Love of Venice can strike anyone, not just romantic wusses. Among the toughies with serious cases were Lord Byron, Richard Wagner, Ezra Pound, and Ernest Hemingway. Symptoms include: Wishing that the movie stars in films set in Venice would move aside so that you can get a better view of the scenery. Wondering why people ask if you had good weather when you were thereas if rain could dampen your love. Thinking that people who go to Tuscany or Provence must be nuts. Believing that the Per San Marco street sign with arrows pointing in opposite directions makes perfect sense. Consoling yourself when you leave by remembering the generations of Venetian merchants who, as they were borne away from Venice, vowed to be back as soon as they had more money. There is no cure for this affliction. This is a guide to managing it

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Newsweek' s Jerusalem bureau chief Joshua Hammer arrived in the West Bank in October 2000 -- just after Ariel Sharon made his inflammatory visit to the Haram al-Sharif, otherwise known as the Temple Mount. Sharon's trip ignited the worst violence the Middle East had seen in decades. Overnight, the peace process gave way to an ever-worsening cycle of attack, revenge, and retaliation, destabilizing the entire region, killing thousands, and culminating in Israel's reoccupation of Palestinian towns in 2002. A Season in Bethlehem is the story of one West Bank town's two-year disintegration, as witnessed by a reporter who was there from the beginning. Woven together from Hammer's own firsthand reportage plus hundreds of interviews, it follows a dozen characters whose lives collided on the streets of this biblical city. They include a Bedouin tribesman who rose to become the commander of Bethlehem's most feared and brutal gang of gunmen; the beleaguered governor, an opponent of the al-Aqsa intifada, who believed he had a mandate to stop the violence, only to discover that Yasser Arafat was undermining him; a Christian businesman who watched helplessly as his community was squeezed between Muslim militants and the Israeli army; an eighteen-year-old female honors student turned suicide bomber; and an Israeli reservist, son of a leader of the Peace Now movement, who wrestled with his left-wing convictions as he rode to battle through the predawn streets. The narrative reaches a climax with a moment-by-moment recreation of the epochal drama that drew many of these characters together: the thirty-nine-day siege of the Church of the Nativity. A clear-eyed chronicle of deepening chaos and violence, in which Hammer lets the opposing sides speak for themselves, A Season in Bethlehem is both a timely and timeless look at how longstanding religious and political tensions finally boiled over in a place of profound resonance: the birthplace of Jesus.

Japan and China did not begin to emerge as unified political entities until the nineteenth century. Yet scholars and politicians persistently refer to "Japan" and "China" in discussions of earlier periods, as if the modern nation-state had long been established in these regions. Joshua Fogel here brings together essays by eight renowned East Asian scholars to demonstrate why this oversight distorts our historical analysis and understanding of both countries. The nation-states of Japan and China developed much later and, indeed, far less uniformly than usually conveyed in popular myth and political culture. Moreover, the false depiction of an earlier national identity not only alters the factual record; it serves the contemporary engines of nationalist mythology and propaganda. This interdisciplinary volume asks deceptively simple questions: When did "Japan" and "China" become Japan and China? When and why do inhabitants begin to define their identity and interests nationally rather than locally? Identifying the role of mitigating factors from disease and travel abroad to the subtleties of political language and aesthetic sensibility, the answers provided in these diverse and insightful essays are appropriately complex. By setting aside Western notions of the nation-state, the contributors approach each region on its own terms, while the thematic organization of the book provides a unique lens through which to view the challenges common to understanding both Japan and China. This highly readable collection will be important to scholars both inside and beyond the field of East Asian studies.

Jacob Beck, a young Jewish boy growing up in Canada in the 1950s, experiences Christmas as a member of a minority in another culture as he searches for a present for his best friend, Larry, longing to share in his world while remaining true to himself.

"Zoltan Beck is dying. His devoted but long-suffering sons, Ben and Frank, are trying to prepare themselves and their families for Zoltan's eventual departure...but they can't quite bring themselves to believe that the end is really at hand, and neither can Zoltan himself. The head of a family marked by war and tragedy for decades, he "can't stand to be in a room with a miserable person" and has done his best to keep the pain of his refugee past from his beloved children. But as he faces the end of his life, he discovers a heartbreaking secret from the War that will ultimately bring the family together - or irrevocably disrupt it. Set in both mid-20th century Hungary and contemporary Toronto, this is a deeply moving novel that revels in the energy of its extraordinary characters. It is the story of lost love and newfound connections, of a father and his sons desperately reaching out to bridge an ever-widening gap...even as their time together ebbs away."--Provided by publisher.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Pomegranate's Jonathan Green coloring book features 22 entrancing images by the popular American artist. Coloring pages are blank on the back so they can be cut out and displayed. One forty-eight page 8 1/2 x 11 in. book with twenty-two images to color. Each illustration is reproduced in a small, color version of the original artwork and as a full-page black line drawing. The painter Jonathan Green lives in Naples, Florida, but he grew up near the tidal marshlands of South Carolina, a member of the Gullah community. The ancestors of Gullah families were slaves brought to North America from West Africa, and their traditional culture has proven quite resilient. In Jonathan Green's pictures we encounter scenes from his childhood--the land, the animals, and the people are those he remembers. You'll find twenty-two of Green's paintings in this coloring book. They are shown as small pictures on the inside front and back covers. You'll notice that he likes lots of bright yellows and reds and often shows people wearing big hats. When you color in these pictures, you might want to try to copy the original colors, or you might decide to use your own. The last page of this book is blank so that you can draw and color your own picture, one that shows something from your life. Maybe it will be a place, a pet, a friend, or someone from your family. Or maybe it will be something you saw and remembered, like a fancy car or a balloon, or a big hat. Take your time and try using some fun, bright colors, as Jonathan Green does.

Tradition in an Untraditional Age, first published in 1990, explores the challenges of secularisation, assimilation and antisemitism, through analyses of thinkers including R. Samson Raphael Hirsch, R. Moses Sofer, R. Abraham Isaac Kook, R. Joseph Soloveitchik, Franz Rosenzweig and Martin Buber, as well as studies of topics including the Holocaust, Jewish-Christian dialogue, Jewish economic ethics and religious alienation and return. It also sets out an agenda for future Jewish thought.

"One of the best-kept religious secrets has been the revolution that has been quietly taking place within Judaism over the last two decades, as it has sought to grapple with contemporary issues. These include mixed-faith marriages, gay relationships, women's empowerment, declining numbers, atheism and being trans. It has involved a willingness to abandon biblical laws that conflict with modern values. Most ground-breaking of all, it has meant re-defining what it means to be Jewish in the 21st century. Inclusive Judaism not only uncovers this religion revolution, but presents a challenge to all people of faith on how best to marry tradition and modernity. The book also reflects the soul-searching that has prompted rabbis to chart a new course, both out of principle and as a practical way of rescuing British Jewry from possible collapse if it did not adapt to the new social trends that affect us all"--

"This collection essays explore issues of historicity, spirituality, standardization and other topics central to the study of Protestant, Catholic and Jewish sacred music from 1801 to 1918. This volume captures the breadth of scholarship available in the field, as well as serving as a useful introduction for those readers just beginning their study of sacred music"--Provided by publisher.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

John Gerassi went to North Vietnam as a member of the first investigating team for the International War Crimes Tribunal set up by the Bertrand Russell Peace Foundation. This book, first published in 1968, is the record of that visit and of the author's sympathy for the ordinary people caught up in the conflict. It is primarily intended as a historical document, and provides valuable on-the-spot records of the war as experienced in North Vietnam.

Two essential plays from Berger and Bielski on art, politics and liberation Goya's Last Portrait and The Question of Geography are the result of collaboration between John Berger and the actress and writer Nella Bielski. Here, collated for the first time as part of the Essential John Berger Series. Goya's Last Portrait, is a study of the artist looking back on his work and drawing the outline of the relationship between art and life. Having painted the darkest images of the soul, the horrors of war, as well as the vibrant colours of aristocratic life, Goya's questions whether he has reflected life or changed it. The Question of Geography, premiered at the Royal Shakespeare Company, i s set in Magadan, a town in the Soviet Far East where former political prisoners, known as "Zeks," are forced to live after serving their sentences. The play delves into themes of exile, displacement, the lasting effects of political repression, and the struggle to rebuild lives after imprisonment.

Twentieth Great Ages of Man

This book, compiled by the Middle East Research and Information Project, provides an eyewitness look at the December 1987 Palestinian uprising, as well as in-depth analyses of how it permanently altered the political terrain of the Middle East.

A profile of the young George Bush chronicles his military aviation training and his courtship with Barbara Pierce

Here for the first time is a stirring collection of 110 rare songs from the Holocaust in sixteen languages with singable English translations, songs of resistance, despair, rage, hope, and even humor, written in the face of utter evil. The very existence of these songs raises haunting questions. Who composed them? Who sang them? Who listened? The lyrics, along with extensive historical notes and insightful survivor testimony in this groundbreaking volume, provide moving answers. Musicologist Jerry Silverman has compiled an expansive collection of Holocaustera songs-in Yiddish, German, Hebrew, Spanish, French, Dutch, Italian, Ladino, Serbo-Croatian, Greek, Norwegian, Czech, Polish, Russian, Hungarian, and Englishwhich he situates within a vivid historical framework. This volume comprises then work of concentration camp prisoners and inhabitants of the ghettos of Eastern Europe as well as subversive European cabaret music, anti-Fascist anthems inspired by the Spanish Civil War, Red Army songs, and songs of Resistance fighters. Silverman conducted exhaustive research that included interviews with survivors and visits to international archives. In some cases, where the original music has been lost, he has set the words to music usingmtraditional melodies or his original compositions. Included are songs of prewar Germany, of ghettos and camps during the height of the murderous "Final Solution;' and of postwar reflection by such balladeers as Pete Seeger, Janis Ian, Si Kahn, and Tom Paxton.