Kings and Queens have always provided their subjects with a great deal to talk about. But how much do we really know about them? For instance, who became king when he was only nine months old? Which king invented the handkerchief? Which king died on the toilet? And who is England's longest reigning monarch? In this fascinating and witty look at kings and queens of England, Tony Robinson provides all the answers to these questions and many, many more.

'I'm no angel.' Bernie Ecclestone Born into poverty, Bernie Ecclestone has made himself a billionaire by developing the world's second most popular sport - Formula One racing. Private, mysterious and some say sinister, the eighty-year-old criss-crosses the globe in his private jet, mixing with celebrities, statesmen and sporting heroes. His success is not just in creating a multibillion-pound global business but in resisting repeated attempts to snatch the glittering prize from his control. Ecclestone has never before revealed how he graduated from selling second-hand cars in London's notorious Warren Street to become the major player he is today. He has finally decided to reveal his secrets: the deals, the marriages, the disasters and the successes in Formula One racing, in Downing Street, in casinos, on yachts and in the air. Surprisingly, he has granted access to his inner circle to Tom Bower, described by Ecclestone as 'The Undertaker' - the man who buries reputations - and has given him access to all his friends and enemies. All have been told by Ecclestone, 'Tell him the truth, good or bad.' No Angel is a classic rags-to-riches story, the unique portrayal of a unique man and an intriguing insight into Formula One racing, business and the human spirit. Tom Bower is the author of nineteen books, including biographies of Robert Maxwell, Mohamed Fayed, Gordon Brown, Richard Branson, Conrad Black and more recently, Simon Cowell.

(Applause Books). "The best way I know to resuscitate the theatre is to produce dangerous new works." Stuart Ostrow. Producer Stuart Ostrow's manifesto of how intelligent life might be restored to the theatre is also a unique personal memoir of the producer-creator relationship and an evaluation of the essentials that can make a show fly, or remain earthbound. As a solo producer, Ostrow's many productions include M. Butterfly , which won the Tony Award for Best Play; Pippin ; and 1776 , which received both the New York and London Drama Critics Awards as well as the Tony Award for Best Musical. He produced the original Broadway production of the critically acclaimed La Bete , which won the Olivier Award in London for Best Comedy. Ostrow was brought in to fix the original production of Chicago , collaborated with Anthony Hopkins on a London production of M. Butterfly , that was not meant to be, and even had his own play, Stages , directed on Broadway by the avant-garde theatrical pioneer Richard Foreman. He riffs about the heroes and heels he's met along the way and that great cast includes Frank Loesser, Meredith Willson, Mel Brooks, Mike Nichols, Bob Fosse, David Geffen, Andrew Lloyd Webber, David Henry Hwang, John Kander, Fred Ebb, and many more.

Inside of Time is a book for everyone eager to read about the personal and human side of our stirring times. The vivid recollections of a trailblazing eyewitness to history, combined with stories of Gruber's intimate friendships with luminaries of the century, has created a book to cherish. In the Roosevelt administration and as a foreign correspondent with the New York Herald Tribune, Gruber worked with, wrote about, and was mentored by a cast that included Harold Ickes, FDR's Secretary of the Interior, who in 1941 appointed Gruber as his personal representative to Alaska; Helen Rogers Reid, Herald Tribune publisher and Gruber's boss, who scheduled her to speak at lecture forums where Gruber shared the podium with Churchill and DeGaulle; Golda Meir, with whom she swapped kitchen table confidences about their families; David Ben-Gurion, whose prophetic voice made him the most inspiring leader Gruber ever knew; and Eleanor Roosevelt, whom Gruber shepherded to Israel in the early 1950s. Spanning 1941–1955, Gruber also recalls the fierce anti-Semitism she overcame in Congress, the DP camps she saw in Germany after WWII, and traveling with the Israeli army during the War for Independence. Sixteen pages of photographs add to this enthralling autobiography by one of America's best journalists.

As the bloodshed in Iraq intensified in 2005, Afghanistan quickly faded from the nation's front pages to become the “other war,” supposedly going well and largely ignored. In fact, the insurgency in Afghanistan was about to break out with renewed force, the drug problem was worsening, and international coordination was losing focus. That July, Ronald Neumann arrived in Kabul from Baghdad as the U.S. ambassador, bringing the experience of a career diplomat whose professional lifetime had been spent in the greater Middle East, beginning thirty-eight years earlier in the same country in which it ended—Afghanistan. Neumann's account of how the war in Afghanistan unfolded over the next two years is rich with heretofore unexamined details of operations, tensions, and policy decisions. He demonstrates why the United States was slow to recognize the challenge it faced and why it failed to make the requisite commitment of economic, military, and civilian resources. His account provides a new understanding of the problems of alliance warfare in conducting simultaneous nation building and counterinsurgency. Honest in recounting failures as well as successes, the book is must reading as much for students of international affairs who want to understand the reality of diplomatic policymaking and implementation in the field as for those who want to understand the nation's complex “other war.”

Robin Morgan is known as a prize-winning author, a political theorist, and a founder of the contemporary women's movement. But these adult accomplishments eclipsed an earlier fame. "Saturday's child has to work for a living," and Morgan has--since the age of two. She was a tot model, had her own radio show at age four, and was a child star on television, including on the popular series "Mama." Unlike most child actors, she emerged to reinvent a life filled with literary achievement and constructive politics.Here Morgan tells the whole story--the years as a child so famous she was named "The Ideal American Girl," her fight to become a serious writer, marriage to a fiery bisexual poet, motherhood, lovers (male and female), and decades working on civil rights, the radical underground, and global feminism. This is the intensely personal, behind-the-scenes story of her life.

Biographical sketches show how six writers and public figures prepared for their deaths

Examines three medieval Jewish accounts of the First Crusade massacres in the Rhine area: the "Mainz Anonymous, " the "Solomon bar Simson Chronicle, " and the "Eliezer bar Nathan Chronicle." Discerns five voices or perspectives in these narratives due to the fact that the "Solomon bar Simson Chronicle" is a compilation of several prior compositions. Suggests that the narratives were composed in order to provide important time-bound information (the course of events, apology of the Jews - both those who chose martyrdom and those who converted, etc.), as well as to address critical timeless issues (including guidance for the future, theodicy, "Kiddush Hashem, " etc.). Believes that the data provided by the two early narratives - the "Mainz Anonymous" and the Speyer-Worms-Mainz unit of the "Solomon bar Simson Chronicle" - are historically reliable, while the other narratives are less reliable. Concludes that the combination of time-bound and timeless concerns reflects an innovative style of historical writing and new views on the relationship between God, humanity, and history.

Out of Thin Air is the story of the news behind the news. Studded with personal anecdotes, this is the inside story of the people and events that shaped the way TV reports the news. Frank gives readers a revealing look at how hit-or-miss the development of TV news was--and what a seat-of-the-pants adventure creating the news turned out to be.

Relates the experiences of Elia Aelion, a Jew from Salonika born in 1918, as told to Fromer and written by her. In 1941 he fled to Athens; in 1943, when the Germans entered Athens, Aelion and his friends left the city for a suburb, where they lived for ten months in a villa whose owner agreed to rent part of it to Jews. In August 1944 they were discovered by the Germans; Aelion managed to evade arrest and to survive until the liberation. Many members of his family perished in the Holocaust. Includes a historical introduction (pp. 3-15) and notes by Fromer. Pp. 145-159 contain appendices, including a chronology of the Holocaust in Greece and statistical information on transports and the destruction of Jewish communities in Greece.

An informative memoir of kibbutz life that reveal a piece of Israel's early story that should not be forgotten.

"A compelling record of one year in the life of a writer, including observations about movies, art, music, friendship, travel, and family. The essay is the most pluckily pedestrian and blithely transgressive of literary genres, the one that is most at large and in need, picking through the accumulated disjecta of daily life and personal and social history to take what it needs and remake it as it sees fit. It is, at its lively best, quite indifferent to the claims of style, fashion, theory, and respectability, provoking and inspiring through the pleasure of surprise. In 2016, Philip Lopate, who has been writing essays and thinking about the essay for decades now, turned his attention to one of the essay's offshoots, the blog, a form by that time already thick, as he knew, with virtual dust. Lopate committed to writing a weekly blog about, really, whatever over the course of a year, a quicker pace of delivery than he'd ever undertaken and one that carried the risk of all too regularly falling short. What emerged was A Year and a Day, a collection of forty-seven essays best characterized as a single essay a year in the making, a virtuosic (if never showy) demonstration of the essay's range and reach, meandering, looping back, pressing reset, forging on. Lopate's topics along the way include family, James Baldwin, a trip to China, Agnes Martin, Abbas Kiarastomi, the resistable rise of Donald Trump, death, desire, and the tribulations, small and large, of daily life. What results is at once a self-portrait, a picture of the times, and a splendid new elaboration of what the essay can be"--

The number one bestselling memoir of one of New Labour's three founding architects, now with a revealing new chapter updating this paperback edition. Peter Mandelson is one of the most influential politicians of modern times. The Third Man is his story - of a life played out in the backroom and then on the frontline of the Labour Party during its unprecedented three terms in government. Much of the book is devoted to the defining political relationships of Peter Mandelson's life - with Tony Blair and Gordon Brown. Charting what he terms the 'soap-opera' years of the Labour government, his book continues to ruffle feathers with an updated preface bringing the story up to the tempestuous present.

"The best voice that ever graced 2-Tone."-- Rolling Stone "The iconic queen of ska. . . . It's gritty, witty, and compelling."-- Elle Lead singer for platinum-selling 2-Tone band The Selecter, Pauline Black has been in the music business for over thirty years. The only woman in a movement dominated by men, she was very much the Queen of British Ska. She saw The Specials, Madness, Dexy's Midnight Runners, and all the other top bands of that generation at their very best . . . and worst. Black was born in 1953 of Anglo-Jewish/Nigerian parents. Adopted by a white, working class family in the fifties, Pauline was always made to feel different, both by the local community and members of her extended family, who saw her at best as a curiosity, at worst as an embarrassing inconvenience. Weaving her rise to fame and recollections of the 2-Tone phenomenon with her moving search for her birth parents, Black By Design is a funny and enlightening memoir of music and roots. Pauline Black is a singer and actress who gained fame as the lead singer of seminal 2-Tone band The Selecter. The band's new album was released in September 2011.

"Continuing the story that began in his widely praised Boston Boy, Nat Hentoff in Speaking Freely guides us through more than forty years of his life in journalism, a career as various as his passions, and follows our social history from the civil rights and antiwar movements to the most incendiary battles (such as abortion) of the present day. Hentoff first evokes New York in the fifties, when he wrote for the jazz magazine Down Beat and came to know some of the most talented jazzmen of all time--Duke Ellington, Thelonious Monk, Charles Mingus, and Dizzy Gillespie, to name only a few. He looks back to his apprenticeship under George Seldes and I. F. Stone, two unyieldingly independent journalists whom he credits with charting his direction in the field. And he recounts his associations with a wide array of Americans, from Malcolm X, who was a friend, to Louis Farrakhan, who has labeled Hentoff "the Antichrist" ; from Adlai Stevenson to John Cardinal O'Connor; and from the "utterly singular" editor of The New Yorker, William Shawn, to uncelebrated heroes far afield from Manhattan and Washington. As a staff writer for the Village Voice and a syndicated columnist for the Washington Post, Hentoff has gained a reputation as one of the nation's most respected, uncompromising, and controversial writers on civil liberties and on the difficult issues and wide-ranging forms of injustice manifest in our age." -- Provided by Publisher.

The nine American Jews of whom Milton Konvitz writes are philosophers, jurists, or rabbis, widely known and readily accepted as American Jewish thinkers. Their work reflects all essential Jewish values. Each person in his own way has dedicated his work to the betterment of life and the advancement of human ideals. In this sense, their Jewishness is not defined by religion alone. Americanism permeated all they thought and all they did. Konvitz argues that in the complex modern world, secularists often serve God more handsomely than do members of synagogues or churches. For example, when the Supreme Court in 1954 (with Felix Frankfurter playing a key role behind the scenes) agreed to outlaw segregation of the races in public schools, was the Court's action secular or religious? When Congress passed the statute known as the Americans with Disabilities Act, requiring equal treatment of handicapped persons, was the action secular or religious? Is a minimum wage act secular or religious? Is Medicaid a secular or a religious act? Konvitz believes the distinction is not useful, or even possible. The book is divided into three parts, reflecting Konvitz's range of intellectual interests. The nine essays offer concise intellectual biographies of three American Jewish philosophers, three Supreme Court Justices, and three rabbis. The philosophers-Horace M. Kallen, Morris Raphael Cohen, and Sidney Hook-are world-renowned. The jurists-Louis D. Brandeis, Benjamin N. Cardozo, and Felix Frankfurter-hold prominent places in American legal history. And the three rabbis-Leo Jung, Robert Gordis, and Jacob Agus-are known wherever Jewish thought is studied. By treating with equal seriousness the lives and writings of both religious and secularist thinkers, the author intentionally minimizes the conventional antagonism and frequent conflict between religion and secularism. An unusual feature of the book is the fact that the author was a close friend of six of the persons whose lives and work are examined, allowing him a perceptive insight into their character and thought. Although the book is about serious subjects, its graceful style makes the contents easily accessible to lay persons as well as scholars and students of Judaica.

Traces the life of the British author famous for writing the "Screwtape Letters," and the "Narnia Chronicles"

From horned devils to greedy money lenders, images have been used as weapons against Jews for thousands of years. Even photojournalist social reformers of the early twentieth century reinforced derogatory stereotypes of Jews as wretched, immoral, and dirty. Little attention has focused, however, on the ways in which Jews themselves have attempted to counteract these views and to construct their own ethnic and political identities. In The Jewish Self-Image in the West , Michael Berkowitz examines dozens of visual renderings from the fin-de-siècle to the beginning of the Second World War to argue that Jews have exercised some control over representations of their own national communities and aspirations. In the decades before the Holocaust, organized segments of Jewry enthusiastically appropriated modern media in order to exert a greater influence over their public images. Presenting photographs and graphic images by Jews as attempts to disrupt or undermine prevailing perceptions, Berkowitz reconstructs the development of the Jewish self-image in the West over a crucial half-century.