VI give me time I said and note my grace in loving you let me divide and ornament you touch you above and below circle around your key note enter your fifth dimension and perfect your cadence let me feel your greater and lesser thirds modulate your modes and minor your majors VII I want to trill your renaissance way beginning sure and supreme on your given, written note and flirt my way across distance to the note above taking you into history with me in dissonance Michelene Wandor's new poetry collection excels in the richness of its subject matter, the witty and sensuous language, the musicality of its rhythms and the way in which she is able to combine sophistication with accessibility. She is as comfortable with Italian Renaissance music as she is with the poignancy of the history of Europe's Jewish populations. Her retelling of the "Book of Esther" is a tour de force of Midrashic free-form poetry, and her speculation on Shakespeare's "Dark Lady of the Sonnets" is a tribute to both Elizabethan poetry and a mischievous imagination.

As Karen Malpede points out in her introduction to Acts of War, tragedy "arose as a complement to, perhaps also as an antidote to, war." The greatest of the early playwrights wrote from experience—Aeschylus and Sophocles were generals in the Athenian army, and Euripides was a combat veteran. Electronic media reports war instantly, but the stage provides an unrivaled venue for facing the horror of armed conflict on a human scale.This timely anthology of plays by American and British writers bears witness to the realities of the wars in Iraq and Afghanistan for combatants and civilians alike and asks what it means to be a citizen in a democracy at war. From violence on the battlefield and in the cells of Guantanamo to the toll exacted on the homefront, the seven plays collected by Malpede, Messina, and Shuman explore in depth the costs of war. Sometimes with humor or erotic charge, always with compassion and surprising insight, these contemporary plays return to the theater a necessary social edge.Karen Malpede’s introduction sets the plays in the broader contexts of theater’s roots and recent history, while award-winning journalist and author Chris Hedges provides a foreword.

"Internationally recognized scholar David Ellenson shares twenty-three of his most representative essays, drawing on three decades of scholarship and demonstrating the consistency of the intellectual-religious interests that have animated him throughout his lifetime. These essays center on a description and examination of the complex push and pull between Jewish tradition and Western culture. Ellenson addresses gender equality, women's rights, conversion, issues relating to who is a Jew, the future of the rabbinate, Jewish day schools, and other emerging trends in American Jewish life. As an outspoken advocate for a strong Israel that is faithful to the democratic and Jewish values that informed its founders, he also writes about religious tolerance and pluralism in the Jewish state. The former president of Hebrew Union College-Jewish Institute of Religion, the primary seminary of the Reform movement, Ellenson is widely respected for his vision of advancing Jewish unity and of preparing leadership for a contemporary Judaism that balances tradition with the demands of a changing world. Scholars and students of Jewish religious thought, ethics, and modern Jewish history will welcome this erudite collection by one of today's great Jewish leaders"--