Crimes of War—Iraq provides a comprehensive legal, historical, and psychological exploration of the war in Iraq from the same editorial team whose 1971 Crimes of War was a landmark book about Vietnam and the revelation of American war crimes. The editors apply standards of international criminal law, as set forth at Nuremberg after World War II, and by subsequent developments regarding individual responsibility and accountability. These principles have to do with the waging of aggressive war, attacks on civilian centers of population, rights of resistance against an illegal occupation, and the abuse of prisoners. Explorations of psychology and human behavior include levels of motivation and response in connection with torture at Abu Ghraib; the phenomenon of the atrocity-producing situation in both Vietnam and Iraq (in which counter-insurgency, military policies, and angry grief could cause ordinary people to participate in atrocities); the behavior of doctors and medics in colluding in torture at Abu Ghraib; emerging testimony of American veterans of Iraq concerning the confusions of the mission, and the widespread killing of civilians; and accounts of broadening unease and psychological disturbance among men and women engaged in combat.

Chronicles his conversion to Catholicism, and his subsequent gradual loss of faith.

THE STORY: It's April 1st, 1919, and the young independent publisher John Pace Seavering is setting up his office: a couple of dilapidated rooms in a romantic Manhattan tower. With only enough capital to put out one book, John finds himself besiege

Gathers essays, stories, and poems about baseball, baseball players, and the myths and history of baseball

"The bardo of waking life is a meditation on the Tibetan Buddhist bardo realm, which is viewed as the bridge between lives, the state people enter after death and before rebirth. This book examines waking life and its history and language as if it were a bardo state rather than ultimate reality. Bardo is at once prose poetry, intimate memoir, and anthropological inquiry"--Provided by publisher.

This volume deals with conversions to Judaism from the 16th to the 18th century. It provides six case studies by leading international scholars on phenomena as crypto-Judaism, "judaizing," reversion of Jewish-Christian converts and secret conversion of non-Jewish Christians for intellectual reasons. The first contributions examine George Buchanan and John Dury, followed by three studies of the milieu of late seventeenth-century Amsterdam. The last essay is concerned with Lord George Gordon and Cabbalistic Freemasonry. The contributions will be of interest for intellectual historians, but also historians of political thought or Jewish studies. Contributors include: Elisheva Carlebach, Allison P. Coudert, Martin Mulsow, Richard H. Popkin, Marsha Keith Schuchard, and Arthur Williamson.

With the help of over one hundred illustrations spanning three centuries, Richard Cohen investigates the role of visual images in European Jewish history. The interaction of Jews with the visual arts takes place, as Cohen says, in a vast gallery of prints, portraits, books, synagogue architecture, ceremonial art, modern Jewish painting and sculpture, political broadsides, monuments, medals, and memorabilia. Pointing to recent scholarship that overturns the stereotype of Jews as people of the text, unconcerned with the visual, Cohen shows how the coming of the modern period expanded the relationship of Jews to the visual realm far beyond the religious context. Toward the end of the nineteenth century, the study and collecting of Jewish art became a legitimate and even passionate pursuit, and signaled the entry of Jews into the art world as painters, collectors, and dealers.

"Millennialists through the ages have looked forward to the apocalyptic moment that will radically transform society into heaven on earth. They have delivered withering critiques of their own civilizations and promised both the impending annihilation of the forces of evil and the advent of a perfect society. And all their promises have invariably failed. We tend, therefore, to dismiss these prophets of doom and salvation as crackpots and madmen, and not surprisingly historians of our secular era have tended to underestimate their impact on our modern world. Now, Richard Landes offers a lucid and ground-breaking analysis of this widely misunderstood phenomenon. This long-awaited study shows that many events typically regarded as secular--including the French Revolution, Marxism, Bolshevism, Nazism-not only contain key millennialist elements, but follow the apocalyptic curve of enthusiastic launch, disappointment and (often catastrophic) re-entry into "normal time." Indeed, as Landes examines the explicit millennialism behind such recent events as the emergence of Global Jihad since 1979, he challenges the common notion that modern history is largely driven by secular interests. By focusing on ten widely different case studies, none of which come from Judaism or Christianity, he shows that millennialism is not only a cultural universal, but also an extremely adaptive social phenomenon that persists across the modern and post-modern divides. At the same time, he also offers valuable insight into the social and psychological factors that drive such beliefs. Ranging from ancient Egypt to modern-day UFO cults and global Jihad, Heaven on Earth both delivers an eye-opening revisionist argument for the significance of millennialism throughout history and alerts the reader to the alarming spread of these ideologies in our world today."--Publisher's description.

No one painted like Richard Lindner. His heraldic symbols of New York and his paintings of pimps and armored women were cultural commentaries far removed from Pop¿s bland images. Dore Ashton writes of Lindner: ¿These masked creatures with their foibles painted or draped upon them are really none other than the medieval fools depicted by German woodcut masters in the Totentanz. Lindner¿s dance of death unrolls in the modern metropolis, but it is no less eternal for that.¿

Anyone who has followed the adventures of Clive and Neville Folliot and their companions will be waiting for the final installment in this series, in which the heroes at last escape the confines of the mysterious Dungeon.

Titles are: Breathless * Can't Lie to My Heart * Eternity * Fool's Game * The Image * Miracle * My Confession * Touch of Heaven * What's the Story * What's Wrong with That * Until I Find You Again * You Never Take Me Dancing.

"A community grows as neighbor helps neighbor in this heartwarming story inspired by the Golden Ladder, a Jewish approach to charity intended to create a fair society"--

When Aaron was a boy his Grandpa, or Zayde, would not teach him Yiddish, but as an adult, Aaron longs to learn the language and history of the old country from Zayde and his many books.

Richard Sennett is one of the world's leading sociologists, and this book, first published in 1970, was his first single-authored work. It launched his exploration of communities and how they live in cities, and outlined his view that order breeds narrow, violence-prone lives, while an 'equilibrium of disorder' brings vigour and diversity to urban life. "The New York Times" described it as 'the best available contemporary defence of anarchism'. "The Uses of Disorder" followed the student and urban rebellions of the late 1960s. But it remains uncannily apposite to the problems of city life forty years on. In a new preface Sennett considers the response to the book over those years, and relates it to the circumstances faced by the inhabitants of cities in the twenty-first century. The body of the text remains unchanged, ready for a new generation of readers.

This Critical Reader provides a new perspective on the work of France's foremost social theorist Pierre Bourdieu, by examining its philosophical import and promoting a fruitful dialogue between Bourdieu and philosophers in the English-speaking world. The contributors include leading philosophers who critically assess Bourdieu's philosophical theories and their significance from diverse philosophical perspectives to reveal which dimensions of his thought are the most useful for philosophy today. These discussions also raise important questions about the current institutional limits of philosophy and how those limits may be overcome through a more robust alliance with the social sciences and the practical social world. The contributions cover Bourdieu's use of central figures in the Anglo-American philosophical tradition; his relationship to analytical philosophy and pragmatism through his concept of habitus; his position in twentieth-century continental philosophy; the political dimension of his work; the function and limits of his notion of "the field"; and the relation of his explanatory models to new directions in the philosophy of science. The book also discusses some of his most recent writing not yet translated into English, and it concludes with a chapter by Bourdieu in which he analyses the diverse structural problems and the transformations involved in importing intellectual ideas from one national field to another. The volume also offers a specially prepared comprehensive bibliography of Bourdieu's publications in French and English from 1958 to 1998.

The Danger of Music gathers some two decades of Richard Taruskin's writing on the arts and politics, ranging in approach from occasional pieces for major newspapers such as the New York Times to full-scale critical essays for leading intellectual journals. Hard-hitting, provocative, and incisive, these essays consider contemporary composition and performance, the role of critics and historians in the life of the arts, and the fraught terrain where ethics and aesthetics interact and at times conflict. Many of the works collected here have themselves excited wide debate, including the title essay, which considers the rights and obligations of artists in the aftermath of the 9/11 terrorist attacks. In a series of lively postscripts written especially for this volume, Taruskin, America's "public" musicologist, addresses the debates he has stirred up by insisting that art is not a utopian escape and that artists inhabit the same world as the rest of society. Among the book's forty-two essays are two public addresses—one about the prospects for classical music at the end of the second millennium C. E., the other a revisiting of the performance issues previously discussed in the author's Text and Act (1995)—that appear in print for the first time.

Examines three medieval Jewish accounts of the First Crusade massacres in the Rhine area: the "Mainz Anonymous, " the "Solomon bar Simson Chronicle, " and the "Eliezer bar Nathan Chronicle." Discerns five voices or perspectives in these narratives due to the fact that the "Solomon bar Simson Chronicle" is a compilation of several prior compositions. Suggests that the narratives were composed in order to provide important time-bound information (the course of events, apology of the Jews - both those who chose martyrdom and those who converted, etc.), as well as to address critical timeless issues (including guidance for the future, theodicy, "Kiddush Hashem, " etc.). Believes that the data provided by the two early narratives - the "Mainz Anonymous" and the Speyer-Worms-Mainz unit of the "Solomon bar Simson Chronicle" - are historically reliable, while the other narratives are less reliable. Concludes that the combination of time-bound and timeless concerns reflects an innovative style of historical writing and new views on the relationship between God, humanity, and history.

This book examines the changed, and changing, international monetary system. It describes how the system has evolved under nine Presidents, from Franklin D. Roosevelt to Ronald Reagan. It also discusses the broader evolution of the world economy during this period, including the trade and investment issues to which international monetary policy is closely linked. The subjects are predominantly international but have a major impact on domestic economies. These international effects are why they should be of concern to most people. The dollar is viewed as both a national and an international money. The International Monetary Fund (IMF) is viewed as one vehicle to support sound domestic economic policies, ease the developing nations debt problem, and maintain currency rates that facilitate the orderly flow of finance and trade. The table of contents lists the following chapters: (1) "The Bretton Woods System"; (2) "Cracks in the System"; (3) "The Camp David Bombshell and the Move Toward Floating Rates"; (4) "Floating Rates"; (5) "The Oil Crisis, the Debt Crisis and IMF Conditionality"; and (6) "Reform of the Monetary System." An appendix which contains a summary of proposals for improving or reforming the international monetary system, discussion questions, a reading list, and a glossary also are included. (EH)