Informed by her earlier ground-breaking axiomatizations of quantified modal logic, the papers collected here by the distinguished philosopher Ruth Barcan Marcus cover much ground in the development of her thought from 1961 to 1990. The first essay introduces themes initially viewed as iconoclastic, such as the necessity of identity, the directly referential role of proper names as "tags", the Barcan Formula about the interplay of possibility and existence, and alternative interpretations of quantification. Marcus also addresses the putative puzzles about substitutivity and about essentialism. The collection also includes influential essays on moral conflict, on belief and rationality, and on some historical figures. Though many of her views have been incorporated into current theories, others remain part of continuing philosophical debate.

"A rich collection that I will use in teaching graduates and undergraduates about the weave of ethnography, narrative, the women's movement, and feminism. Crafted by an impressive range of scholars, the essays are empirically rich and theoretically cogent. But most important, they engage the complexities of multicultural, feminist, and multinational ethnographies and the stories that matter to politics, scholarship, and lives. With an ear for the tones of race and gender, this book answers the political, generic, and theoretical challenge of Writing Culture with layered essays that rewrite an important range of cultural conversations."—Donna Haraway, author of Professor , History of Consciousness Board, UCSC "Since the advent of the 'post-modern' in ethnography, we have been much in need of a marvelous volume such as this, placing 'woman' at the center of the debate. Women Writing Culture will prove as stimulating for our time as its great predecessor, Women, Culture and Society was for the 1970s."—Jose E. Limon, University of Texas "A groundbreaking book—provocative, illuminating, imaginative—and it is a pleasure to read. A trenchant yet always generous feminist critique of the masculinist bias in the theoretical canon of anthropological texts, it expansively and imaginatively maps the future directions of a feminist anthropology. In moving and courageous acts of reconstruction, the writers in this volume boldly cross disciplinary and generic lines, reading fiction as anthropology, writing theater as ethnography, getting personal, radically reconceiving the relationship of self and other and, thereby, the field itself. Feminist scholars of all disciplines will find here enabling textual and conceptual strategies as well as memorable voices and powerful stories."—Marianne Hirsch, Dartmouth College, author of The Mother-Daughter Plot

This is a book for anyone who has ever paused to wonder whether cloning will ever be legal. Why it is that "savior siblings" and sex selection provoke such strong reactions? Will there ever be such a thing as an artificial womb? Assisted reproductive technologies are unique in their capacity to challenge our assumptions and elicit passionate responses. Looking at the moral, philosophical, and legal issues surrounding cases of surrogacy, single or same-sex parenthood, retrieval of sperm from dead or dying patients, and the impregnation of post-menopausal women, this book questions whether these rapidly-developing technologies are refashioning the nature of the family. The US and UK have played unique roles in the development and regulation of reproductive technologies, and has been at the forefront of controversy over "savior siblings", designer babies, reproductive cloning, and embryo research. This book provides a clear and simple account of the techniques involved in assisted reproduction and embryo research, and discusses the legal and ethical implications of some of these technologies, illustrated by compelling descriptions of real-life cases. The book also addresses the ways in which reproductive technologies are regulated, critically examining the role of the Human Fertilization and Embryology Authority and comparing the UK's approach with that of other countries. Finally, it contemplates the possibility that some of our most deeply-held assumptions about human nature may be called into question by further developments in stem cell research and fertility treatments.

The author describes her youth in Brooklyn, her education at the University of Cologne on the eve of Hitler's reign of terror, and her trips to the Soviet Union during Stalin's dictatorship

Ruth Henig's fully revised and extended second edition of Versailles and After includes a new chapter on recent historiography of the subject and provides students with concise coverage of the following topics: * the terms of the Treaty of Versailles * the inadeqacies of the League of Nations as a supranational peacekeeping body * why hopes of long term stability gradually faded.

Musically Speaking A Life Through Song Dr. Ruth K. Westheimer "Touching and frequently witty."-- Publishers Weekly "Dr. Ruth sees music as a kind of conscience. Melody is something she has measured her life on. It's an extraordinary story, her story."--Bono "Dr. Ruth shows us how and why music functions in her life, with lessons for all of us. A real gem of a book."--Wynton Marsalis "A wonderful book, both moving and delightful. With her customary charm and brio, Westheimer shares with us how a life can be shaped by music. Brava!"--Zubin Mehta "Who would have thought that when Dr. Ruth finally explained the rhythm method, she'd be talking about music? To read her is to know her, to know her is to adore her."--Harvey Fierstein "Music, I have come to realize, is for me a kind of golden thread running through my life. It has helped maintain my connection with the past that otherwise might have been severed by catastrophe and time. I am often asked--indeed, I often wonder myself--why it is that I should always have had such joie de vivre in the face of the losses and dislocations I had to endure in my early years. The answer I always gave was that the warmth and security of my early childhood had a remarkable power and influence. This is certainly true. But now I have realized that there is another part to the answer. And that is music."--from the introduction Who among us does not have a song that triggers vivid memories--of jubilation, of belonging, of sorrow, of love? In Musically Speaking , Dr. Ruth K. Westheimer, one of America's most beloved personalities, has written a warm and contemplative book about the role music has played in her life and the ineradicable traces it has left on her thoughts, emotions, her very being. In this memoir through song, Dr. Ruth invites us to share her story from a uniquely musical perspective. By the time she was thirty, Ruth Westheimer had lived in five countries, each with a distinctive musical culture, each with a different hold on her sensibility. For the first ten years of her life, the comforting melodies of childhood helped drown out the anthems of Nazism to be heard elsewhere in her native Germany; as an adolescent refugee in Switzerland, she came to be aware that, however loudly she sang the patriotic songs of the land that gave her shelter, she could never truly be at home there. Present at the creation of the modern state of Israel, she sang and danced to the new music of a new nation; as a young woman eagerly absorbing all that Paris had to offer in the way of romance and worldliness in the early 1950s, the songs of Edith Piaf, Mouloudji, and Yves Montand were her tutors. An almost accidental emigration to America brought new challenges and new stability, as she became a wife, mother, and professional; tremendous and unforeseen celebrity came later, and with it the giddy opportunity to indulge her love of music as never before. Dr. Ruth K. Westheimer is a psychosexual therapist who pioneered the field of media therapy. She is author of 24 books. An Adjunct Professor at New York University, she also holds visiting appointments at Princeton and Yale. Personal Takes 2003 152 pages 5 1/2 x 8 1/2 ISBN 978-0-8122-3746-7 Cloth $24.95t £16.50 ISBN 978-0-8122-0835-1 Ebook $24.95t £16.50 World Rights Biography, Music

This scholarly, incisive, and thought provoking book provides an in depth account of Israel's rebuilding of the Jewish Quarter of Jerusalem after the 1967 Six Day War, in the context of approaches to post-war restoration and heritage preservation and development, both local and worldwide. Inward-directed heritage development and its importance to collective identity, and outward directed heritage development (primarily tourist but also strategic and political) were decisive concerns. The rebuilding of the Jewish Quarter is compared to contemporary preservation old cities of Jaffa, Acre and Safed, activity in the historic to heritage conservation in Old Cairo, and to postwar conservation of Beirut, Warsaw and York.

In this cultural history, Ruth Katz conceives of opera as a laboratory dedicated to exploration of the powers hidden in the interaction between words and music. Opera combines not only music and libretto, but the sensuality, acting out, and lyricism that characterize the popular culture of the Italians. The Powers of Music is thus a contribution to cultural studies, providing unique insight into the social meaning of opera in Italy.According to Katz, opera's origins in Renaissance Italy can be traced to numerous characteristics of life at that time. Among them are: the belief of the Humanists that the magical properties of music could be harnessed; the transition from polyphony to monody that gave musical expression to individualism; the melodramatic propensity of Italian culture reflected in its literary and theatrical arts; and the salons of Florentine aristocrats, scientists, and artists whose agenda included the challenge to rediscover how the ancient Greeks succeeded in heightening the rhetorical power of words by allying them with music. Katz discusses each of these factors in detail.In her new introduction, Katz reconsiders her original work by discussing three topics. The first has to do with the perception that there has been a major change in the academic climate for this kind of analysis. The second relates to her concern with the eighteenth-century expansion of the Florentine comparison of the attributes of the arts, from which music emerges as the purest of all, for being freest of external reference. Third, she reconsiders her initial impression that opera was on the wane. The Powers of Music is an intriguing study that will be of interest to sociologists, cultural historians, and scholars of communication and popular culture.

"Here is the extraordinary Diary of Rywka Lipszyc, finally published 70 years after it was created. Handwritten in a school notebook between October 1943 and April 1944, this remarkable diary depicts the nightmare of life under the Nazis in Poland's infamous Lodz ghetto--through the eyes of brilliant, 14-year-old Jewish girl"--Dust jacket flap.

"Selected Writings on the Question of Marxism focuses on Stuart Hall's relationship with Marxism and exemplifying his distinctive interpretations of Marxist concepts and debates. Editor Gregor McLennan's three-part structure brings out the different styles and formative questions at work in Hall's engagement with Marxism. In his introduction to the volume and in the discussions following the Hall writings in each part, McLennan offers in-depth textual and contextual guidance, together with fresh interpretations of Hall's thought and of his distinctive mode as an intellectual"--

Over the last two decades a major revaluation has been taking place of the colonial Puritan imagination. With the growth of interest in early American literature has come increasing recognition of its quality and a better understanding of its place in the continuity of American culture. However, much of the best critical work to date has been published as articles in scholarly journals, and in bringing together for the first time the best work in this growing field the present anthology fills a number of important needs. It is at once a valuabale and accessible introduction for students, a summing-up of a new enterprise, and a guide for further studies.

"A poignant, groundbreaking memoir that links the Holocaust and its aftermath to the safe haven that opened for camp survivors in Latin America at mid-century. The controversy surrounding the collaboration between Isacovici and Rodr guez remains an extraordinary opportunity to reflect on the thorny path of Jewish-Hispanic relations worldwide."-Ilan Stavans"Distinguished by geography as well as by its painful testimony. . . . Much of the memoir's early drama involves the creeping Nazi threat opposing Jews' wishful thinking-that the war might be ending and that 'it can't happen here.' . . . The author's family is shattered in Birkenau, but he survives Auschwitz with jobs peeling potatoes and mining coal at Jaworno, and he survives a gruesome death march as the Soviets advance. Isacovici is able to rejoin two brothers in a fruitless return to the family farm and to many European cities in search of a haven. He then joins the family of a woman with whom he has a serious romance, who end up with visas for Ecuador, where he feels an empathy for the suffering of the local Indians. . . . This account tells an unforgettable and unique story."-Kirkus ReviewsSalomon Isacovici died in 1998. Dick Gerdes is a professor of Spanish at George Mason University. Man of Ashes was first published in Mexico in 1990 as A7393: Hombre de cenizas and was awarded the Fernando Jeno Prize.

Dive to Dangerous Depths with Proteus , the Atomic Super-Sub! In the early 1960s, Dell Comics was inspired by the success of the hit movie Voyage to the Bottom of the Sea and they recruited legendary comics artist Sam Glanzman--himself a Navy veteran of WWII--to draw Voyage to the Deep , a thrilling adventure series set in the deepest trenches of our planet's oceans and starring the hapless crew of nuclear submarine S.S.N. Proteus . Set during the height of the Cold War and replete with giant monsters, earth-threatening disasters, and even an "anti-matter generator" menacing all life on earth, the short-lived title was more than a disaster movie knock-off. It was also the perfect vehicle for Glanzman's action-packed artistry. For the first time ever, VOYAGE OF THE DEEP gathers all four issues of the hugely entertaining (albeit short-lived) series, fully restored in glorious color and accompanied by a historical essay by Stephen R. Bissette and personal afterword by this compilation's cover artist, Rufus Dayglo.

"Samantha's mother tongue is dying out. An urgent need to find out more becomes an expansive investigation into how to keep hold of her culture -- and when to let it go. The daughter of Iraqi-Jewish refugees, Samantha grew up surrounded by the noisy, vivid, hot sounds of Judeo-Iraqi Arabic. A language that's now on the verge of extinction. The realisation that she won't be able to tell her son he's 'living in the days of the aubergines' or 'chopping onions on my heart' opens the floodgates. The questions keep coming. How can she pass on the stories of displacement without passing on the trauma? Will her son ever love mango pickle? In her search for answers Samantha encounters demon bowls, the perils of kohl and the unexpected joys of fusion food. Her journey transports us from the clamour of Noah's Ark to the calm of the British Museum, from the Oxford School of Rare Jewish Languages to the banks of the River Tigris. As Samantha considers what we lose and keep, she also asks what we might need to let go of to preserve our culture and ourselves. This is a life-affirming memoir about resilience and repair, and the healing power of dancing to our ancestors' music, cooking up their recipes and sharing their stories"--Publisher's description.

Book by Avital, Samuel