Tracing the Democratic Party's dramatic shift to the left over the last thirty years and its concurrent demise, a scholar proposes that the Democrats will never be able to recapture the strength of the New Deal. "This book briskly recounts the Democratic Party's leftward lurch during the tumultuous 1960s and the subsequent decline of liberalism as a vital force in our nation's political life." —Will Marshall, President, Progressive Policy Institute.

THE COMPLETE ORIGINAL EDITION! An utterly revelatory work. Unprecedented in scope, detail, and ambition. In Lost Tribes and Promised Lands, celebrated historian and cultural critic Ronald Sanders offers a compelling and ideology-shattering history of racial prejudice and myth as shaped by political, religious, and economic forces from the 14th Century to the present day. Written with clear-eyed vigor, Sanders draws on a broad history of art, psychology, politics, and religion to inform his striking and soundly-reasoned assertions. Lost Tribes and Promised Lands nimbly zig-zags through space and time, doggedly chipping away at the myopic history of discovery and righteous conquest that has been reiterated for decades by the same ideological forces responsible for centuries of mythological prejudice and racial strife. Placing 14th Century Spanish intolerance (specifically anti-Semitism) as the origins of American racism toward African and Native Americans, Sanders elegantly weaves complex threads of colonial economics, religious exceptionalism, and xenophobia into a heady and often-infuriating thesis on the history of racism. Finally back in print in a complete and cost-accessible edition (when the book was out of print, demand for this important work was so intense that used copies sold for thousands of dollars). Find out why! Lost Tribes and Promised Lands is a gripping and hegemony-exploding treatise on the history of race in the New World.

Book by Luxemburg, Rosa

Appeals to readers interested in Marxism and communism, trade unions and labour history.[Bokinfo]

Rev. and Abridged one volume edition of an original 1947 two volume work

This text ranges widely over the field of different writing systems, the attitudes to the act of writing in different cultures and the use and influence of different writing implements.

The notion of a parallel universe has intrigued the human mind for millennia. This book, however, is not about science fiction; it is about real life. Indeed, Jesus Christ himself, the most "real" human being that ever existed, spoke of the "Kingdom of Heaven" almost as though it were another dimension--a parallel universe.

Tracing the roots and backgrounds of various traditions, many of which are taken for granted without knowing why, this book reveals a great deal about the drama of human civilization from pre-Christian times to the present. Brasch is the author of "How Did Sex Begin?" and "The Book of Days".

Elias Newman is a diabetologist who meets Christabel at a Royal Academy of Arts exhibition. Fascinated, he's keen to know her better. She's attracted to him but afraid of what might happen if she lets herself fall in love.

Phil Ockerman has fallen hard for Bertha Strunk after meeting her at a tango lesson held in a church crypt. Phil and Bertha are each recently separated, and both their Suns are squared by Neptune. Bertha also bears a strong resemblance to the 17th-century Venetian singer and composer Barbara Strozzi—with whom Phil happens to be obsessed—to the point where Phil is no longer sure where Barbara stops and Bertha begins. On their first serious date, Phil and Barbara watch The Rainmaker , a tale of a battered wife and the murder of an ex-husband. Phil begins to suspect as to whether Barbara's choice of film is entirely innocent, however, when afterwards he finds himself carrying around a potential murder weapon. Navigating several subway lines and considerable planetary activity, this intriguing romance tangos its way through a world of infidelity, artificial eyeballs, baseball bats, and music without missing a daring, seductive step.

The squidgerino squelcher, created by Bembel Rudzuk, the wizard, annoys the princess.

Ruth Ben-Ghiat's innovative cultural history of Mussolini's dictatorship is a provocative discussion of the meanings of modernity in interwar Italy. Eloquent, pathbreaking, and deft in its use of a broad range of materials, this work argues that fascism appealed to many Italian intellectuals as a new model of modernity that would resolve the contemporary European crisis as well as long-standing problems of the national past. Ben-Ghiat shows that-at a time of fears over the erosion of national and social identities-Mussolini presented fascism as a movement that would allow economic development without harm to social boundaries and national traditions. She demonstrates that although the regime largely failed in its attempts to remake Italians as paragons of a distinctly fascist model of mass society, twenty years of fascism did alter the landscape of Italian cultural life. Among younger intellectuals in particular, the dictatorship left a legacy of practices and attitudes that often continued under different political rubrics after 1945.

Inside of Time is a book for everyone eager to read about the personal and human side of our stirring times. The vivid recollections of a trailblazing eyewitness to history, combined with stories of Gruber's intimate friendships with luminaries of the century, has created a book to cherish. In the Roosevelt administration and as a foreign correspondent with the New York Herald Tribune, Gruber worked with, wrote about, and was mentored by a cast that included Harold Ickes, FDR's Secretary of the Interior, who in 1941 appointed Gruber as his personal representative to Alaska; Helen Rogers Reid, Herald Tribune publisher and Gruber's boss, who scheduled her to speak at lecture forums where Gruber shared the podium with Churchill and DeGaulle; Golda Meir, with whom she swapped kitchen table confidences about their families; David Ben-Gurion, whose prophetic voice made him the most inspiring leader Gruber ever knew; and Eleanor Roosevelt, whom Gruber shepherded to Israel in the early 1950s. Spanning 1941–1955, Gruber also recalls the fierce anti-Semitism she overcame in Congress, the DP camps she saw in Germany after WWII, and traveling with the Israeli army during the War for Independence. Sixteen pages of photographs add to this enthralling autobiography by one of America's best journalists.

This volume provides new insights into the role of U.S. consuls in the Ottoman Middle East in the special context of the Holy Land. This volume provides new insights into the role of U.S. consuls in the Ottoman Middle East in the special context of the Holy Land. The motivations and functioning of the American consuls in Jerusalem, and of the consular agents in Jaffa and Haifa, are analyzed as part of the US diplomatic and consular activity throughout the world, and of Western involvement in the Ottoman Empire and in Palestine during the century preceding World War I. The processes of cultural, demographic, economic, environmental, and settlement change and the contribution of the US consuls and American settlers to development of and modernization of Palestine are discussed. Based on primary archival sources such facets as the role of consuls regarding the use of extraterritorial privileges, Western religious and cultural penetration, control of land and land purchase, non-Muslim settlement, judicial systems, and technological innovations are considered from American, Ottoman, and local viewpoints.

This volume of essays brings together some of the best work by Americanists concerned with the problem of ideology and its bearing upon American literature and culture. It projects neither a particular ideological view nor a particular view of ideology. On the contrary: these essays highlight the many uses of ideology as a critical term, and, in doing so, they open fresh avenues of inquiry and forums for discussion. They also demonstrate that, far from being parochial or reductive, ideological analysis is integral to considerations of formal structure and crucial to an understanding of the relations between literature and culture. Their essays deal variously with theoretical issues, with questions of theme, genre, and perspective, and with interpretations of particular authors and texts. The editors of the volume provide a general introduction to the nature and development of ideological critique, and an afterword that discusses the coherence of the volume as a whole and its implications for further study.

"This vast, rich family saga is set in the crowded courtyards of Jewish Baghdad before World War I. Sami Michael portrays a family exploding with power struggles and intrigue, seductions and betrayals, witches and hunchbacks, ghouls and spirits of flesh and blood. At the centre is Victoria, a woman of character who stands head and shoulders above the courtyard's tumult and dissipation. Victoria is the daughter of the head of the tribe, enslaved to the needs of her family as are all the women of the courtyard. She has been on love with her cousin Rafael since childhood and her story, told from the distance of an old-age home in Israel, is the story of their lifelong relationship, fraught with lies and humiliation, hope and heartache, and stubborn, enduring love." -- Inside front jacket flap

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