For twenty years now, Frederick Busch has been a relentless chronicler of the human heart. Except for an occasional foray abroad, he has tended to set his fiction in a physical territory--the Northeast, upstate New York especially--which he has given literary shape. With the capaciousness of a Dickens and the control of a Hemingway, Busch's novels have come in steady counterpoint, raising and answering by turns insistent questions that worry even the plainest of domestic lives. In this his fifth book of stories, the Absent Friends of the title are the lost characters the author has so compassionately detailed, who long to recover their absent selves. But they are also, as Richard Bausch comments in The Philadelphia Inquirer, "friends we have failed, or who have failed us; it is the emotional cost of that estrangement that interests Frederick Busch."

All new stories exploring those women who embody the brass bras and chainlink bikinis in the world of science fiction and fantasy writing. Authors include Elizabeth Moon, Esther Friesner, Jody Lyn Nye, Harry Turtledove, Margaret Ball and more.

Characters make discoveries about themselves and their relationships, in seven stories that comment on topics ranging from surburbia to Central American politics

He lived beside a river that emptied into a great ocean. The narrow strip of land that lay between him and the estuary was covered at high tide by a shining film of water at low tide with the cast-up offerings of sea and shore. (Excerpt)

Everybody has their secrets. Who, for instance, is the hooded figure hiding in the bushes outside a young man’s house? Why does the same stranger keep appearing in the background of a family’s holiday photographs? What makes a woman stand mesmerized by two children in a school playground, children she’s never met but whose names she knows well? All will be revealed . . . but at a cost. As Sophie Hannah uncovers the dark obsessions and strange longings behind the most ordinary relationships, life will never seem quite the same again.

Book by Lopate, Phillip

"[His] way with the familiar essay--that flexible, forgiving genre in which anything goes except charmlessness and anonymity--has much in common with that of Messrs, Beerbohm, Liebling, and Mencken. Each piece is exquisitely sustained, moving from point to point with the relaxed economy of a pro." --Wall Street Journal

One need only read the first lines of Tess Slesinger's title story-or indeed any of her stories-to know that hers is a unique literary voice, one that rivets a reader's attention to the page from the very beginning and holds it to the very end. Hers is, one soon discovers, also a wholly feminine voice: compelling, filled with insight, acute at observation, sure of its tone, and everywhere discovering the reality behind human appearances and pretensions. This is a remarkable collection of short stories by a brilliant young writer who was cut off in her prime when she died of cancer in 1945. “An intensely feminine book, in which bleakness, unemployment, heartache and heartlessness are combined with an agreeable feeling of settling down for conversation with an intimate, disillusioned, gossipy, malicious and often witty friend.”- New Statesman . “A genuine short-story writer...she has a good eye for the little tombstones of life.”- Nation .

The most important new literary journal to emerge since Granta, Open City has published some of the best work by major writers and artists such as Mary Gaitskill, Denis Johnson, Jeff Koons, David Foster Wallace, Irvine Welsh, Terry Southern, Patrick McCabe, Sam Lipsyte, and David Berman. Edited by the writers Thomas Beller and Daniel Pinchbeck and originally published by the late Robert Bingham, writing from Open City has been included in many prestigious anthologies, including Best American Short Stories and The Pushcart Prize. Known for launching the careers of today's best new writers, the editors are also committed to printing important unpublished work by writers from past eras, such as Richard Yates, Delmore Schwartz, Jim Thompson, Cyril Connolly, Edvard Munch, and Gregor von Rezzori. With its innovative and daring mix of the old and the new, Open City combines undiscovered writing by classic authors with a fascinating portrait of a literary generation in the making.

Marge Piercy's debut collection of short stories brings us glimpses into the lives of everyday women moving through and making sense of their daily internal and external worlds. Keeping to the engaging, accessible language of Piercy's novels, the collection spans decades of her writing along with a range of locations, ages, and emotional states of her protagonists.

"The funniest American novel since Sam Lipsyte's The Ask ." - Village Voice "A ribald chronicle of [a] 60-something Manhattan accountant, who's come to Rio de Janeiro as a sex tourist. [A] fever dream of a novel." - New York Times Book Review "Levy delivers a visceral blend of hilarious satire and study in human sexuality, taking us on a deviant tour of Rio." - Interview Magazine I have come to regard almost everything that happens in human life as a form of therapy. So muses Kenny Cantor, always dapper in his seersucker suit from the Brooks Brothers 346 collection. Kenny is a CPA, amateur psychoanalyst, and sex-tourist vacationing in Rio when he gets waylaid at a psychoanalytic conference. What ensues is a provocative journey that merges sex and psychoanalysis through Rio's tawdry netherworld of Susan Sontag-quoting denizens as only an incendiary voice like Francis Levy could imagine. Francis Levy is the author of Erotomania: A Romance , a Queerty.com Top 10 Book of 2008 and an Inland Empire Weekly Standout Book of 2008. His short stories, criticism, humor, and poetry have appeared in The New York Times , The Washington Post , The New Republic , The Village Voice , and many others.

With lively style, good humor and insight, Robin Hemley helps you turn all that you experience into fresh and powerful fiction. By learning to "reimagine," you'll focus on translating real-world people and events into characters and scenes that happen on paper for the first time. You'll think "what if" instead of "what is" in order to take control of your material and cut loose the inhibitions of real life. In these pages, you'll learn how to hone your observation skills and fill your journal with rich and vivid details. (Because, as Hemley writes, "Life is in the details, and so is good fiction.") You'll see how to decide which ideas to bring to fiction and which ones to let go. And you'll learn how to: find the right form - novel, short story, vignette, memoir - for the story you want to tell; use "triggers" to start your reader's imagination rolling; keep your fiction emotionally honest by making the right choices between "the way it happened" and what the story dictates (ask "Is it believable?", not "Did it happen?"); create composites of real people and places that fit the unique needs of your story and empower your imagination; focus your fiction. Make sure everything, every character counts - and eliminate "people who sit at the end of the bar without a role to play"; fictionalize - ethically and legally - other people's stories. Learn your rights as a writer versus their rights to privacy. (Can you use actual names? When do you need to get permission?) To illustrate how writers feed their fiction with reality, Hemley uses examples from his own work and from fiction masters of yesterday and today. At the end of each chapter, challenging exercises help you apply the basic theories and push them even further. An adventurous read, Turning Life Into Fiction will help you create fiction that's just as strange and wonderful and "real" as the life that inspires it.

Nine Chicago-based short stories combine wit and precision to probe the meaning of ambition by creating insightful characters with realistic struggles

In Jews vs Zombies, editors Lavie Tidhar and Rebecca Levene have gathered together brand new stories from the light-hearted to the profound, with authors ranging from BSFA Award winner Adam Roberts to best-selling author Sarah Lotz, all asking, for the first time, the question you didn't even know you wanted answered - what happens when the Chosen People meet the Living Dead?

In Jews vs Aliens, editors Lavie Tidhar and Rebecca Levene have gathered together brand new stories from the light-hearted to the profound, with authors ranging from Orange Prize winner Naomi Alderman to Big Bang Theory writer/producer Eric Kaplan, all asking, for the first time, the question you didn't even know you wanted answered - what happens when the aliens arrive, only to encounter... Jews?

Remarkable prose collection from a notable Australian poet. If life is a cosmic stage where illusions are the only reality, says Jacob G. Rosenberg, it is through these illusions that we can sometimes better recognize our world, our fellows, and ourselves. Such is the author's hope in this book. The stories in the first part, Lives, explore dimensions of the human landscape. The shorter pieces that make up Embers, inspired by the midrashic tradition of biblical interpretation, investigate the eternal human drama through the prisms of scripture, history, and folklore.

Whether set in the urban decay and horror of the world we know, in Lovecrafts Arkham, in Pugmires own Sesqua Valley, or in places and locales somewhere in between the mundane and decadent world of Pugmires visions, this collection of 14 Lovecraftian tales selected by the author seek to evoke similar strains (albeit in a bit more melancholic melody) of cosmic dread, terror and isolation as contained in the writings of H.P. Lovecraft. This collection includes the following stories: Beyond the Realm of Dream, Graffito Flow, The Hour of Their Appetite, Cool Mist, Dust to Dust, Necronomicon, Gates Closed by Darkness, The Baleful God, Drink the Moon, The Thing in the Glen, The Audient Void, The Hungry Place, A Piece of Stone and The Totem Pole. This is the authors first trade paperback collection, and the stories have been revised by the author for this publication. Cover and 15 interior illustrations by Stanley C. Sargent, inspired by the art of the Maya and Moche (pre-Incan) civilizations.