Stark is an endangered species. He's the last Jewish private detective in the south Bronx and his days may be numbered. It's the summer of 1965: the Yankees are making another pennant run, the war in Vietnam is heating up, hemlines are rising and the old neighborhood is changing. These days it's easier to stumble on a mugging than to find a good bagel. Stark is not a tough guy. In the trade, he's what's known as a peeper. His business is adultery and his weapon is a camera with a long lens not a snub-nose revolver. But Stark's life is beginning to unravel. His wife left him, his secretary hates him, his mother wants to mother him, he can't shake his shrink's voice from his head and he's got a strange pain in his chest. Then things go from bad to worse. He witnesses a shocking murder and suddenly Stark goes from being the hunter to the hunted, as he races through a decaying world of bookies, transvestites, loan sharks, slum lords and thugs for hire. "Stark in the Bronx" is the dazzling first novel by acclaimed historian Saul Landau. A kind of comic noir, Landau's atmospheric novel is both thrilling and hilarious: imagine the "Maltese Falcon" narrated by Woody Allen.Praise for Saul Landau and Stark: "Saul Landau, like the narrator of 'The Great Gatsby, marvels at how the rich so joyously make messes secure in the knowledge that others will clean up. But what if, one day, they don't?" -- Gore Vidal"You'll believe him, laugh with him, weep and get off your ass." -- John Berger, author "Ways of Seeing"

"During his 50-year association with the Village Voice, Fred W. McDarrah (1926-2007) covered the city's downtown scenes, producing an unmatched and encyclopedic visual record of people, movements, and events. McDarrah frequented the bars, cafés, and galleries where writers, artists, and musicians gathered, and he was welcome in the apartments and lofts of the city's avant-garde cultural aristocracy. He captured every vital moment, from Jack Kerouac reading poetry, to Bob Dylan hanging out in Sheridan Square, to Andy Warhol filming in the Factory, to the Stonewall Riots. Through his lens, we see the legendary birth of ideas and attitudes that continue to shape the character and allure of New York today." -- Publisher's description

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

I TOLD YOU SO These are the words that Katy longs to scream over and over at what's left of the population after the apocalypse she'd been telling anyone who would listen was coming. Now it's here and she's set up to become the new king of the world and everything would be perfect... If her stupid sons hadn't decided she was as crazy as everyone else thought she was and moved away from the safety of their mother's bunker into the city and if the very reporter who had made her name synonymous with crack pot didn't wind up pounding on her door as the world around them blew away. YES THE END OF THE WORLD CAN BE FUNNY (If you're ten feet underground with 50 years of supplies)

Investigative reporter Jane Weston has a problem. Wherever she goes, the undead follow. They’ve cost her several well-paying, high-profile jobs in metropolitan areas, but she was sure that she would escape them when she took a job at WGBN in Jones Port, Arkansas. No such luck! It seems these blood-sucking night dwellers will follow their “host” to the end of the civilized world - and even beyond. Tracy Cohen is the rabbi of the small Jewish congregation in Jones Port. Tracy lost a lover to gang violence in New York and was rejected by her orthodox family because of her sexual orientation. Tracy’s life has been filled with turmoil, but nothing has prepared her to do battle with the undead in the streets of Jones Port, for the soul of an investigative reporter. Good Isn’t Stupid!

Legendary director Sergei Eisenstein has unquestionably emerged as cinema's most influential theorist and author of some of the most important aesthetic writings of the twentieth century. For the first time in one volume, The Eisenstein Reader presents in concise, chronological form his most significant work--including his famous theories of montage and articles on subjects as diverse as sound, film language, and Russian history. The selections range from early writings on his great silent masterpieces The Strike, October and The Battleship Potemkin, to later works, hatched in the increasingly hostile and paranoid environment of Stalin's Soviet Union. Drawn from the acclaimed four-volume Selected Works, this collection, which includes a new introduction and explanatory notes by Richard Taylor as well as many illustrations, further illuminates the startling originality, diversity, and power of the greatest and most flamboyant of all Russian filmmakers.

Weary of his battles with the bureaucracy, with the bottle, and with his profession, an unemployed Soviet journalist reviews his file of clippings and recalls the real people and events now reduced to bland, officially approved lines

The Great White Way and has paved the way for some of the most legendary performers in history. But Broadway is more than a street, it's a community. In this Q Guide, a true Broadway expert takes theatre fans on the ultimate insider's tour. With its queer perspective, The Q Guides become the instant arbiters of taste and trends for the hip and hot, gay and straight.

World War 3 Illustrated 1980-1988 is the buried history of the Reagan Years, a thundering reply to despair and political complacency. Kuper and co-editor Seth Tobocman have assembled this striking collection of comics and graphics from the pages of the New York-based magazine of cartoon political commentary, including work by the two editors, Eric Drooker, Girltalk editor Sabrina Jones, and (very early) Peter Bagge, plus text pieces, posters, and more. Under a striking collage cover, World War 3 is some of the most stirring and important political cartooning of the decade.

In this second edition of his original insightful collection of letters to the first president of the 21st century, Seymour B. Sarason details how to rethink school reform.

Rumi's Untold Story is written from 30-year research by award-winning Rumi translator, scholar and author Shahram Shiva. It provides a clear record of highlights of Rumi's life and clarifies certain aspects of his very colorful history which have been kept secret from public until now. It covers Rumi's unconventional relationship with his mentor Shams and Sham's controversial and doomed marriage to Rumi's daughter Kimia. TOPICS:1. Preface2. About Rumi3. The Growing Phenomenon of Rumi4. Why Rumi? Here are 12 Reasons5. Rumi & Shams: A Love Story, Tragedy or Personal Necessity? The Untold Story6. Who was Kimia Khatun? (Kimya, Khatoon, Khatoun) 7. The Collective Poems of Shams or Rumi?8. What Really Went On Between Rumi and Shams in those Precious Several Months?9. Rumi, Hafez, Omar Khayyam and Global Artistic Perspective10. Rumi, a Pop Star Celebrity at the Time?11. Is Rumi the Inspiration for Today's Love Songs?12. Was Rumi a Sufi?13. A Rumi for All Seasons14. Rumi was Gloriously Blasphemous15. Rumi Belongs to the Whole World and Cannot Be Marginalized16. The Famed Whirling Dervishes of Turkey do not Represent Rumi, they Epitomize his Son17. Why the Academia Will Never Come Close to Understanding Rumi and Other Mystic Poets and Writers18. Rumi's Untold Story - Conclusion19. Selection of Rumi Poems with Original Persian20. Shahram Shiva's Unique & Proven 4-Step Method to Whirling21. How to Manifest Your Vision22. Understanding Mystic or Yogic Dreams23. Soul Evolution Principal: The Four Stages24. Personal Gratitude25. References26. About Shahram Shiva

Song of Thieves delves into issues of racial identity and politics, the immigrant experience, and the search for "home" and family histories. In this follow-up to her award-winning debut collection, The Water Between Us, Shara McCallum artfully draws from the language and imagery of her Caribbean background to play a haunting and soulful tune.

In this landmark book, a leading authority on lower federal court judicial selections tells the riveting story of how nine presidents over a period of fifty-six years have chosen federal judges. Sheldon Goldman has interviewed participants, and he has mined published and unpublished government documents and archives, along with memoranda, letters, and other documents in the papers of every president from Franklin Roosevelt through Ronald Reagan, to bring to life the judicial selection process. His book is filled with richly drawn and dramatic accounts of each president's use of judicial appointments to further policy, partisan, and personal agendas. Goldman analyzes political and social changes that have occurred over the years and the impact of those changes on the profile of those selected for the bench.

Offers a humorous look at maids, hotel furniture, desk clerks, bellmen, switchboard operators, managers, room service, and the differences between good and bad hotels

"This book examines a variety of arguments that might be thought to support skepticism about the existence of morality, and it explains how these arguments can be answered by those who believe in objective moral truths. The focus throughout is on discussing questions that frequently trouble thoughtful and reflective individuals, including questions like the following: Does the prevalence of moral disagreement make it reasonable to conclude that there aren't really any moral facts at all? Is morality simply relative to particular societies and times? What could objective moral facts possibly be like? If there were moral facts, how could we ever come to know anything about them? Shouldn't belief in the theory of evolution undermine our confidence that our moral intuitions reliably reveal moral truths? Would moral facts ever actually explain anything at all? Can morality really have the motivating and rational force we normally take it to have? How can one possibly find a place for objective moral values in a scientific worldview? The book explores plausible answers to questions like these and it thus aims to show why the belief in objective morality remains an intellectually reasonable one"--