"It's a long way from a large, luxurious rambling estate in the Connecticut country side to 77 Sunset Strip, but Efrem Zimbalist, Jr. made that journey, traveling many different roads, during the life he so engagingly recreates in this memoir. His parents, Alma Gluck and Efrem Zimbalist, acclaimed for their artistry throughout the world, provided their son with a childhood of comfort and security - and, of course, music."

In the late 1980s, when she began keeping a diary, Edwina Currie was the second most prominent woman in British politics - after Margaret Thatcher. Indeed, she was often spoken of as a potential Prime Minister. Her outspokenness and her lively, media-friendly personality won her a much higher profile than her status as a junior minister would otherwise have commanded. When she was forced to resign from the Government after warning of the danger signs of salmonella infection in eggs, she was already a national figure. The appearance of these diaries is an important publishing event. Like Alan Clark's diaries, they provide a remarkable insight into politics at the top, by a writer with an observant eye and a sharp sense of humour. Edwina Currie's honesty, her frankness and her courage make these unexpurgated diaries an irresistible read. Their revelation of her four-year affair with former Prime Minister John Major has already been a media sensation.

In these vivid portraits of prominent twentieth-century intellectuals, Edward Shils couples the sensitivity of a biographer with the profound knowledge of a highly respected scholar. Ranging as widely across various disciplines as Shils himself did, the essays gathered here share a distaste for faddists who "run with the intellectual mob" and a deep respect for intellectuals who maintain their integrity under great pressure. Highlights include an affectionate treatment of Leo Szilard, the physicist whose involvement with the development of the atomic bomb led him to work ceaselessly to address its social consequences; a discussion of the educational philosophy of Robert Maynard Hutchins, the University of Chicago's fifth and most controversial president; an appreciative account of the Polish emigre Leopold Labedz's well-informed and outspoken resistance to Communism; and an essay about the extraordinary Indian writer Nirad Chaudhuri.

A compilation of Midrash, Biblical, and legendary stories about the prophet Moses, who led the Children of Israel out of slavery in Egypt.

One of England’s foremost filmmakers, Derek Jarman (1942–1994) wrote and directed several feature films, including Sebastiane, Jubilee, Caravaggio, and Blue, as well as numerous short films and music videos. He was a stage designer, artist, writer, gardener, and an outspoken AIDS and queer rights activist in the UK and the United States. He is the author of several books, among them Modern Nature, available from the University of Minnesota Press.

The compelling autobiography of Israel's preeminent photojournalist, illustrated with his most memorable images. Today, photojournalist David Rubinger stands at the peak of his profession: a winner of the Israel Prize for services to the media and a fixture on the masthead of Time, he is the only photographer whose work is on permanent display at the Knesset, Israel’s legislature. In this fascinating volume, he reports his own story, which in many ways reflects the history of Israel that he has recorded so faithfully with his camera. Born in Vienna in 1924, he emigrated to British Palestine in 1939 and developed a passion for photography while serving in the British army’s Jewish Brigade. After fighting in Israel’s War of Independence, he became a professional news photographer, reporting on each of his young nation’s subsequent wars from the front lines, at first for the Israeli media and later as a correspondent for Time-Life. He photographed all of Israel’s leaders, many of whom have allowed him a remarkable degree of access to their lives; Ariel Sharon said, “I trust Rubinger even though I know he doesn’t vote for me.” But Rubinger has not confined his reporting to war and politics; by photographing the successive waves of Jewish immigrants from Europe, the Arab world, Russia, and Ethiopia, he has also created a valuable record of Israel’s transformation from a country of six hundred thousand to one of seven million. In recounting his eventful career, Rubinger proves himself a gifted raconteur, sharing anecdotes of the many leading personalities he has photographed and telling the stories behind his most famous pictures, many of which are reproduced here at full-page size. Also illustrated are a selection of Rubinger’s never-before-published personal photographs, which provide vivid behind-the-scenes glimpses into the fast-paced and sometimes daring work of a photojournalist. Both a personal account of one man’s life with the camera and a visual document of the birth of a nation, Israel through My Lens is an essential book for anyone with an interest in Israeli history or the art of photojournalism.

On the surface, David Baddiel's childhood was fairly standard: a lower-middle-class Jewish family living in an ordinary house in Dollis Hill, north-west London. But David came to realise that his mother was in fact not ordinary at all. Having escaped extermination by fleeing Nazi Germany as a child, she was desperate to make her life count, which took the form of a passionate, decades-long affair with a golfing memorabilia salesman. Meanwhile, as Baddiel investigates his family's past, his father's memories are fading; dementia is making him moodier and more disinhibited, with an even greater penchant for obscenity. As with his mother's affair, there is both comedy and poignancy to be found: laughter is a constant presence, capable of transforming the darkest of experiences into something redemptive.

"Charity Tillemann-Dick was a vivacious young American soprano studying at the celebrated Franz Liszt Academy of Music in Budapest when she received devastating news: her lungs were failing, her heart was three and a half sizes too big, and she would die within five years. Inexplicably, despite her fatal pulmonary condition, she could still sing. Medical experts advised Charity to abandon her musical dreams, but if her time was running out, she wanted to spend it doing what she loved. In just three years, she endured two double lung transplants. Teetering between life and death, she slowly learned to breathe, walk, talk, eat, and sing again. With new lungs and fierce determination, she eventually fell in love, rebuilt her career, and reclaimed her life. Over a decade after her diagnosis, she has a chart-topping album, performs around the globe, and is a leading voice for organ donation. Weaving Charity's extraordinary tale of triumph with those of opera's greatest heroines, The Encore illuminates the indomitable human spirit. It's the story of confronting devastating challenges with love: the intimate love of a mother for her daughter, a man for a woman, a doctor for her craft, and a singer for her music. Ultimately, grace from God and strangers enabled the work of love to save one young woman's breath and allowed her to reclaim her life"--Inside dust jacket.

"An honest look at life's second half from Everybody Loves Raymond TV sitcom star and comic Brad Garrett"--

A lively, idiosyncratic, witty look at the heart of our political process by a man who has crossed over from observer to activist, to become one of our newest members of parliament. Boris Johnson, celebrated for his blonde thatch of hair as well as for his brilliant writing in the newspapers, and much liked for his appearances on television and radio, took notes throughout his period as prospective candidate and the election campaign. The result is a book that is lovely and fascinating, outspoken and funny, and yet raises real questions about the democratic process. Have you ever wondered about becoming a Member of Parliament? Or why other people do? Or considered what the prospective parliamentary candidates do as they stump around the constituency - making speeches, kissing babies, knocking on front doors, providing newspaper copy? Or what difference it makes to us? Boris Johnson has been a candidate in two elections. As a journalist, he is used to writing about politicians. Now he is himself being interviewed. So what does it feel like, with the tables turned? In his own inimitable style, Boris Johnson writes about his views on the role of MPs and what they can achieve today. He comments on life on the stump, and the pleasure (mostly) of meeting voters, on political parties, current issues, and how to persuade people to vote - all interwoven with stories of what happened to him on his way to a meeting...

"This is the story of the first women naval aviators and their struggles and triumphs as they earned their Wings of Gold, learned to fly increasingly sophisticated jet fighters and helicopters, mastered aircraft carrier landings, served at sea, and reached heights of command that would have been unthinkable less than a generation before. It is also the story of the legacy they left behind"--

This is Bernard Kops' autobiography of his early years in London's East End through to his emergence as a major writer in Soho in the 1950s and his drug-induced madness in the 1960s.

"Most Americans imagine, I think, that the government agencies charged with national security are at least well intentioned and reasonably competent, but this book will shatter their illusions on both counts. It might also cause them to think twice about some of the programs for collecting 'intelligence' and 'information' that have been proposed for the current 'war against terrorism.' Although The Gordon File tells a story that comes to an end around 1970, the lesson could hardly be more timely than it is today." —Fred Haines, a filmmaker whose credits include Ulysses and Steppenwolf For twenty-six years, the FBI devoted countless hours of staff time and thousands of U.S. taxpayer dollars to the surveillance of an American citizen named Bernard Gordon. Given the lavish use of resources, one might assume this man was a threat to national security or perhaps a kingpin of organized crime—not a Hollywood screenwriter whose most subversive act was joining the Communist Party during the 1940s when we were allied with the USSR in a war against Germany. For this honest act of political dissent, Gordon came to be investigated by the House Committee on Un-American Activities in 1952, blacklisted by the Hollywood film industry, and tailed by the FBI for over two decades. In The Gordon File, Bernard Gordon tells the compelling, cautionary story of his life under Bureau surveillance. Drawing on his FBI file of over 300 pages, which he obtained under the Freedom of Information Act, he traces how the Bureau followed him from Hollywood to Mexico, Paris, London, Rome, and even aboard a Dutch freighter as he created an unusually successful, albeit uncredited, career as a screenwriter and producer during the blacklist years. Comparing his actual activities during that time to records in the file, he pointedly and often humorously underscores how often the FBI got it wrong, from the smallest details of his life to the main fact of his not being a threat to national security. Most important, Gordon links his personal experience to the headlines of today, when the FBI is again assuming broad powers to monitor political dissidents it deems a threat to the nation. "Is it possible," he asks, "that books like this will help to move our investigative agencies from the job of blackmailing those who are critical of our imperfect democracy to arresting those who are truly out to destroy us?"

Edward Cooper was a hard man to know. Dour and exuberant by turns, his moods dictated the always-uncertain climate of the Cooper household. Now - balding, octogenarian - he makes an unlikely literary muse. But to his now middle-aged son, he looms larger than life, an overwhelming, baffling presence. Edward Cooper made his name as a divorce attorney in LA whose cases were devoured by the tabloids. Now, he is slowly succumbing to dementia. As Bernard attempts to forge a coherent picture of his family history, he uncovers Edward's lawsuits against other family members, and recalls the itemized invoice his father once sent him for the total cost of his upbringing, for the sum of two million dollars. 'Bernard Cooper's The Bill from My Fathe r is a glorious cornucopia of love and pain. Not only is Cooper an exemplary writer but he can parse an emotion down to its most resonant note. This memoir amazes' Alice Sebold, author of The Lovely Bones 'Cooper is a beautiful writer . . . his book is in a class of its own . . . Somehow, this is a story about all parents and their grown-up children and how they manage to keep going through all the insults and mixed messages and botched attempts to express love' Observer 'Cooper's wry, rueful memoir of a lifetime's wrangling with the old guy is memorably moving, emotionally disciplined, devilish in the detail and smartly funny. Read it now' The Times