Over ten years ago, Benjamin Fain, a physicist now living in Tel Aviv, attempted to hold a conference on Jewish culture in Moscow, an effort that was foiled by the KGB. Many of the participants were eventually able to flee, most emigrating to Israel. In this book, these distinguished scholars and others from around the world present their personal and professional views of Jewish culture in the Soviet Union. The book explores a wide range of topics, including underground literature, religious revival, and the rise of a national Jewish consciousness. Some writers claim that the refuseniks are not the leaders of the Soviet Jews but rather an isolated minority, with most Jews being assimilated, acculturated, and uninterested in fleeing. Other essayists look at the ambivalent role traditionally played by the Soviet Union in both allowing some forms of cultural expression and suppressing any efforts at individual religious practice. Others explore the revival of Jewish culture as instanced by underground teaching of Hebrew. A major debate involves the Nature of Jewish emigration, whether the Jews will go to Israel or to America.

Anka Muhlstein's lively biography, translated by Teresa Waugh, introduces American readers to Astolphe de Custine, a passionate literary figure, a poet, playwright, essayist, traveler, aristocrat and homosexual adventurer. Against the fascinating background of early-19th-century France, Anka Muhlstein presents the gifted if at times deplorable Custine with vivacity, elegance, and insight. It is a splendid introduction to the Marquis and his world and to his famous 1839 tour of autocratic Russia -- Daniel Aaron. Briliant, visionary, beautiful Astolphe -- man of letters and man of society -- finally gets his biography . . . -- French elle Magazine ... -- Amazon

The story begins in the aftermath of a nuclear war that has reduced our world to ashes. Luckily, a few found their way to the stars and into immortality. In the year 3000, nostalgic for the past, they return to Earth in an effort to reconstruct the lives of the people who lived there.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

"In The Other Judaisms of Late Antiquity the late Alan F. Segal is at his very best. This reissued and expanded edition--now containing his celebrated "Heavenly Ascent in Hellenistic Judaism, Early Christianity, and Their Environment"--delineates the variegated nature of both Judaism and Christianity in their formative periods. As Segal demonstrates, it is more accurate to speak of Judaisms and Christianities. Through his deft deployment of social-scientific methods and due attention to Jewish primary sources from the Second Temple period, Segal is able to trace the intricate, internecine struggles among Jewish, Christian, and gnostic communities in the earliest days of the Common Era. In doing so, Segal masterfully validates the importance of inductive historical reconstruction and analytical comparative study for illuminating the complex religious world of the first three centuries"--back cover.

Although A.B. Marx is not often acknowledged as such, he remains Western music's single most influential theorist, as the person who gave Sonata Form its name and codified its elements. Above a certain level of proficiency, there is not a single musician in the Western Classical tradition who does not know Sonata Form: they know Marx's legacy, if not his name. Further awareness of Marx as a man is especially important. The naming of Sonata form, and the discussion of its elements, was invested with convictions about music that Marx was among the very first to hold, and which we continue to value: for instance, that a composer's formal choices are not made just by convention, but with intention, and that the way in which a work unfolds is itself meaningful; or that music of any era reflects the aesthetic priorities of its age. Those convictions, in turn, spring from Marx's vigorous intellectual engagement with the world around him, its thinkers, its writers, and its politics. This translation provides a unique opportunity to read Marx in his own words. His Recollections from My Life were published in 1865, Marx's last book to appear during his lifetime, and have not been republished either in the German original, nor in any translation. Our translation with annotation and commentary will make available to English-readers this important view of music in Germany during the time of Beethoven, Mendelssohn and other familiar names from the concert hall.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Complete book and lyrics, illustrated. The Ziegfeld Follies of 1919 opened at one of the most transitional times in American history. World War I had just ended, Prohibition was soon to take effect, and America was on the verge of the Jazz Age. The review ran for 171 performances, the longest of any Follies up to that time and is consider the best of Ziegfeld's Follies. It is primarily remembered today as the Follies that introduced Irving Berlin's "A Pretty Girl is Like a Melody" and that showcased Ziegfeld's unrequited love interest at the time, Marilyn Miller.

This Palgrave Pivot examines the history of literacy with illiterate and semi-literate people in mind, and questions the clear division between literacy and illiteracy which has often been assumed by social and economic historians. Instead, it turns the spotlight on all those in-between, the millions who had some literacy skills, but for whom reading and writing posed difficulties. Its main focus is on those we have often labelled illiterates, rather than those who enjoyed full competence in reading and writing in modern society. In offering a historical perspective on the problem of illiteracy in the modern world, it also questions some enduring myths surrounding the phenomenon. This book therefore has a revisionist objective: it intends to challenge conventional wisdom about illiteracy

Based on an intriguing alternative history hypothesis, this novel imagines a world where the Moors never left Southern Spain after their 800-year reign but instead expanded their empire across Europe. This fascinating premise is explored through the chaotic lens of a bumbling film crew in the Sahara desert. The director, lost in a haze of Moroccan kif, has embraced the local culture a little too enthusiastically. With the scriptwriters gone and the leading actor in a perpetual sulk inside his Airstream, the production is at a standstill. Enter Tinctorio Indigolin, a bitcoin billionaire on the run from a Shakespeare-quoting Irish assassin. In a bid to leverage a tax loss, Indigolin acquires the film rights, injecting a new lease of life into the project. Mysteriously, a captivating screenplay begins to appear on set, page by page, night after night. Penned by an enigmatic writer, the script proposes a world where the Moors didn't just resist expulsion in 1492 but went on to dominate Spain, France, and Italy, creating an Islamic State of Europe. As the screenplay unfolds, it transforms the lives of everyone involved in the film. The narrative weaves through a labyrinth of twists, assassinations, and narrow escapes, employing the most unexpected methods, only to culminate in the most uplifting conclusion you'll encounter this year.

This book is a newly revised edition of Nicholas M. Nagy-Talavera’s classic work The Green Shirts and the Others published by the Hoover Institution Press in 1970. This book is the standard work in English on the history of fascism in Romania and Hungary. The Green Shirts and the Others is the first comprehensive and comparative work in English on the history of the fascist movements in Hungary and Romania. The author presents an objective account of the history of the two countries from 1918 to 1945 and the role of fascist movements during these years. He considers the rise of these movements, the Arrow Cross in Hungary and the Legion of the Archangel Michael in Romania. He considers their evolution and growth during the interwar period, as well as during the tragic periods in which each movement came to power in its respective country. The author then draws conclusions and parallels from the comparative history of the two movements. The author, Nicholas M. Nagy-Talavera, was a leading American expert on the history of Hungary and Romania during the interwar period and World War II. He was a professor of history at California State University, Chico. His other books include Nicolae Iorga: A Biography.

Is the Bible actually a love story between a deity and a people? And what does this love story have to do with the modern world? In With All Thine Heart distinguished cultural critic Ilan Stavans speaks to freelance writer Mordecai Drache about love in the Bible. Presented in an engaging, conversational format and touched with striking artwork, the textured dialogue between Stavans and Drache is meant to show how the Bible is a multidimensional text and one that, when considered over the course of history, still has the power to shape our world. The theme of love provides the connective tissue that binds this work. Addressing a wide range of topics, from biblical archaeology and fundamentalism to Hollywood movies, lexicography, and the act of praying, With All Thine Heart suggests that the Hebrew Bible is a novel worth decoding patiently, such as one does with classics like Don Quixote de la Mancha, In Search of Lost Time, and Anna Karenina. Similar to the protagonists in these tales, biblical characters, although not shaped with the artistic nuance of modern literature, allow for astonishing insight. This exploration of love through the pages of the Bible--organized chronologically from Genesis to Exodus and followed by insightful meditations on the Song of Songs and the Book of Job--is a delightful intellectual and spiritual treat . . . Shema Ysrael!

The book "" The Bolsheviki and World Peace, has been considered important throughout the human history, and so that this work is never forgotten we have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies and hence the text is clear and readable.

Stalinism for All Seasons is the first comprehensive history of the Romanian Communist Party (RCP). It traces the origins of the once-tiny, clandestine revolutionary organization in the 1920s through the years of national power from 1944 to 1989 to the post-1989 metamorphoses of its members. Vladimir Tismaneanu uses documents that he discovered while working in the RCP archives in Bucharest in the mid-1990s and interviews with many of the party members from the Ceau_escu and Gheorghiu-Dej eras to tell the absorbing story of how RCP members came to power as exponents of Moscow and succeeded in turning themselves into champions of autonomy. Tismaneanu analyzes both the main events in Romanian communism and the role of significant personalities in the party’s history. Situating the rise and fall of Romanian communism within the world revolutionary movement, Stalinism for All Seasons shows that the history of communism in one country can illuminate the development of communism in the twentieth century. Tismaneanu discusses significant moments in the final six decades of world communism, including the Spanish Civil War, World War II, the Comintern, Stalin and the Bolshevization of the Eastern European communist parties, and de-Stalinization. He examines important events in international affairs during Nicolae Ceau_escu’s rule (1965-1989)―particularly Romania’s role in the Sino-Soviet conflict, the Middle East, European communism, and European security. Finally, Tismaneanu identifies the RCP’s descendants among Romania’s current political parties and personalities. Embracing a long and complex period, this book will interest readers of twentieth-century history and anyone curious about communism and postcommunism.

Only by understanding Central and Eastern Europe's turbulent history during the first half of the twentieth century can we hope to make sense of the conflicts and crises that have followed World War II and, after that, the collapse of Soviet-controlled state socialism. Ivan Berend looks closely at the fateful decades preceding World War II and at twelve countries whose absence from the roster of major players was enough in itself, he says, to precipitate much of the turmoil. As waves of modernization swept over Europe, the less developed countries on the periphery tried with little or no success to imitate Western capitalism and liberalism. Instead they remained, as Berend shows, rural, agrarian societies notable for the tenacious survival of feudal and aristocratic institutions. In that context of frustration and disappointment, rebellion was inevitable. Berend leads the reader skillfully through the maze of social, cultural, economic, and political changes in Hungary, Czechoslovakia, Yugoslavia, Poland, Romania, Bulgaria, Albania, Austria, Latvia, Lithuania, Estonia, and the Soviet Union, showing how every path ended in dictatorship and despotism by the start of World War II.

In the English-speaking world, it is generally believed that there are very few Jews living and thriving in Germany. Yet, there has been an unlikely postwar history 1945-2001 that has been somewhat repressed in North America and the United Kingdom. While most people are well-informed about the Holocaust and the consequences that this tragic event has had for the world, very few people know that there has been a steady increase in the population of Jews in Germany since 1945 and that there is a flourishing 'Jewish' culture, certainly a relatively strong Jewish presence, in Germany today. Does this development mean that Jews are playing a significant role in German social life? Does this mean that the great German-Jewish relationship, often referred to as a kind of symbiosis, has re-emerged despite the odds against it? The sixteen essays in this book written by the leading critics in the field cover the fascinating changes that have been made in German society since 1945 in the Jewish communities, literature, theater, film, architecture, and other areas of interest including an examination of the resurgence of anti-Semitism in Austria. For anyone interested in reading about the unpredictable transformations in German-Jewish relations since 1945, Unlikely History will provide information and insights into a history that needs to be told to bring about greater understanding of Jews and Germans in contemporary Germany.

World Without War is a book written by J. D. Bernal, which explores the idea of creating a world without war. The book is a philosophical and political treatise that examines the root causes of war and proposes solutions to prevent it. Bernal argues that war is not a natural or inevitable part of human existence, but rather a product of specific historical and social conditions. He believes that these conditions can be changed, and that it is possible to create a world without war. The book is divided into three parts. The first part explores the causes of war, including economic factors, nationalism, and the arms race. The second part proposes solutions to prevent war, including disarmament, international cooperation, and the creation of a world government. The third part examines the implications of a world without war, including the possibility of a more peaceful and prosperous world, and the challenges of building a new global order. Throughout the book, Bernal draws on a wide range of sources, including history, philosophy, and science. He argues that war is not only destructive but also irrational, and that it is in the interest of all people to work towards a world without war. World Without War is a thought-provoking and inspiring book that challenges readers to think critically about the root causes of war and to imagine a better future for humanity.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.