In the year 1930, three farmers committed suicide here . . . but contrary to the chronicles of our committee and the conclusions of the British policeman, the people of the moshava knew that only two of the suicides had actually taken their own lives, whereas the third suicide had been murdered." This is the contention of Ruta Tavori, a high school teacher and independent thinker in this small farming community, writing seventy years later about that murder and about two charismatic men she loves and is trying to forgive--her grandfather and her husband--and her son, whom she mourns and misses.

Son of pioneer movie producer Harry Rapf, Maurice Rapf grew up in Hollywood in that city's golden age. After moving from independent filmmaking to Warner Bros., in 1924 the senior Rapf joined Louis Mayer and became one of the founding members of MGM. Hence, movies were a huge influence in Maurice Rapf's early life. After graduating from college, Rapf worked as a screenwriter for major Hollywood studios, but, in 1947, he left Hollywood, never to work for a major studio again. On numerous occasions, he was called before the House Un-American Activities Committee as an alleged communist, although he never made a public confession or denial. As a result he was blacklisted from the industry and forced to begin a new career in the East. He eventually became a movie critic and film studies professor. Maurice Rapf knows movies and the movie business as an insider, from first-hand experience, not from books. His autobiography is the story of one person's interaction with an evolving Hollywood. Rapf witnessed the historical progression of movie production: from silents to sound, from a fun-loving frontier community to a huge and fiercely competitive industry, from an apolitical never-never land to a community very much aware of-and nervous about-its social responsibility in a period of economic depression and in a period of world peace seriously threatened by the aggression of fascism. Of interest to students and teachers of film studies, of American history, and of American popular culture, as well as anyone who loves movies.

Everyone in Miss Thompson's fourth grade class loves The Bears' House - Fran Ellen Smith most of all. When Fran Ellen goes into The Bears' House , she can forget about how awful things are at home. At the end of the term Miss Thompson is giving the house away to someone in the class. Fran Ellen knows it won't be her? How is she going to get along without a place to hide? "Superb characterizations and uncommonly skilled writing draw the reader completely into the realities and fantasies of Fran Ellen's world and make this funny, touching story essential reading." ~Library Journal

"[In] this lovely valentine from Hoban to all beginning readers, a minor squabble with his best friend, Norman, has left Arthur all alone this wintry Valentine's Day [until] Norman's little brother saves the day, and the two best friends are reunited. This title will warm up any snowy, blustery day."—SLJ.

Reveals the story behind an unlikely World War II anthem, describing a German poem about a young woman waiting for the return of her soldier lover and how the piece was set to music by one of Hitler's favored composers in the cabaret scene of the 1930s.

A novel about the crucial passage in the life of an aging actress who must confront the pain of looking backward - to old lovers, old values, old ways - in order to grow and go on.

"Twelve exquisitely written stories depicting the search for human connection and the attempt to fit in far from home. All the Shining People explores migration, diaspora, and belonging within Toronto's Jewish South African community, as individuals come to terms with the oppressive hierarchies that separate, and the connections that bind. Seeking a place to belong, the book's characters -- including a life-drawing model searching the streets for her lover; a woman confronting secrets from her past in the new South Africa; and a man grappling with the legacy of his father, a former political prisoner -- crave authentic relationships that replicate the lost feeling of home. With its focus on family, culture, and identity, All the Shining People captures the experiences of immigrants and outsiders with honesty, subtlety, and deep sympathy."--

"A STRONG, CAPTIVATING NOVEL." --San Francisco Chronicle For Caroline the kitchen has always been her home, and Italian food her specialty. In fact, the minute she sets foot in Italy--and meets the appreciative Angelo, who loves her cooking like nobody's business--Caroline decides to stay. But even the magic spices of Italy can't make her marriage taste right. Angelo takes over the raising of their beautiful daughter Olivia, who, by the age of ten, hardly speaks to her mother. Caroline leaves the country and her daughter for four years, until Olivia seeks out her mother in New York. Caroline is overjoyed and hopeful--until she reacquaints herself with the difficult, demanding daughter she could never stop loving but discovers she doesn't exactly like.... "Between the risotto and the romance, Rossner treats family life with a wise and witty touch." --Us Magazine "Everything you expect from a Judith Rossner novel: story, character, language, and uniqueness--and more--a new ripeness, a maturity. It's altogether a deep and satisfying journey." --Betty Rollin

"This is an insider's view, and Raskin offers readers insights into a hidden California. The impact of his book is to return culture to agriculture in a state dominated by agribusiness."--Gerald Haslam, author of The Great Central Valley: California's Heartland "Jonah Raskin has lived and taught in this area for well over thirty years and has the credibility to write about the evolution of farming here. His book is a magical mixture of journalism and memoir. I loved his interviews with local farmers and growers. He explores the questions that we all are asking about our relationship to food and what it means to eat locally, who grows it, and will they be able to continue to do so."--Ianthe Brautigan, author of You Can't Catch Death: A Daughter's Memoir "'Think global, buy local' takes on new meaning in this intriguing synthesis of memoir and reportage on the slow and local food movements."--Peter Laufer, author of Wetback Nation and The Dangerous World of Butterflies "Anyone wanting to know what it's like to live in the paradise that is Sonoma County must read Field Days . Jonah Raskin brings this blessed region and its communities of environmental champions vividly to life."--Jeff Cox, author of The Organic Cook's Bible and The Organic Food Shopper's Guide "In Jonah Raskin's wonderfully observant ramble through Sonoma County's farms, orchards, and vineyards, it becomes abundantly clear that American farming has not been killed off by agribusiness, or the Department of Agriculture's call to 'get big or get out'. With Raskin we meet a rich community of amazing people who have stayed on the land, or gone back to it, sharing a new kind of ecologically informed consciousness about our intimate connections to the land and the people who work it. Anybody who reads this book, wherever they live, will gain a new appreciation of this new generation of farmers. Thanks to them, we're learning to eat well--a basic necessity in the hard times ahead."--Ernest Callenbach, author of Ecotopia "In Field Days , Jonah Raskin becomes the George Plimpton of organic farming. Instead of getting out on the playing field to measure his stuff against pro athletes, he toils long days beside farm workers. Soulful and always curious, Raskin traces the tradition of responsible farming practices in Northern California, and explores the meaning of living locally."--Bart Schneider, author of The Man in the Blizzard

Literary Nonfiction. Art. In SEEING OUT LOUD, Saltz critically engages with notable works of art by over 100 notable artists ranging from Picasso, Matisse, and Warhol to Matthew Barney, Gerhard Richter, and Chris Ofili. These reviews appeared in the Village Voice between November 1998 and winter 2003. "Jerry Saltz is the best informed and hair-trigger liveliest of contemporary art critics, tracking pleasure and jump-starting intelligence on the fly. Jerry's fast takes usually stand up better in retrospect than other people's long views"---Peter Schjedahl. "Jerry Saltz looks at art from the perspective of the viewer, the ignorant, the lover, and the enemy. His writing is overwhelmingly passionate, yet without sentimentality. His words pierce the content and beauty of each work of art to test its endurance in time and memory"---Francesco Bonami, Curator, 2003 Venice Biennale.

Ros is out and about, spotted lately atop the trendiest bars and gaining increased respect from wine lovers everywhere. In this one-of-a-kind book, ros expert Jeff Morgan captures the winning personality of this lively, versatile, and refreshing wine through its history, geography, winemakers, and culture. It pairs exuberantly with a variety of food, whether an aperitif, a simple snack of crusty bread spread with brie, or a hearty plate of braised lamb. As an added bonus, the book includes recipes that go perfectly with this delightful wine. Packed with the fascinating details on how the wine is produced and where, from Provence to Spain to Australia to the United States, when you think winepink!

The third volume of the Heifetz Collection is a treasure trove of material for violinists, including many items that have never been published before. Jascha Heifetz (1901-1987) remains a landmark among violinists of the twentieth century, a performer who virtually redefined the limits of the possible for his chosen instrument. These transcriptions and arrangements, made to enrich his repertoire, will be a great boon to young virtuosos looking for a challenge. Many of them were provided by the Heifetz family and are published here. Music by Albeniz (Sevilla), Castenuovo-Tedesco (Ritmo di Tango), Debussy ( La chevelure), Fauré (Aubade), Kodaly (Danube-Tisza), Prokofieff (Gavotta, Op. 32) among others are included in this handsome collection, which is a must purchase for players and lovers of fine violin music.

“[A] well–edited collection . . . More than friends and less than lovers, Salter and Phelps were literary soul mates.” — Publishers Weekly It was James Salter’s third novel, A Sport and a Pastime —together with his film Three and a script he had written for Downhill Racer —that in 1969 prompted Robert Phelps to write a letter of admiration. Though the two writers didn’t know each other, their correspondence went on to span decades. The letters themselves are exceptionally alive, uninhibited, gossipy, touching, and brilliant. The successes of Salter and the struggles of Phelps are fully explored by the writers themselves in the kind of honest exchange only letters can divulge. With an insightful foreword by Michael Dirda, this book gives voice to a nearly forgotten figure and his friendship with a man he admired.

The unique wisdom of Judaism comes from the Talmud and the Judaic sages' other ancient writings that preserve the tradition of the originally oral Torah, or Teachings of Moses. Sometimes surprising - "better sincere sin than hypocritical virtue" - and always penetrating and helpful - "who are rich? those who are happy with their lot" - the wisdom of the oral Torah is set forth on more than one hundred subjects, arranged alphabetically, in their sources' own words, here rendered in clear and easily readable English. This is the "how-to" book for people who think deeply about everyday life: facing death of a loved one, the duties and rights of women and men together, busy-ness versus real achievement, deceit, gossip, discretion, virtue, honor, forbearance, forgiveness.

An express train rushing toward the north of England; a group of exceedingly mysterious characters; suspicious happenings in rapid succession; a humorous yokel; a bicycle accident; a lady in distress; and after much mystery a satisfactory conclusion, making this Farjeon story one of the best of its kind. Young Freddy Reeve wants an adventure, but may get more than he bargained for when he encounters the lovely Miss Lydia Leveridge, who provokes more questions than she answers. Freddy finds himself questioning the actions of various fellow passengers, but is quickly thrust into the wake of a criminal plot. He jumps at the chance to save the girl, which brings even more trouble than he imagined. The fast-paced plot leads to a dangerous climax, where several lives are on the line. The 5.18 Mystery was first published in 1929.

"It was...unnecessary for me to fret about who the murderer was: Everybody was." A haunting, never-before-translated, autobiographical novella by the 2002 Nobel Prize winner. An unnamed narrator recounts a simple anecdote, his sighting of the Union Jack—the British Flag—during the Hungarian Revolution of 1956, in the few days preceding the uprising's brutal repression by the Soviet army. In the telling, partly a digressive meditation on "the absurd order of chance," he recalls his youthful self, and the epiphanies of his intellectual and spiritual awakening—an awakening to a kind of radical subjectivity. In his Nobel address Kertesz remembered: "I, on a lovely spring day in 1955, suddenly came to the realization that there exists only one reality, and that is me, my own life, this fragile gift bestowed for an uncertain time, which had been seized, expropriated by alien forces, and circumscribed, marked up, branded—and which I had to take back from 'History', this dreadful Moloch, because it was mine and mine alone..." The Contemporary Art of the Novella series is designed to highlight work by major authors from around the world. In most instances, as with Imre Kertész, it showcases work never before published; in others, books are reprised that should never have gone out of print. It is intended that the series feature many well-known authors and some exciting new discoveries. And as with the original series, The Art of the Novella, each book is a beautifully packaged and inexpensive volume meant to celebrate the form and its practitioners.

A contemporary Frankenstein that defies expectations, this is a thrilling novel, couched in luminous, captivitating prose, about a journalist, Cédric Allyn-Weberson, who suffers a horrific accident, paralyzing him from the neck down. An ideal candidate for a body transplant, Cédric survives the surgery but has both physical and existential trouble with his recovery and adaptation: encountering his lover with a new body, discovering the life history of his donor, and attempting to understand the mind-body relationship as he lives it.

"In The Damned Don't Cry -- They Just Disappear, literary historian and Lamba Award--winning novelist Harlan Greene has created a portrait of a nearly forgotten Southern writer, unearthing information from archives, rare books, film libraries, and small-town newspapers. Greene brings Harry Hervey (1900-1951) to life and explicates his works to reveal him as a hardworking writer and master of many genres, bravely unwilling to conform to conventional values. As Greene illustrates, Hervey's novels, short stories, nonfiction books, and film scripts contain complex mixtures of history and thinly disguised homoerotic situations and themes. They blend local color, naturalism, melodrama, and psychological and sexual truths that provide a view of the circles in which he moved. Living openly with his male lover in Savannah, Georgia, and Charleston, South Carolina, Hervey set novels in these cities that scandalized the locals and critics as well. He challenged the sexual mores of his day, sometimes subtly and at other times brazenly presenting texts that told one story to gay male readers, while still courting a mainstream audience. His novels and nonfiction may have been coded and thus escaped detection in their day, but twenty-first-century readers can decipher them easily" --

Winner of the Jewish Book Awards, this book shares the struggles and strength of three young girls growing up in post-Holocaust Israel as they learn to lean on each other while processing the loss and pain of all they have endured. Growing up in post-Holocaust Israel, Avita, Yola, and Mira are all living in Udim, a youth village nestled along Israel's coastal plain. But beyond sharing their home village, the girls are united through a common sorrow—the pain of longing for lost loved ones. As they grow through their struggles and come to terms with the tragedies that have happened, Avita, Yola, and Mira find friendship and comfort as they become closer, discover more about each other, and learn they are not alone. “It is impossible to come away from this novel without added insight into the impact of war and admiration for those who endure its horrors.” – Publishers Weekly

Blonde Poison is based on the true story of a Jewish woman during World War II who betrayed up to 3,000 fellow Jews. Gail Louw's powerful play examines the motivation of evil. Stella Goldschlag was living illegally in war-torn Berlin when she herself was betrayed and tortured. When offered the chance of saving herself and her parents from the death camps, she agreed to be a 'Greifer' for the Gestapo and inform on Jews in hiding. She was extraordinarily successful in this and her activities increased after her parents had finally been deported. The vast dimensions of Stella's character range from tortured victim to cruel killer, from loving daughter to betrayer of friends, from gentle lover to depraved promiscuity. She was given the name 'Blonde Poison' by the Gestapo who revelled in her treachery. Decades after the war Stella agrees to be interviewed by a well-respected journalist – her last chance for redemption. Can she ever be released from her past? Winner of an Argus Angel Award for artistic excellence (Brighton Festival 2012). Winner of the San Francisco Best Fringe Award 2016.