Jess, Mel, Amber, Sam and Cara are lucky enough to be able to spend as much time as they can with their favourite ponies at Vicki's Riding School. Grooming, sweeping the yard, even mucking out is fun when you love ponies as much as they do. As long as you can ride a pony and follow clues you'll be fine . . . With the girls and their ponies all performing so well at the Riding School, Vicki decides to challenge them to something different - a charity Treasure Hunt! All the girls are excited and hoping to win. But snooty livery girl Henrietta is also desperate to come first and when the girls find some surprise treasure during the hunt, it looks like she might just do that . . .

Jess, Mel, Sam, Amber and Cara are lucky enough to be able to spend as much time as they can with their favourite ponies at Vicki's Riding School. Grooming, sweeping the yard, even mucking out is fun when you love ponies as much as they do. Vicki's holding an Easter competition at the stables. But the event is so busy that nobody notices when the newest pony, Carol, goes missing until it's too late! The police aren't hopeful of finding her and Vicki's worried sick. Sam and her friends are desperate to help find Carol, but what can they do?

This is a 44-page coloring book meant to accompany the children's album "I Can Swing Forever" by Tracy Newman and Friends. The CD is available with a coloring book, but the book is offered here as a stand-alone. This is ideal if another child needs a copy as well. The book features large, two-page drawings for each song, printed on paper that is ideal for crayon, markers, and even water color paint. The original artwork was created by Charlotte Dean, Tracy Newman's daughter. "I Can Swing Forever" is a collaboration between Tracy and Charlotte. Tracy (and Friends) have recorded 18 children's songs. Charlotte created a coloring book with original illustrations for each song. Tracy sang most of these songs to Charlotte as a baby and throughout her childhood. Here, mother and daughter get to share these same songs with new families. For the kids, the coloring book is an added enjoyment.

This candidly written autobiography of Sir Michael Kerr chronicles the life of one of Britains most prominent judges of the 70s and 80s from his Continental childhood up to his career in the Court of Appeal and beyond. In the first part of his memoir,the author traces his family history and Germanic roots. His father, Alfred Kerr, was a well-known dramatic critic and essayist, whose writings were widely known throughout Germany from the turn of the century and have recently seen a resurrection, 50 years after his death, as related in the last chapter of the book. But because of the fame of his anti-Nazi writings and broadcasts, the Kerrs were forced to flee from Berlin as early as 3 March 1933, when Hitler came to power. The author and his sister Judith, later to become a famous author of childrens books, had a relatively happy cosmopolitan childhood in Zurich, Paris, Nice and ultimately England. But their parents lives remained on the edge of poverty and sometimes despair and there was never again a family home. The memoirs then tell of his years at Aldenham School and the beginnings of Cambridge, and of his assimilation into the English way of life. They relate the story of his internment as an enemy alien in 1940 and of his subsequent release and service as a pilot in the Royal Air Force until the end of World War II. The author then returned to Cambridge to finish his law degree and was urged to go the Bar. The later chapters of this autobiography are mainly devoted to the law. They recount the authors career as a leading commercial Junior and then a Silk, his initial hesitations about the Bench, but ultimately culminating in his appointment as a Lord Justice of Appeal. He describes the Bar of the post-war decades and is frank about the frustrations and disappointments of his career. He also provides insights into the oddities of the English legal system, but maintaining throughout his firm belief in the importance of an independent Bar.

"An anthropologist and his daughter travel to Kermunkachunk, the capitol of Chalazia, to conduct research for an ethnography on the Chalazian Mafia Faction (a splinter group of the Chalazian Children's Theater).The book takes place over the course of a night at the Bar Pulpo, Kermunkachunk's #1 spoken-word karaoke bar, where conversations are actually being read from multiple karaoke screens arrayed around the barroom. Moreover, it's Thursday, "Father/Daughter Nite," when the bar is frequented by actual fathers and daughters as well as couples cosplaying fathers and daughters."--Publisher.

The contributions to this volume reflect upon changing paradigms within biblical scholarship, and in how biblical scholarship is taught. Taken together, they offer a multifaceted and informative indication of how open-mindedness in one's approach can yield fascinating results across the study of the Old Testament/Hebrew Bible. The range in topic of the contributions is exemplified in the difference between the first chapter, which works from the personal anecdote of the changing opinion of its author to make a wider point about models for Pentateuchal formation, and the third chapter, which comments on the current state of the study of ancient Israel in universities today. Other contributions include; an essay on the subject of space as a social construct in Isaiah 24-27; civil courage and whether the Bible allows room for protest; the question of monotheism in Persian Judah; the historical Ezra, and the telling of the story of Joseph (Genesis 50: 15-21) in children's Bibles in the Netherlands. The contributors include Hugh Williamson, Ehud Ben Zvi, Rainer Albertz, Karel von der Toorn, and Christoph Uehlinger.

Neonatal intensive care has been one of the most morally controversial areas of medicine during the past thirty years. This study examines the interconnected development of four key aspects of neonatal intensive care: medical advances, ethical analysis, legal scrutiny, and econometric evaluation. The authors assert that a dramatic shift in societal attitudes toward newborns and their medical care was a stimulus for and then a result of developments in the medical care of newborns. They divide their analysis into three eras of neonatal intensive care. The first, characterized by the rapid advance of medical technology from the late 1960s to the Baby Doe case of 1982, established neonatal care as a legitimate specialty of medical care, separate from the rest of pediatrics and medicine. During this era, legal scholars and moral philosophers debated the relative importance of parental autonomy, clinical prognosis, and children's rights. The second era, beginning with the Baby Doe case (a legal battle that spurred legislation mandating that infants with debilitating birth defects be treated unless the attending physician deems efforts to prolong life "futile"), stimulated efforts to establish a consistent federal standard on neonatal care decisions and raised important moral questions concerning the meaning of "futility" and of "inhumane" treatment. In the third era, a consistent set of decision-making criteria and policies was established. These policies were the result of the synergy and harmonization of newly agreed upon ethical principles and newly discovered epidemiological characteristics of neonatal care. Tracing the field's recent history, notable advances, and considerable challenges yet to be faced, the authors present neonatal bioethics as a paradigm of complex conversation among physicians, philosophers, policy makers, judges, and legislators which has led to responsible societal oversight of a controversial medical innovation.

A beautiful little children's book. Hard Cover.

Algorithmic Shapeshifting is the first poetry collection of Bogi Takács, winner of the Lambda award for editing Transcendent 2: The Year's Best Transgender Speculative Fiction, and finalist for the Hugo and Locus awards. The collection includes poems from the past decade and previously unpublished work. The scope of pieces extends from the present and past of Jewish life in Hungary and the United States to the far-future, outer-space reaches of the speculative—always with a sense of curiosity and wonder. “Bogi Takács is a poet of visceral exuberance and Talmudic invention. Moving as dazzlingly between genres as languages, e makes the reader eir kaleidoscope where ancient traditions, unenvisioned technologies, and children's toys tumble with ordinary, transcendent precision, imagining new ways of being and observing others signally extant. These poems draw blood and spark synapses, make dauntingly familiar and tenderly strange. You should let them change you.” Sonya Taaffe, author of Forget the Sleepless Shores “Bogi Takács's poetry is gleefully and unabashedly itself, pulling the reader through surreal worlds of visceral magic, body modification, political wit, and interpersonal devotion. Whether looking back into Talmudic history, forward into a science fictional psychic war, or sinking into the earth and growing flowers from its own eye sockets, "Algorithmic Shapeshifting" presents a voice that is consistently fresh, startling, and sincere.” Ada Hoffmann, author of The Outside

Product Description Glady's Sperber remains home as one by one her younger brothers and sisters marry and move out, but finally, at sixty, she decides to marry From Publishers Weekly Originally published in England in 1960, this is a bleak rendition of a mother/daughter love/hate relationship by the Booker Prize-winning author (see review of Our Father below). Gladys Sperber, the family "martyr," is the oldest of five "failures" who, because her mother is "too busy," virtually raises her siblings. "She would take her food when the others had eaten. . . . She would wait for their happiness before she felt entitled to her own, and she would have looked after their dying if she'd been able." The title refers to Gladys's destructive symbiotic relationship with her mother: the biblical book of Ezekiel observes that fathers eat sour grapes and the children's teeth are set on edge. Although the novel, which covers two world wars, evokes the limited choices available to women in a man's world and is replete with manifestations of mother-daughter interdependence (an adult Gladys shares a bedroom with her widowed mother), it doesn't probe the psychodynamics of that relationship. The result is a contrived work that depresses rather than engrosses. Copyright 1987 Reed Business Information, Inc.

Illustrated childrens book.

At the center of Be As Children is an ailing Vladimir Lenin, infected not with syphilis, as some historians have claimed, but with Christian fervor. Regressing stroke by stroke to an infancy of his own, he renounces his faith in the proletariat and puts all his hope in the many children left homeless and orphaned by the Civil War. Only they will be loyal to the cause and only they can save it. Around this story Sharov weaves two other plots: a murderer who converts a Siberian people to Christianity and the life story of a female holy fool. Epic in scope and highly original in execution, Be as Little Children shows exactly why, since his untimely death in 2018, Vladimir Sharov has been widely celebrated in Russia as one of the few outstanding novelists of his era and a true heir to the classic authors of the nineteenth century.

A collection of poems about the moods and fascinations of childhood.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

For Dick and Tammy, life was a struggle. With both finances and marriage failing Tammy turns to a family friend, Adam, for support when she realizes that baby Richard is not responding as he should. They are devastated to learn that baby Richard is severely deaf. Will this be the final straw, or will their love for their son keep Dick and Tammy together?

Amina was found by Auntie Vickie in a cardboard box on her doorstep and has lived with her ever since. She doesn't know who or where her parents are, and she feels misunderstood. When she is bullied by Vickie's son she can't stand it any longer, so she runs away. Squatting in an empty house, she makes friends with Paul, an older teenager. Paul tries to help her find out about her real mother and become reconciled with Auntie Vickie. But the young squatters face eviction and unwelcome attention from those opposed to asylum-seekers. Soon Amina is running again, even though she doesn't know where to run to. All she can cling to is her love of song and her hope that somewhere she will belong.

I looked up the name in the phone book and rang the number. I tried to imagine the conversation that might ensue. 'Hello? I was wondering if you're the man who was recently at an auction and asked a woman named Mary if I was married and had children and was happy - and if you are, are you my real father? Ramona Koval's parents were Holocaust survivors who fled their homeland and settled in Melbourne. As a child, Koval learned little about their lives - only snippets from traumatic tales of destruction and escape. But she always suspected that the man who raised her was not her biological father.