A New York Times bestseller! From Jesse Andrews, author of the New York Times bestselling Me and Earl and the Dying Girl and screenwriter of the Sundance award-winning motion picture of the same name, comes a groundbreaking young adult novel about music, love, friendship, and freedom as three young musicians follow a quest to escape the law long enough to play the amazing show they hope (but also doubt) they have in them. For Wes and his best friend, Corey, jazz camp turns out to be lame. It's pretty much all dudes talking in Jazz Voice. But then they jam with Ash, a charismatic girl with an unusual sound, and the three just click. It's three and a half hours of pure musical magic, and Ash makes a decision: They need to hit the road. Because the road, not summer camp, is where bands get good. Before Wes and Corey know it, they're in Ash's SUV heading south, and The Haters Summer of Hate Tour has begun. In his second novel, Andrews again brings his brilliant and distinctive voice to YA, in the perfect book for music lovers, fans of The Commitments (author Roddy Doyle raves " The Haters is terrific. It is shocking and funny, unsettling and charming."), and High Fidelity , or anyone who has ever loved--and hated--a song or a band. This witty, funny coming-of-age novel is contemporary fiction at its best.

A "tale of love, heartbreak, redemption, and friendship ... [The] novel centers around four new mothers, all of whom must learn to adjust their lives and their marriages to deal with the challenges of raising children. Ayinde is a ... biracial newscaster who moves to Philadelphia after her husband, a star player for the NBA, is traded to the 76ers. She meets Becky, an overweight chef who plays the 'pregnant or just fat' game every time she passes a mirror, and Kelly, an overachieving event planner who has her whole life mapped out down to the most minute details, after going into labor at a prenatal yoga class. The three become fast friends, and come to rely on each other for everything from burping techniques to intense emotional support. The group grows to include Lia, a semi-famous Hollywood starlet who leaves her husband and returns to Philly after a sudden tragedy"--Publisher description.

"The New York Times bestselling author of The Beach House, Jemima J, and Summer Secrets presents a novel about the pleasure and meaning of finding a home--and family--where you least expect them... When Emma Montague left the strict confines of upper-crust British life for New York, she felt sure it would make her happy. Away from her parents and expectations, she felt liberated, throwing herself into Manhattan life replete with a high-paying job, a gorgeous apartment, and a string of successful boyfriends. But the cutthroat world of finance and relentless pursuit of more began to take its toll. This wasn't the life she wanted either. On the move again, Emma settles in the picturesque waterfront town of Westport, Connecticut, a world apart from both England and Manhattan. It is here that she begins to confront what it is she really wants from her life. With no job, and knowing only one person in town, she channels her passion for creating beautiful spaces into remaking the dilapidated cottage she rents from Dominic, a local handyman who lives next door with his six-year-old son. Unlike any man Emma has ever known, Dominic is confident, grounded, and committed to being present for his son whose mother fled shortly after he was born. They become friends, and slowly much more, as Emma finds herself feeling at home in a way she never has before. But just as they start to imagine a life together as a family, fate intervenes in the most shocking of ways. For the first time, Emma has to stay and fight for what she loves, for the truth she has discovered about herself, or risk losing it all. In a novel of changing seasons, shifting lives, and selfless love, a story unfolds--of one woman's far-reaching journey to discover who she is truly meant to be

"Exciting new fiction from James McBride, the first since his National Book Award-winning novel The Good Lord Bird. The stories in Five-Carat Soul--none of them ever published before--spring from the place where identity, humanity, and history converge. They're funny and poignant, insightful and unpredictable, imaginative and authentic--all told with McBride's unrivaled storytelling skill and meticulous eye for character and detail. McBride explores the ways we learn from the world and the people around us. An antiques dealer discovers that a legendary toy commissioned by Civil War General Robert E. Lee now sits in the home of a black minister in Queens. Five strangers find themselves thrown together and face unexpected judgment. An American president draws inspiration from a conversation he overhears in a stable. And members of The Five-Carat Soul Bottom Bone Band recount stories from their own messy and hilarious lives. As McBride did in his National Book award-winning The Good Lord Bird and his bestselling The Color of Water, he writes with humor and insight about how we struggle to understand who we are in a world we don't fully comprehend. The result is a surprising, perceptive, and evocative collection of stories that is also a moving exploration of our human condition"--

"Richly nuanced and beautiful. . . . An immersive and magical tale of loneliness, love, and finding hope." (Buzzfeed) "A layered novel of many complex characters...To keep their worlds safe, Chava and Ahmad must access both their greatest supernatural powers and their deepest human impulses." (Historical Novels Review) In this enthralling historical epic, set in New York City and the Middle East in the years leading to World War I-- the long-awaited follow-up to the acclaimed New York Times bestseller The Golem and the Jinni--Helene Wecker revisits her beloved characters Chava and Ahmad as they confront unexpected new challenges in a rapidly changing human world. Chava is a golem, a woman made of clay, who can hear the thoughts and longings of those around her and feels compelled by her nature to help them. Ahmad is a jinni, a restless creature of fire, once free to roam the desert but now imprisoned in the shape of a man. Fearing they'll be exposed as monsters, these magical beings hide their true selves and try to pass as human--just two more immigrants in the bustling world of 1900s Manhattan. Brought together under calamitous circumstances, their lives are now entwined--but they're not yet certain of what they mean to each other. Both Chava and Ahmad have changed the lives of the people around them. Park Avenue heiress Sophia Winston, whose brief encounter with Ahmad left her with a strange illness that makes her shiver with cold, travels to the Middle East to seek a cure. There she meets Dima, a tempestuous female jinni who's been banished from her tribe. Back in New York, in a tenement on the Lower East Side, a little girl named Kreindel helps her rabbi father build a golem they name Yossele--not knowing that she's about to be sent to an orphanage uptown, where the hulking Yossele will become her only friend and protector. Spanning the tumultuous years from the turn of the twentieth century to the beginning of World War I, The Hidden Palace follows these lives and others as they collide and interleave. Can Chava and Ahmad find their places in the human world while remaining true to each other Or will their opposing natures and desires eventually tear them apart--especially once they encounter, thrillingly, other beings like themselves

"This long-awaited new graphic novel from Daniel Clowes (Ghost World and Patience) is a genre-bending thriller from one of the most assured storytellers of all time"--

Ayn Rand here sets for the the moral principles of Objectivism, the philosophy that holds man's life - the life proper to a rational being - as the standard of moral values and regards altruism as imcompatible with man's nature, with the creative requirements of his survival and with a free society. Ayn Rand wrote Atlas Shrugged, philosophically the most challenging bestseller in its time. Her first novel, We the Living, was published in 1936. With the publication of The Fountainhead in 1943, she achieved a spectacular and enduring success. Miss Rand's unique philosophy, Objectivism, has gained a worldwide audience. The fundamentals of her philosophy are set forth in four nonfiction books: Introduction to Objectivist Epistemology, For the New Intellectual, The Virtue of Selfishness, and Capitalism: the Unknown Ideal. The magnificent statement of her artistic credo, The Romantic Manifesto, is also available in a Signet edition.

Ayn Rand here sets for the the moral principles of Objectivism, the philosophy that holds man's life - the life proper to a rational being - as the standard of moral values and regards altruism as imcompatible with man's nature, with the creative requirements of his survival and with a free society. Ayn Rand wrote Atlas Shrugged, philosophically the most challenging bestseller in its time. Her first novel, We the Living, was published in 1936. With the publication of The Fountainhead in 1943, she achieved a spectacular and enduring success. Miss Rand's unique philosophy, Objectivism, has gained a worldwide audience. The fundamentals of her philosophy are set forth in four nonfiction books: Introduction to Objectivist Epistemology, For the New Intellectual, The Virtue of Selfishness, and Capitalism: the Unknown Ideal. The magnificent statement of her artistic credo, The Romantic Manifesto, is also available in a Signet edition.

The author-illustrator traces his father's imprisonment in a Nazi concentration camp through a series of disarming and unusual cartoons arranged to tell the story as a novel.

“Hoffman certainly knows how to enchant” ( The New York Times Book Review ) in this breathtaking conclusion to the Practical Magic series—a spellbinding and bewitching novel that asks how far will you go to change your fate? For over three-hundred years a curse has kept the Owens family from love—but all of that is about to change. The novel begins in a library, the best place for a story to be conjured, when beloved aunt Jet Owens hears the deathwatch beetle and knows she has only seven days to live. Jet is not the only one in danger—the curse is already at work. A frantic attempt to save a young man’s life spurs three generations of the Owens women, and one long-lost brother, to use their unusual gifts to break the curse as they travel from Paris to London to the English countryside where their ancestor Maria Owens first practiced the Unnamed Art. The younger generation discovers secrets that have been hidden from them in matters of both magic and love by Sally, their fiercely protective mother. As Kylie Owens uncovers the truth about who she is and what her own dark powers are, her aunt Franny comes to understand that she is ready to sacrifice everything for her family, and Sally Owens realizes that she is willing to give up everything for love. A heartfelt and satisfying conclusion to a beloved series, The Book of Magic celebrates mothers and daughters, sisters and brothers, and anyone who has ever been in love.

Accept the idea of ennobling an addict-gangleader's obsession with Honor, and Property Of could be stunning, enthralling tragedy. Reject it, and Hoffman's first novel is still an unmistakably gifted work, lavishing heart and craft on intractably unsympathetic materials. Hoffman finds poetry--terse, tough poetry--in her unnamed narrator's doomed infatuation with McKay, president of the Orphans, a street gang whose turf is "the Avenue" near the New York City-Nassau County line. We never learn who she is, though her voice is clearly middle-class and literate, any more than we learn why McKay is insensitive, a thief, a killer, an addict. No sociological cop-outs, then, just acute observation--of the Orphans (Machiavellian pusher Dolphin, hopeless Danny the Sweet), of the "girls in mascara and leather and silence" who are the Orphans' "Property." And love. "It's only love," she says. "Don't use that word again," McKay says. "Then I'll take what I can get." What she can get is front-seat sex on the George Washington Bridge, shared needles and spoons ("It was only white powder and the blue liquid of his vein and love"), and shared despair when McKay loses honor--by accidentally shooting a rival leader in the back. "Without one word, McKay was without the world," and without heroin, he's reduced to Darvon and Thunderbird, he's deposed, beaten up, and busted. She waits for him, only to find that he comes out of prison a vengeful coke pusher ("it's a start") and an enthusiastic user. Except for occasional pretentious/romantic overkill, Hoffman's heroine records the slow and sudden dyings with clarity, irony, suppressed lyricism--and even recognizes the problems that many readers will face. "Ah, I see. You can't forget that all of the words are draped in black leather." No, most of us can't, but we'll read anyway and wait for more from Alice Hoffman. (Kirkus Reviews, May 1, 1977)

With every rough tackle on the football field, high schooler Ash is bounced from one dimension to the next--in one place he lives in a gated community instead of tract housing and in another segregation continues to exist--forcing him to consider different perspectives while finding a way to save the universe from complete annihilation.

"An innocent father serving life for the murder of his own son receives evidence that his child may still be alive, and must break out of prison to find out the truth"--

Susan Sontag's On Photography is a seminal and groundbreaking work on the subject. Susan Sontag's groundbreaking critique of photography asks forceful questions about the moral and aesthetic issues surrounding this art form. Photographs are everywhere, and the 'insatiability of the photographing eye' has profoundly altered our relationship with the world. Photographs have the power to shock, idealize or seduce, they create a sense of nostalgia and act as a memorial, and they can be used as evidence against us or to identify us. In these six incisive essays, Sontag examines the ways in which we use these omnipresent images to manufacture a sense of reality and authority in our lives. 'Sontag offers enough food for thought to satisfy the most intellectual of appetites' The Times 'A brilliant analysis of the profound changes photographic images have made in our way of looking at the world, and at ourselves' Washington Post 'The most original and illuminating study of the subject' New Yorker One of America's best-known and most admired writers, Susan Sontag was also a leading commentator on contemporary culture until her death in December 2004. Her books include four novels and numerous works of non-fiction, among them Regarding the Pain of Others , On Photography , Illness as Metaphor , At the Same Time , Against Interpretation and Other Essays and Reborn: Early Diaries 1947-1963 , all of which are published by Penguin. A further eight books, including the collections of essays Under the Sign of Saturn and Where the Stress Falls , and the novels The Volcano Lover and The Benefactor , are available from Penguin Modern Classics.

Enter Hollywood's inner sanctums in this gosippy and honest book, named one the top 100 film books of all time by The Hollywood Reporter, by the Academy Award-winning screenwriter and bestselling author of The Primcess Bride. No one knows the writer's Hollywood more intimately than William Goldman. Two-time Academy Award-winning screenwriter and the bestselling author of The Princess Bride, Marathon Man, Tinsel, Boys and Girls Together, and other novels, Goldman now takes you behind the scenes for Butch Cassidy and the Sundance Kid, All the President's Men, and other films . . . .into the plush offices of Hollywood producers . . ..into the working lives of acting greats such as Redford, Olivier, Newman, and Hoffman...and into his own professional experiences and creative thought processes in the crafting of screenplays. You get a firsthand look at why and how films get made and what elements make a good screenplay. Says columnist Liz Smith, "You'll be fascinated.."

The Seagull , a spectacular failure on its first appearance, was the play that, on its second, established Anton Chekhov as an important and revolutionary dramatist. Here, amid the weariness of life in the country, the famous actress Arkadina presides over a household riven with desperate love, with dreams of success and dread of failure. It is her son, Konstantin, who one day shoots a seagull; it is the novelist Trigorin who will one day write the story of the seagull so casually killed; but it is Nina, the seagull herself, whose life to come will rewrite the story. This new translation of The Seagull --made by Tom Stoppard for the Peter Hall Company at the Old Vic in 1997--was produced by The Public Theater/New York Shakespeare Festival in New York City in 2001. The volume also contains an Introduction by Stoppard that indicates some of the problems translators have faced since the first English language Seagull in 1909

'... a human being, an intellectual human being who constantly bends the entire force of his mind on the ridiculous task of forcing a wooden king into the corner of a wooden board, and does it without going mad!' A group of passengers on a cruise ship challenge the world chess champion to a match. At first, they crumble, until they are helped by whispered advice from a stranger in the crowd - a man who will risk everything to win. Stefan Zweig's acclaimed novella Chess is a disturbing, intensely dramatic depiction of obsession and the price of genius.

James Baldwin was beginning to be recognized as the most brilliant black writer of his generation when his first book of essays, Notes of a Native Son , established his reputation in 1955. No one was more pleased by the book’s reception than Baldwin’s high school friend Sol Stein. A rising New York editor, novelist, and playwright, Stein had suggested that Baldwin do the book and coaxed his old friend through the long and sometimes agonizing process of putting the volume together and seeing it into print. Now, in this fascinating new book, Sol Stein documents the story of his intense creative partnership with Baldwin through newly uncovered letters, photos, inscriptions, and an illuminating memoir of the friendship that resulted in one of the classics of American literature. Included in this book are the two works they created together–the story “Dark Runner” and the play Equal in Paris , both published here for the first time. Though a world of difference separated them–Baldwin was black and gay, living in self-imposed exile in Europe; Stein was Jewish and married, with a growing family to support–the two men shared the same fundamental passion. Nothing mattered more to either of them than telling and writing the truth, which was not always welcome. As Stein wrote Baldwin in a long, heartfelt letter, “You are the only friend with whom I feel comfortable about all three: heart, head, and writing.” In this extraordinary book, Stein unfolds how that shared passion played out in the months surrounding the creation and publication of Baldwin’s Notes of a Native Son , in which Baldwin’s main themes are illuminated. A literary event published to honor the eightieth anniversary of James Baldwin’s birth, Native Sons is a celebration of one of the most fruitful and influential friendships in American letters.

Hailed as one of the finest novels to come out of the Second World War, The Naked and the Dead received unprecedented critical acclaim upon its publication and has since become part of the American canon. This fiftieth anniversary edition features a new introduction created especially doe the occasion by Norman Mailer. Written in gritty, journalistic detail, the story follows an army platoon of foot soldiers who are fighting for the possession of the Japanese-held island of Anopopei. Composed in 1948, The Naked and the Dead is representative of the best in twentieth-century American writing.

A provocative, unprecedented anthology featuring original short stories on what it means to be an American from thirty bestselling and award-winning authors with an introduction by Pulitzer Prize–winning author Viet Thanh Nguyen: “This chorus of brilliant voices articulating the shape and texture of contemporary America makes for necessary reading” (Lauren Groff, author of Fates and Furies ). When Donald Trump claimed victory in the November 2016 election, the US literary and art world erupted in indignation. Many of America’s preeminent writers and artists are stridently opposed to the administration’s agenda and executive orders—and they’re not about to go gentle into that good night. In this “masterful literary achievement” (Kurt Eichenwald, author of Conspiracy of Fools) , more than thirty of the most acclaimed writers at work today consider the fundamental ideals of a free, just, and compassionate democracy through fiction in an anthology that “promises to be both a powerful tool in the fight to uphold our values and a tribute to the remarkable voices behind it” (Anthony D. Romero, executive director of the ACLU). With an introduction by Pulitzer Prize-winning author, Viet Thanh Nguyen, and edited by bestselling author Jonathan Santlofer, this powerful anthology includes original, striking art from fourteen of the country’s most celebrated artists, cartoonists, and graphic novelists, including Art Spiegelman, Roz Chast, Marilyn Minter, and Eric Fischl. Transcendent, urgent, and ultimately hopeful, It Occurs to Me That I Am America takes back the narrative of what it means to be an American in the 21st century.