Chief of homicide Sam Birge pursues the killer of a young would-be writer found dead in the hallway of an old apartment building which houses a cafe-restaurant and artists' studios

Drawing deeply from the well of Brombert's own experience, Musings on Mortality is more than mere literary criticism : it is a moving and elegant book for all to learn and live by

In 2000, Theater Communications Group published Death & Taxes which contained the following one-acts: REVERSE TRANSCRIPTION, G DAVID SCHINE IN HELL, NOTES ON AKIBA, TERMINATING and EAST COAST ODE TO HWARD JARVIS. In 2009 the Guthrie Theater in Minneapolis, under the title Tiny Kushner, produced FLIP FLOP FLY, TERMINATING, EAST COAST ODE TO HOWARD JARVIS, DR ARNOLD A HUTSCHNECKER IN PARADISE, and ONLY WE WHO GUARD THE MYSTERY SHALL BE UNHAPPY. This book, for the first time, collects all these one-acts in one place.

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A collection of stories portrays the lives of the Eastern European Jews of obscure villages who are the forefathers of the American Jew today

Text: English, Hebrew (translation)

Excellent Book

ICU Psychosis Something is very badly wrong in the Hospital ICU where Donna's father is supposedly convalescing. Nurses disappear and never return, necessary treatments are delayed without cause, and she can't get a straight answer out of anyone... except the dead guy who keeps talking to her post-op crazy father.

A startling number of masterpieces now in American museums are there because of the shrewdness of one man, Joseph Duveen, art dealer to John D. Rockefeller, Andrew Mellon, Henry Clay Frick, and William Randolph Hearst. In a series of articles originally published in The New Yorker, playwright S.N. Behrman evokes the larger-than-life Duveen and reveals the wheeling and dealing, subterfuge, and spirited drama behind the sale of nearly—but not quite—priceless Rembrandts, Vermeers, Turners, and Bellinis.

During the course of the twelfth century, increasing numbers of Jews migrated into western Christendom from Islamic lands. But western Christendom was both appealing and threatening to the Jewish immigrants. Indeed, western Christendom was entering a phase of intense missionizing activity, some of which was directed at the long-term Jewish residents of Europe and the Jewish newcomers. The writings of twelfth- and thirteenth-century leaders from southern France and northern Spain constitute the first evidence of Jewish anti-Christian polemics from within western Christendom. These leaders were fully cognizant of the core Christian thrusts, described them in detail for their co-religionists, and rebutted them carefully. This study recreates some of the clarification and rebuttal, and examines the techniques of persuasion adopted by the Jewish polemicists in order to reassure their Jewish readers of the truth of Judaism and the error of Christianity.

Le Proche et Le Lointain (literally The Near and the Far) was first published in France in 1981, and this translation is available to English-speaking readers one of the most significant European contributions to Elizabethan cultural history to appear in recent years. In the conjunction - or conflict - of the 'near' and the 'far' Professor Marienstras discerns an underlying dichotomy of major importance to an understanding of the Shakespearean world. Othello, The Tempest and John Ford's 'Tis Pity She's a Whore are amongst the works discussed in detail in this highly imaginative series of inter-disciplinary studies, and the author sees in the juxtaposition of nature and culture, sacrifice and sacrilege, purity and impurity, nourishment and poison a structural opposition that renders unified and comprehensible thematic material at first sight random and meaningless.

"Translations of selected poetry concerning Jerusalem, for the 1930s to the present, with an introduction and notes"-- Provided by publisher.

Examines the personal values and philosophies of Edith Stein, Simone Weil, Anne Frank, and Etty Hillesum in relation to the pressures and conditions under which they lived in the Nazi era. All had "strong Christian affinities." Under the challenge of terror they were "Christians by choice, Jews by decree." Each responded to her Jewishness in a distinct way: Stein felt close to the Jews; Weil had a hateful attitude toward them and tried to obliterate herself as a Jew; Frank and Hillesum both affirmed their Jewish identities. In the face of Hitler, each, in her own way, resisted.