Michael Kind was a rabbi, but he was also a man. A man who couldn't help that his heart led him to Leslie, a beautiful minister's daughter. Defying parents and teachers, they dare to love one another and build a life together, in this sweeping drama of love and identity, compassion and crueltly, and a complicated world that will not accept their decisions.... "A rewarding reading experience." LOS ANGELES TIMES

Product Description WCW, I Wanted to Write a Poem. Williams discusses the procedure of poetry. From the Back Cover 'I Wanted to Write a Poem' is, then, a brief 'talking' bibliography, alive with the Williamses' memories of the circumstances in which the books were brought into being-in Miss Heal's words, 'a nostalgic review of the early twentieth-century literary world.'

From New York Times bestselling author Walter Mosley, Detective Easy Rawlins’ latest client sends him down a warren of memory and nostalgia―blinding him to reason and risk. January 1970 finds Ezekiel “Easy” Rawlins, LA’s premier Black detective, at 50 years of age despite all expectations. He has a loving family, a beautiful home, and a thriving investigation agency. All is right with the world ... and then Amethystine Stoller, his own personal Helen of Troy, arrives. Her ex-husband is missing. A simple enough case. But even as Easy takes his first step in the investigation he trips. He falls into the memory of things past. Little things, like loss, love, a world war, and a hunger that has eaten at him since he was a Black boy on his own on the streets of Fifth Ward, Houston, Texas. The missing ex, a young white man named Curt Fields, is found dead. Easy’s only real friend in the LAPD, Melvin Suggs, has gone into hiding rather than allow his femme fatale wife to go to the gas chamber. And that’s only the beginning. Easy finds himself pressed into a reckoning. All of his success cannot succor his heart. The 1970’s have ushered in new expectations of men and women, Black and White, and Easy has to make a choice that will almost certainly hasten a permanent descent, one that might sunder his soul. Shamus Award Finalist for Best Hardcover PI Novel

“A thoughtful perspective on humans' capacity for moral behavior.” — Kirkus Reviews “A comprehensive introduction to religious skepticism.” — Publishers Weekly In What It Means to Be Moral: Why Religion Is Not Necessary for Living an Ethical Life , Phil Zuckerman argues that morality does not come from God. Rather, it comes from us: our brains, our evolutionary past, our ongoing cultural development, our social experiences, and our ability to reason, reflect, and be sensitive to the suffering of others. By deconstructing religious arguments for God–based morality and guiding readers through the premises and promises of secular morality, Zuckerman argues that the major challenges facing the world today—from global warming and growing inequality to religious support for unethical political policies to gun violence and terrorism—are best approached from a nonreligious ethical framework. In short, we need to look to our fellow humans and within ourselves for moral progress and ethical action. “In this brilliant, provocative, and timely book, Phil Zuckerman breaks down the myth that our morality comes from religion—compellingly making the case that when it comes to the biggest challenges we face today, a secular approach is the only truly moral one.” —Ali A. Rizvi, author of The Atheist Muslim

Dusty Springfield made her name in the 60s with a string of top ten hits. Her unique singing style and distinctive bouffant blonde look made her famous throughout the world. Despite a period in the wilderness during the 70s and 80s, she was back at the top in the 90s until her death from cancer in March l999. Born an Irish Catholic in l939, her background set her almost schizophrenically at odds with herself as she realised her sexuality and moved further into the rock world. Both Penny Valentine and Vicki Wickham knew Dusty well, as friend and manager for much of her career. As well as charting her gay relationships, this book also looks candidly at the period of her greatest self-destruction while living in Los Angeles in the 80s. Covering every area of her career with honesty and affection, Dusty is brought vividly to life.

Allen Ginsberg, Lionel and Diana Trilling, Lillian Hellman, Hannah Arendt, and Norman Mailer -- all are ex-friends of Norman Podhoretz, the renowned editor and critic and leading member of the group of New York intellectuals who came to be known as "the Family." As only a family member could, Podhoretz tells the story of these friendships, once central to his life, and shows how the political and cultural struggles of the past fifty years made them impossible to sustain. With wit, piercing insight, and startling honesty, we are introduced as never before to a type of person for whom ideas were often matters of life and death, and whose passing from the scene has left so large a gap in American culture. Podhoretz was the trailblazer of the now-famous journey of a number of his fellow intellectuals from radicalism to conservatism -- a journey through which they came to exercise both cultural and political influence far beyond their number. With this fascinating account of his once happy and finally troubled relations with these cultural icons, Podhoretz helps us understand why that journey was undertaken and just how consequential it became. In the process we get a brilliantly illuminating picture of the writers and intellectuals who have done so much to shape our world. Combining a personal memoir with literary, social, and political history, this unique gallery of stern and affectionate portraits is as entertaining as a novel and at the same time more instructive about postwar American culture than a formal scholarly study. Interwoven with these tales of some of the most quixotic and scintillating of contemporary American thinkers are themes that are introduced, developed, and redeveloped in a variety of contexts, with each appearance enriching the others, like a fugue in music. It is all here: the perversity of brilliance; the misuse of the mind; the benightedness of people usually considered especially enlightened; their human foibles and olympian detachment; the rigors to be endured and the prizes to be won and the prices to be paid for the reflective life. Most people live their lives in a very different way, and at one point, in a defiantly provocative defense of the indifference shown to the things by which intellectuals are obsessed, Norman Podhoretz says that Socrates' assertion that the unexamined life was not worth living was one of the biggest lies ever propagated by a philosopher. And yet, one comes away from Ex-Friends feeling wistful for a day when ideas really mattered and when there were people around who cared more deeply about them than about anything else. Reading of a time when the finest minds of a generation regularly gathered in New York living rooms to debate one another with an articulateness, a passion, and a level of erudition almost extinct, we come to realize how enviable it can be to live a life as poignantly and purposefully examined as Norman Podhoretz's is in Ex-Friends.

From her humble beginnings as a Slavic peasant, Lena Geyer rose to become one of the greatest singers of all-to reach the top of the glittering musical world. Her story has been gathered from those who knew her Her cherished music master Pizzetti, her closest confidant, her husband, and her manager. What emerges is the complex and challenging life of a woman who wasn't afraid to aim for the stars...and reach them!

Emmeline Mosher is sent from her parents' Maine farm to the mills of Lowell, Massachusetts, a new life and new values, shocking revelations, two great love affairs, and a completely undreamed-of new world

Written while Hans Keilson was in hiding during World War II, The Death of the Adversary is the self-portrait of a young man helplessly fascinated by an unnamed "adversary" whom he watches rise to power in 1930s Germany. It is never stated outright that our narrator is Jewish, nor that his adversary is Adolf Hitler, though there can be no mistaking either fact. It shows the minutiae of fear, anger, denial and perseverance that accompany life under the shadow tyranny. It is a tale of horror, not only in its evocation of Hitler's gathering menace but also in its hero's desperate attempt to discover logic where none exists. The Death of the Adversary is a lost classic of modern fiction

A Globe and Mail Top 100 Book of 2025 Both sweeping and intimate, a majestic novel of love and war that brilliantly evokes the drama and turbulence of medieval France Thierry Villar is a well-known—even notorious— tavern poet, familiar with the rogues and shadows of that world, but not at all with courts and power. He is an unlikely person, despite his quickness, to be caught up in the deadly contests of ambitious royals, assassins, and invading armies. But he is indeed drawn into all these things on a savagely cold night in his beloved city of Orane. And so Thierry must use all the intelligence and charm he can muster as political struggles merge with a decades-long war to bring his country to the brink of destruction. As he does, he meets his poetic equal in an aristocratic woman and is drawn to more than one unsettling person with a connection to the world beyond this one. He also crosses paths with an extraordinary young woman driven by voices within to try to heal the ailing king—and help his forces in war. A wide and varied set of people from all walks of life take their places in the rich tapestry of this story. A new masterwork from the internationally bestselling author of All the Seas of the World , A Brightness Long Ago , and Tigana , Written on the Dark is an elegant tour de force about power and ambition playing out amid the intense human need for art and beauty, and memories to be left behind.

Presents a world in which fiction and reality meet within the 1930s Bronx childhood of Edgar, growing up through the intensity of the Depression and the hope of the New York World's Fair.

Imagine a world where everyone knows everything about everybody. Where what a person 'feels' and 'truly believes' is protected under the law, while what is rational, even provable is condemned as heresy. A world where to question ignorance and intolerance is to commit a Crime against Faith. Imagine it. Or just wait until After The Flood. On a hot Sagittarian morning in the year 56 ATF, Trafford Sewell struggles to work through the usual crowds of near-naked commuters. He is confronted by the intimidating figure of his Parish Confessor. Why has Trafford not been streaming his every moment of sexual intimacy onto the community website like everybody else? Does he think he's different or special in some way? Better than his fellow man and woman? Does he have something to hide? Ben Elton's dark, savagely comic novel imagines a post-apocalyptic society where religious intolerance combines with a confessional sex obsessed, self-centric culture to create a world where nakedness is modesty, ignorance is wisdom and privacy is a dangerous perversion. A chilling vision of what's to come? Or something rather closer to what we call reality?

Jacqueline Susann broke all the rules. Her life was flamboyant, outrageous, a mile-a-minute trip through the gossip columns and casting couches of the entertainment world. At 50, she knew herself a failure. She had missed the brass ring and now lived under a possible death sentence. It was then that she wrote the novel that would become one of the bestselling novels of all time--VALLEY OF THE DOLLS. LOVELY ME gives us the real woman behind the legends and the lies. She was amoral, loving, vulgar, brilliant, intensely loyal and capable of viciousness--a woman who lived at full throttle and without regret. She may shock you, but one thing is You will never forget her.

This invaluable book presents most of the important papers of Emil Wolf, published over half-a-century. It covers chiefly diffraction theory (especially the analysis of the focal region), the theory of direct and inverse scattering, phase-space methods in quantum mechanics, the foundation of radiometry, phase conjugation and coherence theory. Several papers which have become classics of the optical literature are included, such as those on Wolf's rigorous formulation of the theory of partial coherence and partial polarization, the introduction of diffraction tomography, and his discovery of correlation-induced shifts of spectral lines (often called the Wolf effect). There are also papers dealing with the historical development of optics and some review articles.

“As far as the education of children is concerned,” states Natalia Ginzburg in this collection of her finest and best-known short essays, “I think they should be taught not the little virtues but the great ones. Not thrift but generosity and an indifference to money; not caution but courage and a contempt for danger; not shrewdness but frankness and a love of truth; not tact but a love of one’s neighbor and self-denial; not a desire for success but a desire to be and to know.” Whether she writes of the loss of a friend, Cesare Pavese; or what is inexpugnable of World War II; or the Abruzzi, where she and her first husband lived in forced residence under Fascist rule; or the importance of silence in our society; or her vocation as a writer; or even a pair of worn-out shoes, Ginzburg brings to her reflections the wisdom of a survivor and the spare, wry, and poetically resonant style her readers have come to recognize. “A glowing light of modern Italian literature . . . Ginzburg’s magic is the utter simplicity of her prose, suddenly illuminated by one word that makes a lightning streak of a plain phrase. . . . As direct and clean as if it were carved in stone, it yet speaks thoughts of the heart.” — The New York Times Book Review

From a man too simple for the devil to fool, to a college student taking an honors class in temptation, here are tales of black magic and demonic enchantment--stories of those who heed Satan's siren song and those ready to match wits with this most cunning of opponents. So get ready for some red-hot reading about the age-old battle between humans and their ever-present foe as you settle in for a devilish good time in Isaac Asimov's Devils. Arthur C. Clarke; Brian Cleeve; Ray Russell; Leo Tolstoy; Winston K. Marks; Cornell Woolrich; Frederic Brown; Robert Bloch; Robert F. Young; Stephen Vincent Benet; Rick Hautala; Philip Jose Farmer; Charles Beaumont; Jerome Bixby; Bruce Elliot; Theodore R. Cogswell; Theodore Sturgeon

"A stunning, unclassifiable work by one of the 20th century's greatest thinkers and writers, this book is an inspiring amalgam of letters, poetry, and profound musings on everything from Caravaggio to the nature of time itself. 'Those who read or listen to our stories see everything as though through a lens. This lens is the secret of narration, and it is ground anew in every story, ground between the temporal and the timeless ...In our brief mortal lives, we are grinders of these lenses'. When John Berger wrote this apparently unclassifiable book, it was to become a sensation, translated into nine languages and indelible from the minds of those who read it. This stunning work is a shoebox filled with delicate love letters containing poetry and thoughts on mortality, art, love, and absence, capturing moments in time that hover above Berger's surprising landscapes. From his lyrical description of the works of Caravaggio and profound explorations of death and immigration to the sight of some lilac at dusk in the mountains, this is a beautiful and most intimate response to the world around us"-- Provided by publisher.

A rich and riveting debut spanning four generations of Eastern European Jewish women bound by blood, half-hidden secrets, and the fantastical visitation of a shapeshifting stranger over the course of 100 years An ambitious, delirious novel that tangles with queerness, spirituality, and generational silence, City of Laughter announces Temim Fruchter as a fresh and assured new literary voice. The tale of a young queer woman stuck in a thicket of generational secrets, the novel follows her back to her family's origins, where ancestral clues begin to reveal a lineage both haunted and shaped by desire. Ropshitz, Poland, was once known as the City of Laughter. As this story opens, an 18th century badchan, a holy jester whose job is to make wedding guests laugh, receives a visitation from a mysterious stranger--bringing the laughter the people of Ropshitz desperately need, and triggering a sequence of events that will reverberate across the coming century. In the present day, Shiva Margolin, recovering from the heartbreak of her first big queer love and grieving the death of her beloved father, struggles to connect with her guarded mother, who spends most of her time at the local funeral home. A student of Jewish folklore, Shiva seizes an opportunity to visit Poland, hoping her family's mysteries will make more sense if she walks in the footsteps of her great-grandmother Mira, about whom no one speaks. What she finds will make her question not only her past and her future, but also her present. Electric and sharply intimate, City of Laughter zigzags between our universe and a tapestry of real and invented Jewish folklore, asking how far we can travel from the stories that have raised us without leaving them behind.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

In the Global Novel, acclaimed literary critic Adam Kirsch explores some of the 21st century's best-known writers--including Orhan Pamuk, Haruki Murakami, Roberto Bolaño, Chimamanda Ngozi Adichie, Mohsin Hamid, Margaret Atwood, Michel Houellebecq, and Elena Ferrante. They are employing a way of imagining the world that sees different places and peoples as intimately connected. From climate change and sex trafficking to religious fundamentalism and genetic engineering, today's novelists use 21st-century subjects to address the perennial concerns of fiction, like morality, society, and love. The global novel is not the bland, deracinated, commercial product that many critics of world literature have accused it of being, but rather finds a way to renew the writer's ancient privilege of examining what it means to be human. -- Back cover.