As illustrated in Goethe's famous novel of the same name, elective affinities are powerful relationships that crystallize under changing conditions. In this new book, Lydia Goehr focuses on the history of elective affinities between philosophy and music from German classicism, romanticism, and idealism to the modernist aesthetic theory of Theodor W. Adorno and Arthur C. Danto. Aesthetic theory, she argues, depends on a dynamic philosophy of history centered on tendencies, yearnings, needs, and potentialities. With this in mind, she recasts the theses of Adorno and Danto regarding the death or end of philosophy, art, music, and human experience as arguments for continuation and survival. Elective Affinities tracks the migration of aesthetic and critical theory from Germany to the United States following the catastrophic period of the twentieth century marked by the Second World War. --

Every day millions of people enter public buildings of many forms and functions: Notre-Dame in Paris, Grand Central Station in New York, the British Museum in London, that are decorated with recessed doorways. None of them is likely to be aware that this style of decoration has been continuously employed for 6500 years in temples, royal palaces, tombs, churches, synagogues, and modern public buildings, becoming a symbol of the divine and of a place of worship. During this very long period, from the ancient Near East until today, the world has undergone immense changes, but the concept of the recessed opening was never forgotten or abandoned. What is the secret of its longevity? This unique cultural edifice is not only about architecture, but is a language that defines social order and relations with the ruling power and authorities. These, sometimes highly decorated and elaborate, sometimes simple and understated, thresholds in fact functioned on two communicative levels: first, as a liminal marker demarcating a sacred area and second, to emphasize the social order, as few were permitted to pass through. In this book the history of this eternal symbol is presented for the first time through text, figures, and photographs. The authors consider historical, anthropological, sociological, religious, and economic factors that reflect the significance of crossing these iconic thresholds according to the concept of the longue durée.

In this vivid memoir, Silviu Brucan traces half a century of East European history, bringing to life the drama of a generation caught between the 1944 communist revolution and the 1989 anticommunist revolution. Brucan himself was at the heart of political power from World War II through the formation of a new government after the overthrow of Nicolae Ceausescu. After participating in the antifascist underground movement in World War II, he became acting editor of Romania's leading communist daily. He served as Romania's ambassador to the United States and then as its ambassador to the United Nations. He later grew disenchanted with the Ceausescu regime, becoming a prime mobilizer of popular support for reform and subsequently one of the leaders of the National Salvation Front. Brucan's insider position gave him a unique perspective on the inner workings of the Gheorghiu-Dej and Ceausescu regimes as well as of the political machinations of Soviet and other East European leaders. He reveals for the first time the details - available nowhere else - of secret meetings between communist leaders: the 1944 conspiracy with King Michael against the German occupation; the extraordinary 1945 meeting between Gheorghe Gheorghiu-Dej and Joseph Stalin when the Soviet dictator decided that Georghiu-Dej and not Ana Pauker should lead the Romanian Communist Party; the secret mission assigned to Gheorghiu-Dej by Nikita Khrushchev during the 1956 revolution to install Janos Kadar as leader of the communist party; the 1958 Khrushchev-Gheorghiu-Dej meeting after a bear hunt in the Carpathians, which appeared to be a chat between two canny old peasants but concluded with Khrushchev's decision to withdraw Soviet troops from Romania; and Ceausescu's astute maneuver to seize power while Gheorghiu-Dej was on his deathbed. Brucan then recounts the real story behind the 1989 revolution, which was rooted in earlier plots to overthrow Ceausescu. He traces his own memorable transformation from staunch communist to outspoken critic of the regime, weaving his own story within the larger framework of his country's transformation and hopes for the future.

As Library Journal notes: This massive anthology celebrates the 3000-year anniversary of the founding of the city of Jerusalem. It describes, from a Jewish perspective, the history and sociology of the city. Lavishly illustrated, the volume contains biblical quotations, rabbinic literature, travel writings, poems, songs, and fiction excerpts, the majority dating from the last 100 years. The living city amid a world of war is a theme present throughout. In the excerpts by S.Y. Agnon and Amos Oz, we are brought close to the modern dilemma and the eternal. This anthology shows and tells us how Jerusalem has lived in the hearts of the Jewish people.

Enlightenment ideals of a society rooted in liberationist reason and morality were trampled in the wake of the savagery of the Second World War. That era's union of cold technology and ancient hatreds gave rise to a dark, alternative reason—an ethic that was value-free and indifferent with regard to virtue and vice, freedom, and slavery. In a world where "the unthinkable" had become reality, it is small wonder that theorists would turn to the writings of a man whose eighteenth-century imagination preceded twentieth-century history in its unbridled exploration of viciousness, perversion, and monstrosity: the Marquis de Sade. Klossowski was one of the first philosophers in postwar Europe to ask whether Sade's reason, although aberrant and perverted to evil passions, could be taken seriously. Klossowski's seminal work inspired virtually all subsequent study of Sadean thought, including that of de Beauvoir, Deleuze, Derrida, Bataille, Blanchot, Paulhan, and Lacan.

Afeatured article in Die Zeit, the leading German weekly, begins with "Melvin, du hast gewonnen"--Mel, you have won! In his extraordinary account of the final days of the German Democratic Republic (DDR) we see the reckoning of a regime, and also the vindication of a life-long devotee of European democracy. It is unlikely that any comparable memoir will be written, since Lasky's career spanned the entire history of wartime and postwar Germany, especially in divided and Wall-torn Berlin.Voices in a Revolution, now in paperback, offers an in-depth portrayal of the Communist police state before the breakdown, followed by a blow-by-blow account of the drama of breakdown and regime transformation. Characters in the everyday cultural world of Germany come alive as harbingers and heralds of the end of the old and the necessity of the new.Lasky understands the role of accident as well as of necessity. The West Germans had all but abandoned the slogan of One People, One Nation when they were faced with the immense task of supervising just such a reintegration. The work ends with the awakening conscience at the very point that the Berlin Wall came tumbling down. This is a memorable work--one likely to sear the conscience of lovers of freedom and analysts of tyranny alike.

Ely Devons (1913-67) was a British economist and statistician who made notable contributions to a variety of areas. Originally published in 1950, this book contains a study of the way in which the Ministry of Aircraft Production planned production during the Second World War. Based upon Devons' firsthand experience within the planning division of the Ministry, the text forms a highly personal record of the ways in which production was planned, incorporating criticisms and judgements where necessary. A linear historical perspective is avoided, in favour of a systematic approach focusing on various aspects of the production process in turn. This book will be of value to anyone with an interest in British aircraft production and military history.

Hailed as a masterpiece when it was first published in France in 1977, The Desert tells the story of al-Mammi, a young exiled prince of a now-destroyed Jewish kingdom in southern Morocco in the late fourteenth century. Fighting battles in the service of kings and narrowly escaping imprisonment, the prince travels the Islamic world absorbing lessons, often painfully, on how to govern himself, as well as a country. At that same time, al-Mammi engages upon a spiritual journey to obtain inner wisdom rather than material riches. Memmi chronicles the prince’s fortunes as they rise and fall, drawing upon the traditions of Maghrebian storytelling and Arabian tales to offer a highly imaginative and allegorical novel that provocatively blends history with fiction.

According to historical teaching, a Jewish man should give thanks each day for ''not having been made a gentile, a woman, nor a slave.'' Yoel Kahn's innovative study of a controversial Jewish liturgical passage traces the history of this prayer from its extra-Jewish origins across two thousand years of history, demonstrating how different generations and communities understood the significance of these words in light of their own circumstances. Marking the boundary between ''us'' and ''them,'' marginalized and persecuted groups affirmed their own identity and sense of purpose. After the medieval Church seized and burned books it considered offensive, new, coded formulations emerged as forms of spiritual resistance. Owners voluntarily carefully expurgated their books to save them from being destroyed, creating new language and meanings while seeking to preserve the structure and message of the received tradition. Renaissance Jewish women ignored rabbis' objections and assertively declared their gratitude at being ''made a woman and not a man.'' Illustrations from medieval and renaissance Hebrew manuscripts demonstrate creative literary responses to censorship and show that official texts and interpretations do not fully represent the historical record. As Jewish emancipation began in the 19th century, modernizing Jews again had to balance fealty to historical practice with their own and others' understanding of their place in the world. Seeking to be recognized as modern and European, early modern Jews rewrote the liturgy to fit modern sensibilities and identified themselves with the Christian West against the historical pagan and the uncivilized infidel. In recent decades, a reassertion of ethnic and cultural identity has again raised questions of how the Jewish religious community should define itself. Through the lens of a liturgical text in continuous use for over two thousand years, Kahn offers new insights into an evolving religious identity and recurring questions of how to honor both historical teaching and contemporary sensibility.

That rarest of things, a children's book for "children" of all ages.... In this picaresque and highly entertaining novel, Leutenlieb, a.k.a. Baron Munchausen (great-great-great grandson of his celebrated ancestor), takes us on a roller-coaster ride through the history of the Twentieth Century, introducing us along the way to a galaxy of iconic figures - from Hitler to Hemingway, from Al Capone to Greta Garbo - while describing how, with breath-taking imagination, brilliant ingenuity and technological expertise of staggering proportions (not to mention legendary modesty!) he succeeds in solving all the problems with which he is faced. The darker side is there too - two world wars, Nazi extermination camps and Soviet labour camps - but through it all our protagonist maintains his optimism, his integrity, his belief in the power of the indomitable human spirit, and his sense of humour. The full tragi-comedy of life is there. Shlomo Kalo, a nominee for the Nobel Prize in Literature and a story teller of international renown brings us a book of refreshing insights and ingenious humor that younger readers can enjoy too. Scroll up and grab your copy today!

The #1 national bestseller now revised and updated with a new Epilogue. Now aged 75, Peter C. Newman at last tells the story of his stranger-than-fiction life. Try to keep up as we follow his many lives: as a pampered child in a Czech chateau; a Jewish kid in short pants being machine-gunned by Nazi fighter planes on the beach at Biarritz, en route to the last ship to escape from France in 1940; as a refugee on an Ontario farm; as an outsider on a scholarship at Upper Canada College; as a Financial Post journalist, then an author whose Renegade in Power made Canadian politics dramatic and disrespectfully exciting for the first time; as the man who revealed the secrets of the rulers of the Canadian business world in The Canadian Establishment , and other huge business success stories, including The Establishment Man , on Conrad Black; or the millionaire who turned his back on business books and tackled Canadian history ( Company of Adventurers and other triumphs), in a career where his work has dominated the bestseller lists in politics, business, history, and current affairs. In the midst of all this were his years at the Toronto Star and Maclean’s where, as editor, he took the magazine weekly – a huge accomplishment. He is still a legend there, where his columns continue to run. He knew and wrote about every prime minister from Louis St. Laurent to Paul Martin and every prominent Canadian – hero or villain – in between. Yet his most interesting character is – Peter C. Newman. Incredibly, this central figure known to millions of Canadians sees himself as a perennial outsider. In personal terms, the rich little Czech boy whose nannies never stayed talks frankly about his marriages and the women he has known before his ultimate marriage to his beloved Alvy. His enthusiasms – from jazz to the Canadian Navy, not to mention his adventures on his beloved sailboat – make for a rich portrait of an astonishingcharacter, one who never stops being controversial.

Analyzes the views of Jewish philosophers on the problem of evil and suffering of innocents, stressing their philosophical, not merely religious, responses to the problem. In ch. 10 (pp. 185-219), "The Holocaust", the views of post-Holocaust thinkers Elie Wiesel, Richard Rubenstein, Emil Fackenheim, Arthur Cohen, Eliezer Berkovits, and Ignaz Maybaum are examined, as well as some Christian reactions to the Holocaust. Traditional Jewish thought regards God as very remote from the human world; He gave human beings the Law and freedom of choice, but refrains from intervening in human matters. However, the enormity of the Holocaust in comparison to other Jewish disasters presents a serious problem - why did He not intervene in this special case? The philosophers answer basic questions - such as, does God intervene in history at all; where was He during the Holocaust; does He understand our sufferings; did He partake in the tragedy, and if so, what were His intentions - in different ways. They all insist, however, that we must not abandon Judaism. Criticizes weak aspects of each explanation.

Martin Jay tackles a question as old as Plato and still pressing today: what is reason, and what roles does and should it have in human endeavor? Applying the tools of intellectual history, he examines the overlapping, but not fully compatible, meanings that have accrued to the term "reason" over two millennia, homing in on moments of crisis, critique, and defense of reason. After surveying Western ideas of reason from the ancient Greeks through Kant, Hegel, and Marx, Jay engages at length with the ways leading theorists of the Frankfurt School—Horkheimer, Marcuse, Adorno, and most extensively Habermas—sought to salvage a viable concept of reason after its apparent eclipse. They despaired, in particular, over the decay in the modern world of reason into mere instrumental rationality. When reason becomes a technical tool of calculation separated from the values and norms central to daily life, then choices become grounded not in careful thought but in emotion and will—a mode of thinking embraced by fascist movements in the twentieth century. Is there a more robust idea of reason that can be defended as at once a philosophical concept, a ground of critique, and a norm for human emancipation? Jay explores at length the ommunicative rationality advocated by Habermas and considers the range of arguments, both pro and con, that have greeted his work.

The site of a thriving literary tradition, Washington, DC, has been the home to many of our nation's most acclaimed writers. From the city's founding to the beginnings of modernism, literary luminaries including Walt Whitman, Paul Laurence Dunbar, Alice Dunbar-Nelson, Henry Adams, Langston Hughes, and Zora Neale Hurston have lived and worked at their craft in our nation's capital. In A Literary Guide to Washington, DC, Kim Roberts offers a guide to the city's rich literary history. Part walking tour, part anthology, A Literary Guide to Washington, DC is organized into five sections, each corresponding to a particularly vibrant period in Washington's literary community. Starting with the city's earliest years, Roberts examines writers such as Hasty-Pudding poet Joel Barlow and "Star-Spangled Banner" lyricist Francis Scott Key before moving on to the Civil War and Reconstruction and touching on the lives of authors such as Charlotte Forten Grimké and James Weldon Johnson. She wraps up her tour with World War I and the Jazz Age, which brought to the city some writers at the forefront of modernism, including the first American to win the Nobel Prize for Literature, Sinclair Lewis. The book's stimulating tours cover downtown, the LeDroit Park and Shaw neighborhoods, Lafayette Square, and the historic U Street district, bringing the history of the city to life in surprising ways. Written for tourists, literary enthusiasts, amateur historians, and armchair travelers, A Literary Guide to Washington, DC offers a cultural tour of our nation's capital through a literary lens.

In Roman Eyes, Jas Elsner seeks to understand the multiple ways that art in ancient Rome formulated the very conditions for its own viewing, and as a result was complicit in the construction of subjectivity in the Roman Empire. Elsner draws upon a wide variety of visual material, from sculpture and wall paintings to coins and terra-cotta statuettes. He examines the different contexts in which images were used, from the religious to the voyeuristic, from the domestic to the subversive. He reads images alongside and against the rich literary tradition of the Greco-Roman world, including travel writing, prose fiction, satire, poetry, mythology, and pilgrimage accounts. The astonishing picture that emerges reveals the mindsets Romans had when they viewed art--their preoccupations and theories, their cultural biases and loosely held beliefs. Roman Eyes is not a history of official public art--the monumental sculptures, arches, and buildings we typically associate with ancient Rome, and that tend to dominate the field. Rather, Elsner looks at smaller objects used or displayed in private settings and closed religious rituals, including tapestries, ivories, altars, jewelry, and even silverware. In many cases, he focuses on works of art that no longer exist, providing a rare window into the aesthetic and religious lives of the ancient Romans.

Ivan Klima has been acclaimed by The Boston Globe as "a literary gem who is too little appreciated in the West" and a "Czech master at the top of his game." In No Saints or Angels, a Washington Post Best Book of 2001, Klima takes us into the heart of contemporary Prague, where the Communist People's Militia of the Stalinist era marches headlong into the drug culture of the present. Kristyna is in her forties, the divorced mother of a rebellious fifteen-year-old daughter, Jana. She is beginning to love a man fifteen years her junior, but her joy is clouded by worry -- Jana has been cutting school, and perhaps using heroin. Meanwhile Kristyna's mother has forced on her a huge box of personal papers left by her dead father, a tyrant whose Stalinist ideals she despised. No Saints or Angels is a powerful book in which "Mr. Klima's keen sense of history, his deep compassion for the ordinary people caught up in its toils, and his abiding awareness of the fragility and resilience of human life shine through.... Like Anton Chekhov, Mr. Klima is a writer able to show us what's extraordinary about ordinary life." (The Washington Times). "Ultimately, it's Prague, with its centuries of glory and misery, that gives No Saints or Angels its humane power." -- Melvin Jules Bukiet, The Washington Post Book World" A compassionate realist, [Klima] unflinchingly presents the problems facing modern Prague and civilization in general ... [and] fills it with mercy." -- Jennie Yabroff, San Francisco Chronicle "Stirring and valuable." -- Jules Verdone, The Hartford Courant

Recounts the transformation of two daily newspapers in the face of economic downturns and sweeping technological change. In 1978, Harry Rosenfeld left the Washington Post , where he oversaw the paper’s standard-setting coverage of Watergate, to take charge of two daily papers under co-ownership in Albany, New York: the morning Times Union and the evening Knickerbocker News . It was a particularly challenging moment in newspaper history. While new technologies were reducing labor costs on the production side and providing ever more sophisticated tools for journalists to practice their craft, those very same technologies would soon turn a comparatively short-lived boom into a grave threat, as ever more digitally distracted readers turned to sources other than print and other legacy media for their news. Between these boundaries, Rosenfeld set about to do his work. Picking up where his previous memoir, From Kristallnacht to Watergate , left off, Battling Editor tells the story of how Rosenfeld and his colleagues transformed two daily publications into alert and aggressive newspapers even in times of economic downturn. Bringing the investigative habits he had honed in his years at the New York Herald Tribune and the Washington Post , Rosenfeld’s objective was to tell the fully rounded stories of the region’s cities, suburbs, and rural towns, with awareness of both their achievements and their shortcomings. Furthermore, the misuse of power, whenever it happened, whether in city hall or the state capitol, in courtrooms or prisons, or in hospitals, corporations, community organizations, was to be exposed, and those accountable were to be held responsible. More importantly, however, Rosenfeld’s account is enlisted in the growing call to arms for all who cover the news and all who consume it. Written at a time when the credibility of news organizations is under attack by those at the highest levels of government, Battling Editor is a full-throated defense of fact-based journalism and hard-hitting reporting at the local as well as national level. “Harry’s book is often about tough decisions, and it stands out as a handbook on how to live an ethical life in the news business right now. Is it possible to tell the truth all the time? Sometimes. But this is an instructive narrative—especially today when the truth is such a rare commodity in the White House and Congress, and the financially beleaguered press is itself under threat as an enemy of the people. Harry and his family lived in Nazi Germany, and escaped it in 1939. A large part of his subsequent life has been an ongoing war against fascism, racism, and political criminals. This book explains how he waged that war on a daily basis in the newsrooms he managed so well, and for so long.” — from the Foreword by William Kennedy “Harry Rosenfeld made a choice. He left an exciting job at the Washington Post for the chance to do what so many editors dream of—become the guy in charge of two vibrant regional newspapers. What fun he had as a boss—being responsible for stories about local heroes, crooked politicians, and the day-to-day doings of a capital city. There also is a tinge of nostalgia in Harry’s memoir, for the kind of local reporting Harry lived for has all but disappeared in today’s newspaper world. Local coverage has been stripped away in newspaper after newspaper as all are facing dwindling readership and disappearing income.” — Seymour M. Hersh

"This book will come to be known as the one that challenged the old, winner-takes-all view of international currency competition and established the new view. Barry Eichengreen and his coauthors present thorough and telling evidence that the historical reality is that multiple currencies play consequential roles in international trade and finance--and that lock-in effects and persistence are not as strong as traditionally assumed. In short, this is a must-read for all economists interested in international macroeconomics and finance." --Richard Baldwin, Graduate Institute of International and Development Studies, Geneva "Barry Eichengreen, our pre-eminent international monetary historian, and his coauthors have written a great book around the central theme that there have almost always been multiple rival international currencies and that the advantages of being the world's lead currency are not as marked as traditionally argued. The book is lucidly written, eschewing mathematical technicalities, though the background scholarship is deeply impressive. It should be read by everyone interested in the monetary history of the past two centuries." --Charles Goodhart, London School of Economics and Political Science "This eloquent and learned book will become the standard--perhaps one should say the gold standard--for discussions of international currency regimes, and for the analysis of the uncertainties that accompany changing global leadership." --Harold James, Princeton University "The authors put the plural back into global currencies, for good reason. As their historical but highly topical research establishes, there can be more than one global (or 'reserve') currency at any one time, as has often been the case in the modern world. This is an important corrective to the recurring oversold yen then euro then yuan will rival the dollar litany. But it is also a reminder that there is more to a stable global financial system than how many currencies there are, but how the leaders of those currencies take responsibility and interact." Adam S. Posen, President, Peterson Institute for International Economics "Drawing on new data, this book provides a rich contextual and historical analysis of reserve currencies in the global economy. This is very welcome, indeed." --Sebastian Edwards, University of California, Los Angeles

“SOPHISTICATED AND SUSPENSEFUL . . . TAUTLY WRITTEN . . . Wilentz knows the world she writes about very well, and her descriptions have a solid specificity that lends authority to her fiction.” –The New York Times Book Review “At a closed Israeli checkpoint, Marina, a Palestinian mother, clutches her ailing boy, desperate for access to Jerusalem and its doctors. When a young Israeli soldier waits too long before deciding to disobey orders, a martyr is born. Thus begins a graceful, painful, illuminating novel of the Middle East. . . . [Wilentz’s] prose tugs at the reader. . . . The characters are magnetic. . . . [This] is a very human tale of regrets, revenge, and the elusive nature of absolution.” –Entertainment Weekly “SO PRECISE, SO STARTLING, SO UNFORGETTABLE. . . . These characters are all pawns of history and politics, but Wilentz makes them live.” –Los Angeles Times “MAGNIFICENT . . . Wilentz writes with a prose style reminiscent of The New Yorker ’s highest ambitions: crystalline, pure, faultlessly communicative. . . . Like the best documentaries, Martyrs’ Crossing allows us unprecedented access to a little-understood and often misrepresented part of the world.” –Chicago Tribune “A BRILLIANTLY RESEARCHED MEDIDATION ON THE CRISIS IN THE MIDDLE EAST . . . Martyr’s Crossing matches Damascus Gate in the quality of research and the mass of intriguing characters–and yet it remains a lean thriller.” –The New York Observer

This comprehensive study offers an analysis of the museum as a public institution, provides an account of its historical roots, and gives a forecast of its future. In the Foreword, S. Dillon Ripley, Secretary of the Smithsonian Institution, states: "Museums are becoming more and more important. For one thing, as Dr. Wittlin points out, museums provide immediate encounters with authenticity, or a reasonable simulacrum of it. They provide new ways of teaching and learning, and an introduction to processes of lifelong education, now a priority for everyone." An earlier book by Dr. Wittlin, The Museum: Its History and Its Tasks in Education, was the direct predecessor of the present work. The historical chapters have been expanded, and whereas the former volume ended with the outbreak of the Second World War, this study considers the achievements that took place in all parts of the world from 1945 up to the present time. The author's earlier work, published in England, gained international acclaim as a definitive publication in the field and was praised for its philosophical depth, historical breadth, and perceptive insights into the character of a complex institution. Museological events of a scope without precedent are today in a stage of drafting and builidng. Dr. Wittlin examines all aspects of a museum's function: from the traditional functions as a depository, a center of research, and an educational agency to the newer, perhaps peripheral, functions that the author summarizes under the term "cultural center." All these purposes, though valid, must be constantly reexamined in the light of the "extending frontiers of knowledge, rising standards of general education, and of access to new techniques based on scientific advances." In a chapter on a "Twelve-Point Program for Museum Renewal" the main, broad facets of the institution are clearly and concisely discussed. Dr. Wittlin begins with a definition of the term museum established by the International Council of Museums and describes problems of institutional identity and funding, training of personnel, and determining visitor population. She also points up the fallacies in the assumption that mere exposure to exhibits results in learning and stimulation. This book is an impressive and scholarly presentation of the museum pictured through its past and examined in its present functioning as well as what it may offer in the foreseeable future. It is also entertainingly written. The "hottest" current issue, as Dr. Wittlin calls it, is ecology, the study of the interdependence of all living things not only among themselves but with the organic environment. The museum's role in this issue is postulated and discussed. The work is amply illustrated.