Analyzes the myth of Judas Iscariot in the Gospels, its development in Christian tradition and folklore, and its antisemitic significance from the ancient period up to modern times. The image of Judas Iscariot as the evil betrayer of Jesus has been an important source of antisemitism among Christians, even those who do not accept the fundamental beliefs of the Christian religion. Argues that the myth of Judas as the betrayer is not supported by the New Testament. Suggests that Judas was identical with Jude the Apostle; he has been saddled with a degrading myth that is an insult to his loyalty and integrity.

'Dream I Tell You' is an account of, and commentary on, a collection of dreams by the novelist, playwright and theorist. This title explores the literary oeuvre of Hélène Cixious, as well as examining French feminist theory.

"Manhattan is the tale of a young French scholar who travels to the United States in 1965 on a Fulbright Fellowship to consult the manuscripts of beloved authors. In Yale University's Beinecke Library, tantalized by the conversational and epistolary brilliance of a fellow researcher, she is lured into a picaresque and tragic adventure. Meanwhile, back in France, her children and no-nonsense mother await her return. A young European intellectual's first contact with America and the city of New York are the background of this story. The experience of Manhattan haunts this labyrinth of a book as, over a period of thirty-five years, its narrator visits and revisits Central Park and a half-buried squirrel, the Statue of Liberty and a never again to be found hotel in the vicinity of Morningside Heights: a journey into memory in which everything is never the same. Traveling from library to library, France to the United States, Shakespeare to Kafka to Joyce, Manhattan deploys with gusto all the techniques for which Cixous's fiction and essays are known: rapid juxtapositions of time and place, narrative and description, analysis and philosophical reflection. It investigates subjects Cixous has spent her life probing: reading, writing, and the "omnipotence-other" seductions of literature; a family's flight from Nazi Germany and postcolonial Algeria; childhood, motherhood, and, not least, the strange experience of falling in love with a counterfeit genius"--

"This collection gathers most of Hélène Cixous' texts devoted to contemporary artists, such as the painter Nancy Spero, the photographer Andres Serrano, the visual artist Roni Horn, the fashion designer Sonia Rykiel and the choreographer Karine Saporta, among others. The artworks belong to different genres and media - photography, painting, installations, film, choreography and fashion design - while the commentaries all deal with some of Hélène Cixous' privileged themes: exile, war, violence (against women) and exclusion, as well as love, memory, beauty and tenderness.

A genre-defying account of confinement and its literary echoes through history. As the pandemic sweeps through Paris in March 2020, the writer HC faces a choice: stay in Paris or flee to the countryside? The weight of historical responses bears down on her--those of her ancestors and Jewish writers during moments of persecution. Still uncertain, she flees to the country at the last moment, with her cats and her daughter, with her diaries and notebooks. What will she do here? Write? What will she write about? Can she write about the experience of being confined? She will write about her cats; every day she will observe their lives and take notes about how they cope with being housebound, and later, in the spring, with the outdoors. Thucydides, Defoe, Camus, Kafka--she will compare her experiences with those of others who have been confined by malady or persecution. She will write of her mother, who fled impending disaster on many occasions and always kept a suitcase ready. She too will endure. The important thing is to have a good death, surrounded by those she loves, not locked down in a hospital.

In writing Le Livre de Promethea Hélène Cixous set for herself the task of bridging the immeasurable distance between love and language. She describes a love between two women in its totality, experienced as both a physical presence and a sense of infinity. The result is a stunning example of Pecriture feminine that won kudos when published in France in 1983. Its translation into English by Betsy Wing will extend the influence of a writer already famous for her novels and contributions to feminist theory. In her introduction Betsy Wing notes the contemporary emphasis on "fictions of presence." Cixous, in The Book of Promethea, works to "repair the separation between fiction and presence, trying to chronicle a very-present love without destroying it in the writing."

"Matzah and Flour: Recipes from the History of the Sephardic Jews offers a tantalizing exploration of the central role of matzah and flour in Sephardic cuisine. Journey through centuries of tradition as flour, from various grains like chickpea, corn, and barley, intertwines with cultural narratives and religious observance. Delve into the symbolism of matzah, from its origins in the Exodus story to its embodiment of resilience and identity. Each of this cookbook's thoughtfully prepared recipes is a testament to the transformative power of flour in Sephardic culinary heritage. From savory delicacies to sweet delights, these timeless flavors have sustained Sephardic families through history. Matzah and Flour is a celebration of tradition, history, and the enduring legacy of Sephardic Jewish cuisine."--

This long awaited biography provides a fascinating and comprehensive picture of Garcia Marquez's life up to the publication of his classic 100 Years of Solitude. Based on nearly a decade of research, this biographical study sheds new light on the life and works of the Nobel Laureate, father of magical realism, and bestselling author in the history of the Spanish language. As Garcia Marquez's impact endures on well into his ninth decade, the biographer's keen insights constitute the definitive re-appraisal of the literary giant's life and corpus. The later part of his life will be covered in a second book

Literary Nonfiction. Poetry. Editors Ilya Kaminsky and Katherine Towler have gathered conversations with nineteen of America's leading poets, reflecting upon their diverse experiences with spirituality and the craft of writing. Bringing together poets who are Christian, Buddhist, Jewish, Muslim, Pagan, Native American, Wiccan, agnostic, and otherwise, this book offers frank and thoughtful consideration of themes too often polarized and politicized in our society. Participants include Li-Young Lee, Jane Hirshfield, Carolyn Forche, Gerald Stern, Christian Wiman, Joy Harjo, and Gregory Orr, and others, all wrestling with difficult questions of human existence and the sources of art.

Who hasn't heard of him - Oedipus, the tragic figure from Greek mythology whose shocking fate has moved so many generations, inspired so many writers and even found his way into modern psychology through Sigmund Freud? Is it conceivable that this figure and his fate was not a creation of human fancy at all but the conversion of real historical happenings? This question is posed by Immanuel Velikovsky in the present book. Like a detective, he takes the reader on a unique investigation full of suspense, breathtaking surprises and insights while meticulously searching for traces of a finding that seems to be even more incredible than the original myth itself. The most popular pharaonic family of all - Akhnaton along with his wife Nefertiti and his son Tutankhamen - are exposed as the real protagonists of the Oedipus saga.

The work that helped to determine Paul Feyerabend's fame and notoriety, Against Method, stemmed from Imre Lakatos's challenge: "In 1970 Imre cornered me at a party. 'Paul,' he said, 'you have such strange ideas. Why don't you write them down? I shall write a reply, we publish the whole thing and I promise you—we shall have a lot of fun.' " Although Lakatos died before he could write his reply, For and Against Method reconstructs his original counter-arguments from lectures and correspondence previously unpublished in English, allowing us to enjoy the "fun" two of this century's most eminent philosophers had, matching their wits and ideas on the subject of the scientific method. For and Against Method opens with an imaginary dialogue between Lakatos and Feyerabend, which Matteo Motterlini has constructed, based on their published works, to synthesize their positions and arguments. Part one presents the transcripts of the last lectures on method that Lakatos delivered. Part two, Feyerabend's response, consists of a previously published essay on anarchism, which began the attack on Lakatos's position that Feyerabend later continued in Against Method. The third and longest section consists of the correspondence Lakatos and Feyerabend exchanged on method and many other issues and ideas, as well as the events of their daily lives, between 1968 and Lakatos's death in 1974. The delight Lakatos and Feyerabend took in philosophical debate, and the relish with which they sparred, come to life again in For and Against Method, making it essential and lively reading for anyone interested in these two fascinating and controversial thinkers and their immense contributions to philosophy of science. "The writings in this volume are of considerable intellectual importance, and will be of great interest to anyone concerned with the development of the philosophical views of Lakatos and Feyerabend, or indeed with the development of philosophy of science in general during this crucial period."—Donald Gillies, British Journal for the Philosophy of Science (on the Italian edition) "A stimulating exchange of letters between two philosophical entertainers."—Tariq Ali, The Independent Imre Lakatos (1922-1974) was professor of logic at the London School of Economics. He was the author of Proofs and Refutations and the two-volume Philosophical Papers . Paul Feyerabend (1924-1994) was educated in Europe and held numerous teaching posts throughout his career. Among his books are Against Method ; Science in a Free Society ; Farewell to Reason ; and Killing Time: The Autobiography of Paul Feyerabend , the last published by the University of Chicago Press.

For people who never thought they would read a book of theology--let alone understand it, enjoy it, savor it and have it affect the way they think about their lives. In forty-five intense meditations, each a page or two in length, Stone takes us on explorations of the most basic human struggles: life and death, love and anger, peace and war, covenant and exile.

Since it was published in 1975, Play for Today has become a leading introduction to writing and producing drama on television. Irene Shubik, in a unique survey of British television in its Golden Age, describes the role of the producer in the making of an original television play, from initial discussions with writers to broadcast. In tracing the rise of television drama in the context of her own career, she details the intellectual, financial and technical problems of productions, and includes a fascinating chapter on the effect of reactions from critics and viewers. In this new edition, Shubik adds a firsthand account of how the popular Rumpole of the Bailey series evolved and how she developed the critically and commercially successful The Jewel in the Crown.

“Pre-eminent among historians of labor history.†—Arthur Schlesinger, Jr. The textbook history of the 1920s is a story of Prohibition, flappers, and unbounded prosperity. For millions of industrial workers, however, the “roaring twenties†looked very different. Working-class communities were already in crisis in the years before the stock market crash of 1929. Strikes in the 1920s and attempts to organize the unemployed and fight evictions in the early 1930s often fell victim to police violence and repression. Here, Irving Bernstein recaptures the social history of the decade leading up to Franklin Delano Rooseveltâ€s inauguration, uncovers its widespread inequality, and sheds light on the long-forgotten struggles that form the prelude to the great labor victories of the 1930s. "In other words, viewed from afar, most of the people who were suffering the hardships of the Depression were depressed and even ashamed, ready to blame themselves for their plight. But the train of developments that connects changes in social conditions to a changed consciousness is not simple. People, including ordinary people, harbor somewhere in their memories the building blocks of different and contradictory interpretations of what it is that is happening to them, of who should be blamed, and what can be done about it. Even the hangdog and ashamed unemployed worker who swings his lunch box and strides down the street so the neighbors will think he is going to a job can also have other ideas that only have to be evoked, and when they are make it possible for him on another day to rally with others and rise up in anger at his condition. —From the new introduction by Frances Fox Piven

A confrontation and critique edited by Irving Howe with essays by Michael Harrington, Paul Goodman, Eugene Genovese, Robert Brustein, Theodore Draper, Lewis Coser, and many others.

Provocative commentary by a teacher, editor, and critic.