No detailed description available for "Mr. Justice Holmes and the Supreme Court".

2012 Reprint of 1962 Edition. Exact facsimile of the original edition, not reproduced with Optical Recognition Software. If Mises has an unheralded masterpiece, "The Ultimate Foundation of Economic Science" is it. There are two senses in which this book is indeed ultimate: it deals with the very core of economics as a science, and it is the last book that he wrote. For that reason, it is a real milestone in the history of his work. In this volume, Mises argued that economics is a science because human action is a natural order of life and that it is the actions of humans that determine markets and capital decisions. Since Mises believed these links could be proven scientifically, he concluded that economics, with its basis on that human action, is indeed a science in its own right and not an ideology or a metaphysical doctrine.

Capturing a behind-the-scenes glimpse into the world of science fiction, this unique autobiography by Robert Silverberg shows how famous stories in this genre were conceived and written. Chronicling his career as one of the most important American science fiction writers of the 20th century, this account reveals how he rose to prominence as the pulp era was ending--and the genre was beginning to take on a more sophisticated tone--to eventually be named a Grand Master by the Science Fiction Writers of America. Stating that this will be his only autobiographical work, Silverberg's book includes rare photos, ephemera from his own archives, and a complete bibliography of his works, from novels and short story collections to nonfiction.

Relates the trials and eventual transformation of Richard--a Yale tennis captain, surgeon, Lt. Commander in the navy, and a happily married man into Renee Richards, a woman with many accomplishments in her own right

From February 1942 to July 1944, Oskar Rosenfeld served in the statistics department of the Lodz ghetto. A playwright and journalist, he kept his own notes on life and conditions in the ghetto for a fictionalized account he hoped to write one day. Though Rosenfeld eventually perished at Auschwitz, In the Beginning Was the Ghetto projects his voice at last to the wider world.

Why I Left America and Other Essays by Oliver W. Harrington edited, with an introduction, by M. Thomas Inge To American black newspapers of the 1930s and 1940s "Ollie" Harrington was a prolific contributor of humorous and editorial cartoons. He emerged as an artist during the Harlem Renaissance and created Bootsie, the popular cartoon figure that became a fixture in black newspapers. Langston Hughes praised Harrington as America's greatest black cartoonist. After serving as a war correspondent in Italy, he returned to his homeland and the impediment of racism that pervaded American life. As director of public relations for the NAACP, he crusaded against America's policies of institutionalized racism, openly supporting leftist reform leaders. Upon hearing in this era of "red-baiting" that he was targeted for investigation, Harrington left America. In the culturally rich American community on the Left Bank in Paris that would come to include Chester Himes, James Baldwin, and Richard Wright, he became a fixture. In 1961 he found himself trapped behind the Berlin Wall, but he chose to remain in East Germany. His cartoons appeared in East German magazines and in the American Communist newspaper The Daily World. Although he became a favorite with Eastern Bloc students and intellectuals, in America Harrington was mainly forgotten. The autobiographical pieces included in Why I Left America and Other Essays, written mainly during the 1960s and 1970s, detail Oliver W. Harrington's experiences as an African American artist in exile. One theme that persists in these writings and his cartoons is his intolerance of racism. Hence, as an artist, he has found it impossible not to be political. One essay, from Ebony magazine, fuels speculation about the mysterious circumstances in the death of his friend Richard Wright. In another piece Harrington details how he created the celebrated Bootsie. He writes in others of his life in New York during the Harlem Renaissance and in Paris with fellow black expatriate figures. Why did this African American choose to live in exile for over forty years? In an affectionate foreword to this volume Richard Wright's daughter Julia gives clues to the answer. Her insights, along with M. Thomas Inge's introductory essay about Harrington's life and achievements, bring special focus to the experiences of an outstanding African American artist and social critic who has been virtually without recognition in his homeland. Oliver W. Harrington (1912-1995), cartoonist and political satirist, was an outspoken advocate for civil rights. He lived in exile in East Berlin for many years. M. Thomas Inge is the Robert Emory Blackwell Professor of Humanities at Randolph-Macon College.

Good Girls on Bad Drugs portrays the shattered lives of girls next door who became crack, coke, opioid, and heroin addicts, and who in their hustle for drugs became streetwalkers and internet escorts. In jailhouse journals and interviews, they confess with candor and courage to their sex work and drug crimes amid two Connecticut mega-casinos and the three nearby small cities. Doomed by their addictions, most girls never recover, while others die young from AIDS, OD, or murder. Here a spotlight is shined upon 22 lives. One chapter, one life. And sometimes one death. Living and dying on the fringes of society, four fatally overdosed, one of them a 17-year-old internet escort whose death exposed a prostitution ring. Three were murdered by johns. One was an accessory to two murders. Another, after her prison break, was hunted in two states. Another robbed six banks in three states in six consecutive days. All their photos and interviews are included in these dramatic true crime stories about some guys' lust for sex and these girls' thirst for drugs. .................... CONTENTS: ..... Part One - The UNDERWORLD; 01 - MARIE - A Shadowy Figure Afoot Flashes "The Look"; 02 - LINDA - Mr Crack Introduces Ms Jane to Mr John; ...... Part Two - The INTERNET ESCORTS; 03 - NORWICH and the Bad Bets on the Foxwoods and Mohegan Sun Casinos; 04 - LADY LUCK - The Escorts' Guide to the Casinos; 05 - THE THREE GRACES - Outcasts on Outcalls; 06 - DEVON - Casino Escort of Last Resort; 07 - OLIVIA - The Baby Girl; 08 - KATRINA - Life as Hurrica≠ 09 - HOPE - Topless Dancer in a Bottomless Pit; 10 - LYNNE - The Crackhead Addicted to Prostitution; ...... Part Three - The STREETWALKERS; 11 - NEW LONDON - A Whale of a Tale and a Tail of a Wha≤ 12 - COPS & RUBBERS - The Streetwalkers' Guide to the City; 13 - HEATHER - The Seriously Serial Bank Bandit; 14 - RENEE - A Connecticut Lawyer in Judge Arthur's Court; 15 - TRISH - Off to See the Wizard of Poz; 16 - JESSICA - The Prodigal Mom; 17 - DARLENE - Escape to Never-Never L∧ ...... Part Four - The HEROIN HEROINES; 18 - WILD and ANTIC WILLIMANTIC - The Riddle of the Syrin≥ 19 - JOE the JOHN - And Now a Word from Our Sponsors; 20 - LIZ - Woman Who Runs with the Werewolves; 21 - JENNIFER - Beauty and the Beasts; 22 - BONNIE - She Takes the High Road and He Takes the Low Road; 23 - AMBROSIA - Walking through the Valley of the Shadow of Death; ...... Part Five - ANOTHER WORLD; 24 - ROBIN - The Prosthetic Prostitute; 25 - SEX for HIGHER - A Eulogy; ...... APPENDICES; Documentation; Further Reading; List of Photographs; Acknowledgments; Glossary of Street Slang

In 1942, on the recommendation of 26-year-old Bob Santamaria, Australia's Catholic bishops created a clandestine church organisation to smash the Communist Party's massive trade union base. Soon, The Movement, working closely with ASIO, became a sophisticated intelligence agency that would influence every corner of politics. Santamaria based his Movement (also called The Show) completely on the Communist Party, copying its spectacularly successful union-organising machinery. Within a decade, it had defeated communist power in many major unions. He also adopted the communists' strategy of infiltrating the Labor Party, and embarked on an aggressive program to transform it into a Catholic political machine, helping spark the great Labor Split of the mid-1950s. Ironically, in modelling the Movement on his enemy, Santamaria imported its most odious characteristic: Stalinism. He rapidly embraced the characteristics of a Stalinist leader, actively cultivating his own 'cult of personality'. Over time, this infected The Movement, as it adopted authoritarian practices and imposed anti-democratic policies on the unions it controlled, mirroring the communists' modus operandi . As in the Communist Party, this inevitably caused internal battles and catastrophic splits that undermined and, eventually, destroyed The Movement. Weaving together a rich story from previously secret archives of both The Movement and the Communist Party, ASIO's massive files, and extensive oralhistory interviews, The Show exposes a previously unseen side of Santamaria's Catholic Movement.

When Luke Ford, the youngest son of a heretical Seventh Day Adventist theologian, converted to Judaism in 1992, he burned his pornography collection, but his curiosity about the forbidden did not disappear in the flames. In the fall of 1995, Ford began investigating the San Fernando Valley's hardcore industry. On his website www.lukeford.com, he broke stories about HIV-infection, Mafia control, and pay-for-placement porn journalism. As his name began showing up in the newspapers and his face on television, Ford received an ultimatum from his rabbi--give up investigating porn or give up the synagogue. XXX-Communicated: A Rebel Without a Shul explores the tensions between freedom and friends, faith and reason, reality and religion.

""What Hitler Wants"" is a political analysis written by Leon Trotsky in 1933, shortly after Adolf Hitler and the Nazi Party came to power in Germany. The book explores the motivations, goals, and strategies of the Nazi regime, particularly in regards to its expansionist ambitions and its hostility towards the Soviet Union. Trotsky argues that Hitler's regime is driven by a desire for territorial conquest and domination, fueled by a toxic blend of racism, nationalism, and anti-communism. He also critiques the policies of the Western powers, particularly their appeasement of Hitler and their failure to recognize the threat posed by fascism. The book is a powerful warning against the dangers of fascism and the need for international solidarity in the face of authoritarianism.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Kim Chernin is renowned for her prolific writing -- including fiction and memoir -- on issues affecting women's lives, ranging from eating disorders and sex to relationships. In The Woman Who Gave Birth to Her Mother, she offers readers a culmination of that work -- a fully integrated vision that will help women resolve their lifelong struggles with their mothers and become fully independent, capable people. Exploring six compelling case histories of women who have resolved these issues in unique and creative ways, Chernin offers her own insights based on years of working with women in therapy, and on her own problematic relationship with her daughter. A tour de force of analysis, compassion, and erudition, this exciting, important work is further evidence that Chernin is "blessed with the eloquence of a poet and the gifts of a born therapist" (San Francisco Chronicle).

After more than thirty years as an expatriate, Irma Kurtz gave in to her growing curiosity about her American roots and set off on a grand adventure to explore 'the most baffling of all places' - by Greyhound bus. Taking only the barest necessitites for travel, she entered the vast network of America's bus routes and a seething, fleeting world of brief encounters and changing landscapes.

In this political biography, Ilan Pappe traces the rise of the Husayni family of Jerusalem, who dominated Palestinian history from the early 1700s until the second half of the twentieth century.

Takes a feisty, bohemian look at the evolving times and trends of the second half of the last century and the early years of this one - from Gold's boyhood in Lakewood, Ohio, in the 1930s to New York and Columbia in the 1940s, joining the army at 18 and living in Paris during the 1950s before joining the beatniks and flower children in San Francisco - where he would become the city's most famous and venerated author. In an age of overheated memoirs, Still Alive! will surely find its way to a grateful audience both young and young at heart.

By this time the American people have probably become convinced that the Germans deliberately planned the conquest of the world. Yet they hesitate to convict on circumstantial evidence and for this reason all eye witnesses to this, the greatest crime in modern history, should volunteer their testimony. I have therefore laid aside any scruples I had as to the propriety of disclosing to my fellow countrymen the facts which I learned while representing them in Turkey. I acquired this knowledge as the servant of the American people, and it is their property as much as it is mine. I greatly regret that I have been obliged to omit an account of the splendid activities of the American Missionary and Educational Institutions in Turkey, but to do justice to this subject would require a book by itself. I have had to omit the story of the Jews in Turkey for the same reasons. My thanks are due to my friend, Mr. Burton J. Hendrick, for the invaluable assistance he has rendered in the preparation of the book Henry Morgenthau.

"I am dangling beneath my parachute. Gazing down from a height of 10,000 feet, knowing I am going to be killed in less than fifteen minutes, I feel great sorrow for myself. None of my fellow pilots who've parachuted into the Nile Delta have survived the encounter with the welcoming committee below, and I have no reason to think my fate will be any different." -- Giora Romm, Solitary "Giora Romm's Solitary seized me from the opening paragraph. Yes, the storytelling is spellbinding, but it is Romm's explication of the theme of the fall, ordeal and self-resurrection that places his book not only among the finest war writing ever but, like Viktor Frankl's Man's Search for Meaning, alongside the most profound reflections on the resilience and capacity of the human soul." -Steven Pressfield, bestselling author of Gates of Fire and The War of Art In June 1967, Lt. Giora Romm shot down five MiGs in the Six Day War. This remarkable feat made Romm, at twenty-two years old, the Israeli Air Force's first fighter ace. Just two years and a half years later, in another dogfight, Romm's Mirage jet was shot down over the Nile Delta. With one arm broken and the opposite leg shattered by violent ejection from the aircraft, Romm collected himself and prepared for the worst. If his captors discovered his "Hero of the Six Day War" identity, Romm would become the most prized propaganda tool in the Arab-Israeli conflict, bar none. How he maintained his sanity in solitary confinement, in a plaster cast that extended from his toes to his chest, while suffering beatings and daily interrogation, strains comprehension. Solitary is destined to become mandatory reading not just at military academies and synagogues, but in hospices, rehabilitation centers and creative writing programs around the world.

""The Curtain Falls: Last Days Of The Third Reich"" is a historical account of the final days of Nazi Germany, written by Swedish diplomat and humanitarian, Folke Bernadotte. The book provides a detailed and personal perspective of the events leading up to the fall of Hitler's regime, including the military campaigns, political negotiations, and the atrocities committed by the Nazi regime. Bernadotte's firsthand experiences as a mediator between the Allies and Nazi officials, as well as his interactions with key figures such as Himmler and Goebbels, offer unique insight into the inner workings of the Nazi government during its final days. The book also delves into the aftermath of the war and the Nuremberg Trials, providing a comprehensive look at the end of one of the darkest periods in human history. Overall, ""The Curtain Falls"" is a compelling and informative read for anyone interested in the history of World War II and the downfall of the Third Reich.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Who is Matt Cvetic? Hero? Scoundrel? Mole? The man who loosely provided the inspiration for the B-Grade cult movie I Was a Communist for the FBI had a life that was marred by alcoholism, damaged expectations, and greed. Cvetic, at the request of the FBI, joined a Pittsburgh branch of the CPUSA in 1943. He became one of many plants in the Party during that decade and gained the nickname "Pennsylvania's most significant mole." However, because of his erratic behavior, the FBI fired him in 1950, at which time he surfaced and suddenly became a celebrity through his testimony before the HUAC hearing. Journalist Richard Rovere described Cvetic as a "kept witness," a term that fits those who "made a business of being witnesses," thereby "befouling due process." Cvetic was the subject of a multipart series in the Saturday Evening Post. The articles bordered on fiction, but they gave Cvetic the national exposure he needed to secure a screen deal. Warner Brothers bought the story, made the movie, and enhanced Cvetic's celebrity as pop icon. In the mid-1950s, Cvetic was discredited as a witness by the courts. His career ended and he found a new niche on the Radical Right, yet he died in 1962 after years of fighting to uphold his image with the media. Today Cvetic's image is dimly remembered as he continues to fight "the Red Menace" on late-night television. Leab juxtaposes Cvetic's real life with his reel life. He chronicles his fall from grace, yet admits that Cvetic's life offers fascinating and useful insights into the creation, merchandising, and distribution of a reckless professional witness. Leab also writes about Cvetic's life prior to his involvement with the FBI, his glory days, and shows that there is much to be learned from the story of an "anti-Communist icon."

ACKNOWLEDGEMENTS: A Cultural Memoir and Other Essays is a collection of previously unpublished writing by National Post columnist Barbara Kay. This wide-ranging selection includes original essays - notably the title essay, a mini-memoir of the cultural and intellectual influences that shaped Kay's worldview - as well as a discursive ramble through the bizarre subculture of the pit bull advocacy movement. In between, readers familiar with Kay's weekly columns over the last ten years will find elaborated commentaries on her niche subjects: the negative impact of feminism on our public institutions and families, the erosion of academic integrity in the universities and our politically correct "rights" culture's sub-version of social and civic reciprocity in Canadian communities.

Arnold Beichman's comprehensive study of the writings of Herman Wouk, one of America's leading writers, shows how Wouk's plays and novels exemplify an extraordinary and often highly perceptive preoccupation with American society in war and in peace. Situating Wouk in the same literary tradition as Cervantes, Richardson, Balzac, and Dickens, Beichman demonstrates that Wouk's novels have strong plots, moralist outcomes, and active--essentially positive--characters. The new introduction serves to bring Wouk's work over the past two decades into the reckoning. Making extensive use of Wouk's personal papers and manuscripts as well as personal interviews with him, Beichman's focus is on the social and literary qualities of Wouk's work. In particular, he examines eight novels including War and Remembrance and The Winds of War; The Traitor, one of his three plays; and two moral tracts on Judaism. Wouk has written four more novels, including his latest, A Hole in Texas, his twelfth. Beichman portrays Wouk as one of the few living novelists concerned with virtue, and sees his work as against the mainstream of contemporary American novelists. These, he argues, have eschewed such elements of the traditional novel as invention, coincidences, surprises, suspense, and a moral perspective more presumed than examined.