Transformer, Lou Reed's most enduringly popular album, is described with varying labels: it's often called a glam rock album, a proto-punk album, a commercial breakthrough for Lou Reed, and an album about being gay. And yet, it doesn't neatly fit into any of these descriptors. Buried underneath the radio-friendly exterior lie coded confessions of the subversive, wounded intelligence that gives this album its staying power as a work of art. Here Lou Reed managed to make a fun, accessible rock'n'roll record that is also a troubled meditation on the ambiguities-sexual, musical and otherwise-that defined his public persona and helped make him one of the most fascinating and influential figures in rock history. Through close listening and personal reflections, songwriter Ezra Furman explores Reed's and Transformer 's unstable identities, and the secrets the songs challenge us to uncover.

An extraordinarily gifted musician and writer, Charles Rosen is a peerless commentator on the history and performance of music. Critical Entertainments brings together many of the essays that have established him as one of the most influential and eloquent voices in the field of music in our time. These essays cover a broad range of musical forms, historical periods, and issues—from Bach through Brahms to Carter and Schoenberg, from contrapuntal keyboard music to opera, from performance practices to music history as a discipline. They revisit Rosen’s favorite subjects and pursue some less familiar paths. They court controversy (with strong opinions about performance on historical instruments, the so-called New Musicology, and the alleged “death” of classical music) and offer enlightenment on subjects as diverse as music dictionaries and the aesthetics of stage fright. All are unified by Rosen’s abiding concerns and incomparable style. In sum, Critical Entertainments is a treasury of the vast learning, wit, and insight that we have come to expect from this remarkable writer. It will delight all music lovers.

A hero in each of Israel's wars, perhaps the most daring and successful commander in Israel's extraordinary military history, Ariel Sharon has always been a warrior, whether the enemies were hostile Arab nations, terrorists, Time magazine, or rival politicians. The public man is well known—aggressive in battle, hard-line in politics—but the private man has always been obscured by Sharon's dazzling career and powerful personality. In this compelling and dramatic autobiography, the real Sharon appears for the first time: a man of complex depths and passions, a loving father, a man of courage and compassion.

Theatre Chronicles, 1937-1956.

Hard to find

1927. The story of a fighter born Otto Eduard Leopold Von Bismarck- Schohausen, also known as the Iron Chancellor. The aim of this book is to show the portrait of a victorious and errant warrior. Bismarck is depicted as a character filled with pride, courage and hatred, the basic elements from which his actions resulted. This is a fascinating story on this Prussian statesman and first chancellor of the German Empire.

This edited collection examines the role that language has played in forming modern European nations. With language an omnipresent issue within the European Union, the importance languages have played within the histories and present situations of member nations is a crucial topic. Drawing on an international cast of contributors, the book explores the issues of monolingualism vs. plurilingualism within individual nations, the revival of languages in nations such as former soviet republics, and concludes with a look at language in the electronic age.

Traces the story of the mixed-race swordsman and father of novelist Alexandre Dumas, discussing his rise to the French aristocracy, his military triumphs ,and the adventures that inspired such classics as "The Three Musketeers" and "The Count of Monte Cristo."

A remarkable, intimate, one-of-a-kind visual document of the people, places, and wildlife of Africa today. In his new book, Steve Bloom expresses, as no photographer has ever done, the essence and the diversity of this gigantic continent. From the tallest sand dunes in the world in the Namibian desert to the lush green wetlands of Botswana's Okavango Delta, from the swirling markets of Zanzibar to the windswept rocks and gullies of South Africa's Table Mountain, he captures the colors and cultures of Africa today. More than 200 photographs of Africa's peoples and wildlife perfectly encapsulate the vibrancy of tribal traditions and the beauty of the landscape. Here are Monzambican miners who endure harsh working conditions nearly two miles underground; Ndebele women running community workshops; Surma and Mursi women with giant plates in their lips, a custom that dates back to slave-trade days when tribes would mutilate themselves in order to be left alone; and many others across the continent, north, south, east, and west. Alongside these stories of human fortitude and stamina, there are awe-inspiring photographs of African wildlife: cheetahs, their coats a blur of color against the sun-bleached background; the vast flocks of birds scattered across bright blue skies; and herds of zebras gathered in the African moonlight. Best-selling author and photographer Steve Bloom grew up in South Africa and is one of the world's leading photographers of nature and wildlife. He lives in London.

Stephen Greenblatt's Renaissance Self-fashioning is a study of sixteenth-century life and literature that spawned a new era of scholarly inquiry. Greenblatt examines the structure of selfhood as evidenced in major literacy figures of the English Renaissance- More, Tyndale, Wyatt, Spenser, Marlowe, and Shakespeare- and finds that in the early modern period new questions surrounding the nature of identity heavily influenced the literature of the era. Now a classic text in literary studies, Renaissance Self-Fashioning continues to be of interest to students of the Renaissance, English literature, and the new historicist tradition. This edition is enhanced with the addition of a preface by the author on the book's creation and influence.

"In Don't Read Poetry, award-winning poet and literary critic Stephanie Burt offers an accessible introduction to the seemingly daunting task of reading, understanding, and appreciating poetry. Burt dispels preconceptions about poetry and explains how poems speak to one another--and how they can speak to our lives. She shows readers how to find more poems once they have some poems they like, and how to connect the poetry of the past to the poetry of the present. Burt moves seamlessly from Shakespeare and other classics to the contemporary poetry circulated on Tumblr and Twitter. She challenges the assumptions that many of us make about 'poetry, ' whether we think we like it or think we don't, in order to help us cherish--and distinguish among--individual poems. A masterful guide to a sometimes confounding genre, Don't Read Poetry will instruct and delight ingénues and cognoscenti alike"--

The seminal work of Ruth Rubin, a pioneering collector, singer, folklorist, writer, and crusader for the vanishing legacy of the Yiddish world, "Voices of a People" remains the only general introduction to Yiddish folksong. A priceless collection of song texts in Yiddish and English, as well as a selection of tunes Rubin transcribed, this volume brings the Jews' ancient, itinerant culture alive through children's songs, dancing songs, and songs about love and courtship, poverty and work, crime and corruption, immigration, and the dream of a homeland. Rubin's notes and annotations weave each text into the larger story of the Jewish experience. Noted scholar Mark Slobin provides a new foreword that includes a biographical sketch of Rubin and an assessment of her contributions over a lifetime of collecting, absorbing, and disseminating Yiddish folksong.

This is the first English translation of one of the classical works of Marxist economic theory. When Rudolf Hilferding’s Finance Capitalwas first published in 1919 it was acclaimed by reviewers as a continuation of Marx’s Capital, and it has a major influence upon subsequent Marxist thought, especially in the analysis of imperialism where it provided some of the fundamental ideas for the theories of Bukharin and Lenin. But Hilferding’s work was much more than a study of imperialism, which was presented only in the last section of the book. It set out to examine the main tendencies in the development of the capitalist mode of production as a whole at the beginning of the twentieth century, beginning with an exposition of the theory of money (in which particular attention was paid to the growth of credit money), then analysing the increasingly important role of the banks in the mobilization of capital, along with the development of large corporations, cartels and trusts, and finally outlining a theory of economic crises. Hilferding’s book has, however, more than an historical interest. It is a model for any renewed attempt to understand the ‘latest phase of capitalist development’ in the closing decades of the twentieth century, and Hilferdin’s ideas still provide essential elements for the elaboration of theoretically enlightened and realistic policies in the socialist movement.

From one of our premier literary scholars, here is a learned and witty introduction to the "sheer vitality of literature and the satisfactions of a close, informed engagement with it" (New York Times). Robert Alter's illumination of the unique power of reading literature is especially valuable at a time when we are surrounded by electronic texts that distract more than engage and when the special claims of literature are disparaged by the high priests of literary theory. Alter explores the strategies that distinguish literature--the resources of style, the dynamics of allusion, the formal design of structure, the play of perspective in narrative. He draws on copious examples from the great works of literary art--from the Book of Genesis to Shakespeare, Conrad, and Nabokov--to illustrate his analysis of what makes reading a source of complex pleasure and insight.

Admirers and detractors of Vladimir Nabokov have viewed him as an ingenious contriver of literary games, teasing and even outsmarting his readers through his self-reflexive artifice and the many codes and puzzles he devises in his fiction. Nabokov himself spoke a number of times about reality as a term that always has to be put in scare quotes. Consequently, many critics and readers have thought of him as a writer uninterested in the world outside literature. Robert Alter shows how Nabokov was passionately concerned with the real world and its complexities, from love and loss to exile, freedom, and the impact of contemporary politics on our lives. In these essays, Alter spans the breadth of Nabokov's writings, from his memoir, lectures, and short stories to major novels such as Lolita. He demonstrates how the self-reflexivity of Nabokov's fiction becomes a vehicle for expressing very real concerns. What emerges is a portrait of a brilliant stylist who is at once serious and playful, who cared deeply about human relationships and the burden of loss, and who was acutely sensitive to the ways political ideologies can distort human values.

A literary investigation of how the modern metropolis--intoxicating, disturbing, powerful--changed perceptions and irrevocably altered the Western imagination. Alter traces the arc of literary development triggered by the runaway growth of urban centers from the early nineteenth century through the first two decades of the twentieth. As new technologies and arrangements of public and private space changed the ways people experienced time and space, the urban panorama became less coherent--a metropolis defying traditional representation and definition, a vast jumble of shifting fragments and glimpses--and writers were compelled to create new methods for conveying the experience of the city. In interpretations of novels by Flaubert, Dickens, Bely, Woolf, Joyce, and Kafka, Alter reveals the ways the city entered the literary imagination.--From publisher description.

How do we understand the world? While some look to the heavens for intelligent design, others argue that it is determined by information encoded in DNA. Science serves as an important activity for uncovering the processes and operations of nature, but it is also immersed in a social context where ideology influences the questions we ask and how we approach the material world. Biology Under the Influence: Dialectical Essays on the Coevolution of Nature and Society breaks from the confirms of determinism, offering a dialectical analysis for comprehending a dynamic social and natural world. In Biology Under the Influence , Richard Lewontin and Richard Levins provide a devastating critique of genetic determinism and reductionism within science while exploring a broad range of issues including the nature of science, biology, evolution, the environment, pubic health, and dialectics, They dismantle the ideology that attempts to naturalize social inequalities, unveil the alienation of science and nature, and illustrate how a dialectical position serves as a basis for grappling with historical developments and a world characterized by change. Biology Under the Influence brings together the illuminating essays of two prominent scientists who work to demystify and empower the public's understanding of science and nature.

This book talks about music. It incorporates modal and tonal music. It talks about Arnold Schoenberg, the founder of contempoary music, Alban Berg and how the past plays on contemporary music and Anton Webern and the future of contemporary music. As well as the structure of contemporary musical speech. René Leibowitz was a French composer, conductor, music theorist and teacher born in Warsaw, Poland. During the early 1930s, Leibowitz studied composition and orchestration with Ravel in Paris, where he was introduced to Schoenberg's Twelve-note technique by the German pianist and composer Erich Itor Kahn. He subsequently studied with Schoenberg's pupil Webern. Many of the works of the Second Viennese School were first heard in France at the International Festival of Chamber Music established by Leibowitz in Paris in 1947. Leibowitz was highly influential in establishing the reputation of the Second Viennese School, both through activity as a teacher in Paris after WWII and through his book Schoenberg et son ecole, published in 1947 and translated by Dika Newlin as Schoenberg and his School (US and UK editions 1949). This was among the earliest theoretical treatises written on Schoenberg's 12-tone method of composition. Leibowitz's advocacy of the Schoenberg school was taken further by his two most gifted pupils, each taking different paths in promoting the musics of Schoenberg, Webern and the development of serialism, namely Pierre Boulez and Jacques-Louis Monod. His American students include the composers Will Ogdon, Janet Maguire, and the avant-garde film director-animator John Whitney. As conductor, Leibowitz was active in many recording projects. One of the most widely circulated and most notable is a set of the Beethoven symphonies made for Reader's Digest Recordings; it was apparently the first recording of the symphonies to follow Beethoven's original metronome markings. In choosing this approach, Leibowitz was influenced by his friend and colleague Rudolf Kolisch. Leibowitz likewise made many recordings for Reader's Digest in their various compilation albums. He also wrote for Les Temps modernes, applying existentialist ideas to musicology.

The Hall-of-Fame coach recalls the unforgettable 1970 season when the New York Knicks won their first NBA championship after finishing near the bottom of the league for a decade and reveals the passions and personalities of his team. Reprint.

"Why Mahler? Why does his music affect us in the way it does? Norman Lebrecht, one of the world's most widely read cultural commentators, has been wrestling obsessively with Mahler for half his life. Pacing out his every footstep from birthplace to grave, scrutinizing his manuscripts, talking to those who knew him, Lebrecht constructs a compelling new portrait of Mahler as a man who lived determinedly outside his own times. Mahler was - along with Picasso, Einstein, Freud, Kafka, and Joyce - a maker of our modern world."--Book jacket.