Contains primary source material.

Enth.: The Aramaic and Hebrew ostraca and jar inscriptions / Yigael Yadin and Joseph Naveh. The coins of Masada / Yaacov Meshorer

During the fourteenth century, there was a general demoralization in the Jewish community in Spain. Many Jews were on the brink of conversion. Rabbi Crescas met the Christian challenge by writing this pithy book refuting the principles of the Christian religion. He argued that the basic Christian doctrines, namely, original sin, salvation, trinity, incarnation, virgin birth, transubstantiation, baptism, the messiah, a new covenant, and demons, contradict human reason, thereby calling into question Christianity’s claim to be a true religion. The Refutation is an important document of the medieval Jewish-Christian debate and is also especially important for the history of Jewish philosophy in general.

Two gifted and highly prolific intellectuals, Leo Bersani and Adam Phillips, here present a fascinating dialogue about the problems and possibilities of human intimacy. Their conversation takes as its point of departure psychoanalysis and its central importance to the modern imagination - though equally important is their shared sense that by mi...

Has psychoanalysis failed to keep its promise? What are psychoanalysis and literature good for? And what, if anything, have they got to do with each other? 'Promises, Promises' is a delightful new collection of essays which sets out to make and break the links between psychoanalysis and literature. It confirms Adam Phillips as a virtuoso performer able to reach far beyond the borders of psychoanalytic discourse into art, drama, poetry and history. This collection gives us insights into anorexia and cloning, the work of Tom Stoppard and A.E. Housman, the effect of the Blitz on Londoners, Nijinsky's diary and Martin Amis's Night Train, and provides a case history of clutter. In a final essay, the author turns to the question - why sign up for analysis when you could read a book? Promoting everywhere a refreshing version of a psychoanalysis that is more committed to happiness and inspiration than to self-knowledge or some absolute truth, 'Promises, Promises' reaffirms Adam Phillips as a writer whose work, in the words of one reviewer, 'hovers in a strange and haunting borderland between rigour and delight.'

"Adam Phillips, the foremost psychoanalytic writer of our time, plays with ideas about the lives we want"-- Provided by publisher.

The complete story of the world's most incredible forgery operation, told by the last surviving Czech counterfeiter of Operation Bernhard. Burger describes his ordeals in different concentration camps before he was enlisted to work alongside other highly qualified experts who were forced to forge currency and other documents.

This radical analysis of the role and importance of historiography interprets the philosophy and theory of history on the basis of historicity as a human condition. The book examins the norms and methods of historiography from a philosophical point of view, but rejects generalisations tht the philosophy of history can provide all the answers to contemporary problems. Instead it outlines a feasible theory of history which is still radical enough to apply to all social structures.

In this closing volume of the author's trilogy, A Theory of Morals, Heller addresses the existence of morality after the "death of God." She explores Nietzche's ethics of personality as exemplified in his critical engagement with Wagner's Parsifal in his A Genealogy of Morals, and examines the case for a non-absolutist ethics employing ideas, norms, and rules from traditional and modern moral philosophies, particularly those of Kant and Kierkegaard. Annotation copyright by Book News, Inc., Portland, OR

"The Book of Blam ... is a modern-day retelling of the book of Job. The war is over. Miroslav Blam walks along the former Jew Street, and he remembers. He remembers Aaron Grün, the hunchbacked watchmaker; and Eduard Fiker, a lamp merchant; and Jakob Mentele, a stove fitter; and Arthur Spitzer, a grocer, who played amateur soccer and had non-Jewish friends; and Sándor Vértes, a lawyer who was a Communist. All dead. As are his younger sister and his best friend, a Serb, both of whom joined the resistance movement; and his mother and father in the infamous Novi Sad raid in January 1942--when the Hungarian Arrow Cross executed 1,400 Jews and Serbs on the banks of the Danube and tossed them into the river. Blam lives. The war he survived will never be over for him."--www.amazon.ca

Born in 1927 in Brooklyn, New York, Alex Katz is one of the most important and respected living American artists. He began exhibiting in the 1950s, at a time when Abstract Expressionism was still the dominant force in American art. Whilst he was heavily influenced by this generation, the work he himself created became a precursor to the Pop Art movement of the 1960s. Katz's paintings are defined by their flatness of colour and form, their economy of line, and their cool but seductive emotional detachment, evoking an everyday America of easy living, leisure and recreation. Featuring over 30 painted works, as well as collages and cut-outs, the catalogue will emphasise some of the key themes Katz has returned to throughout his career, specifically those which he developed whilst at his seaside retreat of Lincolnville in Maine (complimenting the sand and surf of St Ives). Through this, Katz's relationship with the 'plein-air' traditions of painting and it's exponent artists is explored, cementing his important position in the development of a new pictoral language which revealed the landscapes, people and social conventions of his time. With essays by leading authorities on his work, as well as a new '20 Questions' interview with the artist, this is a significant addition to our understanding and appreciation of this fascinating artist.

In 1892, unrepentant anarchists Alexander Berkman, Henry Bauer, and Carl Nold were sent to the Western Pennsylvania State Penitentiary for the attempted assassination of steel tycoon Henry Clay Frick. Searching for a way to continue their radical politics and to proselytize among their fellow inmates, these men circulated messages of hope and engagement via primitive means and sympathetic prisoners. On odd bits of paper, in German and in English, they shared their thoughts and feelings in a handwritten clandestine magazine called "Prison Blossoms." This extraordinary series of essays on anarchism and revolutionary deeds, of prison portraits and narratives of homosexuality among inmates, and utopian poems and fables of a new world to come not only exposed the brutal conditions in American prisons, where punishment cells and starvation diets reigned, but expressed a continuing faith in the "beautiful ideal" of communal anarchism

This book highlights a central, but neglected component of Africa's complicated and intractable wars: the militarization of governance. Political cultures of militarism stand in the way of enduring peace, democracy, and the development of civil society. Militarism comes in both right-wing and left-wing guises -- the latter practiced by former liberation fronts in power across much of Africa which have all betrayed the ideals that enthused their earlier struggles. Seven comparative essays, drawn from the experience of conflict and peacemaking, focus on different aspects of militarism in contemporary Africa and ways of overcoming it. 7How can we create a coherent, "joined-up" peacemaking that knits together the many tasks necessary for establishing peace in Africa? 7Can Africa establish "security communities" at a trans-national level, abolishing both interstate conflict and the readiness of countries to intervene militarily in their neighbors' affairs? What is the role of the African Union? 7How can constitutional rule promote peace and security at a national and international level? 7What are the political cultures of militarism in Africa today? How are we to understand the widespread phenomenon of left-wing militarism as manifest by former liberation fronts now ruling their countries? 7How can key social groups, such as women, youth, and the poor, organize to promote peace? 7What roles are played by mercenaries in modern African wars? Are we witnessing the "mercenarization" of war and the entanglement of commerce with conflict? 7What are the challenges of post-conflict transitions to peace and democracy? The essays, edited by Alex de Waal, are unsigned and based on contributions byAfrican political leaders and policymakers. They represent some of the most innovative thinking on African security dilemmas. This book is based on a project by Justice Africa and InterAfrica Group, the regional center for dialogue on issues of peace in the Horn of Africa.

"The Christian discovery of the Babylonian Talmud is a significant landmark in the long and complex history of anti-Jewish polemic. While the Talmudic corpus developed in the same period as early Christianity, this post-biblical text was largely unknown to the Christians. Full awareness of the Talmud among Christian authors did not arise until the late 1230s, when the Jewish convert Nicholas Donin presented a Latin translation of Talmudic fragments to Pope Gregory IX. Though the Talmud was subsequently put on trial (1240) and burnt (1241/2) in Paris, the controversy surrounding it continued over the following years, as Pope Innocent IV called for a revision of its condemnation. The textual basis for this revision is the Extractiones de Talmud, that is, a Latin translation of 1.922 Talmudic fragments. The articles in this volume shed new light on this monumental translation and its historical context. They also offer critical editions of related texts, such as DoninÕs anti-Talmudic polemic. Authors of the contributions are: Wout van Bekkum, Piero Capelli, Ulisse Cecini, Enric Cort s, îscar de la Cruz Palma, Federico Dal Bo, Alexander Fidora, Gšrge K. Hasselhoff, MoisŽs Orfali, Ursula Ragacs and Eulˆlia Vernet i Pons."

"Alexander Nemerov is one of the greatest readers of American visual culture. This book has the revelatory power that only wide-ranging curiosity and true independence of mind can achieve." Richard H. Brodhead President of Duke University and author of Cultures of Letters: Scenes of Reading and Writing in Nineteenth-Century America ; "A benchmark in the writing of art history and in studies of the Civil War, Acting in the Night occupies a category unto itself. It uniquely immerses the reader in a holistic experience of the Civil War and shows Nemerov as a cosummate stylist in the field of American art history."Kathleen Pyne author of Modernism and the Feminine Voice ; "This is a work of criticism that borders on poetry, a brilliant and extremely original book that invites us to rethink to the artistic world we study."Julia Reinhard Lupton author of Thinking with Shakespeare: Essays on Politics and Life ; What can the performance of a single play on one night tell us about the world this event inhabited so briefly? Alexander Nemerov takes a performance of Macbeth in Washington, D.C., on October 17, 1863--with Abraham Lincoln in attendance--to explore this question and illuminate American art, politics, technology, and life as it was being lived. Nemerov's inspiration is Wallace Stevens and his poem "Anecdote of the Jar,"in which a single object organizes the wilderness around it. For Nemerov, that evening's performance of Macbeth reached across the tragedy of civil war to acknowledge the horrors and emptiness of a world it tried and ultimately failed to change. --Book Jacket