'Robert Wilson''s theatre is the stuff of legend. He has taught theatre-goers to see the world with different eyes. Stefan Brecht''s book provides detailed documentation and analysis of a number of Wilson''s earliest groundbreaking works including The Life of Sigmund Freud, Deafman Glance and Einstein on the Beach. ''Never since I was born have I seen anything more beautiful on this earth, never ever has there been another performance to equal this one, because it is simultaneously life at its most vivid and life with its eyes closed, reality mixed with dreaming, the inexplicability of everything in a deaf man''s glance.'' (Louis Aragon Open Letter to Andre Breton) ''His theatre is a world of its own'' (Heiner Muller)'

Die Geschichte findet Mitte des sechzehnten Jahrhunderts in Antwerpen statt. Ein reicher und frommer Mann will ein Gemälde seine Kirche schenken aus Dankbarkeit für die wundersame Heilung seiner Mutter. Bereits in dieser frühen Arbeit sind viele Themen von Stefan Zweig vorhanden: die Beleuchtung eines unwahrscheinlichen Begegnung, der Sinn des Lebens, der Religion und eine große Vorliebe für Geschichte. Aus dem Buch: Einige Wochen gingen seit jener Unterredung dahin, in welcher der Maler seinem Freunde die Vollendung des Bildes für den Altar der Gottesmutter zugesagt hatte, und noch immer blickte die unberührte Leinwand vorwurfsvoll den alten Meister an, der sie beinahe zu fürchten begann und die Stunden immer lieber auf der Straße zubrachte, um nicht die grausame Mahnung und den schweigenden Vorwurf seiner Mutlosigkeit fühlen zu müssen.

Now in paperback and "brimming with wondrous surprises . . . There's magic in The Pinch " ( The Boston Globe ) Steve Stern's prodigious imagination finds a wondrous home in the Pinch, a once-thriving Jewish community in Memphis. The Pinch revolves around a single enchanted day containing years, during which the antics of a group of Jewish mystics threaten to ravage the life of general store proprietor Pinchas Pin with miracles, and his nephew Muni's ardor for an alluring tightrope walker collides with his passion for chronicling the wonders of North Main Street. Their stories, gleaned by a hapless bookseller from a fabulist history book, transform the fate of the neighborhood. Now in paperback, The Pinch is a sparkling reminder that Steve Stern is one of our most talented and inimitable storytellers. "[A] big, rangy, saturated, antic new novel, a Pynchonian tragicomedy . . . Stern, an ebullient maestro of words and mayhem, wonder and conscience, orchestrates a cacophonous, whirling, gritty, tender, time-warping saga that encompasses a cavalcade of horror, stubborn love, cosmic slapstick, burlesque humor, and a scattering of miracles." -- Booklist (starred review) "Weird and wonderful . . . [ The Pinch is] a backdrop to Stern's poignant and antic drama, a playground on which his exuberant, larger-than-life characters can run wild . . . The Pinch is composed of . . . perfectly calibrated moments, all of which pulse with a dynamic inventiveness." -- Star Tribune (Minneapolis)

'There is no other like Berkoff and there'll never be another.' Daily MailThis volume marks Steven Berkoff's eightieth birthday by bringing together two of his greatest plays from the 1980s, Greek - an audacious take on Oedipus - and Decadence , a visceral satire of the upper classes and the social divide in Britain.With a preface by the playwright and an introduction by Aleks Sierz.'The least remarked upon achievement of Berkoff is his influence.' Dominic Dromgoole, The Full Room

"'What are democracies meant to do? And how does one know when one is a democratic state?' These incisive questions and more underlie this robust enquiry into what democracy means for South Africa post 1994. Power in Action persuasively argues that democracies can only work when every adult has an equal say in the public decisions that affect them. Democracy is achieved not by adopting idealised models derived from other societies, especially from the global North, but rather, it is the product of collective action. Citizens' rights to be heard should not only be through public protest action but also through the conscious exercise of influence on public and private power holders. In this way, more citizens can claim a say over more decisions in society. This is an essential read for all those interested in the future of democracy in Africa as well as the world"--Back cover

In this book, each of the chapters offers an analysis of the origins and development of an important aspect of Japanese culture, including religion (Pure Land Buddhism and Zen, Shinto and folk religions, Confucianism and Tokugawa era ideology), philosophy (classical Buddhism and the contemporary Kyoto School), literature and the arts (medieval poetry and drama, modern fiction and films), and social behavior (family system, feminism, nationalism, and economic growth). The central, underlying theme is the uniqueness and creativity of Japan as seen from twentieth century perspectives. One of the fascinating things about Japanese culture is that, on the one hand, it seems to have held onto its traditional foundations with a greater sense of determination and celebration than most societies and, at the same time, it appears to have attained a position at the forefront of international modernist and postmodernist developments. The authors explore several approaches to this issue. One school of thought is influenced by recent Japanese writers and intellectual historians such as Mishima, Tanizaki, Watsuji, and Nakamura. Another approach is influenced by Western poststructuralist commentators such as Barthes, Derrida, and Lyotard. A third approach is to argue against the thesis known as nihonjinron ("Japanism" or cultural exceptionalism), by suggesting that the notion of Japanese uniqueness is itself a cultural myth generated by nationalist and particularist trends originating in the Tokugawa era. The volume features an essay by Kenzaburo Oe, winner of the Nobel Prize for Literature, entitled "Japan, the Dubious, and Myself."

"Typography has jumped off the printed page to stand on its own as branding, sculpture, and even architecture. "Lettering Large" is the first to chronicle letters as presences in the urban landscape. Preeminent graphic design and typographic commentator and historian Steve Heller teams with Mirko Ilić, a noted graphic designer, to select the most dramatic and telling examples culled from sites across the United States and throughout Europe and Asia"--Page [4] of cover.

(Applause Books). "The best way I know to resuscitate the theatre is to produce dangerous new works." Stuart Ostrow. Producer Stuart Ostrow's manifesto of how intelligent life might be restored to the theatre is also a unique personal memoir of the producer-creator relationship and an evaluation of the essentials that can make a show fly, or remain earthbound. As a solo producer, Ostrow's many productions include M. Butterfly , which won the Tony Award for Best Play; Pippin ; and 1776 , which received both the New York and London Drama Critics Awards as well as the Tony Award for Best Musical. He produced the original Broadway production of the critically acclaimed La Bete , which won the Olivier Award in London for Best Comedy. Ostrow was brought in to fix the original production of Chicago , collaborated with Anthony Hopkins on a London production of M. Butterfly , that was not meant to be, and even had his own play, Stages , directed on Broadway by the avant-garde theatrical pioneer Richard Foreman. He riffs about the heroes and heels he's met along the way and that great cast includes Frank Loesser, Meredith Willson, Mel Brooks, Mike Nichols, Bob Fosse, David Geffen, Andrew Lloyd Webber, David Henry Hwang, John Kander, Fred Ebb, and many more.

The death of flamboyant writer and womanizer Peter Grosvenor sets in motion a series of spiraling events surrounding his legacy and his estate. His bitter third wife, his two children, his sister, his friends, and his would-be biographers are drawn into a maelstrom of intense memories and painful encounters as each of the major players in Peter's life seeks to appropriate Peter's estate for his or her own purposes. As a complex story of passion, jealousy, and loss unfolds, the figures that had once blossomed in Peter's presence spin off into their own orbits and turn against one another without the anchor of his charismatic presence. Ultimately, the tragedy and scandal that marred his life cannot be ended even by his death. Susan Fromberg Schaeffer writes with exquisite flavor and measure; character, history, and relationships build into a large, minutely detailed canvas and remind us why she is a master of the epic novel. Reading group guide included.

When Edna marries Dr. John Steele, she embarks on a lifetime adventure of anguish, loss, courage, and love.

THE NEW VOICES IN LITERATURE AWARD FINALIST A WILLIAM FAULKNER COMPETITION SEMI-FINALIST " a marvelous collage of history, politics, mystery and romance." Pat Averbach, Director, Chautauqua Writers Center When Taiwanese millionaire Ko-sa Ong shows up in Washington with Jade Phoenix by his side, Nick Malter, his best friend, and his lost "Angel" would all rather be in some other country. But Taiwan is no ordinary country in the 1970s. Against all odds, Ko-sa has everything he could want except a son and a nation. Jade Phoenix has nothing after her father, a senior Nationalist general, commits suicide. Nick Malter, an American reporter, peers under the veils that cloak the Chinese and their women. Love blooms in a wilderness of misunderstanding. Ko-sa and Nick share an abiding hatred of Chiang Kai-shek and the cynical American Secretary of State who would forever deny the Taiwanese their country. They risk all for each other, but both give up everything for the love of Jade Phoenix. A stroke of the pen shatters dreams of nationhood and foreign devils challenge ancient Chinese customs in this extraordinary cross-cultural adventure. Betrayal and trust forge uncontrollable urges, fierce loyalties, and love that extends beyond life itself.

Tamar Gendler draws together a series of essays in which she investigates philosophical methodology, and shows the value for philosophy of empirical psychology. Three intertwined themes run through the volume: imagination, intuition and philosophical methodology: Gendler explores how we engage with subject matter that we take to be imaginary.