Winner of the 2007 B.C. Award for Canadian Non-fiction A Globe and Mail Best 100 Book (2006) National Post Best Books (2006) A bold cultural portrait of contemporary Canada through the work of its most celebrated novelists, short story writers, and storytellers. Stories are the surest way to know a place, and at a time when the fabric of the country seems daily more uncertain, Noah Richler looks to our authors for evidence of the true nature of Canada. He argues why fiction matters and seeks to discover — in the extra-ordinary diversity of communities these writers represent — what stories, if any, bind us as a nation. Over two years, Richler has criss-crossed the country and interviewed close to one hundred authors — a who’s who of Canadian literature, including Wayne Johnston, Michael Crummey, Alistair MacLeod, Gil Courtemanche, Jane Urquhart, Joseph Boyden, Miriam Toews, Yann Martel, Fred Stenson, Douglas Coupland, and Rohinton Mistry — about the places and ideas that are most meaningful to their work. The result is a journey through the reality of Canada and its imagination at a critical point in the country’s evolution. Within thematic chapters he exposes our “Myths of Disappointment” and considers the stories of our native peoples, the rise of the city, and how our history as a colony shapes our society and politics even today. This Is My Country, What's Yours? is an impassioned literary travelogue and a vivid portrayal of our society, the work of Canadian authors, and the idea of writing itself. This Is My Country, What's Yours? is based on Noah Richler’s ten-part documentary of the same name originally broadcast on CBC Radio’s flagship Ideas program in spring 2005.

Through The Years: An Autobiography is a memoir written by Nathan S. Jonas, detailing his life from childhood to adulthood. The book offers a comprehensive account of Jonas' experiences, including his upbringing, education, career, and personal life. It covers his early years growing up in a small town, his academic pursuits, and his eventual rise to success in his chosen field. The book also delves into his personal relationships, including his marriage and family life. Throughout the book, Jonas reflects on the challenges he faced and the lessons he learned, offering readers a unique perspective on his life and the world around him. The book is a compelling read for anyone interested in personal memoirs and the journey of self-discovery.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Continuing his exploration of the substance of a basic education, Mortimer J. Adler examines the inherent values of various art forms and considers their significance within a well-rounded curriculum. He maintains that imaginative literature and works of science, philosophy, theology, and history act upon our intellects and stimulate the discussion of ideas. The non-verbal arts, which act directly and powerfully on our emotions and sentiments without the intermediation of thought, are to be valued for their beauty, their workmanship, and the pleasure they give rather than their contributions to a body of ideas. Elucidating his ideas through the discussion of specific works, Adler concludes that an appreciation of all the human arts is essential to the development of a fully cultivated and well-educated person.

"Moacyr Scliar was the preeminent literary voice of the Jewish immigrant experience in modern Brazil. Now his most ambitiously satirical and irreverent novel is at last translated into English, offering not just a significant contribution to Latin American and Jewish literature but to world literature as well. In a past-life therapy session, a mysterious woman makes a remarkable breakthrough when she discovers that in a previous life she was one of King Solomon's seven hundred wives. In language that hilariously mixes modern jargon and biblical diction, she sets out to tell the story of her earlier incarnation three thousand years in the past, revealing how she went from a provincial nobody to a queen. Yet being royalty isn't all it's cracked up to be. As the least desirable of King Solomon's wives and concubines, she is unceremoniously discarded and forgotten in his harem. But as luck would have it, she possesses a unique gift: she is a woman who knows how to read and write. Once her talent is discovered, King Solomon charges her with writing what will become one of the most important texts in human history. Along the way our nameless narrator leverages her newfound status as royal scribe to bring about her own secret agenda. A brilliant feminist critique skewering the absurdities of patriarchy, The Woman Who Wrote the Bible is a comic masterpiece of truly biblical proportions"-- Provided by publisher.

I Swear I Saw This records visionary anthropologist Michael Taussig’s reflections on the fieldwork notebooks he kept through forty years of travels in Colombia. Taking as a starting point a drawing he made in Medellin in 2006—as well as its caption, “I swear I saw this”—Taussig considers the fieldwork notebook as a type of modernist literature and the place where writers and other creators first work out the imaginative logic of discovery. Notebooks mix the raw material of observation with reverie, juxtaposed, in Taussig’s case, with drawings, watercolors, and newspaper cuttings, which blend the inner and outer worlds in a fashion reminiscent of Brion Gysin and William Burroughs’s surreal cut-up technique. Focusing on the small details and observations that are lost when writers convert their notes into finished pieces, Taussig calls for new ways of seeing and using the notebook as form. Memory emerges as a central motif in I Swear I Saw This as he explores his penchant to inscribe new recollections in the margins or directly over the original entries days or weeks after an event. This palimpsest of afterthoughts leads to ruminations on Freud’s analysis of dreams, Proust’s thoughts on the involuntary workings of memory, and Benjamin’s theories of history—fieldwork, Taussig writes, provokes childhood memories with startling ease. I Swear I Saw This exhibits Taussig’s characteristic verve and intellectual audacity, here combined with a revelatory sense of intimacy. He writes, “drawing is thus a depicting, a hauling, an unraveling, and being impelled toward something or somebody.” Readers will exult in joining Taussig once again as he follows the threads of a tangled skein of inspired associations.

The common view held by the community of historians is that there are no, and cannot be, lessons of history; however, up to this day, serious writers continue to seek lessons of the Holocaust. Examines historical and philosophical literature on the Holocaust, and shows that throughout the post-1945 period a broad spectrum of lessons that can be derived from the Holocaust has been proposed by historians, philosophers, writers, journalists, etc. For example, while for Hannah Arendt the lesson is condemnation of bureaucracy and conformism, for Emil Fackenheim it is the imperative to keep fidelity to the Jewish nationhood. There have been Jewish and even Israeli lessons of the Holocaust - e.g. that the Jewish diaspora is doomed and that the Jews need to be strong and to have a state of their own; and there have been universalist lessons - the condemnation of totalitarianism and of "modernity", the imperative of tolerance, of historical memory, etc. Maintains that there are no objective lessons of the Holocaust. The knowledge of past atrocities cannot prevent atrocities in the future.

One of the great achievements of contemporary mathematics is the new understanding of four dimensions. Michael Freedman and Frank Quinn have been the principals in the geometric and topological development of this subject, proving the Poincar and Annulus conjectures respectively. Recognition for this work includes the award of the Fields Medal of the International Congress of Mathematicians to Freedman in 1986. In Topology of 4-Manifolds these authors have collaborated to give a complete and accessible account of the current state of knowledge in this field. The basic material has been considerably simplified from the original publications, and should be accessible to most graduate students. The advanced material goes well beyond the literature; nearly one-third of the book is new. This work is indispensable for any topologist whose work includes four dimensions. It is a valuable reference for geometers and physicists who need an awareness of the topological side of the field.Originally published in 1990.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

The Jewish Religion is an unchanged, high-quality reprint of the original edition of 1891. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres.As a publisher we focus on the preservation of historical literature.Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.

Benjamin Schwartz taught at Harvard from 1950 until his retirement in 1987. Through his teaching and writing, he became a major force in the field of Chinese studies, setting standards--above all in the area of intellectual history--that have been a source of inspiration to students and scholars worldwide. His influence extends well beyond the China field, cutting across conventional disciplinary boundaries, touching political science, religion, philosophy, and literature as well as history. The essays in this book are by scholars who have studied with Benjamin Schwartz. Given the range of his own interests, it is fitting that they embrace an expanse of time from the Zhou dynasty to the present and a range of subjects equally inclusive--ancient and medieval Chinese thought, the fate of democracy in early Republican China, the development of aesthetic modernism in the 1920s and 1930s and its reemergence in the post-Mao era, the emphasis on spiritual regeneration and cultural transformation in Chinese and Japanese Marxism, popular values in twentieth-century China (as reflected in village theatrical performances), the larger issue of what part our own values should take in the study and assessment of other societies and cultures, and the equally broad issue of how we are to address the relationship between Chinese modernization and China's traditional culture. Despite this heterogeneity and the fact that the contributors include two political scientists, five historians with strong philosophical interests, and three scholars whose writing bridges the disciplines of history and literature, there is a surprising coherence to the volume. Almost all the authors consciously address either aspects of Schwartz's general approach or specific themes dealt with in his work. Each contribution is about ideas and takes ideas and their societal roles seriously. Although presented in the specific context of China, the issues raised in these essays are important to the world beyond China. Exploring them in both their Chinese and non-Chinese settings reflects the power of Schwartz's own work in illuminating a broader canvas of human thought.

Surveying the state of American ballet in a 1913 issue of Clure's Magazine, author Willa Cather reported that few girls expressed any interest in taking ballet class and that those who did were hard-pressed to find anything other than dingy studios and imperious teachers. One hundred years later, ballet is everywhere. Beginning with the arrival of Russian dancers like Anna Pavlova, who first toured the United States on the eve of World War I, 'Ballet Class: An American History' explores the growth of ballet from an ancillary part of nineteenth-century musical theater, opera, and vaudeville to the quintessential extracurricular activity it is today, pursued by countless children nationwide and an integral part of twentieth-century American childhood across borders of gender, class, race, and sexuality. 0A social history, 'Ballet Class' takes a new approach to the very popular subject of ballet and helps ground an art form often perceived to be elite in the experiences of regular, everyday people who spent time in barre-lined studios across the United States. Drawing on a wide variety of materials, including children's books, memoirs by professional dancers and choreographers, pedagogy manuals, and dance periodicals, in addition to archival collections and oral histories, this pathbreaking study provides a deeply-researched national perspective on the history and significance of recreational ballet class in the United States and its influence on many facets of children's lives, including gender norms, consumerism, body image, children's literature, extracurricular activities, and popular culture

More than 800 years after his death, the figure of Moses Maimonides—rabbi, philosopher, doctor, and communal leader—continues to fascinate. Studies in Maimonides and His Interpreters unites the traditional rabbinic approach and the modern academic perspective to forge a new understanding of this iconic teacher. This groundbreaking work by Marc B. Shapiro, which includes an essay on Maimonides’ approach to superstition in rabbinic literature and features three previously unpublished letters by Rabbi Joseph Kafih, will be essential reading for scholars and students of Jewish studies.

First published in 1980. This collection of carefully selected extracts from primary texts seeks to show what the Romantics themselves held Romanticism to be. The movement is thus defined in terms of the writers' own views of their art both in general principle and in practical terms. This title will be of interest to students of literature.

Bad Shoes & the Women Who Love Them is a lighthearted wake-up call to women to make informed decisions when buying and wearing fashionable shoes. Arming the reader with essential facts, citing medical literature as well as leading podiatric surgeons and orthopedists, Tanenbaum covers the history of high heels, Chinese foot binding, the controversy over cosmetic surgery of the foot, and what Freud had to say about women's shoes and sex. Illustrated by artist Vanessa Davis throughout, Bad Shoes & the Women Who Love Them also includes hilarious anecdotes from women who love shoes. And yes—it is possible to make smart footwear decisions without sacrificing style! Tanenbaum shows you how.

Published as a tribute to the memory of Elisha Pazner, this book contains a collection of essays providing a comprehensive view of the design and evaluation of economic mechanisms, written and edited by the major contributors to the field. Amongst the topics included are bargaining theory and the economics of competitive bidding. The surveys are preceded by 'A Perspective', by Leo Hurwicz which contains a systematic account of the development of the literature on mechanism design, and this provides a context for both the surveys and the six published papers authored or co-authored by Elisha Pazner that complete the book and demonstrate Pazner's interest in and contribution to the study of economic mechanisms. Leonid Hurwitcz is the Nobel Prize Winner 2007 for The Sveriges Riksbank Prize in Economic Sciences in Memory of Alfred Nobel, along with colleagues Eric Maskin and Roger Myerson, for his work on the effectiveness of markets.

THE CLASSIC COLLECTION OF JEWISH FANTASY! "Marks a milestone in the literature of the fantastic." - Paul Di Filippo, author of The Steampunk Trilogy In HebrewPunk , World Fantasy Award winning author Lavie Tidhar had reinvented pulp fantasy fiction in Jewish terms, creating a hidden world where fantasy, horror and history intertwine. Featuring the Rabbi, the Rat and the Tzaddik, their stories take us on a journey from an expedition to an alternate world in Kenya in 1904 to the drug-soaked streets of 1920s London and to Transylvania in the Second World War. "Imagine Hard-Boiled Kabbalah... If you like your otherworld fun noir, have I got a book for you!" - Kage Baker, author of In the Garden of Iden "Wondrous, adventurous, and thought-provoking." - Ellen Datlow, co-editor of The Year's Best Fantasy and Horror "Tidhar writes a sort of intensified supernatural action-surrealism that fair rattles along and is full of surprises--not only plot twists and thrills but a level of conceptual surprise, a reinvigoration of some of the more tired conventions of the fantasy-horror genre... not to be missed." - Adam Roberts, author of The Thing Itself

"For centuries before its "rebirth" as a spoken language, Hebrew writing was like a magical ship in a bottle that gradually changed design but never voyaged out into the world. Isolated, the ancient Hebrew ship was torpid because the language of the Bible was inadequate to represent modern life in Europe. Early modern speakers of Yiddish and German gave Hebrew the breath of life when they translated dialogues, descriptions, and thought processes from their vernaculars into Hebrew. By narrating tales of pilgrimage and adventure, Jews pulled the ship out of the bottle and sent modern Hebrew into the world. In Travels in Translation, Frieden analyzes this emergence of modern Hebrew literature after 1780, a time when Jews were moving beyond their conventional Torah- and Zion-centered worldview. Enlightened authors diverged from pilgrimage narrative traditions and appropriated travel narratives to America, the Pacific, and the Arctic. The effort to translate sea travel stories from European languages--with their nautical terms, wide horizons, and exotic occurrences--made particular demands on Hebrew writers. They had to overcome their tendency to introduce biblical phrases at every turn in order to develop a new, vivid, descriptive language. As Frieden explains through deft linguistic analysis, by 1818, a radically new travel literature in Hebrew had arisen. Authors such as Moses Mendelsohn-Frankfurt and Mendel Lefin published books that charted a new literary path through the world and in European history. Taking a fresh look at the origins of modern Jewish literature, Frieden launches a new approach to literary studies, one that lies at the intersection of translation studies and travel writing"--OCLC

Shows how to use meter, rhythm, rhyme, and traditional forms in writing poetry, and offers examples from English and American literature

Judith Merril was a pioneer of twentieth-century science fiction, a prolific author, and editor. She was also a passionate social and political activist. In fact, her life was a constant adventure within the alternative and experimental worlds of science fiction, left politics, and Canadian literature. Better to Have Loved is illustrated with original art works, covers from classic science fiction magazines, period illustrations, and striking photography.

25th ANNIVERSARY EDITION Nadine Pagan's dyke sister Jane wants to find her. Her lover Rose wants to marry her. And her mother Fay wants to forget her. All Nadine wants is to stop the buzzing in her head. Running Fiercely Toward a High Thin Sound follows Nadine's (née Morningstar) adventures as she escapes from her incendiary Jewish family into the lesbian town of New Chelm--and far beyond. This is the novel Isaac Bashevis Singer might have written if he'd been a lesbian with a keen eye for contemporary middle-class assimilation. It's Jewish magical lesbian realism, a good story, and a dynamic piece of writing. Includes an all new introduction by the author Judith Katz is the author of two published novels, The Escape Artist and Running Fiercely Toward a High Thin Sound , which won the 1992 Lambda Literary Award for Best Lesbian Fiction. She teaches cultural studies and literature courses for the University of Minnesota's Center for Jewish Studies.

The award-winning author of Minor Characters writes with delicious transparency about a love that cannot be harnessed and a woman who refuses to be deceived In the great wave of husband-leaving ushered in by the Sexual Revolution, Molly Held frees herself from her cold, flagrantly unfaithful husband after their final quarrel turns violent. With her five-year-old son, she lights out for an Upper West Side apartment and the new life she hopes to find with Conrad Schwartzberg-the charismatic radical lawyer who has recently become her lover. Having escaped from a desert, she lands in a swamp. While Conrad radiates positive energy, he is unable to tell Molly-or anyone who loves him-the truth. No longer the wronged wife, Molly now finds herself the Other Woman. She is sharing Conrad with Roberta, another refugee from marriage-with Conrad's movements between the two of them disguised by his suspiciously frequent out-of-town engagements. Roberta either knows nothing or prefers to look the other way, but Molly's maddening capacity for double vision takes over her mind. What saves her from herself is her well-developed sense of irony, which never fails her-or the reader. "Ironic, witty and always graceful." -Marilyn French, author of The Women's Room "Johnson . . . reveals a knack for lyric bitterness." -Kirkus Reviews "Another superb novel of feminine risk-taking." -Ann Douglas " Bad Connections] is controlled, smooth, deftly written: it evokes scene and character with admirable sure swiftness. . . . Joyce Johnson's touches are all true." -Harper's Magazine "Joyce Johnson is a writer of wit and perception . . . and she has a keen eye for the irony of modern life." -The New York Times Book Review "Often funny, sometimes cathartically angry, always skillful in rendering the small, excruciating moments that add up to the misery of love gone bad." -The Village Voice "The new literature of the aggrieved woman has produced something here quite memorable, a sad, beautiful casebook of unrequited love, unrequited humanity." -E. L. Doctorow "Painfully perceptive, psychologically accurate." -Judith Rossner "A subtle, witty, rueful tour de force of that strange new territory which all of us now inhabit: modern women's modern lives." -Barbara Probst Solomon Joyce Johnson was born in 1935 in New York City, the setting for all her fiction: Come and Join the Dance, recognized as the first Beat novel by a woman writer, Bad Connections, and In the Night Caf . She is best known for her memoir Minor Characters, which won the National Book Critics Circle Award in 1983 and dealt with coming of age in the 1950s and with her involvement with Jack Kerouac. She has published two other Beat-related books: Door Wide Open: A Beat Love Affair in Letters, and The Voice Is All: The Lonely Victory of Jack Kerouac. She has also written a second memoir, Missing Men, and the nonfiction title What Lisa Knew: The Truths and Lies of the Steinberg Case.