The book takes the reader on a cinematic road trip through Hollywood history and Connecticut geography. Illeana Douglas, an actor and film historian from Connecticut, defines how the perception of on-screen Connecticut has shifted more than that of any other New England state over the decades and provides some surprising conclusions about just what it means to be a "Connecticut movie." Filled with behind-the-scenes stories as well as her own personal snapshots of the places where these films were made

The untold history of how pro-Israel lobbying groups influence US and British policy[Bokinfo]

Inspired by stories he heard in the West Bank as a child, Hillel Cohen uncovers a hidden history in this extraordinary and beautifully written book―a history central to the narrative of the Israel-Palestine conflict but for the most part willfully ignored until now. In Army of Shadows, initially published in Israel to high acclaim and intense controversy, he tells the story of Arabs who, from the very beginning of the Arab-Israeli encounter, sided with the Zionists and aided them politically, economically, and in security matters. Based on newly declassified documents and research in Zionist, Arab, and British sources, Army of Shadows follows Bedouins who hosted Jewish neighbors, weapons dealers, pro-Zionist propagandists, and informers and local leaders who cooperated with the Zionists, and others to reveal an alternate history of the mandate period with repercussions extending to this day. The book illuminates the Palestinian nationalist movement, which branded these "collaborators" as traitors and persecuted them; the Zionist movement, which used them to undermine Palestinian society from within and betrayed them; and the collaborators themselves, who held an alternate view of Palestinian nationalism. Army of Shadows offers a crucial new view of history from below and raises profound questions about the roots of the Israel-Palestine conflict.

Page one is exciting, living history as revealed through front pages of The New York Times reproduced exactly as they first appeared.

Few documents have had more of an impact on the course of history as has the Communist Manifesto. From its famous opening lines--"A specter is haunting Europe: the specter of Communism"--to its final rallying cry--"Workers of the world unite!"--the words of Marx and Engels have moved millions to join in the struggle against capitalism. But they have also inspired a legion of critics, detractors, and even a few despots to intentionally distort their meanings so as to sow confusion and justify untold horrors. According to Hal Draper, these mis-readings have, in part, been made possible by the enduring prevalence of translations from the original German that fail to accurately capture the intended meaning of certain key phrases. In this magisterial volume, Draper assembles the original German text, the first English translation, the officially authorized English translation--providing enlightening commentary throughout--as well as his own new translation of the pamphlet.

Zusammenfassung: "Monsters exist, but they are too few in number to be truly dangerous. More dangerous are the common men, the functionaries ready to believe and to act without asking questions." Primo Levi's words disclose a chilling truth: assigning blame to hideous political leaders, such as Hitler, Himmler, and Heydrich, is necessary but not sufficient to explain how the Holocaust could have happened. These leaders, in fact, relied on many thousands of ordinary men and women who made the Nazi machine work on a daily basis -- members of the killing squads, guards accompanying the trains to the extermination camps, civilian employees of the SS, the drivers of gas trucks, and the personnel of death factories such as Auschwitz. Why did these ordinary people collaborate and willingly become mass murderers? In Perpetrators: The World of the Holocaust Killers, Guenter Lewy tries to answer one of history's most disturbing questions. Lewy draws on a wealth of previously untapped sources, including letters and diaries of soldiers who served in Russia, the recollections of Jewish survivors, archival documents, and most importantly, the trial records of hundreds of Nazi functionaries. The result is a ghastly, extraordinarily detailed portrait of the Holocaust perpetrators, their mindset, and the motivations for their actions. Combining a rigorous historical analysis with psychological insight, the book explores the dynamics of participation in large-scale atrocities, offering a thought-provoking and timely reflection on individual responsibility for collective crimes. Lewy concludes that the perpetrators acted out of a variety of motives--a sense of duty, obedience to authority, thirst for career, and a blind faith in anti-Semitic ideology, among others. A witness to the 1938 Kristallnacht himself and the son of a concentration camp survivor, Lewy has searched for the reasons of the Holocaust out of far more than theoretical interest: it is a passionate attempt to illuminate a dismal chapter of his life -- and of human history -- that cannot be forgotten. -- Provided by publisher

Irina Davydovna is a cleaner. She has no time for politics or even for that matter, people: 'rules and rulers may come and go, but dirt never changes.' Boris Aleksandrovich is a revolutionary. He thinks he understands power. But this is Leningrad in 1933 and Stalin is about to turn against their city. When the life of his beloved daughter Natasha is threatened and his old friend Anton saves a skinny little orphan he finds on a Moscow train, Boris' faith in his ideals are put to the test. While Irina, watching it all, must learn the power of loyalty and love. 'Powerful and moving, Ice Road is a novel whose epic scope never obscures the individual lives that are lived in the shadow of great events. I shall never forget Natasha and Kolya's love story . . . or Irina, whose sturdy self respect and determination to survive, seems, at times, to speak for an entire people. Gillian Slovo excels in depicting complex human beings, full of passion, love, ambition, self-interest, who are caught up in their country's history and swept along by it.' Pat Barker

It began with Eleanor and Franklin Roosevelt. It accelerated with Jack and Jackie Kennedy. Lady Bird and Lyndon Johnson became partners in office and Nancy and Ronnie seemed joined at the hip. Without question, the presidential couple has arrived as a force in politics. Yet surprisingly, the electorate is not happy about it. The emergence of the presidential couple is one of the most important and contentious developments in America’s postwar political history. Its citizens’ reaction to the First Couple reflects the country’s changing morality, its uncertain attitude toward feminism, and the increasing power of the media. Gil Troy traces these shifts through ten presidential marriages, from the homesick tensions between Harry and Bess Truman to the very public scandals endured by Bill and Hillary Clinton. Along the way, readers learn of Mamie Eisenhower's perseverance on her husband’s campaign trail, Gerald Ford’s embarrassment over Betty’s outspoken honesty, and the amazing political success of Nancy and Ronald Reagan’s partnership in office. With a new chapter devoted to Hillary and Bill Clinton’s tainted partnership in office and to our present First Lady’s senatorial ambitions, this edition of Gil Troy’s Mr. and Mrs. President offers fresh insights into America’s paradoxical expectations for its presidential wives and husbands. “Troy argues that the rise of the First Couple is not simply a function of the women’s movement, but reflects a mixture of factors, including the weakening of parties, the rise of personality politics, the increasing power of the Presidency and the Federal Government and perhaps, most important of all, the ‘rise of the mass media and the new political culture it spawned.’”—New York Times Book Review.

In his classic study of the idealogical sources of National Socialism, George L. Mosse explores a unique complex of anti-democratic ideas deeply embedded in German history. He traces these currents of thought though the 19th and 20th centuries to show how a peculiarly Germanic ideology became institutionalized in the schools, youth movements, veterans' groups and political parties, and how the "German revolution" called for by the ideology's exponents was transformed by Hitler into an "anti-Jewish revolution," and an effective political program as the Nazis rose to power.

Based on a series of lectures delivered at the University of California, Irvine, 1992. The essays discuss culture and the growth of cultural studies over the past 50 years. Ch. 4 (pp. 99-140), "Language and Culture after the Holocaust, " suggests that the Holocaust is a reference point in cultural history - there is a before and an after. Though some have said that after Auschwitz no narrative is possible, without narrative it is much harder to keep the event in mind. Discusses philosophers' problems with the Holocaust - especially the "nonresponse" of Heidegger and the responses of Adorno, Celan, and Derrida. After the Nazi experience, culture can no longer claim to represent a definitive triumph of the spirit; Auschwitz cannot be integrated into culture. The war against the Jews left a grim intellectual legacy.

The essays included here represent Fox Keller's attempts to integrate the insights of feminist theory with those of her contemporaries in the history and philosophy of science.

Winner of the Society of the Cincinnati History Prize, Society of the Cincinnati in the State of New Jersey Finalist, George Washington Prize A Choice Outstanding Academic Title of 2015 Generations of students have been taught that the American Revolution was a revolt against royal tyranny. In this revisionist account, Eric Nelson argues that a great many of our “founding fathers” saw themselves as rebels against the British Parliament, not the Crown. The Royalist Revolution interprets the patriot campaign of the 1770s as an insurrection in favor of royal power—driven by the conviction that the Lords and Commons had usurped the just prerogatives of the monarch. “ The Royalist Revolution is a thought-provoking book, and Nelson is to be commended for reviving discussion of the complex ideology of the American Revolution. He reminds us that there was a spectrum of opinion even among the most ardent patriots and a deep British influence on the political institutions of the new country.” —Andrew O’Shaughnessy, Wall Street Journal “A scrupulous archaeology of American revolutionary thought.” —Thomas Meaney, The Nation “A powerful double-barrelled challenge to historiographical orthodoxy.” —Colin Kidd, London Review of Books “[A] brilliant and provocative analysis of the American Revolution.” —John Brewer, New York Review of Books

"Through analyses of three eventful years in Nazi Germany's history, this book offers a new account of the phenomenon of extreme state violence as a special category of violence, in which the armed forces are used unnecessarily and excessively, often on thin pretexts, and only rarely with the intention of carrying a message to the public"--

Few questions of history have as many contemporary political implications as this deceptively simple one: how did capitalism come to be? In this clarifying work, Ellen Meiksins Wood refutes most existing accounts of the origin of capitalism, which, she argues, fail to recognize capitalism's distinctive attributes as a social system, making it seem a culmination of a natural human inclination to sell and buy. Wood begins with searching assessments of classical thinkers ranging from Adam Smith to Max Weber. She then explores the great Marxist debates among writers such as Paul Sweezy, Maurice Dobb, Robert Brenner, Perry Anderson, and E. P. Thompson. She concludes with her own account of capitalism's agrarian origin, challenging the association of capitalism with cities, the identification of "capitalist" with "bourgeois," and conceptions of modernity and postmodernity derived from those assumptions. Only with a proper understanding of capitalism's beginning, Wood concludes, can we imagine the possibility of it ending.

Edward Ellsberg's The Far Shore is the riveting first-hand account of the Allied D-Day landings in France in June 1944. A key actor in the invasion, Ellsberg describes in detail the massive preparations for the launch of the greatest armada in history, focusing on Hitler's Atlantic Wall defenses along the Normandy beaches and the ingenious creation of the Mulberry artificial floating harbor which would prove vital in securing an Allied beach-head in France. Ellsberg devotes the second half of his book to an unforgettable real-time account of the bloody D-Day landings.

international praise for Diane Armstrong: 'Mosaic flows like a novel which, once started, is hard to put down. It is a compelling family history of extraordinary people played out against some of the most frightening events of our century. The depth of emotions evoked is stunning. I was thrilled and deeply moved.' Joseph Heller author of Catch-22 'Diane Armstrong's book is a source of delight to the reader. Written with fervor and talent, it will capture your attention and retain it to the last page.' Elie Wiesel Nobel Prize winner a family story you'll never forget ... This extraordinary true story begins in the Polish city of Krakow in 1890 and spans one hundred years and four continents. It is the story of a Jewish family whose patriarch, Daniel Baldinger, divorces the wife he loves because she is barren. He believes 'a man must have sons to say Kaddish for him when he dies.' To ensure having children, he marries a girl of eighteen. By 1913, Daniel has eleven children - including six sons to say Kaddish for him. Impatient for his God-given son to begin learning the sacred language of the Torah, Daniel sent Avner to cheder at Chevre Tilem when he was three years old. Most boys were enrolled at four or five, but Daniel couldn't wait for Avner's rabbinical training to begin. Cheder was the place where childhood ended. At this religious day school, Jewish boys learned Hebrew and studied the Torah. No coloured pictures, childish stories or lively games relieved the tedium of this dour classroom where Avner had to memorise words he didn't understand, learn hundreds of rules and write strange squiggles. But although God has answered Daniel's prayers, it is with a bitter twist: each of his six sons rebels against his religion, and not one of them says Kaddish for him when he dies. This richly textured portrait follows these eleven children from the 1890s, through the terrifying years of the Holocaust (when Diane and her parents assumed non-Jewish names and passed themselves off as Catholics in the little village of Piszczac), to the present. A long shadow fell across the little girl tracing patterns in the dirt with a stick. After watching her for a few minutes, the stranger asked, 'What's your name, little girl?' Without looking up, she replied, 'Danusia Boguslawska.' 'But what was your name before that?' he insisted. My father, Henek, who was standing by the open window, froze when he heard the last question. Instead of rushing outside and grabbing the child to prevent her from answering that insidious question, he was struck dumb and stood there helplessly awaiting her reply, on which all their lives depended. Mosaic is compelling storytelling at its best: from the fascinating detail of Polish Jewish culture at the turn of the century and the rivalries and dramas of family life, to its moving account of lives torn apart by war and prejudice, this is a remarkable story of a family, and of one woman's journey to reclaim her heritage. For centuries Poland has been a battleground whose fields, watered by more blood than rain, have nurtured ancient hatreds. Jews have not had a monopoly on suffering, grief and loss. Before we drive away from Szczakowa, I look back at the leafy street where the synagogue and mikveh stood, just a short stroll from the house on Parkowa Street. If I close my eyes, I can see a dapper white-haired gentleman in top hat and patent leather shoes like mirrors striding ahead of his wife in a flowered hat with feathers, her long full skirt rustling as she tries to keep up with him as they walk to the synagogue on Kilinskiego Street for the marriage of their daughter Lieba to Daniel Baldinger. In this forgotten country town, I've found important pieces of the mosaic.

"Emotion lies at the heart of all national movements, and Zionism is no exception. For those who identify as a Zionist, the word connotates liberation and redemption, uniqueness and vulnerability. Yet for many, Zionism is a source of distaste if not disgust, and those who reject it are no less passionate than those who embrace it. The power of such emotions helps explain why a word originally associated with territorial aspiration has survived for so many years after the establishment of the Israeli State. Zionism: An Emotional State expertly demonstrates how the energy propelling the Zionist project originates from bundles of feelings whose elements have varied in volume, intensity, and durability across space and time. Beginning with an original typology of Zionism and a new take on its relationship to colonialism, Penslar then examines the emotions that have shaped Zionist sensibilities and practices over the course of the movement's history. The resulting portrait of Zionism reconfigures how we understand Jewish Identity amidst continuing debates on the role of nationalism in the modern world"--

Contains records, statistics, medal standings, and anecdotes from throughout the history of summer Olympics, listing the top eight finishers in every event from 1896 to 2000, describing the rules and scoring of every event included in the 2004 Athens games, and including more than two hundred photographs, as well as essays on issues such as Olympic corruption, terrorism, and doping.

There was a time not very long ago when "going out" was only for the rich and the reckless. At the turn of the century, "going out" became part of everyday life as vaudeville halls, photograph parlors, penny arcades, nickelodeons, nightclubs, dance halls, world's fair midways, amusement parks, ballparks, and movie palaces opened their doors to the people of the city. The new amusement centers welcomed women, men, and children, native-born and immigrant, rich, poor, and middling. Only African Americans were excluded or segregated in the audience, though they were overrepresented on stage. Going Out chronicles the twentieth-century entertainment revolution that changed forever the ways we live, work, and play. In a matter of decades, a new public world of amusements was created where ethnic, class, and neighborhood differences were subordinated to the common pursuit of a good time. Clerks and bankers, sales girls and society ladies "turkey trotted" to ragtime in nightclubs and dance halls; "shot the chute" and clutched one another in "barrels of love"; visited "Darkest Africa" on the world's fair midways; and sat together in the dark watching pictures move on a screen. In Going Out, we meet the colorful characters who invented show business: Thomas Alva Edison, who was astonished when his phonograph made money playing music (he had designed it to take business dictation); Benjamin Franklin Keith, the circus grifter who opened a dime museum in Boston in the 1880s and within a decade owned the world's largest vaudeville theater circuit; Adolph Zukor and Marcus Loew, the New York furriers who made millions in the early picture-show business; and the dozens of small-time show businessmen who rode the rails with their "shows" in their trunks. And we hear the stories of the early black performers and their struggles to maintain their dignity and livelihood while audiences demanded their public humiliation. Going Out is a history of twentieth-century show business and of the new American public that assembled in the city's wondrous pleasure palaces, parks, and theaters. The book concludes with an account of the fall or relocation of this entertainment world, as central city amusement parks, movie palaces, and ballparks were uprooted and transported to the suburbs in the decades following World War II.

One of the most colorful and controversial figures in American intelligence, Herbert O. Yardley (1889-1958) gave America its best form of information, but his fame rests more on his indiscretions than on his achievements. In this highly readable biography, a premier historian of military intelligence tells Yardley's story and evaluates his impact on the American intelligence community. Yardley established the nation's first codebreaking agency in 1917, and his solutions helped the United States win a major diplomatic victory at the 1921 disarmament conference. But when his unit was closed in 1929 because "gentlemen do not read each other's mail," Yardley wrote a best-selling memoir that introduced-and disclosed-codemaking and codebreaking to the public. David Kahn de-scribes the vicissitudes of Yardley's career, including his work in China and Canada, offers a capsule history of American intelligence up to World War I, and gives a short course in classical codes and ciphers. He debunks the accusations that the publication of Yardley's book caused Japan to change its codes and ciphers and that Yardley traitorously sold his solutions to Japan. And he asserts that Yardley's disclosures not only did not hurt but actually helped American codebreaking during World War II.