"The Moment of Change" is an anthology of feminist speculative poetry. The contributors include many fine poets, among them Ursula K. Le Guin, Delia Sherman, Theodora Goss, Amal El-Mohtar, Vandana Singh, Nisi Shawl, Greer Gilman, Sonya Taaffe, Athena Andreadis, Jo Walton, and Catherynne M. Valente. Editor Rose Lemberg writes in her introduction that Literature of the fantastic allows us to create worlds and visions of society, origins, social justice and identity, but notes that even though we are in the world, our voices are folded into the creases. We speak from memory of stories told sidewise. We speak from pain; is that serious enough? The world has not been welcoming, but what other world is there? ''In these pages, '' Lemberg summarizes, ''you will find works in a variety of genresworks that can be labeled mythic, fantastic, science fictional, historical, surreal, magic realist, and unclassifiable; poems by people of color and white folks; by poets based in the US, Canada, Britain, India, Spain, and the Philippines; by first- and second-generation immigrants; by the able-bodied and the disabled; by straight and queer poets who may identify as women, men, trans, and genderqueer.''

Fiction. "Rachel Glaser has written a game-changer. I have a couple of rules about things I allow myself to like. Rachel breaks all of them and her stories leave me hunting for my rule book. Where is my rule book? Damn her. Bless her. Say what you will. PEE ON WATER is a new way to breathe"--Giancarlo DiTrapano.

Designed to help young children and their families through some of life's most trying times, this book contains thoughtful suggestions, whimsical line illustrations, and room for coloring, pasting pictures, and writing down thoughts, memories and events. With this scrapbook, families can acknowledge and do something about the anxiety of a big move.

"AICPA Personal Financial Planning Section."

When Rachel Johnson was appointed the new editor of the oldest women's weekly magazine in the world, she was facing the challenge of a lifetime. For a start, how do you become an editor when you've never, really, edited? And forget about doubling the circulation in a year at "The Lady"--What on earth do you WEAR to work?

Tolstoy famously wrote, "Happy families are all alike; every unhappy family is unhappy in its own way." To Tracy Farber, thirty-three, happily single, headed for tenure at a major university, and content to build a life around friends and work, this celebrated maxim is questionable at best. Because if Tolstoy is to be taken at his word, only unhappiness is interesting; happiness must be as placid and unmemorable as a daisy in a field of a thousand daisies. Having decided to reject the petty indignities of dating, Tracy focuses instead on her secret project: to determine whether happiness can be interesting, in literature and in life, or whether it can be--must be--a plant with thorns and gnarled roots. It's an unfashionable proposition, and a potential threat to her job security. But Tracy is her own best example of a happy and interesting life. Little does she know, however, that her best proof will come when she falls for George, who will challenge all of her old assumptions, as love proves to be even more complicated than she had imagined. Can this young feminist scholar, who posits that "a woman's independence is a hothouse flower--improbable, rare, requiring vigilance," find happiness in a way that fulfills both her head and her heart? Love may be the ultimate cliché, but in Rachel Kadish's hands, it is also a morally serious question, deserving of our sober attention as well as our delighted laughter.

The second installment in Afterall's Exhibition Histories series, Making Art Global, Part 1 focuses on the third Havana Biennial, which took place in 1989. In the core essay, Rachel Weiss examines the ways in which this exhibition extended the global territory of contemporary art and redefined the biennial model. Gerardo Mosquera, a key member of the curatorial team, contributes a reflection on the project, and its constituent exhibitions and events are documented photographically. The book also includes a paper delivered by Geeta Kapur at the Biennial conference and republishes reviews of the Biennial by Coco Fusco and Luis Camnitzer. It opens with an introduction by Charles Esche and brings together recent interviews with participating artists Alex Ángeles, José Bedia, Alfredo Márquez and Lázaro Saavedra. Key texts from the time are complemented by new material.

The Jewish attachment to Zion is many centuries old. Although the modern Zionist movement was organized only a little more than a century ago, the roots of the Zionist idea reach back almost 4,000 years, to the day that the biblical patriarch Abraham left his home in Ur of the Chaldees to settle in the promised land The Historical Dictionary of Zionism is an excellent source of information on Zionism, its founders and leaders, its various strands and organizations, major events in its struggle, and its present status. By showing the movement's strengths and weaknesses, it also acts as a corrective to overly idealistic comments by its supporters and the wilder claims of its opponents. A much more realistic understanding is offered in the Introduction, which presents and explains the movement; the Chronology, which shows its historic progression; the Dictionary, which includes numerous entries on crucial persons, organizations and events; and the Bibliography, which points the way to further reading.

Fine's Wisconsin Evidence is a one-volume comprehensive guide to Wisconsin Evidence. Since 1988, Wisconsin lawyers and judges have relied on Fine's Wisconsin Evidence for instant access to the rules of evidence in court, the office, and chambers. Judge Jack B. Weinstein, original co-author of Weinstein's Federal Evidence, and one of the drafters of the Federal Rules of Evidence, says that Fine's Wisconsin Evidence is "probably the best single-volume state treatise on the subject that I have seen." Fine's Wisconsin Evidence gives you instant access to the rule you need! Uniquely designed, you get for each rule: The complete text of the Wisconsin evidence rule The complete text of the Federal evidence rule counterpart An easy to understand summary of the Wisconsin rule - so you can see at a glance what the rule provides A short explanation of the reason behind the rule - so you can see at a glance what the rule was designed to do A step-by-step foundation guide so you can see at a glance how to lay the proper foundation to admit evidence under the rule An explanation of how the federal rule differs from the Wisconsin rule - so you can see at a glance why the federal cases might not apply to the Wisconsin rule A Special Problems section for each rule that gives you the latest court interpretations of the rule - so you can see at a glance if there are any lurking dangers to your case that the bare text of the rule might not reveal Fine's Wisconsin Evidence will help you better represent your clients - whether you're in the middle of a trial or preparing your case for trial. It is quick, easy, and comprehensive. If time matters to you, you cannot afford not to have Fine's Wisconsin Evidence with you - in court and in your office.

This book offers a powerful new perspective on a much photographed subject: New York City. The book's creator is veteran news photographer (and former publisher of incendiary magazines) Ralph Ginzburg, who assigned himself the daunting task of photographing a different news event in The Big Apple on 365 consecutive days. The result is a year-long, 510-image extravaganza of the high drama and grandeur that are the everyday life of Gotham.

PREFACE. THE Author of this very practical treatise on Scotch Loch - Fishing desires clearly that it may be of use to all who had it. He does not pretend to have written anything new, but to have attempted to put what he has to say in as readable a form as possible. Everything in the way of the history and habits of fish has been studiously avoided, and technicalities have been used as sparingly as possible. The writing of this book has afforded him pleasure in his leisure moments, and that pleasure would be much increased if he knew that the perusal of it would create any bond of sympathy between himself and the angling community in general. This section is interleaved with blank shects for the readers notes. The Author need hardly say that any suggestions addressed to the case of the publishers, will meet with consideration in a future edition. We do not pretend to write or enlarge upon a new subject. Much has been said and written-and well said and written too on the art of fishing but loch-fishing has been rather looked upon as a second-rate performance, and to dispel this idea is one of the objects for which this present treatise has been written. Far be it from us to say anything against fishing, lawfully practised in any form but many pent up in our large towns will bear us out when me say that, on the whole, a days loch-fishing is the most convenient. One great matter is, that the loch-fisher is depend- ent on nothing but enough wind to curl the water, -and on a large loch it is very seldom that a dead calm prevails all day, -and can make his arrangements for a day, weeks beforehand whereas the stream- fisher is dependent for a good take on the state of the water and however pleasant and easy it may be for one living near the banks of a good trout stream or river, it is quite another matter to arrange for a days river-fishing, if one is looking forward to a holiday at a date some weeks ahead. Providence may favour the expectant angler with a good day, and the water in order but experience has taught most of us that the good days are in the minority, and that, as is the case with our rapid running streams, -such as many of our northern streams are, -the water is either too large or too small, unless, as previously remarked, you live near at hand, and can catch it at its best. A common belief in regard to loch-fishing is, that the tyro and the experienced angler have nearly the same chance in fishing, -the one from the stern and the other from the bow of the same boat. Of all the absurd beliefs as to loch-fishing, this is one of the most absurd. Try it. Give the tyro either end of the boat he likes give him a cast of ally flies he may fancy, or even a cast similar to those which a crack may be using and if he catches one for every three the other has, he may consider himself very lucky. Of course there are lochs where the fish are not abundant, and a beginner may come across as many as an older fisher but we speak of lochs where there are fish to be caught, and where each has a fair chance. Again, it is said that the boatman has as much to do with catching trout in a loch as the angler. Well, we dont deny that. In an untried loch it is necessary to have the guidance of a good boatman but the same argument holds good as to stream-fishing...

Miliband, Ralph

What is the meaning of "class struggle" in advanced capitalist societies? Recent political debate has tended to marginalize the question of class conflict, a notion seen as central by earlier thinkers of both the left and the right. In this study Miliband argues for the continued relevance and centrality of class struggle in today's Western societies and examines current examples of class structures and power relationships in the West. He analyzes the role of both labor organizations and new social movements such as the "green" and "feminist" movements in the class struggles of today and explores the ways in which the power elites and dominant classes seek to maintain the social order.

This outstanding and original volume offers a critical examination of a number of developments which in recent years have undermined the idea of socialism and eroded its electoral appeal. Among these developments are the collapse of Communist regimes, the fragmentation of the constituencies upon which earlier socialist advances had depended, changes in the organization and the dynamics of capitalism and a dearth of agencies committed to the socialist project. The book also takes up and seeks to rebut older objections to socialism, such as the notion that it is inevitably totalitarian, that it is based on too optimistic a view of human nature and that it fails to take account of the tendency of power to accumulate in the hands of minorities. The book argues that a social order dominated by the logic of capital and competition cannot, despite all the positive claims made on its behalf, produce the conditions which make true citizenship and community possible. By contrast, socialism offers an attractive and feasible programme for the realization of those ideals. Miliband argues that socialism cannot be seen as an answer to all the ills which have plagued humankind. Socialism, in his view, has to be understood as part of an age-old struggle for a more just society, and he believes that, seen in this light, socialism remains not only desirable but also perfectly possible. Moreover, he believes, socialism will, in time, come to command a majority support which its advancement requires. Socialism has to be seen as a permanent striving for the achievement of democracy, egalitarianism and the creation of an economy under democratic control.

Does the Supreme Court have the authority to deprive the people of the right to govern themselves? Marshaling a convincing array of historical sources, Raoul Berger demonstrates in Death Penalties that the Framers of the Constitution withheld such power from the Court and that its death penalty decisions unconstitutionally impose the Justices' morals upon an unwilling people.

"Islamikaze: Manifestations of Islamic Martyrology explains the historical background to the events of 11 September 2001, the Western countermeasures and the reactions to both in the Muslim world. The attacks generated much debate over the role of religion, and Israeli makes a very important contribution to the understanding of the concept of the Martyr in Islam and the doctrine of Martyrdom, as well as those who champion it (ideologically and theologically), and the identified enemies of the Muslim fundamentalists. He illustrates his thesis with a selection of texts extolling the Martyrs (erroneously called 'suicide bombers')."