David Leavitt brings the wonders and mysteries of Florence alive, illuminating why it is, and always has been, one of the most popular tourist destinations in the world. The third in the critically-acclaimed Writer and the City Series-in which some of the world's finest novelists reveal the secrets of the cities they know best- Florence is a lively account of expatriate life in the 'city of the lily'. Why has Florence always drawn so many English and American visitors? (At the turn of the century, the Anglo-American population numbered more than thirty thousand.) Why have men and women fleeing sex scandals traditionally settled here? What is it about Florence that has made it so fascinating-and so repellent-to artists and writers over the years? Moving fleetly between present and past and exploring characters both real and fictional, Leavitt's narrative limns the history of the foreign colony from its origins in the middle of the nineteenth century until its demise under Mussolini, and considers the appeal of Florence to figures as diverse as Tchaikovsky, E.M. Forster, Ronald Firbank, and Mary McCarthy. Lesser-known episodes in Florentine history-the moving of Michelangelo's David , and the construction of temporary bridges by black American soldiers in the wake of the Second World War-are contrasted with images of Florence today (its vast pizza parlors and tourist culture). Leavitt also examines the city's portrayal in such novels and films as A Room with a View , The Portrait of a Lady and Tea with Mussolini .

The first collection of stories from the author of Arctic Summer and In a Strange Room Damon Galgut's first collection of stories transports us to 1980s South Africa where politics begins at home. The family that small circle of beings where love should flourish can be an arid and alienating territory where hatred and violence may ignite. The title novella is set in a house far out of town, at the end of a dust road that rises up into the mountains. The desperate bondage of family life is revealed to a mother as she sits at her sons bedside where he lies sick, perhaps dying. Galgut's understated prose unpicks the emotional paradoxes of family life with a surprising, surreal twist. In a world where some of the most intimate relationships are those between strangers, Small Circle of Beings describes how children must learn to pull away from their parents if they are to find their own way.

In The Atrocity Archive, English hacker and government agent Bob Howard, seconded to field-work with no training, tangles with a Nazi death-cult with access to parallel dimensions. In The Jennifer Morgue, a billionaire businessman, obsessed with a certain series of spy novels and movies, has concocted a fiendish scheme to raise a cyclopean entity from the ocean floor, and only Bob--in an ill-fitting tuxedo and a gimmicked econobox car--can stop him. Also includes the novellas "The Concrete Jungle" (a Hugo winner) and "Pimpf," along with an introduction by Ken MacLeod, afterwords by the author, and an extensive glossary of spy terms.

We think we know what upward mobility stories are about--virtuous striving justly rewarded, or unprincipled social climbing regrettably unpunished. Either way, these stories seem obviously concerned with the self-making of self-reliant individuals rather than with any collective interest. In Upward Mobility and the Common Good , Bruce Robbins completely overturns these assumptions to expose a hidden tradition of erotic social interdependence at the heart of the literary canon. Reinterpreting novels by figures such as Balzac, Stendhal, Charlotte Brontë, Dickens, Dreiser, Wells, Doctorow, and Ishiguro, along with a number of films, Robbins shows how deeply the material and erotic desires of upwardly mobile characters are intertwined with the aid they receive from some sort of benefactor or mentor. In his view, Hannibal Lecter of The Silence of the Lambs becomes a key figure of social mobility in our time. Robbins argues that passionate and ambiguous relationships (like that between Lecter and Clarice Starling) carry the upward mobility story far from anyone's simple self-interest, whether the protagonist's or the mentor's. Robbins concludes that upward mobility stories have paradoxically helped American and European society make the transition from an ethic of individual responsibility to one of collective accountability, a shift that made the welfare state possible, but that also helps account for society's fascination with cases of sexual abuse and harassment by figures of authority. -- "Modern Language Quarterly"

"Aptheker 'weaves together the voices of women survivors of the Holocaust and of the U.S. concentration camps for Japanese Americans, Chicana cannery workers and southern cotton-mill girls, older lesbians and elderly Jews, Afro-American women in slavery and contemporary Afro-American writers, and others, in order to explore women's ways of seeing. Her analyses of oral histories, novels, legends, poetry, and art show how we can use these records of women's and men's lives" -- Sandra Harding, Women's Review of Books.

"The ageing civil servant Eduard Saxberger has banished all hope of literary renown. His one collection of youthful verse never led to the glittering career he hoped for, and he has resigned himself to the fact that he'll live out his life as, after all, just an ordinary man. Until, that is, a young admirer seeks him out and declares his deepest admiration for his early poems. He invites Saxberger to join him and his circle of fellow writers, who regularly meet at one of Vienna's grand coffee houses: Saxberger is their model, their literary hero. Embarrassed at first, the old man eventually gives in, flattered and fascinated by the self-styled 'Enthusiasts' (not to be confused, of course, with the 'Talentless', who sit at the other tables in the café). Will Saxberger find the inspiration he needs to write a new masterpiece? Will he be able to help the Enthusiasts to attain the public recognition for which they hunger? Will he, indeed, find late love as well as late fame? Ah, but everything is not as it seems... by Arthur Schnitzler (b. 1862 in Vienna), who qualified as a doctor but was increasingly driven to a career in writing, resulting in several celebrated plays, novellas and novels which explore the great existential subjects of the modern age: relationships, love, sex, ageing and death. Because his work dealt with subjects considered taboo, he frequently attracted the hostility of the authorities, consequently losing his position as Chief Medic in the Reserve Army and being tried for disorderly conduct. Schnitzler was close friends with Stefan Zweig and Sigmund Freud, who both admired him greatly, and a member of the 'Young Vienna' circle of writers who regularly met at a café nicknamed 'Café Megalomania' - the very same clique and café he satirises so deliciously in Late Fame. Schnitzler died in 1931."-- Publisher's website.

In this interlocking prose web of first-person testimony, novelist, poet, and playwright Ariel Dorfman relates the struggles of fifty human rights activists hailing from more than forty countries. Manifesto for Another World features the words and struggles of internationally celebrated activists including Vaclav Havel, Baltasar Garzón, Helen Prejean, and Marian Wright Edelman; and Nobel Prize Laureates the Dalai Lama, Desmond Tutu, Elie Wiesel, Oscar Arias Sánchez, Rigoberta Menchú Tum, José Ramos-Horta, and Bobby Muller. Equally moving are the stories of more than thirty others, unknown and (as yet) unsung beyond their national boundaries: Kailash Satyarthi, who has spent a lifetime working to free tens of thousands of victims of child labor in his native India, and Juliana Dogbadzi, who was sold into sexual slavery by her parents at age twelve, escaped after seventeen degrading years, and now is devoted to the liberation of African girls bound in the same terror. From their ranging voices Dorfman culls the message: freedom from persecution, and freedom of opportunity, for all. Manifesto for Another World is both a political testament and a work of art.

In evoking the joy and pain of the Jewish immigrant experience, Anzia Yezierska has no peer. Her stories and novels, written from the 1920s to the 1960s, immortalized the Jews of New York's Lower East Side and their struggle to escape poverty and to partake of America's promise. How I Found America gathers together all of Yezierska's short fiction: the two collections published during her lifetime--Hungry Hearts and Children of Loneliness--and seven additional tales. Each story is authentic and immediate, as memorable as family history passed from one generation to the next. taken together, they constitute an enduring portrait of a time and a people.

Publisher's description: At the heart of this... Mexican novel lies the search for a family history. Using ancestral recollections, flashbacks through history, and personal memory, the author traces her family roots from pre-Revolutionary Russia to contemporary Mexico. Margo Glantz's Mexico is a mysterious world-- a cultural carnival where Flash Gordon crosses paths with Columbus: a Mexico of Diego Rivera, Leon Trotsky and Frida Kahlo, hijacked by Dracula and King Kong, filled with the aromas of a kosher bakery and the echoes of jokes, some corny, some not.

The Underground Stream is a remarkable work in the canon of proletarian literature. It holds special significance for trade unionists and communists, offering a vivid portrayal of workers’ struggles in the industrial heart of the United States and highlighting the pivotal role played by militants of the historic Communist Party USA in these struggles. Beyond its historical and political value, the novel tells a compelling tale of the profound sacrifices demanded of communists in the fight for a better future. What sets Albert Maltz’s work apart is his portrayal of proletarian heroes, protagonists driven by the ideals of a more humane and just world. They are communists—pioneers and workers who stand firmly against a society built on exploitation and the machinery of oppression. Maltz depicts them not as idealized figures but as real, living people, complete with virtues and flaws, whose daily actions and efforts, no matter how small, play a vital role in the collective struggle to transform society. The Underground Stream exposes the harsh realities of the class struggle, challenging working-class readers to recognize their responsibility in contributing to its organization and advancement.

It is 1947 and Dr. Harrison, chief psychiatrist at the private asylum Shadowbrook, is treating a mysterious patient, Bertram, who has voluntarily come to the hospital. As treatment of Bertram progresses, Dr. Harrison begins to lose control of his objectivity and makes questionable decisions that may lead to self-destruction.

The setting of Nathalie Sarraute's Do You Hear Them? is a dinner conversation between a father and his old friend about a recently acquired pre-Columbian statue. As they discuss the merits of the piece and art in general, the father hears his children upstairs giggling. This childish mirth is barbaric and devastating to the father, for in their laughter he hears them mocking his "old-fashioned" viewpoint and the energy he wastes by collecting lifeless objects. In his mind, they have no respect for what has been of greatest importance in his life.

Just in time for the new millennium, things are falling into place. Online advice columnist Lola Somerville lands the plummest of jobs at Ovum Inc., the hip new TV and web network promising smart programming for women. As Ovum's in-house relationships expert, Lola is now up against the pop-psych big dogs--the authors of the mega-selling The Canon: Your Only Hope For a Husband and of the pharma-memoir Xanax Planet , not to mention E. Ron Wilson, kabillionaire despot of the Men Are Pigs, Women are Nuts empire. She's also rubbing elbows with the most powerful person in the universe: the talk-show host/domestic goddess/pop singer/movie actress/anti-landmine activist Penelope. But Lola soon starts to suspect that something is rotten in Ovum's 24-hour juice bar. Are her sidekicks Kat and Ted the only people who know about her forbidden romance? Whose idea was it to change the women's sports show from "Sweat" to "Glow?" Could she--and her entire demographic--be up against forces more powerful than incompetence? The sinister, surprising truths Lola uncovers will change her, her slice of the world, and the market share of Ben and Jerry's, forever.

Returning from his Carolina coast security job to upstate New York, Jack, haunted by memories of his dead wife and child, is hired to search for a lawyer's missing nephew, a search that leads into the dark underworld of his hometown.

"Twelve linked, wryly humorous stories about an unforgettable cast of Russian-Jewish immigrants trying to assimilate in a new world"--Publisher website (October 2007).

Spread over two generations, this novel follows the fortunes of Audrey Garnet. Growing up in the small Anglo-Argentine community of Hurlingham, she loses her heart to one man and marries another. In later years, the forget-me-not sonata reminds her of the dreadful sacrifice she's made.

In this deeply moving novel, Pamela Frankau explores the lives of two families living in rural England in the years leading up to World War II. Through vivid prose and richly drawn characters, Frankau captures both the idyllic beauty of the countryside and the harsh realities of life in a changing world. This book offers a poignant meditation on love, loss, and the ties that bind us to one another. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

"Through the local children's imaginative fantasy of a pretend war, tells the story of the day-to-day survival of Jews in Porto Alegre, Brazil, during World War II. The first novel by Brazilian-Jewish author Moacyr Scliar; translated by David William Foster"--Provided by publisher.