揧ablonsky, a sociologist and one of the foremost authorities in phychodrama, raises the book from ordinary show biz profiles to a penetrating insight into the relationship of personality to screen image, of character to social symbol. Like much about Raft, the book has class.?br>?i>Los Angeles Times 揟he most roguishly appealing movie bio since Errol Flynn抯 My Wicked, Wicked Ways .?br>?i>Kirkus Reviews 揟he story of my good friend George抯 climb from the rowdy speakeasy clubs on Broadway in the twenties to the top of Hollywood stardom is an exciting American saga. Reading George抯 biography by Lewis Yablonsky is the next best thing to being there.?br>?i>Frank Sinatra 揂 great story. George was an important and exciting star. When better men like George are made梩hen I'll make 抏m.?br>?i>Mae West

"Elgar Advanced Introductions are stimulating and thoughtful introductions to major fields in the social sciences, business and law, expertly written by the world's leading scholars. Designed to be accessible yet rigorous, they offer concise and lucid surveys of the substantive and policy issues associated with discrete subject areas. This updated second edition presents nationalism as the most important social force shaping the ways in which people live their lives. It explains the formative influence of nationalism in the public spheres of politics and the economy, as well as the private spheres of emotional wellbeing and mental illness. In this new edition, Liah Greenfeld adds the discussion of civilization to concepts addressed in the original edition, providing an original, meaningful, logical definition of the concept, and allowing for a reliable delineation of the three civilizations coexisting in the world today: the monotheistic one, the Indic, and the Sinic. She explains how nationalism is modified by the civilizational background. Basing its conclusions on over 35 years of original comparative historical research, this book bears the characteristic Liah Greenfeld imprint: fact-based discussion, logical rigor, unexpected connections, and an exceptionally wide range of issues woven together to explain the way we live now. Key features of the second edition include: - preface addressing the spread of nationalism into China and India - updated reading lists, directing students and scholars towards useful resources for further in-depth study"-- Provided by publisher.

What might Heidegger say about Halo, the popular video game franchise, if he were alive today? What would Augustine think about Assassin’s Creed ? What could Maimonides teach us about Nintendo’s eponymous hero, Mario? While some critics might dismiss such inquiries outright, protesting that these great thinkers would never concern themselves with a medium so crude and mindless as video games, it is important to recognize that games like these are becoming the defining medium of our time. We spend more time and money on video games than on books, television, or film, and any serious thinker of our age should be concerned with these games, what they are saying about us, and what we are learning from them. Yet video games remain relatively unexplored by both scholars and pundits alike. Few have advanced beyond outmoded and futile attempts to tie gameplay to violent behavior. With this rumor now thoroughly and repeatedly disproven, it is time to delve deeper. Just as the Museum of Modern Art in Manhattan recently acquired fourteen games as part of its permanent collection, so too must we seek to add a serious consideration of virtual worlds to the pantheon of philosophical inquiry. In God in the Machine, author Liel Leibovitz leads a fascinating tour of the emerging virtual landscape and its many dazzling vistas from which we are offered new vantage points on age-old theological and philosophical questions. Free will vs. determinism, the importance of ritual, transcendence through mastery, notions of the self, justice and sin, life, death, and resurrection all come into play in the video games that some critics so quickly write off as mind-numbing wastes of time. When one looks closely at how these games are designed, their inherent logic, and their cognitive effects on players, it becomes clear that playing these games creates a state of awareness vastly different from when we watch television or read a book. Indeed, the gameplay is a far more dynamic process that draws on various faculties of mind and body to evoke sensations that might more commonly be associated with religious experience. Getting swept away in an engaging game can be a profoundly spiritual activity. It is not to think , but rather to be , a logic that sustained our ancestors for millennia as they looked heavenward for answers. As more and more of us look “screenward,” it is crucial to investigate these games for their vast potential as fine instruments of moral training. Anyone seeking a concise and well-reasoned introduction to the subject would do well to start with God in the Machine . By illuminating both where video game storytelling is now and where it currently butts up against certain inherent limitations, Liebovitz intriguingly implies how the field and, in turn, our experiences might continue to evolve and advance in the coming years.

How do people come to think of themselves as part of a nation? Dramas of Nationhood identifies a fantastic cultural form that binds together the Egyptian nation—television serials. These melodramatic programs—like soap operas but more closely tied to political and social issues than their Western counterparts—have been shown on television in Egypt for more than thirty years. In this book, Lila Abu-Lughod examines the shifting politics of these serials and the way their contents both reflect and seek to direct the changing course of Islam, gender relations, and everyday life in this Middle Eastern nation.Representing a decade’s worth of research, Dramas of Nationhood makes a case for the importance of studying television to answer larger questions about culture, power, and modern self-fashionings. Abu-Lughod explores the elements of developmentalist ideology and the visions of national progress that once dominated Egyptian television—now experiencing a crisis. She discusses the broadcasts in rich detail, from the generic emotional qualities of TV serials and the depictions of authentic national culture, to the debates inflamed by their deliberate strategies for combating religious extremism.

"All is true," realist writers would say of their work, to which critics now respond: All is art and artifice. Offering a new approach to reading nineteenth-century realist fiction, Lilian R. Furst seeks to reconcile these contradictory claims. In doing so, she clarifies the deceptions, appropriations, intentions, and ultimately the power of literary realism.In close textual analyses of works ranging across European and American literature, including paradigmatic texts by Balzac, Flaubert, George Eliot, Zola, Henry James, and Thomas Mann, Furst shows how the handling of time, the presentation of place, and certain narrational strategies have served the realists’ claim. She demonstrates how readers today, like those a hundred years ago, are convinced of the authenticity of the created illusion by such means as framing, voice, perspective, and the slippage from metonymy to metaphor. Further, Furst reveals the pains the realists took to conceal these devices, and thus to protect their claim to be employing a simple form. Taking into account both the claims and the covert strategies of these writers, All Is True puts forward an alternative to the conventional polarized reading of the realist text—which emerges here as neither strictly an imitation of an extraneous model nor simply a web of words but a brilliantly complex imbrication of the two.A major statement on one of the most enduring forms in cultural history, this book promises to alter not only our view of realist fiction but our understanding of how we read it.

"On Writing with Photography explores what happens to texts--and images--when they are brought together, addressing a wide range of genres and media, including graphic novels, children's books, photo-essays, films, diaries, newspapers, and art installations. Together, these essays help explain how writers and photographers--past and present--have served as powerful creative resources for each other."--Publisher's website

THE OLD BROWN SUITCASE is about three very timely topics:- new immigrants to our country- growing up in multicultural Canada- interest in Holocaust events and victims.

Identical twins, Albert and Arabella, save their fellow raccoons from the wrath of the skunks and possums when a critical situation develops over opening garbage cans.

The Turtle family is puzzled by a very strange bump under the lettuce bed in their garden.

"The interpolations tying mathematics into human life and thought are brilliantly clear."— Booklist "Her presentation…is conversational and humorous, and should help to simplify some complex concepts."— Kirkus Infinity. It sounds simple…but is it? This elegant, accessible, and playful book artfully illuminates one of the most intriguing ideas in mathematics. Lillian Lieber presents an entertaining, yet thorough, explanation of the concept and cleverly connects mathematical reasoning to larger issues in society. Infinity includes a new foreword by Harvard professor Barry Mazur. "Another excellent book for the lay reader of mathematics…In explaining [infinity], the author introduces the reader to a good many other mathematical terms and concepts that seem unintelligible in a formal text but are much less formidable when presented in the author's individual and very readable style."— Library Journal "Mrs. Lieber, in this text illustrated by her husband, Hugh Gray Lieber, has tackled the formidable task of explaining infinity in simple terms, in short line, short sentence technique popularized by her in The Education of T.C. MITS ."— Chicago Sunday Tribune

Product Description Winner of the New South Wales Premier's Christina Stead Prize for best Australian work of fiction in 1995. "Lily Brett's third novel is about a happy marriage, the presence of death in life, the yearning for meaning and the realization that making sense of life is sheer farce. Esther Zepler and her husband, Sean, both expats from Melbourne, live and work in New York. They are both successful - she writes obituaries for papers worldwide and he is an artist. They are also successful parents. Brett writes with great wit and a sometimes shockingly base humor which is always very funny - for my money she's much better than Nora Ephron. Nothing is out of place in this novel as it concentrates upon Esther's life, her pain as well as her happiness. The pleasure of Just Like That is that is has great intellectual poise while it exploits all the joys of the contemporary novel. Like Catch 22 it is a serious novel that is often hilarious. Esther Zepler is a wonderful creation. ... A fabulously good novel." -the Sunday Age (Melbourne) About the Author Lily Brett is the Australian author of five novels, seven volumes of poetry, and three books of essays. Her 2001 novel "Too Many Men" was a critically acclaimed bestseller that received starred reviews from Booklist and Publishers' Weekly. Her most recent novel is "You Gotta Have Balls" (2006). Her sixth novel, "Lola Bensky," is being published this autumn in Australia and Germany.

This Elibron Classics book is a facsimile reprint of a 1896 edition by the University Press, Cambridge.