A humorous reimagining of eighty classics of world literature, retold in tweets.

Carolyn Heilbrun opens our eyes to the ways in which the concept of androgyny -- the realization of man in woman and woman in man -- has run from its source in pre-Hellenic myth through the literature of the Western world. Here brilliantly brought to life are long-unrecognized manifestations of the androgynous ideal: in the classic drama, with its celebration of the feminine impulse toward life; in the Gospels, as Jesus breaks with the paternalistic tradition; in the medieval ambiguities of the cult of Mary and the courts of love; in the Renaissance, with its developing view of a more autonomous human being, culminating in Shakespeare's androgynous vision. Moving toward our own time, Mrs. Heilbrun traces the emergence of the woman hero in fiction. Clarissa and Hester Prynne, the strong women characters in Jane Austen, the Brontës, and George Eliot, the heroines of male writers -- Henry James, E. M. Forster, D. H. Lawrence -- are all seen as androgynous creations. And the writers of the Bloomsbury group are looked as exemplifications of the androgynous ideal both in their art and in their lives. -- From publisher's description.

"A rollicking tale." --Stacy Schiff, New York Times Book Review, Editors' Choice Johnny One-Eye is bringing about the rediscovery of one of the most "singular and remarkable [careers] in American literature" (Jonathan Yardley, Washington Post Book World). In this picaresque tour de force that reanimates Revolutionary Manhattan through the story of double agent John Stocking, the bastard son of a whorehouse madam and possibly George Washington, Jerome Charyn has given us one of the most memorable historical novels in years. As Johnny seeks to unlock the mystery of his birth and grapples with his allegiances, he falls in love with Clara, a gorgeous, green-eyed octoroon, the most coveted harlot of Gertrude's house. The wild parade of characters he encounters includes Benedict Arnold, the Howe brothers, "Sir Billy" and "Black Dick," and a manipulative Alexander Hamilton. Not since John Barth's The Sotweed Factor and Gore Vidal's Burr has a novel so dramatically re-created America's historical beginnings. Reading group guide included.

This study begins with a brief survey of economic thought on the relationship between foreign trade and national power, from the Mercantilists on. Chapter II attempts a systematic theoretical approach to the subject. It first makes clear the fundamental basis of the possible use of foreign trade as an instrument of national power policy. Using well-known concepts of economic analysis, it proceeds to show under what conditions and by means of what policies this instrument is likely to attain its highest efficiency. The principles of power policy thus deduced theoretically are then compared with the actual practices followed by German trading methods in recent years. Toward the end of this chapter the reader will be carried into a detailed discussion of certain problems of the theory of international trade, which are touched upon earlier in the chapter. Chapter III is applied to the historical background of our problem. It gives a survey of the literature on "economic aggression" before and during World War I and brings out the importance of the Paris Economic Conference of the Allies in 1916 for the Versailles Treaty and postwar economic policies. In Chapter IV we review in the light of our theoretical and historical analyses certain safeguards or remedies which could be or have been proposed to prevent the use of foreign trade as an instrument of national power policies. Certain questions raised in Part 1 can be answered in quantitative terms. Part 2 consists, therefore, of an exposition of various trends of international trade in recent years disclosed by statistical analysis. In Chapter V we calculate an index number expressing the extent to which the trade of the large trading nations is or has been directed by preference toward the smaller trading countries. Chapter VI gives index numbers for the degree of concentration of their foreign trade on one or a few big markets or sources of supply. Finally, in Chapter VII we measure the extent to which world trade has been based primarily on an exchange of manufactures against raw materials and foodstuffs. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1945, with an expanded edition published in 1980.

Dogs fill our hearts with love and our minds with wonder, but their emotional lives have remained unexplored since Darwin 125 years ago. Now in Dogs Never Lie About Love, controversial psychoanalyst Jeffrey Masson brilliantly navigates the rich inner landscape of "our best friends. "As he guides readers through the surprising depth of canine emotional complexity, Jeffrey Masson draws from myth and literature, from scientific studies, and from the stories and observations of dog trainers and dog lovers around the world. But the stars of the book are the author's own three dogs whose delightful and mysterious behavior provides the way to exploring a wide range of subjects--from emotions like gratitude, compassion, loneliness, and disappointment to speculating what dogs dream of and how their powerful sense of smell shapes their perception of reality. As he sweeps aside old prejudices on animal behavior, Masson reaches into a rich universe of dog feeling to its essential core, their "master emotion": love. Like the dogs he loves, Masson's writing will capture the reader with its playful, mysterious, and serious sides. Its surprising insights provide a new dimension of understanding for dog owners everywhere.

Novelist Andrew Craig has not been sober in a very long time. After losing his wife in an auto accident he believes to have been his own fault, he turned to the bottle, and to his sister-in-law, Leah, who acts as his caretaker and live-in nurse. Then, when he is awarded the Nobel Prize in literature for his novel, "The Perfect State," a historical jab at communism, he heads for Stockholm, hoping to find a reason to live, and to write. The other laureates have their own problems, a heart surgeon who believes that sharing his award with an Italian colleague robs him of his glory, a married couple awarded the prize in medicine in the middle of a serious marital crisis, and others – including Max Stratman, whose heart isn't really up to the trip, but who needs the prize money to provide for niece, Emily. This novel delves into the lives, loves, dreams and nightmares of these characters, and others, building a panoramic view of the Nobel Prize, life in Stockholm, and the state of world politics in the years following World War II. It is rich and compelling, driving the reader from the pits of despair to the heights of inspiration. A wonderful novel by one of America's finest novelists. The Prize was made into a movie starring Paul Newman.

In Jewish Views of the Afterlife, Simcha Paull Raphael guides the reader through 4,000 years of Jewish thought on the afterlife by investigating pertinent sacred texts produced in each era. Through a compilation of ideas found in the Bible, Apocrypha, rabbinic literature, medieval philosophy, medieval Midrash, Kabbalah, and Hasidism, the reader learns how Judaism conceived of the fate of the individual after death throughout Jewish history. In the wake of the horrifying deaths of six million Jews in the Holocaust, many turned away from Judaism and shunned a God who had seemingly allowed this senseless act of cruelty to occur. Others turned toward the faith, desperately wanting to believe in the doctrine that those whose lives had ended prematurely had passed on to another a better life. But does an afterlife even exist? What role does it play in Jewish theology? While many affirm a belief in the afterlife, a scarce few are aware of where these teachings can be found in Jewish literature. Among the topics discussed in this fascinating volume are heaven and hell, Olam Ha-Ba (The World to Come), Gan Eden, resurrection of the dead, immortality of the soul, and divine judgment prior to death.

Following a detailed introduction to the world of messianic ideology and its significance in Jewish history, The Messiah Texts traces the progress of the messianic legend from its biblical beginnings to contemporary expressions. Renowned scholar Raphael Patai has skillfully selected passages from a voluminous literature spanning three millennia. Using his own translations from Hebrew, Aramaic, Arabic, Latin, and other original texts, Patai excerpts delightful folk tales, apocalyptic fantasies, and parables of prophetic power. All are central to the understanding of a magnificent heritage. patai also investigates the false messiahs who have appeared throughout Jewish history, the modern Messiah-influenced movements such as reform Judaism and Zionism, and the numerous reasons put forth by the various branches of Judaism as to why the Messiah has not yet appeared.

A stunning and considered collection of poetry and writings by one of the most intriguing and accomplished voices in contemporary literature. Paul Auster's penetrating and charged verse resembles little else in recent American poetry. This collection of Auster's poetry, translations, and composition notes from early in his career do much to reinforce the idea that Paul Auster is, indeed, a unique and masterful figure in the literary world. Taut, densely lyrical, and everywhere informed by a powerful and subtle music, this selection of writings begins with the compact verse fragments of Spokes (written when Auster was in his early twenties) and Unearth, continues on through the more ample meditations of Wall Writing, Disappearances, Effigies, Fragments From the Cold, Facing the Music, and White Spaces, then moves further back in time to include Auster's revealing translations of many of the French poets who influenced his own writing, as well as the provocative and previously unpublished "Notes From A Composition Book" (1967). An introduction by Norman Finkelstein connects biographical elements to a consideration of the work, and takes in Auster's early literary and philosophical influences. Powerful, haunting, and precise, this view from the past to the present will appeal to those unfamiliar with this aspect of Auster's work, as well as those already acquainted with his poetry.

Why the Greek myths, more than those of any other culture, continue to captivate us The mythology of ancient Greece has fascinated readers for two millennia and has formed the basis of Western civilization. The Greek gods are a perennial source of delight because they seem so much like us: in their rages, their love affairs, and their obsession with honor, the gods often appear all too human. In Greek Gods, Human Lives, preeminent classicist Mary Lefkowitz reintroduces readers to the literature of ancient Greece. Lefkowitz demonstrates that these stories, although endlessly entertaining, are never frivolous. The Greek myths--as told by Homer, Ovid, Virgil, and many others--offer crucial lessons about human experience. Greek mythology makes vivid the fact that the gods control every aspect of the lives of mortals, but not in ways that modern audiences have properly understood. We can learn much from these myths, Lefkowitz shows, if we understand that they are stories about religious experience--about the meaning of divinity, the nature of justice, and the limitations of human knowledge. These myths spoke to ancient audiences and helped them to comprehend their world. With Mary Lefkowitz as an interpreter, these myths speak to us as well.

"For more than two thousand years, philosophers and theologians have wrestled with the irreconcilable opposition between Greek rationality (Athens) and biblical revelation (Jerusalem). In Athens and Jersusalem, Lev Shestov -- an inspiration for the French existentialists and the foremost interlocutor of Edmund Husserl, Martin Heidegger, and Martin Buber during the interwar years -- makes the gripping confrontation between these symbolic poles of ancient wisdom his philosophical testament, an argumentative and stylistic tour de force. Although the Russian-born Shestov is little known in the Anglophone world today, his writings influenced many twentieth-century European thinkers, such as Albert Camus, D. H. Lawrence, Thomas Mann, Czesław Miłosz, and Joseph Brodsky. Athens and Jerusalem is Shestov's final, groundbreaking work on the philosophy of religion from an existential perspective. This new, annotated edition of Bernard Martin's classic translation adds references to the cited works as well as glosses of passages from the original Greek, Latin, German, and French. Athens and Jerusalem is Shestov at his most profound and most eloquent and is the clearest expression of his thought that shaped the evolution of continental philosophy and European literature in the twentieth century. "--

A son's funny, frank, and "endlessly fascinating" memoir of his father, Wizard of Oz star Bert Lahr ( Harper's Magazine ). Bert Lahr, best known for his role as the Cowardly Lion in The Wizard of Oz , made audiences laugh from burlesque stages to vaudeville to Broadway--and impressed them as Estragon in the American theater debut of Waiting for Godot . But reality wasn't always funny for the legendary actor and comedian, or his family. Drawing on personal recollections and the memories of his father's colleagues, a veteran writer for the New Yorker and renowned theater critic brilliantly explores both the long and glorious professional career of a Hollywood icon and the experience of growing up with him. Here, in rich detail, is Bert Lahr evolving from a low-comic star to a Ziegfeld Follies sophisticate, hamming it up with the Scarecrow and Tin Man on the set of The Wizard of Oz , and garnering rich praise as he performed in Samuel Beckett's masterpiece. But while Lahr could be equally raucous and polished in public, in private he was painfully insecure and self-absorbed, keeping his family at arm's length as he quietly battled his inner demons. "A work of literature, a work of history, a subtle psychological study," Notes on a Cowardly Lion is more than one man's quest to understand his father. It is an extraordinary examination of a life on the stage and screen ( Harper's Magazine ). From a writer with an intimate knowledge of the theater and show business world, this is both a "frank and objective" ( The New York Times Book Review ) family memoir that will appeal to readers of Carrie Fisher's Wishful Drinking or Alan Cumming's Not My Father's Son , and a "book-length love letter. To open it is to enter a life, to participate in a sensibility and, perhaps most important, to laugh. Uproariously" ( Life) .

"An acknowledged classic. Katz has transformed our conception of Jewish history from the 16th to the 18th century. Because of his work, we now understand that the ghetto was no longer sealed off at that time from outside opinions and that the movement towards modernity had begun long before the Jews were actually legally emancipated. Making this work available again in the revised edition is a service to scholarship and to public enlightenment." —Arthur Hertzberg "Since it first appeared in Hebrew in 1958, Tradition and Crisis has had a tremendous impact on generations of students and scholars. Katz's innovative use of sources has introduced scholars to new methodologies and opened new vistas for research. This new, unabridged translation is therefore highly welcome. It will ensure its continued use in the English-speaking world." —Jehuda Reinharz, Richard Koret Professor of Modern Jewish History, Brandeis University "Like a lovingly restored painting, Bernard Cooperman's new, annotated translation of Jacob Katz's classic portrait of early Jewish modernity can now be fully appreciated for the first time. An admirable achievement." —Ivan G. Marcus When it first appeared in Hebrew in 1958 and in English in 1961, Tradition and Crisis , Jacob Katz's groundbreaking study of Jewish society at the end of the Middle Ages, dramatically changed our perceptions of the Jewish community prior to the era of modernity. This new, unabridged translation by Bernard Dov Cooperman makes this classic available to new generations of students and scholars, together with Katz's original source notes, and an afterword and an updating bibliographic appendix by Professor Cooperman. Katz revolutionized the field by tapping into a rich and hitherto unexplored source for reconstructing the sociology of a previous era: the responsa literature of the Rabbinic establishment during the Middle Ages. The self-governing communities of Jews in Europe dealt with issues both civil and religious. The questions and answers addressed to the rabbinic authorities and courts provide an incomparable wealth of insights into life as it was lived in this period and into the social, historical, cultural, and economic issues of the day. How did European Jewry progress from a socially and culturally segregated society to become a component of European society at large? What were Jewish attitudes toward the Gentile world from which Jewry had been secluded for centuries? What were the bridges from the old to the new era? Tradition and Crisis traces the roots of modernity to internal developments within the communities themselves. Katz traces the modern movements of the Haskalah (Enlightenment) in the West and Hasidism in the East, to an internal breakdown in the structure of these communities and the emergence of an alternative leadership in the wake of the Sabbatian challenge. A dynamic work that has radically changed our view of this history, Tradition and Crisis remains the pivotal text for understanding the revolution in the entire conception of Jewish identity in the modern era.

In Grimm Legacies, esteemed literary scholar Jack Zipes explores the legacy of the Brothers Grimm in Europe and North America, from the nineteenth century to the present. Zipes reveals how the Grimms came to play a pivotal and unusual role in the evolution of Western folklore and in the history of the most significant cultural genre in the world-the fairy tale.Folklorists Jacob and Wilhelm Grimm sought to discover and preserve a rich abundance of stories emanating from an oral tradition, and encouraged friends, colleagues, and strangers to gather and share these tales. As a result, hundreds of thousands of wonderful folk and fairy tales poured into books throughout Europe and have kept coming. Zipes looks at the transformation of the Grimms' tales into children's literature, the Americanization of the tales, the "Grimm" aspects of contemporary tales, and the tales' utopian impulses. He shows that the Grimms were not the first scholars to turn their attention to folk tales, but were vital in expanding readership and setting the high standards for folk-tale collecting that continue through the current era. Zipes concludes with a look at contemporary adaptations of the tales and raises questions about authenticity, target audience, and consumerism.With erudition and verve, Grimm Legacies examines the lasting universal influence of two brothers and their collected tales on today's storytelling world.

The Dress Doctor by Edith Head is a comprehensive guide to fashion and style. Edith Head was a renowned Hollywood costume designer who worked with some of the biggest stars in the film industry. In this book, she shares her expertise on how to dress for different occasions, body types, and personal styles.The Dress Doctor covers a wide range of topics, from choosing the right colors and fabrics to accessorizing and creating a signature look. Head provides practical advice on everything from selecting the perfect dress for a formal event to dressing for a job interview or a casual weekend outing.The book is illustrated with photographs and sketches that demonstrate Head's concepts and ideas. It also includes anecdotes and stories from her time in Hollywood, giving readers a glimpse into the glamorous world of film and fashion.Whether you're a fashion novice or a seasoned style expert, The Dress Doctor is an essential guide to looking and feeling your best. With its timeless advice and classic tips, this book is a must-have for anyone who wants to master the art of dressing well.A Star-Studded Autobiography By Paramount's Fashion Chief.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

" The public intellectual, as a person and ideal, has a long and storied mythology. Writing in venues like the New Republic and Foreign Affairs, they are expected to opine on a broad array of topics, from foreign policy to literature to economics. Yet in recent years a new kind of thinker has supplanted that archetype: the thought leader. Equipped with one big idea, thought leaders focus their energies on TED talks more than highbrow periodicals. How did this shift happen? In The Ideas Industry, Daniel W. Drezner points to the roles of political polarization, heightened inequality, and eroding trust in authority as ushering in the change. In contrast to public intellectuals, thought leaders gain fame as single-idea merchants. Their ideas are often laudable and highly ambitious: ending global poverty by 2025, for example. But instead of a class composed of university professors and freelance intellectuals debating in highbrow magazines, thought leaders can bypass traditional gatekeepers to directly influence policymakers and the public. They are more immune to criticism--and in this century, the criticism of public intellectuals also counts for less. Three factors have reshaped the world of ideas: waning trust in expertise, increasing political polarization and rising levels of plutocracy. The erosion of trust has lowered the barriers to entry in the marketplace of ideas. Thought leaders don't need doctorates or fellowships to advance their arguments. Polarization is hardly a new phenomenon, but in contrast to their predecessors, today's intellectuals are more likely to enjoy the support of ideologically friendly private funders and be housed in ideologically-driven think tanks. Increasing inequality is a key driver: more than ever before, contemporary plutocrats fund intellectuals and policy shops that generate arguments that align with their own. There are downsides to the contemporary ideas industry, but Drezner argues that it is very good at broadcasting ideas widely and reaching large audiences of people hungry for new thinking. Both fair-minded and trenchant, The Ideas Industry will reshape our understanding of contemporary public intellectual life in America and the West."--

From Babar to Dumbo, the elephant has long fascinated children as well as their parents. Here, eighty stunning photographs encompass every aspect of the elephant's life and world: elephants big and small, African and Asian, in the wild and domesticated, at play and at rest. Whether taken from the air, from underwater, or from the side of a jeep, these images will capture the imagination of any child. Steve Bloom's extraordinary photographs depict the elephants in their natural environment as well as in their unique relationships with people. Here are elephant babies playing in the dust, families rolling in the mud, polo-playing elephants, elephants at bath time, impressive herds roaming the plains, and much more. The entertaining texts by David Henry Wilson explain anything and everything of interest about elephants, from why they flap their ears to how much they weigh and how much they eat.

In literary theory, the philosophy of law, and the sociology of knowledge, no issue has been more central to current debate than the status of our interpretations. Do they rest on a ground of rationality or are they subjective impositions of a merely personal point of view? In Doing What Comes Naturally, Stanley Fish refuses the dilemma posed by this question and argues that while we can never separate our judgments from the contexts in which they are made, those judgments are nevertheless authoritative and even, in the only way that matters, objective. He thus rejects both the demand for an ahistorical foundation, and the conclusion that in the absence of such a foundation we reside in an indeterminate world. In a succession of provocative and wide-ranging chapters, Fish explores the implications of his position for our understanding of legal, literary, and psychoanalytic interpretation, the nature of professional and institutional culture, and the place of reason in a world that is rhetorical through and through.

"Pyromaniacs, vigilantes, mysterious phenomena, prehistoric beasts, cryptid species, grave robbers and ghosts... the stories of Ghost Lake feature a cast of interrelated characters and their brushes with the supernatural, creatures of Ojibwe cosmology, the Spirit World, and with monsters, both human and otherwise. Nathan Niigan Noodin Adler shows us that the precolonial past is not so distant, that history informs the present, and nothing is ever truly lost or destroyed, because the land remembers."--