The 2000 presidential left the world standing still, but it was no fluke. America is divided right down the middle - the product of a half-century, unique in our country's history, of inconclusive, increasingly heated partisan battle. Tantalizingly close to victory, each party inflames and mobilizes its most loyal supporters and battles to gain even a small edge with some contested groups. Politics has become culture war - a fight about values, faith, the family, how people should live their lives. The result: partisans are more partisan, politics more polarized, America more divided. The Two Americas: Our Current Political Deadlock and How to Break It tells the history of each party's failed efforts to dominate the era's politics and ideas, radically changing the political landscape. The book provides an in-depth guide to the new groups at the center of our politics. Internationally renowned political strategist and pollster Stanley Greenberg puts the reader in the room with the strategists and politicians and shows how each party can win, even shatter the impasse. The Two Americas is a political primer and strategic playbook for this unique era - essential reading for any armchair political strategist or engaged citizen eager to understand our future politics.

"The 2000 presidential left the world standing still, but it was no fluke. America is divided right down the middle - the product of a half-century, unique in our country's history, of inconclusive, increasingly heated partisan battle. Tantalizingly close to victory, each party inflames and mobilizes its most loyal supporters and battles to gain even a small edge with some contested groups. Politics has become culture war - a fight about values, faith, the family, how people should live their lives. The result: partisans are more partisan, politics more polarized, America more divided. This book tells the history of each party's failed efforts to dominate the era's politics and ideas, radically changing the political landscape and provides an in-depth guide to the new groups at the center of our politics"--

This book tells the little-known story of why a quarter-million Jews, survivors of death camps and forced labor, sought refuge in Germany after World War II. Those who had ventured to return to Poland after liberation soon found that their homeland had become a new killing ground, where some 1,500 Jews were murdered in pogroms between 1945 and 1947. Facing death at home, and with Palestine and the rest of the world largely closed to them, they looked for a place to be safe and found it in the shelter of the Allied Occupation Forces in Germany. By 1950 a little community of 20,000 Jews remained in Germany: 8,000 native German Jews and 12,000 from Eastern Europe. Ruth Gay examines their contrasting lives in the two postwar Germanies. After the fall of Communism, the Jewish community was suddenly overwhelmed by tens of thousands of former Soviet Jews. Now there are some 100,000 Jews in Germany. The old, somewhat nostalgic life of the first postwar decades is being swept aside by radical forces from the Lubavitcher at one end to Reform and feminism at the other. What started in 1945 as a "remnant" community has become a dynamic new center of Jewish life.

It's a Man's World was first released in 2003 to critical acclaim and was featured on the cover of the Los Angeles Times Book Review and in the New York Times. This rich collection, filled with interviews, essays, and color reproductions of testosterone-heavy thirty-five-cent magazines with names like Man's Exploits, Rage, and Escape to Adventure (to name a few), illustrates the culture created to help veterans confront the confusion of jobs, girls, and the Cold War on their return from World War II and the Korean War. The expanded paperback edition includes wartime illustrations and advertisements from mass-produced magazines that preview the xenophobia and racist ideas later seen throughout men's adventure magazines of the '50s and '60s--

Praise for Nazi Gold "A compelling book on one of the greatest robberies of all time." --Rabbi Marvin Heir, dean, Simon Wesenthal Center "Nazi Gold [is] a compelling, outraged, carefully researched book. . . Tom Bower, one of the finest investigative journalists in the English-speaking world over the past generation. . .is the ideal chronicler for this story. Over the past 20 years he has built up a track record second to none in documenting crimes and conspiracies that the Nazis and their collaborators were able to cover up or escape from in the decades after 1945. . .Riveting, outstanding." --Martin Sieff, Washington Times "Nazi Gold is an important book that uncovers much new material." --Saul Friendlunder, author of Nazi Germany and the Jews "Compelling reading." --Chicago Jewish Star "[A] sensational expose. . .Impressively revealing." --Dade Jewish Star Some Revelations form Nazi Gold In 1942 thousands of Jewish refugees fleeing a Nazi roundup of Jews in occupied France crossed the border into Switzerland seeking asylum but where forcibly pushed back to the waiting Gestapo by the Swiss police. Virtually all of them were immediately shipped to concentration camps. During the war thousands of Swiss willingly worked undercover for the German secret service and the Nazis. The Swiss accepted for deposit without question gold bullion looted by German from the treasuries of Austria, Czechoslovakia, Poland, Denmark, and Holland'countries they had conquered. The Swedes and the Portuguese, also neutrals, refused to accept the looted gold.

A groundbreaking interpretation of the intellectual origins of the United Nations No Enchanted Palace traces the origins and early development of the United Nations, one of the most influential yet perhaps least understood organizations active in the world today. Acclaimed historian Mark Mazower forces us to set aside the popular myth that the UN miraculously rose from the ashes of World War II as the guardian of a new and peaceful global order, offering instead a strikingly original interpretation of the UN's ideological roots, early history, and changing role in world affairs. Mazower brings the founding of the UN brilliantly to life. He shows how the UN's creators envisioned a world organization that would protect the interests of empire, yet how this imperial vision was decisively reshaped by the postwar reaffirmation of national sovereignty and the unanticipated rise of India and other former colonial powers. This is a story told through the clash of personalities, such as South African statesman Jan Smuts, who saw in the UN a means to protect the old imperial and racial order; Raphael Lemkin and Joseph Schechtman, Jewish intellectuals at odds over how the UN should combat genocide and other atrocities; and Jawaharlal Nehru, India's first prime minister, who helped transform the UN from an instrument of empire into a forum for ending it. A much-needed historical reappraisal of the early development of this vital world institution, No Enchanted Palace reveals how the UN outgrew its origins and has exhibited an extraordinary flexibility that has enabled it to endure to the present day.

Yokohama Burning is the story of the worst natural disaster of the twentieth century: the earthquakes, fires, and tsunamis of September 1923 that destroyed Yokohama and most of Tokyo and killed 140,000 people during two days of horror. With cinematic vividness and from multiple perspectives, acclaimed Newsweek correspondent Joshua Hammer re-creates harrowing scenes of death, escape, and rescue. He also places the tumultuous events in the context of history and demonstrates how they set Japan on a path to even greater tragedy. At two minutes to noon on Saturday, September 1, 1923, life in the two cities was humming along at its usual pace. An international merchant fleet, an early harbinger of globalization, floated in Yokohama harbor and loaded tea and silk on the docks. More than three thousand rickshaws worked the streets of the port. Diplomats, sailors, spies, traders, and other expatriates lunched at the Grand Hotel on Yokohama's Bund and prowled the dockside quarter known as Bloodtown. Eighteen miles north, in Tokyo, the young Prince Regent, Hirohito, was meeting in his palace with his advisers, and the noted American anthropologist Frederick Starr was hard at work in his hotel room on a book about Mount Fuji. Then, in a mighty shake of the earth, the world as they knew it ended. When the temblor struck, poorly constructed buildings fell instantly, crushing to death thousands of people or pinning them in the wreckage. Minutes later, a great wall of water washed over coastal resort towns, inundating people without warning. Chemicals exploded, charcoal braziers overturned, neighborhoods of flimsy wooden houses went up in flames. With water mains broken, fire brigades could only look on helplessly as the inferno spread. Joshua Hammer searched diaries, letters, and newspaper accounts and conducted interviews with nonagenarian survivors to piece together a minute-by-minute account of the catastrophe. But the author offers more than a disaster narrative. He details the emerging study of seismology, the nascent wireless communications network that alerted the world, and the massive, American-led relief effort that seemed to promise a bright new era in U.S.-Japanese relations. Hammer shows that the calamity led in fact to a hardening of racist attitudes in both Japan and the United States, and drove Japan, then a fledgling democracy, into the hands of radical militarists with imperial ambitions. He argues persuasively that the forces that ripped through the archipelago on September 1, 1923, would reverberate, traumatically, for decades to come. Yokohama Burning , a story of national tragedy and individual heroism, combines a dramatic narrative and historical perspective that will linger with the reader for a long time.

Munich 1919 is a vivid portrayal of the chaos that followed World War I and the collapse of the Munich Council Republic by one of the most perceptive chroniclers of German history. Victor Klemperer provides a moving and thrilling account of what turned out to be a decisive turning point in the fate of a nation, for the revolution of 1918-9 not only produced the first German democracy, it also heralded the horrors to come. With the directness of an educated and independent young man, Klemperer turned his hand to political journalism, writing astute, clever and linguistically brilliant reports in the beleaguered Munich of 1919. He sketched intimate portraits of the people of the hour, including Erich Mühsam, Max Levien and Kurt Eisner, and took the measure of the events around him with a keen eye. These observations are made ever more poignant by the inclusion of passages from his later memoirs. In the midst of increasing persecution under the Nazis he reflected on the fateful year 1919, the growing threat of antisemitism, and the acquaintances he made in the period, some of whom would later abandon him, while others remained loyal. Klemperer's account once again reveals him to be a fearless and deeply humane recorder of German history. Munich 1919 will be essential reading for all those interested in 20th century history, constituting a unique witness to events of the period.

Newton Minow’s long engagement with the world of television began nearly fifty years ago when President Kennedy appointed him chairman of the Federal Communications Commission. As its head, Minow would famously dub TV a “vast wasteland,” thus inaugurating a career dedicated to reforming television to better serve the public interest. Since then, he has been chairman of PBS and on the board of CBS and elsewhere, but his most lasting contribution remains his leadership on televised presidential debates. He was assistant counsel to Illinois governor Adlai Stevenson when Stevenson first proposed the idea of the debates in 1960; he served as cochair of the presidential debates in 1976 and 1980; and he helped create and is currently vice chairman of the Commission on Presidential Debates, which has organized the debates for the last two decades. Written with longtime collaborator Craig LaMay, this fascinating history offers readers for the first time a genuinely inside look into the origins of the presidential debates and the many battles—both legal and personal—that have determined who has been allowed to debate and under what circumstances. The authors do not dismiss the criticism of the presidential debates in recent years but do come down solidly in favor of them, arguing that they are one of the great accomplishments of modern American electoral politics. As they remind us, the debates were once unique in the democratic world, are now emulated across the globe, and they offer the public the only real chance to see the candidates speak in direct response to one another in a discussion of major social, economic, and foreign policy issues. Looking to the challenges posed by third-party candidates and the emergence of new media such as YouTube, Minow and LaMay ultimately make recommendations for the future, calling for the debates to become less formal, with candidates allowed to question each other and citizens allowed to question candidates directly. They also explore the many ways in which the Internet might serve to broaden the debates’ appeal and informative power. Whether it’s Clinton or Obama vs. McCain, Inside the Presidential Debates will be welcomed in 2008 by anyone interested in where this crucial part of our democracy is headed—and how it got there.

Uncovers the powerful effects of 20th-century Jewish women's social and political activism on contemporary American life Winner of the 2013 National Jewish Book Award, Women's Studies Ballots, Babies, and Banners of Peace explores the social and political activism of American Jewish women from 1890 to the beginnings of World War II. Written in an engaging style, the book demonstrates that no history of the birth control, suffrage, or peace movements in the United States is complete without analyzing the impact of Jewish women's presence. The volume is based on years of extensive primary source research in more than a dozen archives and among hundreds of primary sources, many of which have previously never been seen. Voluminous personal papers and institutional records paint a vivid picture of a world in which both middle-class and working-class American Jewish women were consistently and publicly engaged in all the major issues of their day and worked closely with their non-Jewish counterparts on behalf of activist causes. This extraordinarily well-researched volume makes a unique contribution to the study of modern women's history, modern Jewish history, and the history of American social movements.

Based on years of research conducted mostly in Arabic sources, Meir Litvak and Ester Webman track the evolution of post-World War II perceptions of the Holocaust and their parallel emergence in the wake of the Arab-Israeli conflict of 1948. Following the establishment of the State of Israel, Arab attitudes toward the Holocaust became entangled with broader anti-Zionist and anti-Semitic sentiments. Litvak and Webman track this discourse through the work of leading intellectuals and turn to representations of the Holocaust in the media and culture of Egypt, Lebanon, Jordan, and among the Palestinian people. Their chronological history, which spans sixty years, provides a remarkable perspective on the origins, development, and tenaciousness of anti-Holocaust belief. From Empathy to Denial is the first comprehensive investigation of Holocaust denial in the Arab world, and is based on years of painstaking historical research of mostly Arabic language sources. The authors explore how Holocaust denial emerged after the Second World War, how it paralleled the wider Arab-Israeli conflict after the establishment of the State of Israel in 1948 and how it subsequently became entangled with broader anti-Zionist and anti-Semitic sentiment. In particular Litvak and Webman look at the role of leading intellectuals, the media and other cultural forms in Egypt, Lebanon, Jordan and among the Palestinians and how their representation of the Holocaust has evolved in the last sixty years.

"In this new history, French author Georges Bensoussan retells the story of what life was like for Jews in the Arab world since 1850. During the early years of this time, it was widely believed that Jewish life in Arab lands was peaceful. Jews were protected by law and suffered much less violence, persecution, and inequality. Bensoussan takes on this myth and looks back over the history of Jewish-Arab relations in Arab countries. He finds that there is little truth to the myth and forwards a nuanced history of interrelationship that is not only diverse, but deals with local differences in cultural, religious, and political practice. Bensoussan divides the work into sections that cover 1850 to the end of WWI, from 1919 to the eve of WWII and then from WWII to the establishment of Israel and the Arab Wars. A new afterword brings the history of Jewish and Arab relations into the present day. Bensoussan has determined that the history of Jews in Arab countries is a history of slowly disintegrating relationships, increasing tension, violence, and persecution"--

The compelling autobiography of Israel's preeminent photojournalist, illustrated with his most memorable images. Today, photojournalist David Rubinger stands at the peak of his profession: a winner of the Israel Prize for services to the media and a fixture on the masthead of Time, he is the only photographer whose work is on permanent display at the Knesset, Israel’s legislature. In this fascinating volume, he reports his own story, which in many ways reflects the history of Israel that he has recorded so faithfully with his camera. Born in Vienna in 1924, he emigrated to British Palestine in 1939 and developed a passion for photography while serving in the British army’s Jewish Brigade. After fighting in Israel’s War of Independence, he became a professional news photographer, reporting on each of his young nation’s subsequent wars from the front lines, at first for the Israeli media and later as a correspondent for Time-Life. He photographed all of Israel’s leaders, many of whom have allowed him a remarkable degree of access to their lives; Ariel Sharon said, “I trust Rubinger even though I know he doesn’t vote for me.” But Rubinger has not confined his reporting to war and politics; by photographing the successive waves of Jewish immigrants from Europe, the Arab world, Russia, and Ethiopia, he has also created a valuable record of Israel’s transformation from a country of six hundred thousand to one of seven million. In recounting his eventful career, Rubinger proves himself a gifted raconteur, sharing anecdotes of the many leading personalities he has photographed and telling the stories behind his most famous pictures, many of which are reproduced here at full-page size. Also illustrated are a selection of Rubinger’s never-before-published personal photographs, which provide vivid behind-the-scenes glimpses into the fast-paced and sometimes daring work of a photojournalist. Both a personal account of one man’s life with the camera and a visual document of the birth of a nation, Israel through My Lens is an essential book for anyone with an interest in Israeli history or the art of photojournalism.

Children have been recruited for fighting throughout history - as soldiers in regular and guerilla armies, in armed revolts, and for political terrorism. However, these children cannot always be viewed as victims of remorseless and criminal leaders. In some situations, joining the fighting is the best or the only alternative for the young. Ch. 2 (pp. 19-56), "Fighting for Their Lives: Jewish Child Soldiers of World War II", discusses children's participation in the Jewish resistance during the Holocaust. Using mainly material from resistance and partisan groups in Lithuania, Poland, and Belarus, shows that joining the fighters was sometimes the Jewish children's only hope for survival. The children were motivated by necessity and a sense of honor and duty. Zionist and leftist movements, in particular Hashomer Hatzair, which headed the resistance in many ghettos, cultivated independence and militancy of the young and were especially inclined to draw children into their ranks.

The many thousands of Jews from German-speaking lands who came to the United States throughout the nineteenth century played a major part in laying the foundations of the Jewish community in America. The author considers these immigrants a branch of German Jewry, compelled to seek overseas the political and civil rights denied them at home. In this volume of the Ellis Island Series, the fascinating story of this mass immigration of mostly poor, enterprising, young people is told in vivid detail. Drawing on rare letters, diaries, memoirs, period newspapers, journals, and other firsthand accounts, Barkai traces the process of family-oriented chain migration, resettlement, and acculturation, exploring as well the group's relations with the Jewish community in Germany and with German and Jewish immigrants in the New World. Often starting out as peddlers and storekeepers, the immigrants moved back and forth from East Coast towns and cities to settlements in the South, Midwest, and Far West, helping to expand the American frontier and to develop cities such as Cincinnati St. Louis, Milwaukee, and San Francisco. The narrative chronicles their experiences in the goldfields of California, on Indian reservations, and during the Civil War, in which German-Jewish soldiers in the Union and Confederate armies struggled against bigotry to assert their civil rights. These engaging personal narratives are woven into an account of the formative role played by German-Jewish immigrants in establishing the institutional framework of the American-Jewish community. Their influential network of mutual aid and philanthropic organizations would be challenged, at the turn of the century, by the great mass migration of Jews from Eastern Europe. The author's presentation of the dramatic encounter between these two groups sheds new light not only on this critical period in American-Jewish history but also on the dynamics of cultural change in a pluralist society.

In Reforming Sex: The German Movement for Birth Control and Abortion Reform, 1920 to 1950, Atina Grossmann reconstructs the complicated history of a movement that has been romanticized as the harbinger of 1960s sexual radicalism and demonized as a precursor to Nazi racial policy, but mostly buried and obscured by Nazi bookburnings and repression. Relying on a broad range of sources - from police reports, films and personal interviews to sex manuals unearthed from library basements and secondhand bookstores - the book analyzes a remarkable mass mobilization during the turbulent and innovative Weimar years of doctors and laypeople for women's rights to abortion and public access to birth control and sex education. Reforming Sex takes on questions of international context and comparison as well as continuity and discontinuity in twentieth century German history in a manner that other studies have not. The book follows Weimar sex reformers into the Third Reich, to exile around the world, and into both the Eastern and Western zones of postwar Germany. It demonstrates how deeply rooted eugenics ideology and American and Bolshevik models of modernity were in the Weimar movement. It also examines the drastic rupture between sex reform notions of social health and National Socialist population policy. The story of German sex reform provides a new perspective on post-World War II family planning programs; it sheds light on the long and lively background to current controversies about abortion, the role of doctors and the state in determining women's right to control their own bodies, and the possibilities for reforming and transforming sexual relations between men and women.

" For Solo Violin is a gracefully written, elegiac memoir of childhood."— The Los Angeles Times "An eloquent tribute to [and] a moving account of those who, despite the cruelty of so many around them, found ways to rejoice and trust in the kindness of a few. One is instantly reminded of Life Is Beautiful ."—André Aciman, author of Out of Egypt In an extraordinary literary debut, Aldo Zargani reconstructs the lost world of his Jewish childhood during the perilous years 1938–45 when he and his family fled from Fascists and Nazis in northern Italy. His haunting memoir acquires a cinematic intensity as he crosscuts from the blood-red stone spires of Basel, where his father failed to find refuge for his family in 1939, to fiery scenes of the Allied bombing of Turin in 1942, to the freezing winter of 1943–44, which Zargani and his brother spent hidden in a Catholic boarding school deep in the countryside. For Solo Violin is filled with colorful portraits of Italian aristocrats and peasants, priests and soldiers, teachers and students, informers and partisans. At its heart is Zargani's vivid depiction of his father, a concert violinist forced to give up his career when the Fascists came to power. In this time of persecution, the Zargani family survived through their own resourcefulness and through the efforts of the many Italians who came to their aid, from the young doctor who helped them escape from Turin to the shepherd who supplied them with milk during the last year of the war, when they lived among the partisans in a remote Piedmont valley. Looking back over a distance of fifty years, Zargani rediscovers the enchantment of childhood shining in "fable-like constellations" even amidst the inferno of war. Lullabies and school games, fairy tales and family jokes are interwoven with the events of terror and oppression. Lyrical, humorous, tender, and wise, For Solo Violin is a testament to resilience and hope during the darkest period in human history. "A broad panorama of Italian-Jewish history in [the last] century. Elegant in its style and, however tragic, also rich with understatement, irony, and wit, For Solo Violin counts among the great, enduring works of art."— Focus Magazine , Germany "A tragic, deeply engaging, delicious book—yes delicious, too. (Reading it makes you smile.) It's a miracle…It makes one think of the wit of Kafka!"— L'Espresso , Italy "Zargani depicts a wealth of sad, despairing, but often also incredibly funny episodes…But vibrating along with the humor is always the sense of threat, and behind it opens the abyss of terror."— Neue Zürcher Zeitung , Switzerland

The classic history of the muckraking era (1902–1914) has been extended to trace the muckrakers' influence through World War II and McCarthyism, the civil rights movement and the counterculture, Korea and Vietnam, Naderism and women's liberation, and Watergate. (Former editions stopped with the New Deal.) The book that Allan Nevins called, "By all odds the best account in print of a most interesting movement," now embodies the challenge of the muckrakers to Americans of the seventies. Professor Filler has added a new introduction and a new final chapter, "The Anguish of Change." and has updated facts, interpretations, and references throughout the book. He also has updated his chronology and bibliography and has added four newly discovered cartoons and drawings to the twenty-two illustrations appearing in previous editions. Modern heirs of the muckraking tradition—Jack Anderson, Bernstein and Woodward, Dan Ellsberg, James Forman, Abbie Hoffman, Ralph Nader, I.F. Stone, and various TV talk-show personalities—are treated fairly but astringently. So too are revisionist critics of the original muckrakers. Today's journalistic investigators and social critics, in Professor Filler's view, lack the historical perspective and the emphatic sensitivity of their precursors. His opinion on this score will be controversial, but would be understood by Ida Tarbell, who wrote of the first edition, "His liberal sympathies give warmth to his narrative and his honesty as an investigator gives it trustworthiness."

"Howard Jacobson's funny, revealing and tender memoir of his path to becoming a writer. It's my theory that only the unhappy, the uncomfortable, the gauche, the badly put together, aspire to make art. Why would you seek to reshape the world unless you were ill-at-ease in it? And I came out of the womb in every sense the wrong way round. In Mother's Boy, Booker-Prize winner Howard Jacobson reveals how he became a writer. It is an exploration of belonging and not-belonging, of being an insider and outsider, both English and Jewish. Jacobson was forty when his first novel was published. In Mother's Boy he traces the life that brought him there. Born to a working-class family in 1940s Manchester, the great-grandson of Lithuanian and Russian immigrants, Jacobson was raised by his mother, grandmother and aunt Joyce. His father was a regimental tailor, as well as an upholsterer, a market-stall holder, a taxi driver, a balloonist, and a magician. Grappling always with his family's history and his Jewish identity, Jacobson takes us from the growing pains of childhood to studying at Cambridge under F.R. Leavis, and landing in Sydney as a maverick young professor on campus." --

The author describes his love for Vermont, sharing his thoughts on the history of the region, the reason for the state's live and let live attitude, and how Vermont's free-thinking traditions can survive in the modern world.