, of what they produce and fail to produce in the arts they practice.

For investing movies with an image of style and glamour George Cukor (1899--1983) is considered one of the founding fathers of the Golden Age of Hollywood. The roll call of the great films he made and the stars he directed validates his rank as one of cinema's greatest moviemakers. "The only really important thing I have to say about George Cukor," Katharine Hepburn proclaimed, "is that all the other directors I have worked with starred themselves. But George 'starred' the actor. He didn't want people to say, 'this great director.' He wanted them to say 'this great actor.' " Along with introducing Hepburn and Greta Garbo to American audiences, he worked with many of the most acclaimed movie actresses of his day, including Vivien Leigh, Olivia de Havilland, Jean Harlow, Elizabeth Taylor, Joan Crawford, Ingrid Bergman, Ava Gardner, Claudette Colbert, Angela Lansbury, Judy Holliday, Audrey Hepburn, and Marilyn Monroe. These interviews are a pleasure to read because Cukor is so immersed in his subject and so forthright in his observations. He comes to life immediately with disarming candor and infectious enthusiasm for cinema and the people who make it. In addition to discussing his romantic comedies, Cukor talks about his famous screen adaptations of classic novels and plays, including Little Women (1933) and David Copperfield (1935). His experience of being fired by producer David O. Selznick partway through the shooting of Gone With the Wind (1939) surfaces in nearly every interview. Instead of having his career derailed by this dismissal, however, he continued his rise as one of America's premier directors. In his cornucopia of films are Holiday (1938), The Philadelphia Story (1940), Adam's Rib (1949), Born Yesterday (1950), A Star Is Born (1954), Let's Make Love (1960), and My Fair Lady (1964). Cukor was a man of myriad dimensions. In his last years he opened up about his private life and his previously undisclosed homosexuality. He was ardent in his friendships and single-minded in his devotion to making quality movies for a popular audience. Robert Emmet Long, a literature and film scholar and writer living in Fulton, New York, is the author or editor of more than forty books, including John Huston: Interviews (University Press of Mississippi).

Cursed by older generations, Generations X means a lot of things to a lot of people. They are a culture, a demographic, an outlook, a style, an economy, a scene, a literature, a political ideology, an aesthetic, an age, a decade, and a way of life. Here is a collage of the most revered voices of Generation X, demonstrating that while twentysomethings may, indeed, have dropped out of American culture (as it is traditionally defined), they also stand as a testament to American ingenuity, optimism, instinct, and intelligence.

"A tragicomic journey across America as one man attempts to create a fast food empire, and a legacy to leave behind. From the prolific and peerless Stanley Elkin, The Franchiser follows Ben Flesh-one of the men "who made America look like America, who made America famous." He collects franchises, traveling from state to state, acquiring the brand-name establishments that shape the American landscape. But both the nation and Ben are running out of energy. As blackouts roll through the West, Ben struggles with the onset of multiple sclerosis, and the growing realization that his lifetime quest to buy a name for himself has ultimately failed"--

Doomed by a thousand-year-old curse to serve important personages throughout the centuries, George Mills loves and follows various lieges, from a stableboy ancestor in the First Crusade to a modern-day furniture mover. Reprint.

Offers a collection of essays about such topics as growing older, the pleasures of friendship, gluttony, and keeping journals

A radio host from San Francisco, his new lover, and a high school kid who does not age are brought together in an illustrated tale of strength and strange foes

James Lapine

The story of a group of Jewish women who journey to spirituality through community and ceremony.

Family trauma, race, and the destiny of a nation corrupted by slavery, cast in the light of epic myth: "More than a saga of Black revitalization . . . Part vision, part parable, it is a story for all America." ( The New York Times Book Review ) The Snowdon family stands as a pinnacle of Black excellence in Washington, D.C.: educated, affluent, and influential. John Christopher, the patriarch, saves lives as a heart surgeon and is revered by his students at Howard University. His wife, Camille, governs an elegant house overlooking Rock Creek Park and devotes herself to reading, gardening, and raising their three daughters--Cynthia, Patricia, and Eva--to attend the very best schools and roam the world on a whim. Theirs ought to be a story of success and empowerment, but something is rotten in the house of Snowdon. Years later, when John Christopher's granddaughter Johnnie comes to seek the truth about her own parentage, she unveils a legacy of unspeakable family secrets tangled up in America's original sin. What begins as a quest for identity spirals into an apocalyptic vision of a nation on the brink of ruin. By turns a poetic epic, a ghost story, a historical saga, and a chilling dystopian fable, Thereafter Johnnie is a unique and uniquely American fusion of myth and hard-bitten reality: an erotic, horrifying, and even hopeful reckoning with centuries of injustice.

Provides an overview of lesbian fiction, and analyzes the ways in which it has both mirrored and shaped the lesbian movement and lesbian culture.

Winner of the 2013 National Jewish Book Award, Anthologies and Collections The year 1929 represents a major turning point in interwar Jewish society, proving to be a year when Jews, regardless of where they lived, saw themselves affected by developments that took place around the world, as the crises endured by other Jews became part of the transnational Jewish consciousness. In the United States, the stock market crash brought lasting economic, social, and ideological changes to the Jewish community and limited its ability to support humanitarian and nationalist projects in other countries. In Palestine, the anti-Jewish riots in Hebron and other towns underscored the vulnerability of the Zionist enterprise and ignited heated discussions among various Jewish political groups about the wisdom of establishing a Jewish state on its historical site. At the same time, in the Soviet Union, the consolidation of power in the hands of Stalin created a much more dogmatic climate in the international Communist movement, including its Jewish branches. Featuring a sparkling array of scholars of Jewish history, 1929 surveys the Jewish world in one year offering clear examples of the transnational connections which linked Jews to each other—from politics, diplomacy, and philanthropy to literature, culture, and the fate of Yiddish—regardless of where they lived. Taken together, the essays in 1929 argue that, whether American, Soviet, German, Polish, or Palestinian, Jews throughout the world lived in a global context.

This reference book by well-known Reconstruction expert Trefousse will be of great use to scholars and general readers. Pithy, readable articles, spanning the years 1862-96, reflect current scholarship on the period and thus focus heavily on race relations, the freed slaves, and restoration of the states. There are entries on court cases, terms (blacks, labor, etc.), organziations, states, laws, miscellaneous events, and major individuals. . . . As the only reference work of its type, it should find widespread applicability in libraries of any size. Library Journal This new reference book reflects the latest scholarship regarding the Reconstruction of the American South following the Civil War. In the past four decades, the guidelines set forth by William D. Dunning and his students, which portrayed the period as a time of horror for suffering Southerners over whom radicals, scalawags, and carpetbaggers rode roughshod, has been amended. Since World War II, the appearance of revised versions of the period, as well as favorable biographies of such major figures as Charles Sumner, Thaddeus Stevens, Benjamin F. Wade, Edwin M. Stanton, and George W. Julian, have transformed the historiography of Reconstruction. While many unresolved issues still remain, the field has benefited greatly from this reassessment. Hence, this outstanding single-volume reference, containing the most recent thinking on the period, will be of great help to scholars and the general public. No other reference focusing exclusively on Reconstruction exists. The dictionary stresses race relations, emancipation, the main participants in the struggle, and the restoration of the Southern states into the Union. Those states involved in some way or other in the process, including the border commonwealths, will be found here, as are the major Supreme Court decisions handed down during Reconstruction. Readable articles at each entry convey the principle information in an economical style and are followed in each case by a listing of the latest available literature, principally monographs and books rather than articles, in order to facilitate further research. Covering a time period from 1862 to 1896, the dictionary focuses on matters pertaining to the integration of freedmen and the restoration of the states. The preface and chronology of events preceed the conveniently organized dictionary section, which contains entries whose lengths vary depending on the relative importance of the concept or personality treated. Generally, the importance of individuals in reference to Reconstruction, rather than their general significance, has determined their inclusion. Each entry is followed by its own bibliography. The volume closes with a select bibliography and index. This outstanding reference belongs in every college and university library as well as in public libraries, and is eminently suitable for courses dealing with the Civil War and Reconstruction and for Civil War Roundtables. Civil War buffs and historians interested in nineteenth-century America will refer to it again and again.

"The United States and the Nazi Holocaust is an invaluable synthesis of United States policies and attitudes towards the Nazi persecution of European Jewry from 1933 right up to the modern day. The book, which includes 20 illustrations, weaves together a vast body of scholarly literature to bring students of the Holocaust a balanced, readable overview of this complex and often controversial topic. It demonstrates that the United States' response to the rise of Nazism, the refugee crisis it provoked, the Holocaust itself, and its aftermath were--and remain to this day--intricately linked to the ever-shifting racial, economic, and social status of American Jewry. Using a broad chronological framework, Barry Trachtenberg navigates us through the major themes and events of this period. He discusses the complicated history of the Roosevelt administration's response to the worsening situation of European Jewry in the context of the ambiguous racial status of Jews in Depression and World War II-era America. He examines the post-war decades in America, and discusses, over a series of chapters, how the Holocaust, like American Jewry itself, came to move from the margins to the very center of American awareness. The United States and the Nazi Holocaust considers the reception of Holocaust survivors, post-war trials, film, memoirs, memorials, and the growing field of Holocaust Studies. The reactions of the United States government, the general public, and the Jewish communities of America are all accounted for in this integrated, detailed survey"--

From the author of The Last Testament comes the true love of Bonnie Prince Charlie, her adventures in America and her lasting legacy. In the page-turning popular genre trail-blazed by Antonia Fraser and Phillippa Gregory, The Pretender’s Lady , Alan Gold’s meticulously researched novel, accurately opens history’s pages on a peerless woman who helped change the course of history and whose legend lives on in Scotland today—Flora MacDonald. She was the most famous Scotswoman of her day, single handedly saving Bonnie Prince Charlie. This is her fictionalized life story—her relations with the Prince, her flight to America, Ben Franklin’s influence, and her return to Britain to lobby for peace But what’s hidden from history, revealed now for the first time in Gold’s dazzling new work of fiction, is the result of Flora’s and Charlie’s love: a beautiful and talented boy raised on an American farm. But only she knows his true heritage and his claim to the world’s greatest throne. And only the genius of Ben Franklin understands how to use this naïve boy to change the history of America. Skyhorse Publishing, as well as our Arcade, Yucca, and Good Books imprints, are proud to publish a broad range of books for readers interested in fiction—novels, novellas, political and medical thrillers, comedy, satire, historical fiction, romance, erotic and love stories, mystery, classic literature, folklore and mythology, literary classics including Shakespeare, Dumas, Wilde, Cather, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.