An insightful collection of original interviews with the innovative director of Secrets & Lies A five-time Oscar nominee and BAFTA winner and the only British director to have won the top prize at both Cannes (for Secrets & Lies ) and Venice (for Vera Drake ), Mike Leigh is unquestionably one of world cinema's preeminent figures. First trained in theater, Leigh devised his own method for the making of first plays and then films, based on months of improvisation and rehearsal with actors prior to shooting. Leigh's actors invent characters based on real people, each unaware of what the other is up to or the larger design Leigh has in mind. In their commingling of bleakness and humor, Leigh's films re-create the tragicomic world of people whose everyday lives are far from glamorous: a world in which "the done thing" usually prevails, contrary to our inner hopes, wants, or needs. Leigh's work has always reflected its times and entered the vernacular, whether the harsh studies of Meantime and Naked or the humor of the now legendary Abigail's Party and Nuts in May . Above all, Leigh is an accomplished storyteller, and these films deal with universal themes: births, marriages and deaths, parenthood and failed relationships, families and their secrets and lies. Leigh speaks to Amy Raphael more openly than ever before about his life and inimitable working method, revealing himself as passionate, wise, and the owner of a dry and playful Mancunian wit.

In Topsy-Turvy Mike Leigh, that master of contemporary British tragi-comedy, transports us back to 1880s London and the lives of those much-loved masters of comic opera, Gilbert and Sullivan. Leigh explores the collaboration of lyricist Gilbert, a complex individual childlessly married to a devoted wife and composer Sullivan, a brothel-hopping bon viveur with an American mistress. Having enjoyed a stream of successes, they abruptly suffer an unprecedentedly lukewarm press for their newest opus, Princess Ida . Owing impresario D'Oyly Carte a hit, the increasingly frustrated Gilbert finds Sullivan's ideas increasingly far-fetched and 'topsy-turvy'. Then, Gilbert's wife lures him to a London exhibition of Japanese culture, and he perceives the inspiration for The Mikado .

Recent decades have been decisive for Russia not only politically but culturally as well. The end of the Cold War has enabled Russia to take part in the global rise and crystallization of postmodernism. This volume investigates the manifestations of this crucial trend in Russian fiction, poetry, art, and spirituality, demonstrating how Russian postmodernism is its own unique entity. It offers a point of departure and valuable guide to an area of contemporary literary-cultural studies insufficiently represented in English-language scholarship. This second edition includes additional essays on the topic and a new introduction examining the most recent developments.

The Philosophy of Art of Karl Marx by Mikhail Lifshitz is a comprehensive study of the Marxist theory of art. The book explores the relationship between art and society, and how art reflects the political and economic structures of society. Lifshitz examines the Marxist perspective on the role of art in the revolution and the struggle for social change. He also delves into the Marxist critique of bourgeois art and the concept of alienation in art. The book includes a detailed analysis of the writings of Karl Marx and Friedrich Engels on art, as well as the works of other Marxist theorists such as Georg Lukacs and Antonio Gramsci. The Philosophy of Art of Karl Marx is a thought-provoking and insightful exploration of the Marxist perspective on art, and its relevance in the contemporary world.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Recent decades have been decisive for Russia not only politically but culturally as well. The end of the Cold War has enabled Russia to take part in the global rise and crystallization of postmodernism. This volume investigates the manifestations of this crucial trend in Russian fiction, poetry, art, and spirituality, demonstrating how Russian postmodernism is its own unique entity. It offers a point of departure and valuable guide to an area of contemporary literary-cultural studies insufficiently represented in English-language scholarship. This second edition includes additional essays on the topic and a new introduction examining the most recent developments.

Text: English, Hungarian (translation)

A humorous novel from the 1920s entirety made up of overheard conversations between floors of a New York tenement, all written in pidgin Yiddish.

Like his compositions, Milton Babbitt's writings about music have exerted an extraordinary influence on postwar music and thinking about music. In essays and public addresses spanning fifty years, Babbitt has grappled profoundly with central questions in the composition and apprehension of music. These writings range from personal memoirs and critical reviews to closely reasoned metatheoretical speculations and technical exegesis. In the history of music theory, there has been only a small handful of figures who have produced work of comparable stature. Taken as a whole, Babbitt's writings are not only an invaluable testimony to his thinking--a priceless primary source for the intellectual and cultural history of the second half of the twentieth century--but also a remarkable achievement in their own right. Prior to this collection, Babbitt's writings were scattered through a wide variety of journals, books, and magazines--many hard to find and some unavailable--and often contained typographical errors and editorial corruptions of various kinds. This volume of almost fifty pieces gathers, corrects, and annotates virtually everything of significance that Babbitt has written. The result is complete, authoritative, and fully accessible--the definitive source of Babbitt's influential ideas.

The nine American Jews of whom Milton Konvitz writes are philosophers, jurists, or rabbis, widely known and readily accepted as American Jewish thinkers. Their work reflects all essential Jewish values. Each person in his own way has dedicated his work to the betterment of life and the advancement of human ideals. In this sense, their Jewishness is not defined by religion alone. Americanism permeated all they thought and all they did. Konvitz argues that in the complex modern world, secularists often serve God more handsomely than do members of synagogues or churches. For example, when the Supreme Court in 1954 (with Felix Frankfurter playing a key role behind the scenes) agreed to outlaw segregation of the races in public schools, was the Court's action secular or religious? When Congress passed the statute known as the Americans with Disabilities Act, requiring equal treatment of handicapped persons, was the action secular or religious? Is a minimum wage act secular or religious? Is Medicaid a secular or a religious act? Konvitz believes the distinction is not useful, or even possible. The book is divided into three parts, reflecting Konvitz's range of intellectual interests. The nine essays offer concise intellectual biographies of three American Jewish philosophers, three Supreme Court Justices, and three rabbis. The philosophers-Horace M. Kallen, Morris Raphael Cohen, and Sidney Hook-are world-renowned. The jurists-Louis D. Brandeis, Benjamin N. Cardozo, and Felix Frankfurter-hold prominent places in American legal history. And the three rabbis-Leo Jung, Robert Gordis, and Jacob Agus-are known wherever Jewish thought is studied. By treating with equal seriousness the lives and writings of both religious and secularist thinkers, the author intentionally minimizes the conventional antagonism and frequent conflict between religion and secularism. An unusual feature of the book is the fact that the author was a close friend of six of the persons whose lives and work are examined, allowing him a perceptive insight into their character and thought. Although the book is about serious subjects, its graceful style makes the contents easily accessible to lay persons as well as scholars and students of Judaica.

A popular history of Jew-hatred throughout the ages and in various countries. Dwells briefly on the definition of antisemitism and theories explaining it - psychoanalytical and psychological, socioeconomic and political, cultural and historical. Although the language and intensity of the hostility toward Jews changed from time to time, the image of the Jew as a symbol of evil was deeply rooted in Western civilization. Distinguishes between anti-Judaism and antisemitism: the former emerged in the 3rd century BCE and was supplanted by the latter in the 16th-18th centuries. Antisemitism found new, secular arguments for the old Jew-hatred; it construed the Jew mainly in racial and biological terms. Antisemitism did not disappear after the Holocaust - in the 1960s-90s it reappeared under the guise of anti-Zionism and in other forms.

Christopher's Gran takes him out for a birthday party all by himself in the tea-shop. He gets a big surprise when the cake-stand comes to life.

Cities of Strangers illuminates life in European towns and cities as it was for the settled, and for the 'strangers' or newcomers who joined them between 1000 and 1500. Some city-states enjoyed considerable autonomy which allowed them to legislate on how newcomers might settle and become citizens in support of a common good. Such communities invited bankers, merchants, physicians, notaries and judges to settle and help produce good urban living. Dynastic rulers also shaped immigration, often inviting groups from afar to settle and help their cities flourish. All cities accommodated a great deal of difference - of language, religion, occupation - in shared spaces, regulated by law. When this benign cycle broke down around 1350 with demographic crisis and repeated mortality, less tolerant and more authoritarian attitudes emerged, resulting in violent expulsions of even long-settled groups. Tracing the development of urban institutions and using a wide range of sources from across Europe, Miri Rubin recreates a complex picture of urban life for settled and migrant communities over the course of five centuries, and offers an innovative vantage point on Europe's past with insights for its present

The Pulitzer Prize-winning reporter recounts her battle--and those of other victims--to conquer multiple sclerosis with courage, determination, and enormous amounts of hope

This anthology brings together, for the first time, the complete published works of Jewish Canadian poet Miriam Waddington and features a rare selection of previously unpublished poems. Miriam Waddington's verse is deceptively accessible: it is personal but never private, emotional but not confessional, thoughtful but never cerebral. The subtlety of her craft is the hallmark of a modernist poet whose work opens to the world and its readers. She details intoxicating romance and mature love, the pleasures of marriage and motherhood, the experience of raising two sons to adulthood, and the ineffable pain of divorce. As she moved through life, she wrote clearly and uncompromisingly about the vast sweep of Canada, her travels to new lands, the passage of time, the death of her ex-husband, the loss of close friends and, later, of growing old. Miriam Waddington's verse is deceptively accessible: it is personal but never private, emotional but not confessional, thoughtful but never cerebral. The subtlety of her craft is the hallmark of a modernist poet whose work opens to the world and its readers. She details intoxicating romance and mature love, the pleasures of marriage and motherhood, the experience of raising two sons to adulthood, and the ineffable pain of divorce. As she moved through life, she wrote clearly and uncompromisingly about the vast sweep of Canada, her travels to new lands, the passage of time, the death of her ex-husband, the loss of close friends and, later, of growing old. Supplementary material is available here: https://press.uottawa.ca/en/supplementary-material-the-collected-works-of-miriam-waddington/

Epstein's classic portrayal of boredom and excess, alienation and possibility in late 20th-century America--massively expanded in a reworked edition Between the 1970s and '90s, Mitch Epstein (born 1952) photographed the rituals of excess and alienation, jubilance and desire that defined late 20th-century America. These pictures marked the beginning of his photographic inquiry into the American psyche and landscape that has now lasted half a century. Recreation captures the vitality of modern America in a pre-smartphone, less self-conscious time. In these early works, Epstein's wit reigns, along with his singular way of making the mundane startle and the extraordinary appear to perfectly fit in. This new edition expands on the original Recreation book published by Steidl in 2005. More than a third of these photographs have never been published, and all of them have been reworked with fidelity to the pictorial quality of the films of the era.

How should we understand the relation of the Holocaust to the broader historical processes of the century just ended? How do we explain the bearing of the Holocaust on problems of representation, memory, memorialization, and historical practice? These are some of the questions explored by an esteemed group of scholars in Catastrophe and Meaning, the most significant multiauthored book on the Holocaust in over a decade. This collection features essays that consider the role of anti-Semitism in the recounting of the Holocaust; the place of the catastrophe in the narrative of twentieth-century history; the questions of agency and victimhood that the Holocaust inspires; the afterlife of trauma in literature written about the tragedy; and the gaps in remembrance and comprehension that normal historical works fail to notice. --

Mexico 1994 is as much about one country's experience as about our changing world. The book offers in-depth analysis of long-term political and economic processes that set the stage for the crisis, and of specific actions in Mexico and abroad that prompted the crash and shaped its outcome. It also casts much-needed light on important new interrelationships between domestic and global phenomena. The authors are uniquely positioned to provide valuable insights on both the Mexican crisis and the metamorphosis in the nature of financial debacles. Some of the contributors had first-hand experience with the Mexican crash - and with the unfolding East Asian crisis - as government officials, international money managers, or senior officials at the World Bank, the International Monetary Fund, and the Inter-American Development Bank; others are leading economists, political scientists, and influential financial commentators.