'A strange and compelling new book from one of America's greatest living authors' Times Literary Supplement 'As cunning and rich as anything Ozick's written' Wall Street Journal 'One of our era's central writers. About a man ensnared by history, Antiquities is at once a warning against the hazards of nostalgia and an invitation to take a longer view of how we got to where we are' The New Yorker 'Ozick's prose urges the breathless reader along, her love of language rolling excitedly through her sentences like an ocean wave' New York Review of Books I remember nothing. I remember everything. I believe everything. I believe nothing. In 1949, Lloyd Wilkinson Petrie returns as a Trustee to the long-defunct boarding school that he attended as a child. There he is preparing a memoir about the subtle anti-Semitism that pervaded the school, about his fascination with the Egyptian archaeological adventures of his distant cousin, about the passions of a boyhood friendship with named Ben-Zion Elefantin, a mystifying older pupil. In this novella, and the three stories published alongside it, one of our most preeminent writers weaves together myth and mania, history and illusion to capture the shifting meanings of the past.

A well-formatted easy to read edition.On arriving at a rural monastery, the monk Ambrosius meets a young girl, Benedicta. She is shunned by the local community for being the daughter of the local hangman, but Ambrosius is drawn into a dangerous sympathy with her, and in defiance of the community and his superiors, he starts spending time alone with her. But when her virtue is corrupted by an impetuous young man, the stage is set for a battle between heart, mind, body, spirit, the sins of the past, and redemption. Allegedly a rewriting from a lost German original, Ambrose Bierce's 1892 novel reads as a seamless, almost folktale-like masterpiece.

The famous manifestos that first appeared between 1916 and 1921 and would become the basic texts upon which Dada was based Tristan Tzara--poet, literary iconoclast, and catalyst--was the founder of the Dada movement that began in Zurich during World War I. His ideas were inspired by his contempt for the bourgeois values and traditional attitudes toward art that existed at the time. For Tzara, art was both deadly serious and a game. The playfulness of Dada is evident in the manifestos collected here, both in Tzara's polemic--which often uses dadaist typography--as well as in the delightful doodles and drawings contributed by Francis Picabia. Also included are Tzara's Lampisteries , a series of articles that throw light on the various art forms contemporary to his own work. Post-war art had grown weary of the old certainties and the carnage they caused. Tzara was on the cutting edge at a time when art was becoming more subjective and abstract, and beginning to reject the reality of the mind for that of the senses.

Proust's only other work of fiction published in his lifetime apart from the monumental novel cycle 'In Search of Lost Time, Pleasures and Days' takes the reader on a journey through the high-society circles of fin-de-siecle Paris, presenting the lives, loves and attitudes of a host of unforgettable characters.

"Eliminate the pressure of immigration, and we may be headed for a caste system based on ethnic diversity and mitigated to only a negligible degree by economic differences." --Horace Kallen, in Democracy versus the Melting Pot, 1915 Democracy versus the Melting Pot was published in The Nation magazine by Horace Kallen in 1915, at a time when the United States were receiving the largest influx of immigrants in history. The government tried to enable the assimilation of those diverse peoples into "American" culture through "Americanization" programs, but Kallen saw these programs as being mostly in the interest of Anglo-Saxon business classes and against the spirit of democracy. Kallen rejected the "melting pot" concept, and supported "cultural pluralism," a term he coined. Democracy versus the Melting Pot also strongly influenced Randolph Bourne, another progressive writer. Just as Kallen, Bourne was also against forcing immigrants to assimilate to the dominant Anglo-Saxon culture as he described in his famous article Trans-national America in 1916. Kallen's work is relevant as ever for students of history, political scientists, and others interested in the current discussion about immigration in America.

Passionate researchers of Brazilian football rushed to their computers, as soon as Germany put an end, on the lawn of the Mineirão Stadium, to one of the greatest disasters in Brazilian and world football. It was necessary to explain “that”. Probably what no one knew is that more than 60 years ago, through similar debacles, journalist and writer Willy Meisl, an Austrian naturalized Englishman, had taken the same step. Hungary had perpetrated two “shakes” on the very honorable English Team—one of them, a crushing 6-3 on the sacred Wembley lawn—and it had to explain “that.” Willy knew what he was talking about. Having migrated to England as a fugitive from World War II, he was passionate about English football. But his critical eye, sharpened by the company of his brother Hugo, who created international fame for being mentor and coach of the incensed Austrian “Wunderteam” of the 1920s, could not understand why his now compatriots did not see that English football was going downhill, opening the way to go from being a creator to supporting the football association, at world level. From astute observations, critical eye and profound knowledge, based on much study and observations, Willy Meisl produced, in the mid-1950s, SOCCER REVOLUTION —one of the greatest classics of football literature that @LivrosdeFutebol has the honor of launching now, in electronic (e-book) and paper (on demand) version by Amazon®. The preface of the Brazilian edition is by the English journalist Tim Vickery, chosen for being English, working with football and not living in his homeland, facts that bring his biography closer to that of Willy Meisl. The translation and update notes are by Brazilian journalist Pedro Muxfeldt.

This is a moving, star-filled account of one of Hollywood’s true golden ages as told by a man in the middle of it all. Walter Mirisch’s company has produced some of the most entertaining and enduring classics in film history, including West Side Story , Some Like It Hot , In the Heat of the Night , and The Magnificent Seven . His work has led to 87 Academy Award nominations and 28 Oscars. Richly illustrated with rare photographs from his personal collection, I Thought We Were Making Movies, Not History reveals Mirisch’s own experience of Hollywood and tells the stories of the stars—emerging and established—who appeared in his films, including Natalie Wood, John Wayne, Peter Sellers, Sidney Poitier, Steve McQueen, Marilyn Monroe, and many others. With hard-won insight and gentle humor, Mirisch recounts how he witnessed the end of the studio system, the development of independent production, and the rise and fall of some of Hollywood’s most gifted (and notorious) cultural icons. A producer with a passion for creative excellence, he offers insights into his innovative filmmaking process, revealing a rare ingenuity for placating the demands of auteur directors, weak-kneed studio executives, and troubled screen sirens. From his early start as a movie theater usher to the presentation of such masterpieces as The Apartment , Fiddler on the Roof , and The Great Escape , Mirisch tells the inspiring life story of his climb to the highest echelon of the American film industry. This book assures Mirisch’s legacy—as Elmore Leonard puts it—as “one of the good guys.” Best Books for Special Interests, selected by the American Association of School Librarians, and Best Books for General Audiences, selected by the Public Library Association

Best Russian Short Stories, compiled and edited by Thomas Seltzer is a collection of short stories by famous Russian authors. The collection includes: THE QUEEN OF SPADES A.S. Pushkin THE CLOAK N.V. Gogol THE DISTRICT DOCTOR I.S. Turgenev THE CHRISTMAS TREE AND THE WEDDING F.M. Dostoyevsky GOD SEES THE TRUTH, BUT WAITS L.N. Tolstoy HOW A MUZHIK FED TWO OFFICIALS M.Y. Saltykov THE SHADES, A PHANTASY V.G. Korolenko THE SIGNAL V.N. Garshin THE DARLING A.P. Chekhov THE BET A.P. Chekhov VANKA A.P. Chekhov HIDE AND SEEK F.K. Sologub DETHRONED I.N. Potapenko THE SERVANT S.T. Semyonov ONE AUTUMN NIGHT M. Gorky HER LOVER M. Gorky LAZARUS L.N. Andreyev THE REVOLUTIONIST M.P. Artzybashev THE OUTRAGE A.I. Kuprin Odin's Library Classics is dedicated to bringing the world the best of humankind's literature from throughout the ages. Carefully selected, each work is unabridged from classic works of fiction, nonfiction, poetry, or drama.

In 1898, an Austrian microbiologist Heinrich Winterberg made a curious observation: the number of microbial cells in his samples did not match the number of colonies formed on nutrient media (Winterberg 1898). About a decade later, J. Amann qu- tified this mismatch, which turned out to be surprisingly large, with non-growing cells outnumbering the cultivable ones almost 150 times (Amann 1911). These papers signify some of the earliest steps towards the discovery of an important phenomenon known today as the Great Plate Count Anomaly (Staley and Konopka 1985). Note how early in the history of microbiology these steps were taken. Detecting the Anomaly almost certainly required the Plate. If so, then the period from 1881 to 1887, the years when Robert Koch and Petri introduced their key inventions (Koch 1881; Petri 1887), sets the earliest boundary for the discovery, which is remarkably close to the 1898 observations by H. Winterberg. Celebrating its 111th anniversary, the Great Plate Count Anomaly today is arguably the oldest unresolved microbiological phenomenon. In the years to follow, the Anomaly was repeatedly confirmed by all microb- logists who cared to compare the cell count in the inoculum to the colony count in the Petri dish (cf., Cholodny 1929; Butkevich 1932; Butkevich and Butkevich 1936). By mid-century, the remarkable difference between the two counts became a universally recognized phenomenon, acknowledged by several classics of the time (Waksman and Hotchkiss 1937; ZoBell 1946; Jannasch and Jones 1959).

Modern Ideas in Chess is a series of 45 essays dealing with the evolution of game, its leading players, their ideas and contributions to their respective periods. The chronology starts in the Romantic era of Anderssen and Morphy, continues through the Classical School of Steinitz, Tarrasch, Lasker, and runs to the dawn of the Hypermodern Revolution; the 70-year stretch from 1852 to 1922. Working in small chunks Reti had to be selective in what he extracted from each player and period. Plus the individual elements all had to tie in with the larger canvass Reti was painting for his readers. You don't have to get too far into the book to realize that Reti was a creative artist using the tension of chess ideas to reflect the larger intellectual struggle of mankind. How does Reti do it? A solid chess foundation obviously helps, also keen observation of the human experience coupled with a powerful command of language. Together these serve up indelible images that stick in the mind of the reader and lift this work far above the ordinary. Modern Ideas in Chess is one of the rare books that transcends the time frame in which it was written. It stands on its own, timeless, one of the true classics in the literature of the game. Popular author Bruce Alberston has converted the older descriptive notation to modern algebraic and added many diagrams to produce an outstanding modern 21st Century Edition of this timeless classic.

“He is our Dante . . . writing a modern masterpiece about his journey into Hell . . . [that is] unique in the literature of the Holocaust.” — USA Today A Penguin Classic Primo Levi was one of the most astonishing voices to emerge from the twentieth century: a man who survived one of the ugliest times in history, yet who was able to describe his own Auschwitz experience with an unaffected tenderness. Levi was a master storyteller but he did not write fairytales. These stories are an elegy to the human figures who stood out against the tragic background of Auschwitz, “the ones in whom I had recognized the will and capacity to react, and hence a rudiment of virtue.” Each centers on an individual who—whether it be through a juggling trick, a slice of apple or a letter—discovers one of the “bizarre, marginal moments of reprieve.” For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,800 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Featuring the Locus Award?winning novelette, ?By Moonlight” The extraordinary stories in this new contemporary fantasy collection show a mature, darker side of the author of The Last Unicorn in modern parables of love, death, and transformation shadowed lightly with melancholy. The Angel of Death enjoys newfound celebrity while moonlighting as an anchorman on the network news; King Pelles the Sure, the shortsighted ruler of a gentle realm, betrays himself in dreaming of a ?manageable war”; an American librarian discovers that, much to his surprise and sadness, he is also the last living Frenchman; and rivals in a supernatural battle forgo pistols at dawn, choosing instead to duel with dramatic recitations of terrible poetry. Featuring previously unpublished stories alongside recently published classics, this is a lovely, haunting, and wholly satisfying read.

Mel Tormé is one of the world's great jazz vocalists, a veteran of radio, movies, television, recordings, night clubs, and concert halls. He is also a highly respected arranger and composer, the co-author of one of the enduring seasonal classics, "The Christmas Song (Chestnuts Roasting on an Open Fire)." And were that not enough, he is also an accomplished writer, having penned, among other books, a moving biography of his close friend, drummer Buddy Rich, Traps, the Drum Wonder; and an unblinking portrait of Judy Garland late in her career, The Other Side of the Rainbow. Now, in My Singing Teachers, Tormé sums up his vast experience in a tour of American music that is spiced with insightful commentary, vivid anecdotes, and Tormé's own take on the art of the song. Here is a pantheon of popular music and jazz, a sweeping look at American song from the perspective of one of its great practitioners. Louis Armstrong and Billie Holiday, Bing Crosby and Fred Astaire, Jerome Kern and Johnny Mercer, Ethel Waters and Nat "King" Cole, and many many more--all in one way or another helped Tormé shape his inimitable style. Tormé has drawn inspiration from virtually every corner of the entertainment world, so the book has an enormous range--covering jazz, big band singers (such as Helen Forrest or Bob Eberly), Hollywood musical singers (such as Judy Garland and Deanna Durbin), even cowboy singers (Gene Autry and Roy Rogers, among others), not to mention lyricists, composers, and arrangers. It brims with personal anecdotes and astute observations about the greats of American music, and reveals how they have influenced his craft. For instance, Tormé recounts how, at age five, he first saw Bessie Smith in a one-reeler "The St Louis Blues" and how she still influences his blues singing. He reveals how playing at the Paramount with Ella Fitzgerald converted him from bobby-sox music to jazz. And most surprisingly, he shows how listening to instrumentalists such as Ben Webster on tenor sax and Roy Eldridge on trumpet shaped his scat singing--even more than listening to the great scat singers. Tormé also pays homage to many lesser known figures, such as composer Harry Warren--whose songs include "I Only Have Eyes for You," "The More I See You," "We're in the Money," and "Down Argentine Way"--and singer Connee Boswell, who was an important model for Ella Fitzgerald, Sarah Vaughan, and Torme himself. Perhaps most important, Tormé concludes with a chapter that captures his thoughts on singing, a section that every singer will find invaluable. American popular music has been graced with many talented men and women whose wit, intellect, ingenuity, and craftsmanship have made this music immortal. My Music Teachers pays homage to these remarkable people as it celebrates the glories of the American song. All fans of pop or jazz, and especially all fans of Mel Tormé, will find this book a treasure.

From the Publisher: In the early 1990s, Classics professor Mary Lefkowitz discovered that one of her faculty colleagues at Wellesley College was teaching his students that Greek culture had been stolen from Africa and that Jews were responsible for the slave trade. This book tells the disturbing story of what happened when she spoke out. Lefkowitz quickly learned that to investigate the origin and meaning of myths composed by people who have for centuries been dead and buried is one thing, but it is quite another to critique myths that living people take very seriously. She also found that many in academia were reluctant to challenge the fashionable idea that truth is merely a form of opinion. For her insistent defense of obvious truths about the Greeks and the Jews, Lefkowitz was embroiled in turmoil for a decade. She faced institutional indifference, angry colleagues, reverse racism, anti-Semitism, and even a lawsuit intended to silence her. In History Lesson Lefkowitz describes what it was like to experience directly the power of both postmodernism and compensatory politics. She offers personal insights into important issues of academic values and political correctness, and she suggests practical solutions for the divisive and painful problems that arise when a political agenda takes precedence over objective scholarship. Her forthright tale uncovers surprising features in the landscape of higher education and an unexpected need for courage from those who venture there

From the Preface by Lucien Febvre: MARC BLOCH'S Caracteres originaux de l'histoire ruralefranfaise, which was originally published at Oslo in 1931 and appeared simultaneously at Paris under the imprint Belles Lettres, has long been out of print. As he told me on more than one occasion, he had every intention of bringing out another edition. In Marc Bloch's own mind this was not simply a matter of reissuing the original text. He knew, none better, that time stops for no historian, that every good piece of historical writing needs to be rewritten after twenty years: otherwise the writer has failed in his objective, failed to goad others into testing his foundations and improving on his rasher hypotheses by subjecting them to greater precision. Marc Bloch was not given time to refashion his great book as he would have wished. One wonders whether he would in fact ever have brought himself to do it. I have the impression that the prospect of this somewhat dreary and certainly difficult task (however one may try to avoid it, revision of an earlier work is always hampered by the original design, which offers few easy loopholes for escape) held less appeal than the excitement of conceiving and executing an entirely new book. However this may be, our friend has carried this secret, with so many others, to his grave. The fact remains that one of our historical classics, now more than twenty years old, is due for republication and is here presented to the reader.

The material presented in this invaluable textbook has been tested in two courses. One of these is a graduate-level survey of statistical physics; the other, a rather personal perspective on critical behavior. Thus, this book defines a progression starting at the book-learning part of graduate education and ending in the midst of topics at the research level. To supplement the research-level side the book includes some research papers. Several of these are classics in the field, including a suite of six works on self-organized criticality and complexity, a pair on diffusion-limited aggregation, some papers on correlations near critical points, a few of the basic sources on the development of the real-space renormalization group, and several papers on magnetic behavior in a plain geometry. In addition, the author has included a few of his own papers.

The incredible variety of AckerUs body of work has been distilled into a single volume that reads like a communique from the front lines of late-20th century America. Acker was a literary pirate whose prodigious output drew promiscuously from popular culture, the classics of Western civilization, current events, and the raw material of her own life.

The former Poet Laureate of the United States, Nemerov gives us a lucid and precise twist on the commonplaces of everyday life. The Collected Poems of Howard Nemerov won both the National Book Award and the Pulitzer Prize in 1978. "Howard Nemerov is a witty, urbane, thoughtful poet, grounded in the classics, a master of the craft. It is refreshing to read his work. . . . "— Minneapolis Tribune "The world causes in Nemerov a mingled revulsion and love, and a hopeless hope is the most attractive quality in his poems, which slowly turn obverse to reverse, seeing the permanence of change, the vices of virtue, the evanescence of solidities and the errors of truth."—Helen Vendler, New York Times Book Review