Bella is young, beautifl and talented. Her reputation as an actress is all she could hope for - and her reputation for cool reserve and high principles all she expects. For Bella is not like her fellow actors and prefers to avoid the rapacious gossip and promiscuity of the theatrical world. That is, until she joins Donald Ballader's New Company - and embarks on a passionate affair that turns her world upside down.

Elana Sztokman arrived in Israel in 1993 as a young religious mother wearing a long skirt and a hat covering her hair. Today, nearly 30 years later, after spending years fighting for women's rights in Orthodoxy, writing books about gender in religion, and eventually leaving that world behind, she confronts the personal struggles behind the public persona, revealing the traumas from her past that affected her entire relationship with her body. From two-time winner of the National Jewish Book Council Award comes a refreshing and very personal exploration of cultures of the female body in Jewish life. This collection of essays - marking the 25-year anniversary of her feminist awakening and spanning a diverse career of research, writing, and advocacy around Jewish women's experiences - offers political and personal insights and retrospectives on some of the most burning issues today. Topics include: sexuality, relationships, body-image, body-cover, ritual immersion, fat-shaming, slut-shaming, domestic violence, and sexual abuse. Elana brings her characteristic honesty, courage, wit, and profound insight into her writing, and shares some of her own traumas that set her on a sometimes tortuous life path.

This Is A New Release Of The Original 1910 Edition.

Shortlisted for the prestigious Sapir Prize, winner of UNSECO's international competition for Short Stories from the Mediterranean, Amstel is a haunting collection of stories about family, love and longing. These captivating tales take conventional life and tilt it sideways, delivering a memorable blend of the real and the surreal: A mother invites her reluctant son for cocktails and Amstel beer, then drunkenly reveals a part of her life that would have better remained hidden; a lonely man invites a battered young mother and her son into his empty home and a new hope is born in him; a pregnant woman in Jerusalem and her Palestinian cleaning lady draw closer until the Intifada tests their comradeship; a crazy Moroccan girl who habitually bites the back of her hand until it bleeds, believes she's found love; a woman exits her house momentarily into the night chill, the entrance door slams behind her and she has nowhere to go except to the small campfire Palestinian workers from The West Bank have kindled nearby - these are some of the diverse characters populating the intriguing stories in Amstel.Praise for Amstel:"I discovered a lush, rare literary language in the story 'Amstel.' I read it and was dumbfounded that writers still exist who are capable of creating a sentence worthy of Thomas Mann, filled with detail and sparks and shards of images all flowing together to create a portrait from within and simultaneously observed from a distance...It is a truly classic tale, with no jarring notes...demanding a period of reflection before reading anything."Benny Ziffer, Haaretz Daily

Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

Dina Z, a Jewish-American filmmaker is seeking to document the lives of people who dwell on ancient holy ground and to discover how that history affects them. She falls in love with a Palestinian activist and sees him and his people in ways that were not available to her before the ancient story of Dinah and Shechem was revived through their meeting. This novel is a republication of Deena Metzger's 1989 novel, originally published by Viking.. This novel is a republication of Deena Metzger's 1989 novel. The original motivation for the novel was to investigate the Biblical story from Genesis, the story of Jacob and Leah's daughter who is loved and ravished by a "heathen," and whose brothers avenge her honor by slaying him on his wedding night. This story, which is somehow still unacknowledged, is of the ancient core of the intergenerational conflict remaining very much in our collective DNA, the story which has not been mourned, for which amends have not been made. Metzger is hoping to see if the retelling of it in a new way, the reliving of it, even if only in the creative imagination, could offer healing to the terrible history which was (which is) once again exploding in violence.

Created by Debi Derryberry, the voice of Jimmy Neutron and many other memorable cartoon characters. Your child will fall in love with Baby Banana. Baby Banana can fly with his yellow peel wings! In this Baby Banana adventure, Baby Banana flies with his Momma Duck and his Daddy Gorilla to get licorice from the Licorice Tree for a treat. Debi invites you and your child to listen to her award-winning preschool music on all platforms!

An exhaustive index in Yiddish and English to Yiddish-language periodicals and collective volumes of linguistic interest which were published in Europe and the US between 1913 and 1958. Annotation copyright Book News, Inc. Portland, Or.

This vivid and colorful memoir recounts the experience of a Jewish-American man growing up during the turmoil of the Bush and Obama eras and dealing with the 2008 recession, crazy relatives, depression, failed romances, political and law careers, and foreign adventures in Israel, South Korea, and China. It contains richly detailed portraits of 2000's American life and the various fascinating cities of America, from New York to Chicago to New Orleans. It also has outrageous sexual comedy, Jewish shtick, and provides a serious look at the social issues facing the modern United States, from welfare to homelessness to the expense of college and over-competitiveness in the workforce. A must-read for people of what Newsweek has dubbed "Generation Screwed." If you enjoyed "The Adventures of Huckleberry Finn", you'll love this. Its a heartfelt and at times hilarious commentary on our American life.

Now available in paperback, this highly acclaimed work, hailed by The New York Times as "graceful, fluid, and extremely accessible," is a study of the ways in which poets from the biblical age to the present have addressed the subject of the nature and existence of God. The book treats such authors as Dante, the medieval Hebrew religious poets, the 17th-century religious poets, and the 18th century Nature poets, and discusses, among other topics, the influence of Calvinism and the poetry of stoicism, agnosticism, and atheism. Throughout the work, Daiches examines the tensions generated when a traditional religious belief which the poet accepts, or feels he should accept, runs counter to the hard facts of his own experience. The author also considers the particular problems which have emerged in this century for the religious poet who cannot accept any specific religious creed, and for readers who are unable to appreciate a poet's set of beliefs. God and the Poets does not set out to provide a comprehensive account of the poetic portrayals of God, but offers the reader a wealth of illuminating reflections on a subject which has obsessed poets over the ages.

"The early modern period was of great significance throughout Europe with respect to its gradual transition from a largely oral to a fundamentally literate society. On the one hand, the spoken word remained of the utmost importance to the dissemination of ideas, the communication of information and the transmission of the cultural repertoire. On the other hand, the proliferation of written documents of all kinds, the development of printing and the spread of popular literacy combined to transform the nature of communication. Studies previous to this have traditionally focused on individual countries or regions, and emphasised the contradictions between oral and literate culture. The essays in this fascinating collection depart from these approaches in several ways. By examining not only English, but also Scottish and Welsh oral culture, they provide the first pan-British study of the subject. The authors also emphasise the ways in which oral and literate culture continued to compliment and inform each other, rather than focusing exclusively on their incompatibility, or on the 'inevitable' triumph of the written word. The chronological focus, ranging from the sixteenth to the mid-nineteenth century, with glances ahead to the twentieth, set the problem against a longer chronological span than most other studies, providing a link between early modern and modern oral and literate cultures. This book it will be of interest to students and scholars of British history, Linguistics, Literary Studies and Folklore Studies"--Publisher's description.

"History from Loss challenges the common thought that 'history is written by the winners' and explores how history makers in different times and places across the globe have written histories from loss, even when this has come at the threat to their own safety. A distinguished group of historians from around the globe offer an introduction to different history-makers' lives and ideas, and important extracts from their works which highlight various meanings of loss: from physical ailments to social ostracism, exile to imprisonment, and from dispossession to potential execution. Throughout the volume consideration of the information 'bubbles' of different times and places helps to show how information has been weaponised to cause harm. In this way, the text helps to put current debates about the biases and weaponization of platforms such as social media into global and historical perspective. In combination, the chapters build a picture of history from loss which is global, sustained, and anything but a simple mirror of history made by victors. The volume also includes an Introduction and Afterword which draw out the key meanings of history from loss, and which offer ideas for further exploration. History from Loss provides an invaluable resource for students, teachers, and general readers who wish to put current debates on bias, the politicization of history, and threats to history makers into global and historical perspective"--

"Raised in Baltimore in the '90s, 17-year-old Samuel Gerson is ready to be rid of his high school baseball team, his protective upbringing, and the tight-knit Jewish community in which he's spent his whole life. But when he befriends enigmatic Dmitri Zilber, a recent Russian Jewish immigrant who is obsessed with the works of Dostoevsky, Samuel's world begins to shift. In the wake of his grandfather's suicide, as his life increasingly entangles with that of Dmitri and his beautiful sister Yelizaveta, it sets in motion a series of events that culminates in a disturbing act of violence. A quietly devastating portrait of late adolescence, The Sensualist examines the culture we inherit as it collides with the one we create"--from the cover.

Eighteen-year-old Robbie Bookbinder is bummed out and bored, cut adrift in the mid-1970s – the decade he calls The Great Hangover. Sex feels outmoded, drugs don’t seem to deliver like they used to, and rock and roll’s a bust in tired old Montreal. Quebec’s arming up for a cultural revolution, and bike gangs are warring in the streets. In Robbie Bookbinder, we meet a character who embodies all the potential, self-delusion, and resilience of contemporary youth. All Robbie thinks he needs is a kick-start. What he gets is scared half to death, as he discovers that life only improves when you take a stand in it.

FOR USE IN SCHOOLS AND LIBRARIES ONLY. After crashing their spaceship in the Nevada desert, Klatu, Lek, and their sister Ploo go to Las Vegas in search of the one mechanic who can fix it.

At the turn of the twenty-first century, in spite of growing globalization there remains in the world a split between the West and the rest. The manner in which this split has been imagined and represented in Western civilization has been the subject of intense cross-disciplinary scrutiny, much of it under the rubric of “orientalism.” This debate, sparked by the 1978 publication of Edward Said’s Orientalism identifies the “Orient” as the Islamic world and to a lesser extent Hindu India. “Orientalism” signifies the way the West imagined this terrain. Going beyond Said’s framework, in their introduction to the volume, Kalmar and Penslar argue that orientalism is based on the Christian West’s attempts to understand and manage its relations with both of its monotheistic Others—Muslims and Jews. According to the editors, Jews have almost always been present whenever occidentals talked about or imagined the East; and the Western image of the Muslim Orient has been formed and continues to be formed in inextricable conjunction with Western perceptions of the Jewish people. Bringing together essays by an array of international scholars in a wide range of disciplines, Orientalism and the Jews demonstrates that, since the Middle Ages, Jews have been seen in the Western world as both occidental and oriental. Jews formed the model for medieval depictions of Muslim warriors. Representations of biblical Jews in early modern Europe provided essential sustenance for Western fictions about the Muslim world. And many of the Western protagonists of imperialism “discovered” real or imaginary Jews wherever their expeditions took them. Today orientalist attitudes by Israelis target not only Arabs but also the mizrahi (“oriental”) Israelis with roots in the Arab world as Others.