"Dennis Prager, author of The Rational Bible--which, upon its first publication, was the number one bestselling non-fiction book in America--turns his attention to the Haggadah, the book used for the most widely celebrated Jewish ritual, the Passover Seder. As with Prager's multi-volume commentary on the Torah, the explanations included with this Haggadah are equally valuable for religious and non-religious Jews, as well as for non-Jews. It provides enough thought-provoking ideas and insights to last the reader a lifetime. The Rational Haggadah is laid out in traditional Hebrew format--reading right to left. Hebrew text is included alongside the English translation making this a complete and fulfilling guide to the Passover ritual"--

Untitled may well be Arbus's most transcendent, most romantic vision. It is a celebration of the singularity and connectedness of people and it demonstrates Arbus' remarkable visual lyricism.

"Untitled" may well be Diane Arbus's most transcendent, most romantic vision. It is a celebration of the singularity and connectedness of people and it demonstrates Arbus's remarkable visual lyricism--Jacket p. [2]

When it comes to spotting political abuses and covert conspiracies designed to strip Americans of their rights and freedoms, no one is more vigilant than #1 New York Times bestselling authors Dick Morris and Eileen McGann (Screwed!, Revolt!, Fleeced, Outrage). In their latest call-to-arms, Here Come the Black Helicopters!, Morris and McGann expose the most potent threat to date to our cherished way of life: the brazen and treacherous Liberal plan to circumvent our democratic processes by putting ultimate governing power in the hands of unaccountable international organizations. Filled with shocking, incontrovertible evidence as well as a concrete action plan, Here Come the Black Helicopters! is an essential read that will open the public’s eyes to the catastrophe that will surely occur if we allow our misguided politicians to hand the reins of government over to a devious and frighteningly inept United Nations.

A witty, candid, sharply written memoir by the cofounder of Steely Dan In his entertaining debut as an author, Donald Fagen—musician, songwriter, and cofounder of Steely Dan—reveals the cultural figures and currents that shaped his artistic sensibility, as well as offering a look at his college days and a hilarious account of life on the road. Fagen presents the “eminent hipsters” who spoke to him as he was growing up in a bland New Jersey suburb in the early 1960s; his colorful, mind-expanding years at Bard College, where he first met his musical partner Walter Becker; and the agonies and ecstasies of a recent cross-country tour with Michael McDonald and Boz Scaggs. Acclaimed for his literate lyrics and complex arrangements as a musician, Fagen here proves himself a sophisticated writer with his own distinctive voice.

The electrifying, often harrowing memoir of a highly decorated DEA agent who targeted the world's most notorious narco-terrorists through the "dark art" of undercover operations. Edward Follis bought eightballs of coke in a red Corvette. He negotiated multimillion-dollar deals onboard private King Airs. He developed covert relationships with men who were not only international drug traffickers but--in some cases--operatives for Al Qaeda, Hezbollah, Hamas, the Shan United Army, or the Mexican Federation of cartels. He was a master at the dark art of going undercover. And this is his story... Spanning five continents and filled with harrowing stories about the world's most ruthless drug lords and terrorist networks, The Dark Art is an incredible first hand account of Edward Follis's twenty-seven-year undercover career in the DEA--from doing street-level busts evocative of Miami Vice to using high-resolution-optics surveillance and classified cutting-edge technology to bring down narco-terror kingpins. It also closely examines how, from the early 1990s to today, the DEA underwent its own radical transformation, shifting its focus from local dealers of coke and weed to the billionaire financiers of worldwide terrorism. Every word is true, and every story is documented. A globe-hopping nonfiction thriller, The Dark Art is a page-turning memoir that will electrify you from page one.

Crystallizing Public Opinion is a groundbreaking book on public relations, written by Edward Bernays, the father of modern PR. Originally published in 1923, this influential work explores the psychology of mass communication, the power of propaganda, and the strategic methods used to shape public opinion. Bernays, drawing from psychology, sociology, and media influence, reveals how businesses, governments, and organizations can use public relations techniques to sway public perception and control narratives. This book is essential reading for marketing professionals, public relations experts, advertisers, political strategists, and media analysts. Bernays explains the role of group psychology, the herd instinct, and mass persuasion tactics, making it clear that effective public relations is both an art and a science. His insights into media manipulation, corporate branding, and political propaganda remain as relevant today as they were a century ago. Perfect for those interested in marketing strategies, psychological influence, corporate communication, and social influence, Crystallizing Public Opinion provides a historical foundation for the modern PR industry. Whether you are a communications student, business leader, journalist, or historian, this book offers invaluable lessons on the mechanics of shaping public thought and the responsibility of ethical persuasion in an increasingly media-driven world.

With Shuk, home cooks everywhere can now inhale the fragrances and taste the flavors of the vivacious culinary mash-up that is today's Israel. Long-simmered stews, herb-dominant rice pilafs, toasted-nut-studded grain salads, and of course loads of vegetable dishes--from snappy, fresh, and raw to roasted every way you can think of--will open your eyes and your palate to the complex nuances of Jewish food and culture. The book also includes authoritative primers on the well-loved pillars of the cuisine, including chopped salad, hummus, tabboulehs, rich and inventive shakshukas, and even hand-rolled couscous with festive partners such as tangy quick pickles, rich pepper compotes, and deeply flavored condiments.

"In The Blues, Wald surveys a genre at the heart of American culture. Wald sees blues less as a style than as a broad musical tradition within a constantly evolving pop culture. He traces its roots in work and praisse songs and shows how it was transformed by such professional performers as W.C. Hardy, who first popularized the blues a century ago. He follows its evolution from Ma Rainey and Bessie Smith through Bob Dylan and Jimi Hendrix; identifies the impace of rural field recordings of Blind Lemon Jefferson, Charley Patton, and others; explores the role of blues in the development of both country music and jazz; and looks at the popular rhythm and blues trends of the 1940s and 1950s, from the uptown West Coast style of T-Bone Walker to the "down home" Chicago sound of Muddy Waters. Wald brings the story up to the present, touching on the effects of blues on American poetry and its connection to modern styles such as rap."--Front flap.

The author presents the US Constitution's requirements for impeachment and, drawing on her experience as a US Congresswoman and a member of the House Judiciary Committee that voted to impeach Nixon, then presents evidence to prove that President Donald Trump has already fulfilled those requirements.

"The study of memory had become my specialty, my passion. In the next few years I wrote dozens of papers about how memory works and how it fails, but unlike most researchers studying memory, my work kept reaching out into the real world. To what extent, I wondered, could a person's memory be shaped by suggestion? When people witness a serious automobile accident, how accurate is their recollection of the facts? If a witness is questioned by a police officer, will the manner of questioning alter the representation of the memory? Can memories be supplemented with additional, false information?" The "passion" Loftus describes in the lines above led her to a teaching career at the University of Washington and, perhaps more importantly, into hundreds of courtrooms as an expert witness on the fallibility of eyewitness accounts. As she has explained in numerous trials, and as she convincingly argues in this absorbing book, eyewitness accounts can be and often are so distorted that they no longer resemble the truth.

THE STORY: A masterpiece of the modern theater, THE HOUSE OF BERNARDA ALBA was written in 1936, just before the start of the Spanish Civil War. The play takes place in a small village in southern Spain following the funeral of Bernarda Alba's secon

Anarchist, journalist, drama critic, advocate of birth control and free love, Emma Goldman was the most famous—and notorious—woman in the early twentieth century. This abridged version of her two-volume autobiography takes her from her birthplace in czarist Russia to the socialist enclaves of Manhattan’s Lower East Side. Against a dramatic backdrop of political argument, show trials, imprisonment, and tempestuous romances, Goldman chronicles the epoch that she helped shape: the reform movements of the Progressive Era, the early years of and later disillusionment with Lenin’s Bolshevik experiment, and more. Sounding a call still heard today, Living My Life is a riveting account of political ferment and ideological turbulence. First time in Penguin Classics Condensed to half the length of Goldman's original work, this edition is accessible to those interested in the activist and her extraordinary era

Otherwise than Being, or Beyond Essence, first published in 1974, is the second of Levinas's mature philosophical works, the first being Totality and Infinity (first published in 1961). Otherwise than Being is essentially the sequel to Totality and Infinity, further elaborating the rich and comprehensive philosophy of ethical metaphysics that Levinas had introduced in the earlier work. At the heart of Levinas's writings is the irreducible ethical proximity of one human being to another morality, and through that encounter a relation to all others justice. Otherwise than Being emphasizes the themes of moral sensibility and language within this system of ethical metaphysics. These themes had been introduced in Totality and Infinity, but are developed in this later work. And while Totality is focused on ethical alterity, Otherwise is focused on ethical subjectivity. The process of the revelation of Being as laid out by modern phenomenological ontology is severely criticized, as Levinas claims that the ultimate account of these phenomena is not in ontology, but in a paradoxical discourse of what is beyond Being.

The first encyclopedia of world cinema written in the U.S. is by far the most comprehensive one-volume work in the field. More than 7,000 entries in alphabetical order are readably authoritative with a focus that encompasses the artistic, technical, and commercial aspects of the motion picture.

With help of Iron John, the wild man of the forest who is under a curse, a young prince makes his way in the world and finds his true love.

"In We Are Not One, historian Eric Alterman traces this debate from its nineteenth-century origins. Following Israel's 1948-1949 War of Independence (called the "nakba" or "catastrophe" by Palestinians), few Americans, including few Jews, paid much attention to Israel or the challenges it faced. Following the 1967 Six-Day War, however, almost overnight support for Israel became the primary component of American Jews' collective identity. Over time, Jewish organizations joined forces with conservative Christians and neoconservative pundits and politicos to wage a tenacious fight to define Israel's image in the US media, popular culture, Congress, and college campuses. Deeply researched, We Are Not One reveals how our consensus on Israel and Palestine emerged and why, today, it is fracturing"--

Looks at the social, economic, and political forces that shaped the South after the Civil War.

The author describes how, after working as a humanitarian around the world, he realized that he could do nothing to stop violence or prevent people from becoming refugees and soon joined the elite Navy SEALs, where he drew on his humanitarian training as he battled injustice.

This magisterial volume follows the death of ancient traditions, the triumph of new classes, and the emergence of new technologies, sciences, and ideologies, with vast intellectual daring and aphoristic elegance. Part of Eric Hobsbawm's epic four-volume history of the modern world, along with The Age of Capitalism, The Age of Empire, and The Age of Extremes.