Harry Golden greatly admired and loved Carl Sandburg, and the feeling was indeed mutual. Toward the end of his life, Sandburg shared his papers, letters, photographs, and memories with Golden. Combining these materials with his own recollections, Golden reconstructs the life of his closest friend. His anecdotal account is both an engaging portrait of Sandburg and a tribute to their friendship. Generations of Sandburg's devoted readers will want to own this very personal biography.

Long before Stonewall, young Air Force veteran Edward Field, fresh from combat in WWII, threw himself into New York’s literary bohemia, searching for fulfillment as a gay man and poet. In this vivid account of his avant-garde years in Greenwich Village and the bohemian outposts of Paris’s Left Bank and Tangier—where you could write poetry, be radical, and be openly gay—Field opens the closet door to reveal, as never been seen before, some of the most important writers of his time. Here are young, beautiful Susan Sontag sitting at the feet of her idol Alfred Chester, who shrewdly plotted to marry her; May Swenson and her two loves; Paul and Jane Bowles in their ambiguous marriage; Frank O’Hara in and out of bed; Fritz Peters, the anointed son of Gurdjieff; and James Baldwin, Isabel Miller (Patience and Sarah), Tobias Schneebaum, Robert Friend, and many others. With its intimate portraits, Field’s memoir brings back a forgotten era—postwar bohemia—bawdy, comical, romantic, sad, and heroic.

Agnes Bernelle, one of Ireland's best-loved stage performers, was born Agnes Bernauer in Berlin in 1923, the daughter of a renowned Jewish-Hungarian theatre impresario. In this sparkling, intimate memoir she recounts her early years in Germany, her family's flight to London after Hitler came to power, her anti-Nazi broadcasts to the land of her birth, her turbulent loves and family life, the blossoming of her career in film and theatre - from wartime refugee cabaret to the West End - and her eventual move to Glaslough in Ireland in 1963.

Yehoshua Hankin had two loves: love for his wife Olga, many years his senior, and a love for the land. The two competed with each other, but he never preferred one over the other. Displayed for the reader, against the backdrop of the atmosphere in the Land of Israel toward the close of the Ottoman period and into that of the British Mandate, is a broad slice of life spread over fifty years of the man dubbed by constituents as the “Redeemer of the Land,” and of the figures who accompanied him.The characters, events, times, and places described in this historical novel are to a great extent a faithful representation of reality, and they are interwoven into a multi-faceted biography illuminating the period and forgotten actors in a new light. Joining forces in writing this book were Irit Amit Cohen and Ruth Kark, who combined Irit Amit Cohen’s literary work in the genre of the historical novel with Ruth Kark’s long-term research endeavor on Yehoshua Hankin, which even encompassed oral documentation from his close associates.

""A lively set of insights on the sports world as a whole makes Counsel in the Crease a highly recommended pick indeed." - Internet Bookwatch "Swados's Buffalo love seeps from every page...The book covers everything a Sabres fan could desire...It's all here...Written with wit, warmth, and an often surprising level of honesty, the book is a success for hockey freaks and even those with just moderate interest in the game...for a long-time Sabres fan, Counsel in the Crease is damn near un-missable, offering some of the juiciest views of the franchise's backroom dealings a fan will ever see." - Buffalo Spree "...an in-depth, detailed look at the Sabres' franchise through the eyes and ears of Swados....pro-Buffalo, pro-Sabres, pro-Knox group, a man who spills his blue and gold blood all over these pages. He takes the reader into the board rooms, into the locker rooms, into negotiations, everywhere but in the faceoff circles and the corners of the rink...This is the definitive history - or at least one version - of the first 35 years of the Sabres' franchise, told as oral history, by a man who was there. Many of the principals from the first 30 years of the franchise have taken these conversations and negotiations to their graves; Bob Swados has made sure the history will survive...this is a fascinating read for those who want to hear one man's version of what happened in the board rooms and behind the scenes." ." - The Buffalo News "[Swados] uses an obsession with detail in a sophisticated way to reveal the complexity behind his subject....fans of [the Buffalo Sabres] will thoroughly enjoy Swados's insider views of the Sabres and its various owners. General hockey fans will be enlightened by Swados's insights into the sport's various financial and legal imbroglios." - Publishers Weekly

As Cosmopolitan 's professional agony aunt for the last forty years, Irma Kurtz has had to deal with the most intimate problems of successive generations of readers, while having to keep up with the changing mores and attitudes in British and American society. In these memoirs, she looks back on the seismic transformations that have taken place over the last four decades, as well as her own hectic and often difficult life as a single mother from America living in London. Warm, funny, and perceptive, brimming with wisdom and insight, My Life in Agony is a meditation on the subjects that tend to concern and confuse us the most--from mother-daughter relationships to eating disorders, office politics, and those perennial areas of interest: love and sex.

Felicity Kendal began writing these richly entertaining and deeply honest memoirs at her father's bedside as he lay in a coma. As she moves hauntingly between the present and the past, Felicity Kendal recaptures her magical childhood in India, her complex relationship with her father and the rest of the family, her love affairs and the acting career that led to her being recognised as one of the outstanding actresses of her generation. 'A remarkable first book about acting, travelling, exile, loving and losing; a book about families and, above all, a book about fathers and daughters.' Angela Lambert, Good Housekeeping

Alfred Bader's achievements—as the founder of one of the most important companies in its field in the world, as a collector and dealer in Old Master paintings, and as a legendary philanthropist—make for fascinating reading. This book begins where Alfred Bader's first autobiography, Adventures of a Chemist Collector, ended: with the boardroom coup in which he was dismissed from the chemical company he had built up from the ground. Bader now turns his enormous energy to Old Master paintings, in which he had become interested at a young age and in which he by now has the means to invest. The chapters that follow are roughly chronological, with some devoted to particularly meaningful paintings or groups of paintings, memorable auctions, mysteries, or discoveries relating to the artworks in the Bader Collection, while others are dedicated to friends, family, love, religion, charity, and, occasionally, chemistry.

A compelling work of autobiographical fiction, Hélène Cixous's Hemlock weaves tragedy and comedy, narrative and meditation in its exploration of various human attachments: between an elderly but still truculent mother and her writer-daughter, between the mother and her sister, and between the writer and her vanished but nonetheless intensely present friend, Jacques Derrida, whose death is movingly evoked. "I have in mind two lovely faces, old women in bloom," writes the author with a backwards nod to Proust's ‘jeunes filles.' "Here," she says in her preface, "the criss-crossing paths of my mother and my aunt will come to an end at last. When one old flower is left, what becomes of the other face?" Socrates is conjured up, along with the poisonous plants of Hamlet, the human comedies of Balzac and Proust, and other literary and philosophical ghosts who find themselves drawn into the fabric of Cixous's text: "I'm not sleeping," writes the protagonist. "A worm is drilling my brain. It's a phrase I heard in the hellish juice of the jusquiame. I pour it into my own ear. ‘I'm afraid Mama will die'." In this new work Hélène Cixous continues to explore and expand the boundaries of narrative, slipping from thought to thought and from image to image, so as to render every action, fear and thought palpable to the reader.

John Beckett was a rising political star. Elected as Labour's youngest M.P. in 1924, he was constantly in the news and tipped for greatness. But ten years later he was propaganda chief for Mosley's fascists, and one of Britain's three best known anti-Semites. Yet his mother, whom he loved, was a Jew. Her ancestors were Solomons, Isaacs and Jacobsons, originally from Prussia. He successfully hid his Jewish ancestry all his life - he said his mother's family were "fisher folk from the east coast." His son, the author of this book, acclaimed political biographer and journalist Francis Beckett, did not discover the truth until John Beckett had been dead for years. He left Mosley and founded the National Socialist League with William Joyce, later Lord Haw Haw, and spent the war years in prison, considered a danger to the war effort. For the rest of his life, and all of Francis Beckett's childhood, John Beckett and his family were closely watched by the security services. Their devious machinations, traced in records only recently released, damaged chiefly his young family. This is a fascinating and brutally honest account of a troubled man in turbulent times.

BIOGRAPHY & AUTOBIOGRAPHY: LITERARY. The Tongue Set Free is so beautifully written. It begins wtih an extraordinary image, Canetti's earliest memory. He comes out of a room. A man makes him stick out his tongue; if he talks he will cut it off. Years later Canetti realises that this was his nursemaid's lover, frightening him into silence about their rendezvous. The idea of speaking as the entry into forbidden grown-up life dominates this book. When he is seven his father dies. He is propelled from childhood into adulthood, from his father to his mother, through language. In an extraordinary, cruel episode his mother forces him to learn perfect adult German in three months, to replace her husband as quickly as possible. His tongue is set free: he has won his mother, against brothers , against all lovers. It is the most intense Oedipal relationhsip I have ever seen described and Canetti describes it brilliantly. But it's all extraordinary, and all masterfully written.

This book presents a new and comprehensive biography of one of the most prominent artists of the twentieth century in dialogue with the events and ideologies of his time. It encompasses the 98 years of Chagall's life (1887-1985) in Russia, France, the US, as well as Germany and Israel, his deep roots in folk culture, his personal relationships and loves, his involvement with the art of the Russian Revolution, with Surrealism, Communism, Zionism, Yiddish literature and the state of Israel. The book exposes the complex relationships between Chagall's three cultural identities: Jewish-Russian-French. Indeed, it is a biography of the turbulent times of the twentieth century and the transformations of a Jew in it, his meteoric rise from the "ghetto" of the Russian Pale of Settlement to the centers of modern culture. -- Back cover.

English poet and critic Alvarez begins this autobiography with his recollections of his childhood as the sickly son of deeply unhappy parents. Alvarez courted danger as a way of overcoming his infirmities and found in the deadly ballet of the Battle of Britain - Messerschmitts and Spifires dancing and dueling across the London sky - an image of beauty and risk that would never leave him. And, yet, poetry and the literary life were his first loves as an adult, and he describes the excitement of his early successes at Oxford and as poetry critic at the Observer.

Leaving Russia: A Jewish Story is a memoir of coming-of-age and struggling to leave the USSR. Shrayer chronicles the triumphs and humiliations of a Soviet childhood and expresses the dreams and fears of a Jewish family that never gave up its hopes for a better life. Narrated in the tradition of Tolstoy’s confessional trilogy and Nabokov’s autobiography, this is a searing account of the KGB’s persecution of refuseniks, a poet’s rebellion against totalitarian culture, and Soviet fantasies of the West during the Cold War. Shrayer’s remembrances are set against a rich backdrop of politics, travel, and ethnic conflict on the brink of the Soviet empire’s collapse. His story offers generous doses of humor and tenderness, counterbalanced with longing and violence. Leaving Russia is a love story in which a young Jew’s love is unrequited and his heart is forever broken by his homeland.

Czech writer Ivan Klima masterfully recounts, first, what it was like for him as a Jewish child confronting with his family the inhumanities of the Theresienstadt concentration camp situated at the edge of their hometown, Prague. Then, more fully, he painstakingly recalls what it was like for him and his countrymen after the Nazi thugs were driven out by the Soviet Army and replaced for four decades by the Communist thugs. Includes an appendix of essays on topics ranging from social history and political thinking to love and liberty.

Hyperdream is a major new novel by celebrated French author Hélène Cixous. It is a literary tour de force, returning anew to challenge necessity itself, the most implacable of human certainties: you die in the end -- and thatʹs the end. For you, for me. But what if? What if death did not inevitably spell the end of life? Hyperdream invests this fragile, tentative suspension of disbelief with the sheer force of its poetic audacity, inventing a sort of magic telephone: a wireless lifeline against all the odds to the dearly departed. It is a book about time, age, love and the greatest loss. A book which turns on death: on the question or the moment of death, depending on it, expecting it, living off it, taking place at once before and after, but at the same time turning against it, contesting it, outwriting it hopefully, desperately, performatively, as an interruptible interruption. -- Back cover.

Norma Barzman is a blacklisted writer living in Southern France. Henry Myers is her beloved cousin, a former member of the Algonquin circle who has found his writing talent diminished with age, and is living an isolated life in New York City. When Norma invites Henry to Italy to realize their mutual dream of traveling together to Cremona to write about the mysterious origins of violin making, neither one could have anticipated the explosive consequences of their journey. But their adventure opens a Pandora's box of long-suppressed emotions, family secrets, and forces each to reassess their feelings towards each other, and themselves.