When Peter sees the model ship in the shop window, he wants it more than anything else on Earth. But this is no ordinary model. The ship takes Peter and the other children on magical flights, wherever they ask to go. Time after time the magic ship takes them on different exciting adventures, to different countries, and to different times. And why should magic ever end?

Hillel Halkin is an American-born Jew who has cast his personal and historical lot with Israel. The imaginary American Jewish friend to whom Halkin directs his onrush of argument is an equally committed young Jew who, however, upholds the possibility of a viable Jewish life outside of Israel. He has just returned to the United states after his second visit to Israel and written a letter of his impressions, which triggers the present correspondence. The two friends argue about Zionism, Israel, Jewish history and culture, the nature of Jewishness. As the gauntlet is flung back and forth, Halkin elaborates his case that Jewish history and Israeli history are two lines in the process of converging, so that for all practical purposes the struggle for Jewish survival and the struggle for Israel are the same; and that any Jew who chooses, in the absence of extenuating circumstances, not to live in Israel is removing himself to the peripheries of the struggle for Jewish survival and away from the center of Jewish history.

It is no longer news that the history of the European past and its role in shaping American cultural life is under severe attack. In virtually every university that offers a liberal arts curriculum, in every arts institution that deals with European classics, in the offices of every publication that engages in intellectual pursuits, the discussion of the past has become the principal battleground for mapping out the future of our culture. In this provocative and insightful collection of essays first published in The New Criterion, ten distinguished critics reflect on the fate of Europe’s cultural and political legacy as we approach the turn of the century. On subjects ranging from the collapse of communism and its implications for European society, to the study of the classics, to the prospects for serious music and art, these essays offer analyses marked by wit, independence, and commanding intelligence. The contributors include David Pryce-Jones, Anne Applebaum, Roger Scruton, John Gross, Ferdinand Mount, John Herington, Keith Windschuttle, Mark Steyn, Hilton Kramer, and Roger Kimball. The Future of the European Past is a major contribution to the debate over some of the most pressing cultural issues of our time.

The great authority and historical undergirding of Hilton Kramer's art criticism are on abundant display in this first collection of his pieces to appear in twenty years. The essays and reviews in The Triumph of Modernism constitute a fever chart of the contemporary art scene, diagnosing the state of modernism and its vital legacy in the postmodern world.

How did ancient Jewish authors claim authority for their interpretations? How, after the a oeend of prophecya, could they claim the authority of revelation? Whom did one have to be, or aspire to be, in order to merit authority? Hindy Najman addresses these questions through close readings of ancient Jewish texts, e.g., Ezra-Nehemiah, Philo of Alexandria, 4Ezra, Dead Sea Scrolls, and Jubilees. In Seconding Sinai (Brill, 2003), Najman reconceived pseudepigraphy, developing the idea of a Mosaic discourse that comprised a series of ancient texts attributed to Moses. Here she develops the broader notion of a discourse tied to a founder, situating practices of pseudepigraphy and authoritative interpretation within a variety of ways of seeking perfection in ancient Judaism.

"Her book is all about people. . . . The publishers say of it that 'field work in its personal and objective dimension is placed under a kind of microscope. The book is a must for all field workers in the social sciences.' That claim does not seem to me excessive." -Edmund Leach, New York Review of Books "There are few books which are as informative of what it means to be a field-worker in social science as Hortense Powdermaker's Stranger and Friend. This book should be must reading both for scholars and students." -Seymour M. Lipset, Harvard University "Stranger and Friend is a passionate plea for anthropology as a human discipline as well as a science, as an all-engrossing life experience as well as a profession, and increasingly as a subject in the curriculum of graduate and undergraduate studies." -Margaret Mead, American Museum of Natural History "This is just the kind of book needed in anthropology today. It tells objectively, but in warm and human terms, how important research was done. It contributes to methodology and to the history of the science of anthropology." -Charles Wagley, Columbia University "This is an essential book for anyone interested in the problems of an anthropologist at work." -Cornelius Osgood, Peabody Museum of Natural History

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The fall of man from Cain's point of view. He calls God a spiteful tyrant and has nasty things to say about such biblical personages as Abel, Adam and Eve, and his girlfriend, Zilpah. By the author of Coming from Behind.

Marvin Kreitman, the luggage baron of South London, lives for sex. Or at least he lives for women. At present he loves four women - his mother, his wife Hazel, and his two daughters - and is in love with five more. Charlie Merriweather, on the other hand, nice Charlie, loves just the one woman, also called Charlie, the wife with whom he has been writing children's books and having nice sex for twenty years. Once a week the two friends meet for a Chinese lunch, contriving never quite to have the conversation they would like to have - about fidelity and womanising, and which makes you happier. Until today. It is Charlie who takes the dangerous step of asking for a piece of Marvin's disordered life, but what follows embroils them all, the wives no less than the husbands. And none of them will ever be the same again.

Although known primarily as a poet, Howard Nemerov has distinguished himself as a critic, short story writer, novelist, and poet. With nearly four dozen poems including two that have not yet been collected, eight stories, fourteen essays, and one complete novel, A Howard Nemerov Reader represents the career of one of America's most distinguished men of letters.

"When two daughters are left to their own devices, they soon wreak havoc on their father's wealthy Boston household. While Susan carries on an affair with her psychiatrist and is blackmailed by the butler, Claire turns the third floor into a rehabilitation center for prostitutes. And that's just the start of the dizzying round of events that make up this wickedly funny satire on contemporary American life."--Publishers website.

Howard Roffman has a unique talent to capture the magical attractive power of young men in photographs. His weightless-erotic photos are of celestial beauty and Jagged Youth is a love declaration to the natural erotic aura of his models presented in photo series. An erotic masterpeice!

So far Howard Roffman created two photo books with beautiful color images of the boys of the famous East-European film studio Bel Ami. Should the third book in this collection - Paradise Found - be seen as the end of the artist's search for beauty? The title might suggest this; the intensity of these pictures makes it obvious that Roffman has found his

Pictures of nostalgia and of desire. Innocent, shy faces in search of erotic identity. Howard Roffman has a unique talent for capturing the magical attractive power of young men in photographs. His images depict ethereal beauty and candid authenticity. Perfect Boy is a celebration of the natural erotic aura of his young subjects, presented in a series of nine intimate and sensual photo essays.

Hugo Gernsback, the publisher of the first American Science Fiction magazine, Amazing Stories, issued at least eighteen 24-page chapbooks between 1929 and 1932, each containing one or two stories. This book collects together 6 of those chapbooks, with a total of 7 stories by such authors as Jack Williamson, Manly Wade Wellman, and David H. Keller M.D. From Pulpville Press.