Two of the Best in the Neighbourhood is a backstage account of the creation and continued life of the smash hit play 2 Pianos 4 Hands. (This volume also includes the full script of the play.) With contributions from the principal players of this story, including many from co-creator Ted Dykstra, Greenblatt takes us from the genesis of the idea to the blockbuster cross-Canada tour and to productions in the US, England, and Japan. A highly personal and subjective tale filled with anecdotes that span almost three decades, Two of the Best in the Neighbourhood is a glimpse into a fascinating chapter of Canadian theatre history. 2 Pianos 4 Hands tells the story of Ted and Richard, who grow up as "piano nerds," dealing with pushy parents, eccentric teachers, hours of repetitive practice, stage fright, the agony of competitions and exams, and the dream of greatness. As they mature, they become more aware of the gap between the merely very good and the great, and they come to the humbling realization that although concert stardom may be out of reach, they just might be two of the best piano players in the neighbourhood--and that in itself is worth celebrating.

Max Fleischer (1883--1972) was for years considered Walt Disney's only real rival in the world of cartoon animation. The man behind the creation of such legendary characters as Betty Boop and the animation of Popeye the Sailor and Superman, Fleischer asserted himself as a major player in the development of Hollywood entertainment. Out of the Inkwell: Max Fleischer and the Animation Revolution is a vivid portrait of the life and world of a man who shaped the look of cartoon animation. Also interested in technical innovation, Fleischer invented the rotoscope -- a device that helped track live action and allowed his cartoons to revolutionize the way animated characters appeared and moved on-screen. In the 1920s, Fleischer created a series of "Out of the Inkwell" films, which led to a deal with Paramount. Their character KoKo the Clown introduced new animation effects by growing out of Fleischer's pen on-screen. As the sound revolution hit film, the studio produced shorts featuring the characters interacting with songs and with the now-famous bouncing ball that dances across lyrics projected on the screen. Max Fleischer's story is also one of a creative genius struggling to fit in with the changing culture of golden age cinema. Out of the Inkwell captures the twists and turns, the triumphs and disappointments, and most of all the breathless energy of a life vibrantly lived in the world of animation magic.

In 1977, when Zhongmei Lei was 11 years old, she learned that the prestigious Beijing Dance Academy was having open auditions. She'd already taken dance lessons, but everyone said a poor country girl would never get into the academy, especially without any connections in the Communist Party of the 1970s. But Zhongmei, whose name means Faithful Plum, persisted, traveled for three days and two nights to get to Beijing and eventually beat out 60,000 other girls. But getting in was easy compared to staying in, as Zhongmei soon learned. Without those all-important connections, she was just a little girl on her own, far away from family. But her determination, talent, and sheer force of will were not something the teachers or other students expected, and soon it was apparent that Zhongmei was not to be underestimated. Zhongmei became a famous dancer, and founded her own dance company, which made its New York debut when she was in just her late 20s. In A Girl Named Faithful Plum, her husband and renowned journalist, Richard Bernstein, has written a fascinating account of one girl's struggle to go from the remote farmlands of China to the world's stages, and the lengths she went to in order to follow her dream.

Pierre Salinger was only 35 when he became Pres. John F. Kennedy's press secretary. During those amazing years, he found himself at the center of many world events. After leaving the White House in 1964 (he stayed on for awhile as LBJ's press secretary) Salinger was, briefly, a senator from California &, even more briefly, a movie and TV actor. Following the assassination of Bobby Kennedy, which he witnessed, Salinger retired from politics and moved to his mother's native France. In 1978 he went to work for ABC television, soon becoming their Paris bureau chief, and over the ensuing decades, he covered every major story. Photos.

In 1984, Phillip Lopate sat down with his mother, Frances, to listen to her life story. A strong, resilient, indomitable woman who lived through the major events of the twentieth century, she was orphaned in childhood, ran away and married young, and then reinvented herself as a mother, war factory worker, candy store owner, community organizer, clerk, actress, and singer. But paired with exciting anecdotes are the criticisms of the husband who couldn't satisfy her, the details of numerous affairs and sexual encounters, and, though she succeeded at many of her roles, accounts of how she always felt mistreated, taken advantage of. After the interviews, at a loss for what to do with the tapes, Lopate put them away. But thirty years later, after his mother had passed away, Lopate found himself drawn back to the recordings of this conversation. Thus begins a three-way conversation between a mother, his younger self, and the person he is today. Trying to break open the family myths, rationalizations, and self-deceptions, A Mother's Tale is about family members who love each other but who can't seem to overcome their mutual mistrust. Though Phillip is sympathizing to a point, he cannot join her in her operatic displays of self-pity and how she blames his father for everything that went wrong. His detached, ironic character has been formed partly in response to her melodramatic one. The climax is an argument in which he tries to persuade her--using logic, of all things--that he really does love her, but is only partially successful, of course. A Mother's Tale is about something primal and universal: the relationship between a mother and her child, the parent disappointed with the payback, the child, now fully grown, judgmental. The humor is in the details.

Tin Lizzie: The Story Of The Fabulous Model T Ford is a book written by Philip Van Doren Stern. The book is a comprehensive history of the Model T Ford, one of the most iconic cars in American history. The book covers the development of the Model T, its impact on American society, and the people who drove and worked on the car. The book is divided into several sections, each of which covers a different aspect of the Model T. The first section covers the early history of the automobile and the development of the Model T. The second section covers the impact of the Model T on American society, including its role in the growth of the middle class and the expansion of the American economy. The third section of the book covers the people who drove and worked on the Model T, including the assembly line workers who built the car and the farmers and businessmen who used it for transportation. The fourth section covers the Model T's impact on American culture, including its appearance in popular music and literature. Overall, Tin Lizzie: The Story Of The Fabulous Model T Ford is a fascinating and informative book that provides a comprehensive history of one of the most important cars in American history. The book is well-researched and well-written, making it an enjoyable read for anyone interested in the history of the automobile or American culture.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Missy tells all … and there is a lot to tell. First came Missy. Then came Sable, Sunny, Chyna, and the rest. Missy Hyatt was professional wrestling’s first character — the original sexy “socialite” sidekick whose trademark Gucci purse and tough-girl attitude made her the most loved — and most hated — woman in wrestling. Now, fifteen years after she first shimmied up to the ring, Missy Hyatt takes fans inside the world of wrestling. From her high school days as a hard-core fan, cheering from her living room, to the cover of Wrestler magazine, Missy has done it all. In this no-holds-barred memoir, Missy discloses the behind-the-scenes secrets of table-throwing, chair-smashing, hair-pulling, and the technique of “juicing” — how wrestlers make themselves bleed on cue. Find out about her intimate relationships with Jake the Snake, Wonder Years’ Jason Hervey, Hot Stuff Eddie Gilbert, and many many more. Missy has worked with wrestling’s biggest stars, from Hulk to Jesse, from Vince to the Rock, and she tells everything.

Mel Shavelson is one of Hollywood's triple-threat Writer-Director-Producers, and a two-time Academy Award Nominee for his original screenplays, which he also directed. He served three terms as President of the Writers Guild of America, West, and is the recipient of its highest honor, the Laurel Award for Screen Writing. He has written, alone or in collaboration, over thirty-five feature motion pictures, directed twelve of them, and created for television two Emmy Award-winning series.

This book is a more personal history than has ever before been written by or about Marianne Faithfull. Anecdotal, conversational, intimate and revealing, this is her no-holds-barred account of her life, her friends, her triumphs and mistakes. A decade after the publication of ‘Faithfull’, one of the most acclaimed rock autobiographies of all time, Marianne Faithfull is back, vowing periodically leave her wicked ways behind and grow up, but finding that somehow strange things keep happening. A wry observer of her slightly off-kilter world, Marianne muses nostalgically about afternoons languishing on Moroccan cushions at George and Pattie's, getting high and listening to new songs. She fondly recalls the outlandish antics of her Beat friends Allen Ginsberg and William Burroughs; is frequently baffled at her image in the press (opening the paper to read of her own demise: 'Sixties Star in Death Plunge'); terrified by the curse sent by Kenneth Anger; mortified by her history of reckless behaviour; not to mention her near-death experience in Singapore while looking for an opium den. Marianne peoples her anecdotal memoir with legendary characters one can imagine only Marianne assembling around her, both the eccentric and the beautiful, from Henrietta Moraes and Donatella Versace to Sofia Coppola, Juliette Greco, and Yves St. Laurent's dog. Here is Marianne on the dark side of the sixties and the bright side of the nineties, which saw her collaborating with the likes of Blur and Jarvis Cocker; compelling recollections of an unconventional childhood in her father's orgiastic literary commune to a hilariously decadent few days at Lady Caroline Blackwood's deathbed. Here she is her blossoming movie career, on her records as subliminal autobiography. This is as intimate a portrait as we've ever had of Marianne, as she meditates on sex and drugs, confronts her alter-ego, the Fabulous Beast, and faces her own mortality in her battle with breast cancer. Since her last book Marianne has, in her own words, 'made quite a few records, gone on many tours, tried to play it straight, and... Well, the rest is the subject of this book.'

This is a powerful memoir about a life of success and tragedy and how the author discovers the importance of being positive about people and events. Marc Mero's enthusiasm is contagious as he empowers people of all ages and walks of life to make positive choices that lead to a more fulfilled life. From his early days growing up in a single-parent home in Buffalo, NY, Marc dreamed big and set lofty goals. Marc found success with hockey, football and boxing and then achieved fame as a WCW and WWE Wrestling Champion. Following a series of personal tragedies including the death of more than 30 friends and family members mostly due to lifestyle choices and negative behaviors, Marc now dedicates his life to sharing his story worldwide in order to inspire others to make positive choices. His passion for reaching youth with his Champion of Choices School Program saves lives, encourages youth to achieve their goals and helps them become the Champions they are destined to be.

They struggled to clear a new path for women; these are the stories of modern spiritual pioneers. "I imagine this book as a dinner party where women have eagerly gathered for a conversation about being a woman, a person of faith, and a leader. While some know each other, many do not, but it doesn't matter. Listening to them in ensemble reveals that all their differences are less important than how much they share as women of faith. Since community and interconnection tend to be feminine traits, sisterhood is important, and I hope that upon finishing the book, the reader may feel that she or he has found a teacher that offers a new way to see women and the Divine." --from the Introduction There is an ancient mystical legend that the Bible was written with black fire on white fire. Now, we can only read the black fire (the letters), but someday we might be able to see the white fire. Today, with their voices and their presence growing ever stronger, women spiritual leaders in America are like white fire, and we can see the previously untapped power of female leadership. This remarkable book gives voice and image to the too often invisible, ignored, or overlooked narrative of women's spiritual leadership in America today. Revealed through insightful interviews and compelling photographic portraits, the women represent both diversity and sisterhood. They offer us new ways of relating to each other, and the Divine.

Leo Gorcey, The Hollywood Legend - Leo Gorcey, Jr., His Happy Ending: The son of a Hollywood legend takes you on a humorous and heartfelt journey of survival, strength, forgiveness, and hope.

winningly combines never-before-heard stories featuring A-list entertainers with fan favorites and Kevin’s own thoughts about how he made it. He turned down his first invitation to do stand-up on The Tonight Show because he knew that he’d make a bigger impact if he sat on the couch next to Johnny. That huge risk—which paid off in spades—was just the beginning. Find out how he brought John Belushi to his knees, tortured Paul Reiser (twice), bamboozled Larry King, stole Alan Arkin’s soul, almost killed Warren Beatty, and sucked face with Robert DeNiro’s girlfriend. Now a new media entrepreneur, he’s laughing proof that if you follow your gut and believe in yourself, you can do anything you want—except have a rational conversation with Rip Torn, who’s an evil, paranoid $#!%.

"Joseph Epstein may well be the only first-rate American literary critic who can be said to have--and deserve--fans. His essays have captivated readers with their wit, learning, and unabashed love of reading. . . .He has high standards for craftsmanship and a low tolerance for cant." --Washington Times

Combing every medium--vaudeville, musical comedy, films, radio, and television--Franklin brings together, in text and pictures, the comedians and the classic routines that have, for nearly a century, made America laugh

These courtesans were the queens of the profession. Presented are twelve of the most distinguished courtesans in Paris during their golden age.

The interviews in this collection will convince the reader that Jerzy Kosinski's public persona was one of the greatest creations. Few authors were ever more adept at press interviews. For Kosinski, the author of nine novels, including The Painted Bird, Steps, Being There , and The Hermit of 69th Street , the interview was part performance, part public relations, part blind date. Kosinski in person was different from the existential adventurer in his novels. He was not so much engaged as engaging. though his fiction was brutal, he was charming. The contrast between Kosinski and the intensity of his fiction created the backdrop for his interviews. Like his readers, Kosinski's interviews were obsessed with the facts of his life. As a young boy he survived the Holocaust. He escaped Communist Poland. His life became the stuff of novels. He came to the United States with little money and no command of the English, but within a year he was a Ford Fellow at Columbia University and not long afterward was married to an American heiress and was living on Park Avenue. Yet Kosinski felt that his unique experiences, when transmuted to fiction, became a didactic lesson for others. A human being is loaded with the greatest power, he says in one interview, his imagination and the power to transcend his own conditions. The interviews here are published chronologically without abridgement. The same questions recur and Kosinski's answers are filled with discrepancies and contradictions. A good interview, he once wrote, is like truth itself, the temporary resolution of various contradictions. These compelling conversations recapture part of Jerzy Kposinski, who took his own life on May 3, 1991.

An acclaimed journalist and novelist explores the legacy and future of American liberalism through the history of his family's politically active history George Packer's maternal grandfather, George Huddleston, was a populist congressman from Alabama in the early part of the century—an agrarian liberal in the Jacksonian mold who opposed the New Deal. Packer's father was a Kennedy-era liberal, a law professor and dean at Stanford whose convictions were sorely—and ultimately fatally—tested in the campus upheavals of the 1960s. The inheritor of two sometimes conflicting strains of the great American liberal tradition, Packer discusses the testing of ideals in the lives of his father and grandfather and his own struggle to understand the place of the progressive tradition in our currently polarized political climate. Searching, engrossing, and persuasive, Blood of the Liberals is an original, intimate examination of the meaning of politics in American lives.