Ever wondered where that demonic voice on NPR comes from? In these memoirs, Codrescu recalls his life with irrepressible and uncensored candor. From the bitter-sweet delights of a fantastic childhood in the ruins of a Transylvanian castle to the horror and ecstasy of re-inventing himself as an American in a new language, this Proustian romp brims with erotic delight and language at high heat. In an age rife with "memoirs" set on grinding dull axes, Codrescu's razersharp language is both pitiless and unsparing of his experience.

Excellent Book

" For Solo Violin is a gracefully written, elegiac memoir of childhood."— The Los Angeles Times "An eloquent tribute to [and] a moving account of those who, despite the cruelty of so many around them, found ways to rejoice and trust in the kindness of a few. One is instantly reminded of Life Is Beautiful ."—André Aciman, author of Out of Egypt In an extraordinary literary debut, Aldo Zargani reconstructs the lost world of his Jewish childhood during the perilous years 1938–45 when he and his family fled from Fascists and Nazis in northern Italy. His haunting memoir acquires a cinematic intensity as he crosscuts from the blood-red stone spires of Basel, where his father failed to find refuge for his family in 1939, to fiery scenes of the Allied bombing of Turin in 1942, to the freezing winter of 1943–44, which Zargani and his brother spent hidden in a Catholic boarding school deep in the countryside. For Solo Violin is filled with colorful portraits of Italian aristocrats and peasants, priests and soldiers, teachers and students, informers and partisans. At its heart is Zargani's vivid depiction of his father, a concert violinist forced to give up his career when the Fascists came to power. In this time of persecution, the Zargani family survived through their own resourcefulness and through the efforts of the many Italians who came to their aid, from the young doctor who helped them escape from Turin to the shepherd who supplied them with milk during the last year of the war, when they lived among the partisans in a remote Piedmont valley. Looking back over a distance of fifty years, Zargani rediscovers the enchantment of childhood shining in "fable-like constellations" even amidst the inferno of war. Lullabies and school games, fairy tales and family jokes are interwoven with the events of terror and oppression. Lyrical, humorous, tender, and wise, For Solo Violin is a testament to resilience and hope during the darkest period in human history. "A broad panorama of Italian-Jewish history in [the last] century. Elegant in its style and, however tragic, also rich with understatement, irony, and wit, For Solo Violin counts among the great, enduring works of art."— Focus Magazine , Germany "A tragic, deeply engaging, delicious book—yes delicious, too. (Reading it makes you smile.) It's a miracle…It makes one think of the wit of Kafka!"— L'Espresso , Italy "Zargani depicts a wealth of sad, despairing, but often also incredibly funny episodes…But vibrating along with the humor is always the sense of threat, and behind it opens the abyss of terror."— Neue Zürcher Zeitung , Switzerland

For director Alan Rafkin, television is probably the silliest and most volatile business in the world. Yet whether he was catching a pie in the face or working with an array of eccentric and talented stars, Rafkin was addicted to television from day one. In this autobiography, Rafkin recounts his behind-the-scenes experience working in over 80 different television series. Some of the most beloved sitcoms of all time, such as The Andy Griffith Show, The Dick Van Dyke Show, M*A*S*H, Murphy Brown, and Coach adorn his directorial resume and illuminate Rafkin's ability to change with the times and persevere in the young world of show business. He recounts how directing strung-out actors and dodging their blows made life on the set a world unto itself. Rafkin further describes how having a good sense of humor helped him survive three divorces and three open-heart surgeries.

"This book is a frank, confronting yet surprisingly funny memoir based on the life experiences and recollections of a Jewish childhood over a time span from 1928 to the mid-forties. In some telling, names of people, places and dates have been changed. Mercifully, those named who are or were of a repellent nature have long since gone to God. The stories present incidents from the life of one person, the first-person narrator. The memoir is purposely unsentimental. The writer has worked hard to circumvent cheap emotion. Some readers might find it confronting. The linked stories encompass a childs unsparingly honest observations as he is buffeted by events which range from indifference and naked cruelty to sparkling life-affirming exuberance."--Provided by publisher.

"Born into a family of successful playwrights and producers, Agnes de Mille was determined to be an actress. Then one day she witnessed the Russian ballet dancer Anna Pavlova, and her life was altered forever. Hypnotized by Pavlova's beauty, in that moment she dedicated herself to dance. Her memoir records with light-hearted humor and wisdom not only the difficulties she faced - the resistance of her parents, the sacrifices of her training - but also the frontier atmosphere of early Hollywood, as well as New York and London during the Depression. "This is the story of an American dancer," writes Agnes de Mille, "a spoiled egocentric wealthy girl, who learned with difficulty to become a worker, to set and meet standards, to brace a Victorian sensibility to contemporary roughhousing, and who, with happy good fortune, participated by the side of great colleagues in a renaissance of the most ancient and magical of all the arts.""--

This provocative analysis of the life and work of Francois Marie Arouet, pseudonymously known as Voltaire, reassesses his life and reevaluates the original impact of his voluminous writings

"To perform heroically in a perilous situation is one thing, but I found that, in my case, the real difficulty was in getting myself into a spot where heroism was possible. Nobody on latrine duty ever got the Medal of Honor." This delightful memoir of A. E. Hotchner’s World War II experiences explores a different side of the troubled war years. Hotchner, who grew up in St. Louis, was a rookie lawyer fresh out of Washington University Law School when the United States declared war. Like many others of his generation, he aspired to serve his country. He tried to enlist in the navy, first as a pilot and then as a deck officer, but he was rejected for faulty depth perception and flat feet, respectively. Drafted as a lowly GI into the air force branch of the army, he was accepted to bombardier school. But on the eve of his departure, he was ordered to write and perform in an air force musical comedy instead. He eventually went to Officer Candidate School and was assigned to the Anti-Submarine Command as a lieutenant adjutant, but just before his squadron’s departure for North Africa he was detached and, despite knowing nothing about moviemaking, ordered to make a film that glorified the Anti-Submarine Command’s role in combating U-boats. All through his four-year military career, despite his efforts to get into combat, fate and the military bureaucracy thwarted him. The author skillfully recounts the events of those years, describing the encounters he had with many unforgettable characters, including a footsore and sentimental Clark Gable and an inept Alan Ladd—best known as the star of Shane. Ladd, then a GI, did such a poor job reading the narration for Hotchner’s film Atlantic Mission that Hotchner had to fire him. The author also describes his encounters with other well-known people, notably Tennessee Williams, with whom he attended a playwriting class at Washington University, and a wistful, vulnerable Dorothy Parker. Although much of Hotchner’s memoir is lighthearted, it also provides a unique look at the impact of the war on everyday life in the United States. Hotchner’s fast-paced prose makes this memoir an insightful pleasure to read.

""Acclaimed author and feisty nonagenarian Hotchner's witty ruminations about the art of living well into old age...with brio and a touch of his trademark sass, Hotchner writes about rediscovering love after 75, finding joy in a scrappy African gray parrot he named after his longtime friend, Ernest Hemingway, and going on his very first safari at age 88." - Kirkus Reviews When youngsters in their seventies and eighties, nervously lurching toward the horizon of ninety, ask me, "What's the secret?" That's what I tell them: "O.J. in the morning, gin and tonic at night." You don't have to be in your seventies or eighties to enjoy A. E. Hotchner's elixir for aging happily, but after reading this charming collection of essays, you may wish you were. Nonagenarian, novelist, playwright, and biographer, Hotchner gives us heartfelt and laugh-out-loud anecdotes that describe his unique reflections on the aging process. His musings cover everything from the outlandish commercials that target the older generation (Viagra, Cialis, and Flomax) to suggestions on adapting the tennis game for seniors (he suggests lowering the net by two inches and moving all outer lines two feet inward) to the advantages of having a pet (his pet parrot often tells guests to "kiss my ass"). He can equally capture the headier side of aging, which is bittersweetly revealed in his piece about divorce. With his disarming, eloquent voice and dry sense of humor, Hotch illuminates life's wisdoms through his optimistic, witty, and romantic outlook, all the while maing you feel, well, not unhappy about growing older. O.J. in the Morning, G&T at Night is a book of courageous advice, humorous wisdom, and, above all, good strategies for how to stay young at heart"--

Herod: A Biography is a book written by Jacob S. Minkin that explores the life and legacy of one of the most notorious figures in biblical history, Herod the Great. The book provides a detailed and comprehensive account of Herod's life, from his rise to power in Judea to his death and the aftermath of his reign. Minkin draws on a wide range of historical sources, including ancient texts, archaeological evidence, and modern scholarship, to paint a vivid portrait of this complex and often controversial figure. The book covers Herod's many accomplishments, including his impressive building projects and his efforts to modernize Judea, as well as his many personal flaws and failures. Minkin also explores the political and religious context of Herod's reign, including the tensions between the Jewish people and their Roman rulers, and the various factions and power struggles that shaped the region during this time. Overall, Herod: A Biography is a fascinating and insightful look at one of the most intriguing figures in ancient history, and a must-read for anyone interested in biblical history, ancient politics, or the complexities of human nature.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This path-breaking anthology illuminates the lives of ten influential twentieth-century American women and looks at the challenges experienced by the women who have written about them. Exploring the frequently complicated dialogue between writer and subject, the contributors discuss tools appropriate to writing women's biography while their riveting accounts reveal how feminist scholarship led them to approach the study of women's lives in unconventional ways. "This wonderful collection demonstrates the significance of women's biography as a central part of feminist scholarship. The feminist biographer inserts a second life into a biography, her own, giving us yet another layer of depth and insight."--Ann J. Lane, author of To "Herland" and Beyond: The Life and Work of Charlotte Perkins Gilman

One of the richest & fullest lives of recorded ancient history is that of David, King of Israel. David's story has instructed, moved, inspired, & enchanted listeners & readers throughout the centuries. Barbara Cohen recounts David's story with a different purpose than that of the biblical writers. Her interest is in David the man, the human being who was poet, soldier, politician, administrator, lover, father, & religious leader to the united kingdoms of Judah & Israel. She tells his story in modern language, using the perspective of today's knowledge of archaeology, history, psychology, & politics, to bring him to life as an individual.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

A candid political biography of LBJ from congressman to chief executive.

A critical biography of Belgium's highest-ranking Nazi collaborator, Léon Degrelle, who fought with the Waffen-SS on the Eastern Front during the Second World War and served as inspiration for the protagonist of Jonathan Littell's bestselling, Prix Goncourt-winning novel The Kindly Ones ([Gallimard 2006] HarperCollins 2009). Originally published in French as Le sec et l'humide: Une brève incursion en territoire fasciste (Gallimard 2008) and translated into Spanish, German, Italian, Dutch, Czech, Catalan, and now English, The Damp and the Dry is a critical case study of a fascist true believer who was supported by both Hitler and Mussolini during the Second World War and later sheltered by Franco in Spain. Littell pays close attention to Degrelle's autobiographical writings, especially his account of fighting on the Eastern Front, The Russian Campaign, and uncovers an "anatomy of fascist discourse," developing on the theories of German sociologist Klaus Theweleit, whose Afterword follows the text.

CHATEAUBRIAND- Poet Statesman Lover by ANDREW MAUROIS. Contents include: Introduction ix I. Childhood and Youth i II. Soldier and Voyager 3 5 III. Exile 57 IV. Le Genie du Christianisme 87 V, Journey from Paris to Andalmia 1 2 8 VI The Valley of Wolves 156 VIL The Partisan 193 VIII. The Upward Climb. The Dizzy Heights. The Fall 233 IX. The Monarchist against the Monarchy 269 X, Old Age and Second Flowering 305 ILLUSTRATIONS Chateaubriand in 1 820 frontispiece Madame Recamier facing page 55 Chateaubriand 70 Madame de Custine 135 Natalie de Labor de. Viscountess of Noailles 1 50 The Countess of Castellane 215 Portrait of Madame Recamier in later life 230 Chateaubriand, last portrait, 186* 7 278. Introduction: SEVERAL reasons have led me to apply myself to the study of Chateaubriand's life. The first was a great admiration for the writer, one of those who have exercised the most lasting and profound in fluence on French literature; the second the desire to compare a French romantic with the English romantics I had studied, and especially to find in Chateaubriand the original of which Byron was so often a copy; the third a keen interest in that strange exist ence which found itself bound up with the whole history of France throughout the most dramatic period of that history* The Old Order, the Revolution, the Empire, the Restoration, the July monarchy, Chateaubriand knew them all; he was banished by the Republic, a rival of the Emperor, a minister and afterwards an op ponent of the King; he lived in England and in America. In his time he was traveller, soldier, novelist, ambassador, religious writer and political publicist; he was loved by the most beautiful and sphinx-like woman of her age. In all this there is so much material for a biography that it is suiprising to find that Chateaubriand's has all things considered, been rarely written.

PREFACE. THE Author of this very practical treatise on Scotch Loch - Fishing desires clearly that it may be of use to all who had it. He does not pretend to have written anything new, but to have attempted to put what he has to say in as readable a form as possible. Everything in the way of the history and habits of fish has been studiously avoided, and technicalities have been used as sparingly as possible. The writing of this book has afforded him pleasure in his leisure moments, and that pleasure would be much increased if he knew that the perusal of it would create any bond of sympathy between himself and the angling community in general. This section is interleaved with blank shects for the readers notes. The Author need hardly say that any suggestions addressed to the case of the publishers, will meet with consideration in a future edition. We do not pretend to write or enlarge upon a new subject. Much has been said and written-and well said and written too on the art of fishing but loch-fishing has been rather looked upon as a second-rate performance, and to dispel this idea is one of the objects for which this present treatise has been written. Far be it from us to say anything against fishing, lawfully practised in any form but many pent up in our large towns will bear us out when me say that, on the whole, a days loch-fishing is the most convenient. One great matter is, that the loch-fisher is depend- ent on nothing but enough wind to curl the water, -and on a large loch it is very seldom that a dead calm prevails all day, -and can make his arrangements for a day, weeks beforehand whereas the stream- fisher is dependent for a good take on the state of the water and however pleasant and easy it may be for one living near the banks of a good trout stream or river, it is quite another matter to arrange for a days river-fishing, if one is looking forward to a holiday at a date some weeks ahead. Providence may favour the expectant angler with a good day, and the water in order but experience has taught most of us that the good days are in the minority, and that, as is the case with our rapid running streams, -such as many of our northern streams are, -the water is either too large or too small, unless, as previously remarked, you live near at hand, and can catch it at its best. A common belief in regard to loch-fishing is, that the tyro and the experienced angler have nearly the same chance in fishing, -the one from the stern and the other from the bow of the same boat. Of all the absurd beliefs as to loch-fishing, this is one of the most absurd. Try it. Give the tyro either end of the boat he likes give him a cast of ally flies he may fancy, or even a cast similar to those which a crack may be using and if he catches one for every three the other has, he may consider himself very lucky. Of course there are lochs where the fish are not abundant, and a beginner may come across as many as an older fisher but we speak of lochs where there are fish to be caught, and where each has a fair chance. Again, it is said that the boatman has as much to do with catching trout in a loch as the angler. Well, we dont deny that. In an untried loch it is necessary to have the guidance of a good boatman but the same argument holds good as to stream-fishing...