Anita Brookner's first novel available as a Penguin Essential for the first time. 'Dr Weiss at forty knew that her life had been ruined by literature.' Ruth Weiss an academic is beautiful intelligent and lonely. Studying the heroines of Balzac in order to discover where her own childhood and adult life has gone awry she seeks not salvation but enlightenment. Yet in revisiting her London upbringing her friendships and doomed Parisian love affairs she wonders if perhaps there might not be a chance for a new start in life . . .

There is magic in everything. The world is a spinning star, No matter how old you are. This visually stunning book is a celebration of the the special bond between a grandparent and child as they share the magic, joy and love in the world, both past and present. This book brings together two of the most exciting talents in children's books.

From the author of The Last Testament comes the true love of Bonnie Prince Charlie, her adventures in America and her lasting legacy. In the page-turning popular genre trail-blazed by Antonia Fraser and Phillippa Gregory, The Pretender’s Lady , Alan Gold’s meticulously researched novel, accurately opens history’s pages on a peerless woman who helped change the course of history and whose legend lives on in Scotland today—Flora MacDonald. She was the most famous Scotswoman of her day, single handedly saving Bonnie Prince Charlie. This is her fictionalized life story—her relations with the Prince, her flight to America, Ben Franklin’s influence, and her return to Britain to lobby for peace But what’s hidden from history, revealed now for the first time in Gold’s dazzling new work of fiction, is the result of Flora’s and Charlie’s love: a beautiful and talented boy raised on an American farm. But only she knows his true heritage and his claim to the world’s greatest throne. And only the genius of Ben Franklin understands how to use this naïve boy to change the history of America. Skyhorse Publishing, as well as our Arcade, Yucca, and Good Books imprints, are proud to publish a broad range of books for readers interested in fiction—novels, novellas, political and medical thrillers, comedy, satire, historical fiction, romance, erotic and love stories, mystery, classic literature, folklore and mythology, literary classics including Shakespeare, Dumas, Wilde, Cather, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.

THE STORY: A husband goes to his office politely asking if his wife's lover will be coming today. She murmurs 'Mmmm,' and suggests he not return before six. In order not to return before six he will no doubt visit a prostitute. A competition is glossily established. When the lover does come, he is the husband, which is not surprising. The kind of sex-play follows that suggests this is the necessary titillation, and the necessary release ofhostility, between a man who means to be master of the house and a wife who means to be both wife and mistress, whatever the house may be. But there is a flaw in the accommodation. The lover is weary of his mistress; she is no longer particularly appetizing. By the time he returns, as husband, in the evening, his wife is still disturbed by the news. The performance of the afternoon has begun to carry over into the reality (or pretense) of the evening. Suddenly the husband is not quite husband, diffident over his drink. He is blurring into the lover, at the wrong hour, and angrily. The wife must seduce him now as wife, not as mistress. She does. -NY Herald-Tribune.

Breaking up was never so much fun. Whether the reader is the dumper or the dumpee, Harris knows what they're going through--loneliness, guilt, resentment, second thoughts, and at least a few glimmers of relief and freedom. The perfect pick-me-up for the jilted everywhere, He Loved Me, He Loves Me Not shows readers that when it comes to breakups, there's nothing wrong with wallowing in one's own misery, seeking a little revenge, or eating onself into oblivion.

Book by Luxemburg, Rosa

El Libro de Lovecraft, de Richard A. Lupoff, es un magnífico homenaje al más excéntrico y venerado escritor de cuentos de terror de todos los tiempos, y constituye a la vez una meticulosa recreación de una época -los años 20- y un capítulo escabroso (todavía no cerrado) de la historia humana: el desarrollo y propagación por todo el globo terráqueo de las ideas nazis, racistas y fascistas de toda índole. H. P. Lovecraft es tentado repetidamente por el fanático George Sylvester Viereck para que preste su pluma y su linaje anglosajón a la causa fascista y escriba una especie de Mein Kampf americano; a cambio, Viereck se encargará de la edición de un volumen que reúna los cuentos de terror de Lovecraft, hasta entonces dispersos en revistas «pulp» y prensa de aficionados. Aunque las aborrecibles opiniones políticas del escritor son conocidas por todos, sus amigos no creen que Howard conozca en realidad las ponzoñosas aguas en las que está a punto de hundirse. Es entonces cuando Frank Belknap Long, Robert E. Howard, Clark Ashton Smith, y, sobre todo, Hardeen «el misterioso», hermano de Houdini (y escapista también), se ponen en movimiento para mantener a Lovecraft lejos de las garras de las fuerzas oscuras...

In this memoir, dancer, choreographer, and filmmaker Yvonne Rainer traces her personal and artistic coming of age. Feelings Are Facts (the title comes from a dictum by Rainer's one-time psychotherapist) uses diary entries, letters, program notes, excerpts from film scripts, snapshots, and film frame enlargements to present a vivid portrait of an extraordinary artist and woman in postwar America. Rainer tells of a California childhood in which she was farmed out by her parents to foster families and orphanages, of sexual and intellectual initiations in San Francisco and Berkeley, and of artistic discoveries and accomplishments in the New York City dance world. Rainer studied with Martha Graham (and heard Graham declare, "when you accept yourself as a woman, you will have turn-out"--that is, achieve proper ballet position) and Merce Cunningham in the late 1950s and early 1960s, cofounded the Judson Dance Theater in 1962 (dancing with Trisha Brown, Steve Paxton, David Gordon, and Lucinda Childs), hobnobbed with New York artists including Robert Rauschenberg, Robert Morris (her lover and partner for several years), and Yoko Ono, and became involved with feminist and anti-war causes in the 1970s and 1980s. Rainer writes about how she constructed her dances--including The Mind Is a Muscle and its famous section, Trio A, as well as the recent After Many a Summer Dies the Swan--and about turning from dance to film and back to dance. And she writes about meeting her longtime partner Martha Gever and discovering the pleasures of domestic life. The mosaic-like construction of Feelings Are Facts recalls the composition-by-juxtaposition of Rainer's work in film and dance, displaying prismatic variations from what she calls her "reckless past" for our amazement and appreciation.

WALK THE DARK STREETS The night maid finds Janice Morel's body lying in her blood-soaked bed, stabbed to death. Lieutenant Hagen assumes that Harry Chapel must be the murderer. After all, he was one of her lovers, and he had previously served time for killing his wife. Why look further? But Captain Birge is not one to jump to conclusions. Morel had been blackmailing a lot of men. Maybe one of them caught up with her. There's Joe Marco, the shady owner of Club Trinidad, where Morel worked. And the couple down the hall, Jean and Freddie-Freddie might be blind, but he gets around the building very well. Birge knows that Morel was no angel, but who hated her enough to plunge a knife into her self-serving heart? Black Gat #79

1955. When Mirabelle Bevan is rescued from a fire at her home on the Brighton seafront she's lucky to escape unharmed - but the blaze takes the life of her neighbour, Dougie Beaumont, a dashing and successful racing driver living in the flat above. It soon becomes clear that this was arson, raising questions about the young man's death that Mirabelle can't resist investigating further. With her curiosity piqued and on the trail of a potential killer she finds herself taking on the mysterious world of Fleet Street with its long lunches and dodgy deals as well as the glamorous motor racing world at Goodwood. It gradually becomes clear to Mirabelle that Dougie Beaumont's life was not as above-board as it first seemed and that this talented man had many secrets, hidden when he was alive by his international lifestyle where he was constantly on the move. Then, when a second shocking murder takes place, Mirabelle's pursuit is frustrated first by Dougie's well-connected and suspicious family and then by the official investigation - led by her would-be lover Superintendent McGregor. With the help of her colleague at McGuigan & McGuigan Debt Recovery, Vesta, and some of her ex-intelligence service connections, Mirabelle discovers the dark secrets of the glamorous racing driver have ramifications far beyond the English coastline.

"Tuesday, February 17. 11: 40 a.m., Corner of Vermont Avenue and Sunset Boulevard. A robber approached the victim from behind and put a knife to her stomach. . . . " Stabbings, even fatal ones, are not uncommon in Los Angeles. But the stabbing death of Aggie Lasher-a vibrant young woman dedicated to helping others and, it seemed, deeply loved by everyone who knew her-was especially tragic. For almost six years she has been obsessed by the mystery of her best friend's murder: If she had been with Aggie, would the killer have chosen another victim? Will the killer ever be caught? When Molly's LAPD pal Detective Andy Connors shows her a locket found on the body of a dead man, suddenly the case seems solved. Molly had given that locket to Aggie. Still coiled inside it is the red-thread good-luck charm that Molly had brought back years ago from Rachel's Tomb in Bethlehem, a thread with the reputed mystical power to protect its wearer. The presumed murderer-a good-looking aspiring actor named Randy Creeley-was found dead of an overdose in his shabby Hollywood apartment. But Molly has unanswered questions. And though she should be focused on her wedding, only weeks away, she is driven to find out more-about Creeley; about his nervous sister, Trina; about his missing girlfriend, Doreen. About Aggie, who, it turns out, didn't tell her best friend everything. The more Molly discovers, the more she wonders: Was Aggie's life snuffed out so an addict could shoot up? Or has Creeley been framed? What if Aggie was deliberately murdered by someone else, someone who is ready to kill again to ensure that his motives stay buried with Aggie and Randy Creeley? Molly's search for the truthsends her scurrying for answers in an L.A. tourists seldom see. But closure is elusive, and seeking it can exact a stiff price-sometimes even a life. Rochelle Krich's third Molly Blume mystery is irresistible: an inexorably compelling chiller.

Robin Morgan is known as a prize-winning author, a political theorist, and a founder of the contemporary women's movement. But these adult accomplishments eclipsed an earlier fame. "Saturday's child has to work for a living," and Morgan has--since the age of two. She was a tot model, had her own radio show at age four, and was a child star on television, including on the popular series "Mama." Unlike most child actors, she emerged to reinvent a life filled with literary achievement and constructive politics.Here Morgan tells the whole story--the years as a child so famous she was named "The Ideal American Girl," her fight to become a serious writer, marriage to a fiery bisexual poet, motherhood, lovers (male and female), and decades working on civil rights, the radical underground, and global feminism. This is the intensely personal, behind-the-scenes story of her life.

Yakoub, interplanetary Gypsy King, tells of his long life, his many loves and his travels from world to world. Yet after everything he has achieved, one final goal remains--wresting back the crown from his usurping son and returning to his people's legendary home, the Star of Gypsies. Fine.

Ustinov loves to contrast people and cultures and to deflate, with wit and humor, the false and pretentious in both. This work brilliantly contrasts a midwestern police chief with the British tradition of law and order -- a hilarious, often savage, satire of justice as it exists on both sides of the Atlantic.

"For Leslie, the heroine of this searching novel, the cost of living - and loving - is getting higher and higher. First of all, she is miserable for having lost her lover, Valerie, to another woman. And she has begun to doubt just about everything about her life. Now, she is involved in a strange erotic triangle with Honor, an adolescent virgin who has romantic ideals and Bernie, a homosexual street hustler trying to settle down. Leslie and Bernie both want Honor. They also want each other. But all Honor wants is a little spice in her life. Here is a powerful, searing novel of three young dreamers caught up in a lifestyle they can neither accept nor change."--Author's website (viewed May 1, 2023).

How do you build a nation? It takes statesmen and soldiers, farmers and factory workers, of course. But it also takes thieves, prostitutes and policemen. Nation-building demands sacrifice. And one man knows exactly where those bodies are buried: Cohen, a man who loves his country. A reasonable man for unreasonable times. A car bomb in the back streets of Tel Aviv. A diamond robbery in Haifa. Civil war in Lebanon. Rebel fighters in the Colombian jungle. A double murder in Los Angeles. How do they all connect? Only Cohen knows. Maror is the story of a war for a country's soul, a dazzling spread of narrative gunshots across four decades and three continents. It is a true story. All of these things happened.

A radio host from San Francisco, his new lover, and a high school kid who does not age are brought together in an illustrated tale of strength and strange foes

A genre-defying account of confinement and its literary echoes through history. As the pandemic sweeps through Paris in March 2020, the writer HC faces a choice: stay in Paris or flee to the countryside? The weight of historical responses bears down on her--those of her ancestors and Jewish writers during moments of persecution. Still uncertain, she flees to the country at the last moment, with her cats and her daughter, with her diaries and notebooks. What will she do here? Write? What will she write about? Can she write about the experience of being confined? She will write about her cats; every day she will observe their lives and take notes about how they cope with being housebound, and later, in the spring, with the outdoors. Thucydides, Defoe, Camus, Kafka--she will compare her experiences with those of others who have been confined by malady or persecution. She will write of her mother, who fled impending disaster on many occasions and always kept a suitcase ready. She too will endure. The important thing is to have a good death, surrounded by those she loves, not locked down in a hospital.

Professor C. G. Hempel (known to a host of admirers and friends as 'Peter' Hempel) is one of the most esteemed and best loved philosophers in the If an Empiricist Saint were not somewhat of a Meinongian Impos world. sible Object, one might describe Peter Hempel as an Empiricist Saint. In deed, he is as admired for his brilliance, intellectual flexibility, and crea tivity as he is for his warmth, kindness, and integrity, and does not the presence of so many wonderful qualities in one human being assume the dimensions of an impossibility? But Peter Hempel is not only possible but actual! One of us (Hilary Putnam) remembers vividly the occasion on which he first witnessed Hempel 'in action'. It was 1950, and Quine had begun to attack the analytic/synthetic distinction (a distinction which Carnap and Reichenbach had made a cornerstone, if not the keystone, of Logical Em piricist philosophy). Hempel, who is as quick to accept any idea that seems to contain real substance and insight as he is to demolish ideas that are empty or confused, was one of the first leading philosophers outside of Quine's immediate circle to join Quine in his attack. Hempel had come to Los Angeles (where Reichenbach taught) on a visit, and a small group consisting of Reichenbach and a few of his graduate students were gath ered together in Reichenbach's home to hear Hempel defend the new posi tion.

"Last Post has a double life; it both sounds for the gallant fallen and recalls what spurred freelance journalists, in all those yesterdays before e-mail, to get their copy in the pillar-box by deadline time. Frederic Raphaels compendium, written in the lively equivalent of the French epistolary second person singular, is a rare mixture of loud salutes, occasional raspberries and affectionate farewells. Its intimacy delivers frankness that formal biography, however plumped with proper sources, seldom achieves. To John Schlesinger, "Fuck em all dear," you used to say. And God knows, you did your best.; Ludwig Wittgenstein saying What do you know about philosophy, Russell, what have you ever known?; Cyril Connolly to William Somerset Maugham who was complaining about his lack of true lovers, ...then although the room was chilly, no one cared to poke poor Willie; You bloody fool, the first words said by a venerable professor to George Steiner. As the parade goes by, Last Post becomes what classicists call a prosopography. Raphaels own versatility shows up in the varieties of tone and vocabulary in long letters of tribute to the two Stanleys Kubrick and Donen, Ken Tynan, Leslie Bricusse, Tom Maschler, Dorothy Nimmo the known and the less known but no less valued; finally, above all, in farewell to his beloved daughter Sarah."--Back cover.