Gives a short survey of French antisemitism and French Jewry before 1939, emphasizing the rift between the immigrant and native Jewish communities. The outbreak of war brought unity but, with the fall of France, many native Jews hoped to fit into the new order (in both the north and the south) while immigrants were stripped of all protection. Describes German efforts to set up a central Jewish representative body, and competition with Vichy's Commissariat General aux Questions Juives for control of the Jews in both zones. Examines the debates on the formation of the UGIF (Union Generale des Israelites de France) which institutionalized the separation of Jews on a racial basis. Surveys the activities of the UGIF and their relations with the French authorities. Contends that their welfare activities, including the administration of the deportation center at Drancy, assisted the Germans in the destruction of French Jewry.

The work of Richard J. Bernstein has achieved a groundbreaking synthesis of the analytical and continental modes of thought. Countering the highly technical metaphysical and epistemological puzzles of analytic philosophy in the early 1960s, Bernstein offered a model of philosophy in a democratic society as the work of the engaged public intellectual. Working within the tradition of American pragmatism, he also changed that tradition by opening it to the international intellectual currents of phenomenology, deconstructionism, and critical theory. These essays by leading philosophers and social thinkers pay tribute to Bernstein and reflect the themes that have engaged him throughout his career.Pragmatism, Critique, Judgment opens with a group of essays that examine the place of philosophy in a democratic society; included in this section are Richard Rorty's exploration of the legacy of American pragmatism and J�rgen Habermas's reconsideration of ethics in philosophy. The essays in the second section examine postpositivist social critique and include Jacques Derrida's consideration of the philosophical paradoxes of the death penalty. The third group of essays considers the theme of radical evil, and includes discussions of Bernstein's nuanced reading of Hannah Arendt. The book ends with a biographical essay based in part on a series of conversations with Bernstein himself.

Book by Richard L. Rubenstein

English Books

The author of "The Comic Book Killer" offers up twelve tales of mystery, magic, and grouchiness - served with a liberal dash of sarcasm and cynicism. A woman's birthday celebration becomes a prelude to murder; an absinthe-minded author seeks inspiration from a bottle; a rare volume could destroy the love/hate relationship of two book dealers; an interplanetary romance is threatened by the untimely intervention of the Scorpion Men of Venus; and that's just the beginning! These stories leap from planet to planet, down dark avenues of hatred, and curl up in cozy nostalgic places.Stories include: "Happy Birthday, Birthday Girl!"; "The Green Fairy"; "Sisoh Promatem"; "Uncle Elmer"; "Greetings from Comrade Kim"; "Night Lands Dream"; "The Salamanca Encounter"; "Scorpion Men of Venus"; "Dead of Winter"; and from Rigel science fiction magazine, three "Tales of the Tin Can Worlds": "Lux Was Dead Right"; "Transtemporal Creatures Unlimited"; and "Joe Nieman's Knees.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

The third volume in Rizzoli's bestselling monograph series on the eminent modernist presents 24 of his post -1985 masterworks, including the internationally acclaimed Getty Center arts and humanities complex in Los Angeles. Other projects documented in this significant survey include the Museum of Contemporary Art in Barcelona and the Church of the Year 2000, to be built in Rome.

Discover the meaning behind celebrations such as the Festival of Lights, and see modern-day families continue to celebrate their heritage.

For fans of All-of-a-Kind Family , here is the true story of how Sarah Brenner, a poor girl from New York City’s Lower East Side, became Sydney Taylor: dancer, actress, and successful children’s book author. Sarah Brenner might have come from an all-of-a-kind family (five sisters who all dressed alike), but she was always one of a kind. Growing up in a Jewish immigrant family on New York’s impoverished Lower East Side, Sarah loved visiting the library, celebrating holidays with her family, and taking free dance classes at the Henry Street Settlement. But she was always aware of things that weren’t fair—whether it was that women couldn’t vote, or how girls were treated in her school, or that her parents had had to leave Europe because they were Jewish. When she grew up, Sarah changed her name to Sydney and became an actress and a dancer, but she never forgot the importance of fighting unfairness, whether it was anti-Semitism at her job or the low wages of workers. And when her daughter complained that it wasn’t fair that there were no books about Jewish children like her, Sydney put pen to paper and wrote a one-of-a-kind children’s book. From well-known Jewish children’s author Richard Michelson, this is the story of how Sarah became Sydney and how she showed children the joy of seeing their culture reflected on the page.

Commemorating Bette Burke-Nash: World Record Flight Attendant's Heroic Life Tale to be Published - A Tribute to Resilience, Motherhood, and Sky-High Spirit. In the pages of this book, readers are invited into the extraordinary life of Mary Elizabeth Burke-Nash, affectionately known as Bette. For nearly seven decades, Bette reigned the skies, earning her a Guinness World Record as the Longest Serving Flight Attendant(68 years). But her soaring spirit wasn't confined to the high-altitude cabin of an aircraft. Bette's life on the ground was a testament to her remarkable resilience, fierce bravery, and unwavering devotion to her severely challenged Down Syndrome son, Christian. This biography, crafted from hours of intimate interviews, the sharing of her intimate journaling of her life during the last two years of Bette's life, reveals the strength and courage of a woman who faced tremendous personal challenges. As a single mother Bette raised Christian for forty-nine years, with immeasurable love and determination. Her marriage, marked by emotional turmoil, abuse and violence, further tested her fortitude, yet she remained unwavering in her pursuit of a better life for her and her son. The book also illuminates Bette's indomitable spirit, her contagious enthusiasm, and her enduring belief in her faith and the power of kindness. Her story is not only a tribute to her life's accomplishments but also a testament to her remarkable character. Bette reached heights far beyond the planes she flew on - her legacy is one of resilience, motherhood, and a spirit that reached for the stars. This biography aims to honor Bette's memory and fulfill a promise made to her. In line with her philanthropic spirit, donations from book proceeds will be made to two of her preferred charities, including the National Down Syndrome Society. Bette's story is one of triumph over adversity, of love in the face of hardship, and of a woman who, in her own unique way, soared higher than the planes she flew on. Her tale is an inspiring tribute to all who have faced challenges and emerged stronger, a testament to the power of resilience and the enduring spirit of humanity.

" Americans and Europeans are divided by more than an ocean when it comes to designing and carrying out policies toward countries that repress human rights, develop weapons of mass destruction, and/or support terrorism and subversion. Accounting for this divide are distinct interests, domestic politics, and above all profound disagreements between Americans and their counterparts in European capitals and Brussels over what tools of foreign policy--sanctions, engagement, military force--to empty to change the behavior of problem countries. The result is that Americans and Europeans often work at cross purposes--and that disagreements over policy toward problem countries threaten both to undermine efforts that promote desired change and transatlantic cooperation in other areas, be it within Europe or in building an open world trading system. This book examines the ""problem"" countries of Cuba, Iran, Iraq, Libya, and Nigeria. The authors explain sources of American and European differences, consequences for policies designed to influence problem states, and prospects for bridging transatlantic policy rifts. A conclusion by Richard N. Haass places these differences in perspective and suggests what Europe and the United States need to do to ameliorate this tension--and what could transpire if they do not. "

Since he followed it all of his life, Richard Neutra (1892-1970) must have relished the maxim of the Greek philosopher Socrates: "The unexamined life is not worth living." In his books, articles, lectures, correspondence, and even casual conversations, Neutra constantly examined, not only his own life, but the lives of others - present and past - and the human and natural world they inhabited. Nowhere was this truer than in his autobiography Life and Shape, first published in 1962, which now, after years of being out of print, has again happily come back to life. As opposed to Survival Through Design (1954), his superb collection of densely philosophical essays, Neutra took a different tack in Life and Shape, following a lighter and more deliberately relaxed approach. It was as if the usually serious and intense Neutra was giving himself permission to reveal his richly ironic sense of humor and to probe areas in his personal experience which he had not examined as closely before. These included hitherto unrecorded memories of his parents, siblings, and his childhood and education in imperial Vienna, his numbing experiences as an Austrian artillery officer in World War I, and the beginnings of his architectural consciousness in his response to the work of Otto Wagner, Adolf Loos, Erich Mendelsohn, Louis Sullivan, and Frank Lloyd Wright. As in the autobiographies of Sullivan and Wright, Life and Shape concentrates on Neutra's earlier years, both in Europe and America. While he naturally recounts his memories of such well-known commissions as the Lovell Health House (1929), his own Van der Leeuw Research House (1933) and the von Sternberg House (1935), he also muses on such less famous buildings as the small, and now virtually forgotten, Mosk House (1933). Life and Shape also confirms Neutra's obsession with the passage of time and his firm resolution never to waste it. Like Sullivan and Wright, Neutra eschewed writing a factual chronicle, and - at the age of 70 - composed instead a meditation on the aspects of his life and work that seemed, in retrospect, to be the most interesting and significant. He felt no need to try to "include everything" but rather to present an honest recounting of his memory of his life. In writing my own Richard Neutra and the Search for Modern Architecture [Oxford University Press, 1982; Rizzoli Press, 2006], I relied on Life and Shape when I wanted an account of Neutra's experiences told in his own authentic voice. For future generations of architects, historian, and readers, it is good to have it back. - Thomas S. Hines, UCLA Professor Emeritus of History and Architecture

Analyzes the role of authority in personal and public life. From the French revolution to the present, the author explores what happens when our fear of and need for authority come into conflict, and why, in the act of rebelling, we become tied to those we struggle against.

Essential reading for the serious candidate who wishes to investigate this relationship further. While mainly of interest to beekeepers, gardeners, biologists, agriculturalists & horticulturalists will find much of interest to them.

The world-renowned musicologist Richard Taruskin has devoted much of his career to helping listeners appreciate Russian and Soviet music in new and sometimes controversial ways. Defining Russia Musically represents one of his landmark achievements: here Taruskin uses music, together with history and politics, to illustrate the many ways in which Russian national identity has been constructed, both from within Russia and from the Western perspective. He contends that it is through music that the powerful myth of Russia's "national character" can best be understood. Russian art music, like Russia itself, Taruskin writes, has "always [been] tinged or tainted ... with an air of alterity--sensed, exploited, bemoaned, reveled in, traded on, and defended against both from within and from without." The author's goal is to explore this assumption of otherness in an all-encompassing work that re-creates the cultural contexts of the folksong anthologies of the 1700s, the operas, symphonies, and ballets of the 1800s, the modernist masterpieces of the 1900s, and the hugely fraught but ambiguous products of the Soviet period. Taruskin begins by showing how enlightened aristocrats, reactionary romantics, and the theorists and victims of totalitarianism have variously fashioned their vision of Russian society in musical terms. He then examines how Russia as a whole shaped its identity in contrast to an "East" during the age of its imperialist expansion, and in contrast to two different musical "Wests," Germany and Italy, during the formative years of its national consciousness. The final section, expanded from a series of Christian Gauss seminars presented at Princeton in 1993, focuses on four individual composers, each characterized both as a self-consciously Russian creator and as a European, and each placed in perspective within a revealing hermeneutic scheme. In the culminating chapters--Chaikovsky and the Human, Scriabin and the Superhuman, Stravinsky and the Subhuman, and Shostakovich and the Inhuman--Taruskin offers especially thought-provoking insights, for example, on Chaikovsky's status as the "last great eighteenth-century composer" and on Stravinsky's espousal of formalism as a reactionary, literally counterrevolutionary move.

Over the last dozen years, the writings of Richard Taruskin have transformed the debate about "early music" and "authenticity." Text and Act collects for the first time the most important of Taruskin's essays and reviews from this period, many of which now classics in the field. Taking a wide-ranging cultural view of the phenomenon, he shows that the movement, far from reviving ancient traditions, in fact represents the only truly modern style of performance being offered today. He goes on to contend that the movement is therefore far more valuable and even authentic than the historical verisimilitude for which it ostensibly strives could ever be. These essays cast fresh light on many aspects of contemporary music-making and music-thinking, mixing lighthearted debunking with impassioned argumentation. Taruskin ranges from theoretical speculation to practical criticism, and covers a repertory spanning from Bach to Stravinsky. Including a newly written introduction, Text and Act collects the very best of one of our most incisive musical thinkers.